Logos,
2016
Watkins College of Art and Design
Everist,
2016
Watkins College of Art and Design
Botanifik,
2016
Watkins College of Art and Design
Icons Of Modern Art,
2016
Watkins College of Art and Design
Logos,
2016
Watkins College of Art and Design
The Fifth Color 2017,
2016
Watkins College of Art and Design
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art,
2016
SIT Study Abroad
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey
Independent Study Project (ISP) Collection
This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19th and early 20th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …
Dotphotozine Issue 6, September 2016,
2016
California State University, San Bernardino
Dotphotozine Issue 6, September 2016, Students Of The Csusb Art Department, Thomas Mcgovern
Dotphotozine
No abstract provided.
Infographics On The Brain,
2016
University of Georgia School of Law Library
Infographics On The Brain, Rachel S. Evans
Presentations
Higher Education is often known for a certain type of learning experience in the classroom. Students expect thick books and in many areas of study, the Socratic method, but generally little in the way of visual aids. Students in other areas of study, including K-12, are increasingly benefiting from their educators using infographics in the classroom. The potential uses in higher education range from giving your course syllabus a facelift, to illustrating facts visually, and even to teaching students to create their own infographics as a practice-ready skill. This session will quickly explore why today’s students are drawn to visuals …
Testing The Viability Of A 3d Workflow Using Only Adobe Creative Cloud,
2016
California Polytechnic State University, San Luis Obispo
Testing The Viability Of A 3d Workflow Using Only Adobe Creative Cloud, Matthew D. Oakes
Graphic Communication
To determine whether or not a design team or individual designer can create 3D prototypes and the subsequent finished product in a more economically sound and timely manner by purchasing and utilizing Adobe Creative Cloud applications as opposed to the standard workflow that has been established in the past 20-25 years.
A 15-question qualitative survey was submitted to twenty (20) 3D product designers/engineers that currently work in the established industry. Questions were asked to determine what the standard industry professionals are using in their 3D design workflows and if they are open to newer methods that are becoming available through …
Message Journal, Issue 3: What Is The Topography Of The Contemporary Graphic Design / Communication Landscape In Relation To Art Practice? What Occupies The Space Between Disciplines?,
2016
University of Huddersfield
Message Journal, Issue 3: What Is The Topography Of The Contemporary Graphic Design / Communication Landscape In Relation To Art Practice? What Occupies The Space Between Disciplines?, Spencer Roberts, Richard Miles, Andrew Spackman, Craig Barber, Cathy Gale, Zachary Kaiser, Daniel Jasper
Message Graphic Communication Design Research
No abstract provided.
Visual Brand Identity Of Food Products: A Customer’S Perspective,
2016
International Hellenic University
Visual Brand Identity Of Food Products: A Customer’S Perspective, Panagiota Moutaftsi Ms, Panagiotis Kyratsis Dr
Journal of Applied Packaging Research
Purpose – The aim of this research is to explore the benefits of a customer based approach on food packaging design. A case study of a small production honey brand is used.
Design/methodology/approach – For the design process, a survey that involved visual elements was conducted as an online questionnaire. The final size of the sample consists of 285 questionnaires.
Findings – The research findings indicate that packaging is a great influencer for consumers and the synergy of consumers with companies can be a catalyst for the product design process resulting in package designs, which engage potential customers and drive …
Campfire Delights,
2016
Winthrop University
Light Univers,
2016
Winthrop University
Full Issue,
2016
Winthrop University
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
All Tied Up,
2016
Winthrop University
Full Issue,
2016
Winthrop University
Full Issue, The Anthology
The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
Infographics On The Brain: Lightning Talk,
2016
University of Georgia School of Law Library
Infographics On The Brain: Lightning Talk, Rachel S. Evans
Presentations
A 5 minute lightning talk discusses the benefits and potential uses for infographics in libraries.
How-To Understand And Create Hip-Hop Art,
2016
California Polytechnic State University, San Luis Obispo
How-To Understand And Create Hip-Hop Art, Joshua Wolcott
Graphic Communication
Typography is an essential component of Graphic Communication. The purpose of this study was to bridge typography with hip-hop art. To bridge the two disciplines, hip-hop art was presented in the context that it is actually practiced by these artists. The use of a questionnaire and a drawing lesson was intended to bring the subject within its true context. Presenting the art form in its true context enabled participants involved in the study to understand the art form with the perspective that the discipline, like typography, involves the use of lettering. Participants that were interested in drawing were able to …
Continuum Of Significance,
2016
Rhode Island School of Design
Continuum Of Significance, Diane Lee
Masters Theses
At the intersection of multiple simultaneous timelines, Continuum of Significance is a graphic design practice that acknowledges time and meaning as fluid, shifting variables. By challenging notions of obsolescence and assumed valuations, the work brings forward stories and experiences that might otherwise go unnoticed, or quickly fade from memory.
This body of work explores various attempts at reconciliation, vacillating between faster modes of production, and a practice deeply anchored and concerned with history, research, iteration, and contemplation. Materials gleaned from the mundane: the expired historic archive, and the vivid digital cache, are recomposed to invoke a slow read in our …
