Glass Arts Commons^™

Unfurling Blue Carpet Memories, Sara Ahli

Masters Theses

Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.

The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …

Lucid Dream: Embracing Uncertainty, Zhiyun Zhang

Masters Theses

Glass is a tool, a projection surface, a medium for optical phenomena. It creates a tangible link between physical space and perception, transcending the physical realm to reshape our sensory perceptions and resonate within our psyche, deepening our understanding. Inspired by cosmic and natural phenomena, my installations narrate the contemplation of the moon and the appreciation of rainbows. They reference historic optical technologies, incorporating glass, mirrors, light, darkness, and space to produce an encounter that extends beyond personal experience, resonating with our collective unconscious, uniting us in profound ways. The blurred boundaries between observer and observed, reality and illusion, sensory …

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

Landing: Body, Site, Material, Renata Berta

Masters Theses

I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape

Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …

Reflective Perspective, Lisa Heikka-Huber

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

‘Reflective Perspectives’ is a personal tribute to glass. After working in glass for over 20 years creating functional sculpted objects, I decided it was time to take a break and complete my BFA in sculpture. Influenced heavily from my sculptor parents, I sought to learn their craft and focus my art practice to combine metals with hollow glass sculpture. Taking a mold from my face frozen in the expression I make while blowing glass. Each bubble represents the constant influx of ideas for glass that flowed and formed in my brain throughout the years. Each idea started out as a …

The Space Between, Alexander Dixon

Electronic Theses, Projects, and Dissertations

The Space Between investigates the intricate relationship between perception and reality. By integrating graphic design principles with the optical qualities of glass, the exhibition creates visual distortions that challenge and redefine our understanding of the world. The pervasive use of black throughout the exhibition signifies the vectorized image, a vital element of graphic design and the technological abyss prevalent within our society. The fundamental geometric shapes, coupled with minimalist sculptural forms, employ a graphic approach to highlight visual communication's influence on perception.

Graphic design has a history of shaping public perception. The basis of graphic design is the act of …

Destination Unknown, Dongheng Yang

Masters Theses

Since the end of my undergrad years, I’ve been noticing my increasing tendency to not want to talk much about my work. What is it that lingers inside of me behind such silence? What story could one possibly talk about his studio practice, when he has little to say? Well, this thesis documents the thoughts behind this silence, which, I have to admit, have fueled my works in the past two years. I investigate postmodern phenomena and literary analysis on pop culture in East Asia, including hikikomori and decisionism, to better understand myself and the world around me. Constantly faced …

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Disobeying, Mari Claudia Garcia

Masters Theses

Disobeying constitutes a deeper conceptual and formal inquiry into themes that have been permanently present in my art practice since I started thinking about them in 2008. My concerns are anchored in a socio-political study of communication and language as impacted by power relations, politics, micro-politics, and censorship. In this thesis, I particularly focus on the way in which I see censorship in relation to protest through my recent work, on account of the relevance these issues have for me after living most of my life in Cuba under a totalitarian regime.

Through this writing exercise, I also intend to …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

Spatial Reveries, Alexander Wenstrup

Masters Theses

We live in a hazy existence marked by rapid pace, development, digital consumption, and a deteriorating environment. Spatial Reveries hopes to counter the current trajectory and offer an alternative perspective by presenting one with moments of awe, discovery, and wonder to improve the disconnect between society and their surroundings. The work refers to a history of anamorphic art, cubism, deception, and optical phenomena in Western society. It operates on the urges and instincts of the artist, utilizing massing, light, transparency, horizons, and vastness, to challenge perceptions of space, time, and memory. Through the play of perspective and projection the work …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Female Reception Of Stained Glass Images Of St. Anne In Late Medieval York: Women, Mothers, And Wives, Susanna Wyse Jackson

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article explores the depiction of St. Anne in the late medieval stained glass of three York parish churches. Focusing on two iconographic subjects, St. Anne teaching the Virgin Mary and St. Anne with her extended family, it argues that the representation of St. Anne in these contexts speaks to the conscious orientation of iconography towards female members of the laity. Images of St. Anne may have served to reinforce specific roles and values by providing a focus for performative identification. In addition, they reflect women’s status within the family, the parish, and society as a whole. This under-explored area …

Two Churches, One Vision: Sacred Architecture As A Reflection Of Benedictine Values And Liturgical Reform, Katheryn Wethli

Obsculta

This piece compares the architecture of the worshipping spaces of Saint Benedict's Monastery's Sacred Heart Chapel and Saint John's Abbey Church; presenting how the worshiping spaces uplift their monastic communities’ Benedictine values and demonstrate their monastic call towards evangelizing the Gospel in the modern world, highlighting the liturgical reforms of the mid-20th century.

Extended Substance, Danielle Brensinger

Electronic Theses, Projects, and Dissertations

Artist Statement:

“One of the most successful devices for easily creating uncanny effects is to leave the [viewer] in uncertainty.”

-Sigmeund Freud, “The ‘Uncanny’”

I’m interested in making people uncomfortable. Through the exploration of the uncanny, I exploit the unexpected and the psychological to embrace personal reactions. Like conversations we have with ourselves in the mirror, there’s an uncomfortable nature in looking beyond surface value. Utilizing beauty as a strategy and the laws of attraction, my work intends to entice a visual response only to be met with ambivalence. I try to establish a state of uncertain worlds, partial …

Glass: The Material That Defines Us, Madisyn Rex

Honors Projects

This Honors Project is an exploration of the intersections between glass science, geology, glass art, and my own personal experience with glass.

Jogakpo Window (7 Feet X 4 Feet), Seo-Young J. Chu

Publications and Research

Materials: glass, sunlight, post-it notes. Image description: Photographs show a large window covered with a 조각보 patchwork of colorful post-it notes. Sunlight illuminates the paper.

Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee

Masters Theses

This project is an acknowledgment of reshaped landscapes while also understanding that this moment of time is only relevant to my own human lifespan and perspective. The work embodies unmet expectations when one confronts a memory landscape of their, or my, childhood. Specifically, I am discussing the chasm between reality and memory through a recent return to my childhood home in Colorado, and was met by two of the largest wildfires in the state’s history. This project takes a moment to digest that loss, of what was known, what was not, and can no longer be known: forests, trees, and …

The Color Of Stress, Jiemin Park

Masters Theses

This thesis examines the physical and emotional process by which stress in glass can be visualized through color by using a polarization effect.

A conceptual account of three different projects using this process of discovering and revealing the colors of stress hidden within clear glass will be addressed. The mainstays that catalyze the visual metaphor of extreme stress and beauty are; the making process, evidence of the making process and the polarization effect. These two contradictory concepts of beauty and stress are central to this thesis.