Umbrales (Thresholds),
2024
Rhode Island School of Design
Umbrales (Thresholds), Maureen Scally
Masters Theses
Umbrales is Spanish for Thresholds.
Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.
Unconditioning Air,
2024
Rhode Island School of Design
Unconditioning Air, Weijia Deng
Masters Theses
Unconditioning Air rethinks the boundaries contrived through environmental control. For more than a century, HVAC (heating, ventilation, and air conditioning) defined the boundaries of interior air. The regime and tools of mechanical conditioning promise stability and manageability of indoor air quality at the expense of external phenomena, and by extension, any complexity or fluctuation in the environment. As a result, air conditioning premises that ideal interior comfort is “bubble-like”, requiring increasingly standardized and highly regimented regulatory tools. The plethora of patent drawings, duct specifications, and ASHRAE comfort codes produce an oppressively tightening grip over indoor air and comfort, rendering both …
Landing: Body, Site, Material,
2024
Rhode Island School of Design
Landing: Body, Site, Material, Renata Berta
Masters Theses
I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape
Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …
Urban Looms, Recoloring City,
2024
Rhode Island School of Design
Urban Looms, Recoloring City, Ella Son
Masters Theses
The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.
With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …
New Craft: Craft Practices In The Digital Era,
2024
Rhode Island School of Design
New Craft: Craft Practices In The Digital Era, Paulina Bereza
Masters Theses
Advancements in technology point to a thriving future through the allure of new tools and the promise of enhanced performance. With the current environmental crisis, military invasions and broader global conflicts, how can we utilize new digital media in a way that dismantles oppressive positions of power? Looking towards the future, I explore the potential of materiality and new methods of making, to reshape our relationship with the environment and each other. I collaborate with newly adopted forms of intelligence, artificial and automated, to express and reconcile the accelerated cultural shift. From ancient fibres to digital circuits, what will the …
One Stitch At A Time: Examining The Self-Care Of Art Therapists And The Potential Of Fiber Arts For Wellbeing,
2024
Lesley University
One Stitch At A Time: Examining The Self-Care Of Art Therapists And The Potential Of Fiber Arts For Wellbeing, Elaine Chippero
Expressive Therapies Capstone Theses
The goal of this thesis was to understand why art therapists are particularly at risk for burnout, why it is essential for art therapists to engage artmaking for their own self-care, and why fiber crafts are particularly suited for self-care. The literature was collected and organized using reflective journaling and visual–tactile coding and then presented in the following review. The first two sections of the literature review include comprehensive definitions of burnout and self-care and how both concepts have been discussed in literature relating to the helping professions and specifically art therapists. The third section covers the historical context of …
Queerform/Ing,
2024
Southern Methodist University
Queerform/Ing, Matthew Solon-Lee Weimer
Art Theses and Dissertations
My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …
Fragmented Bodies,
2024
Southern Methodist University
Fragmented Bodies, Lauren Careese Alexander
Art Theses and Dissertations
Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …
The Environmental Craftsfolk: Making Things In A World Full Of Stuff,
2024
University of Montana, Missoula
The Environmental Craftsfolk: Making Things In A World Full Of Stuff, Zoey Ballard
Graduate Student Portfolios, Professional Papers, and Capstone Projects
This Civic Engagement Project (CEP) proposes a transformative approach to addressing the complex challenges of environmental degradation and disconnection from nature through the establishment of the Eco-Craft Cabal in Missoula, Montana. The project seeks to reframe environmental consciousness through the lens of craft, fostering improved connections with the local environment and promoting community resilience. By repurposing both natural and artificial materials in inclusive, accessible crafting activities, the Eco-Craft Cabal aims to empower participants to confront feelings of despair and hopelessness with tangible, meaningful actions.
Costumed Culture: Influences And Preservation On Broadway,
2024
CUNY New York City College of Technology
Costumed Culture: Influences And Preservation On Broadway, Amanda L. Padilla
Publications and Research
This research talks about into the preservation and evolution of costuming in Broadway productions, and exploring how historical and contemporary designs intersect in certain productions. Through articles and an interview with an IATSE worker, it examines the socio-cultural influences shaping costume choices and the technical advancements driving innovation. By tracing the trajectory of Broadway costuming, from its roots to modern adaptations, this study talks about theatrical storytelling and its broader impact on fashion and cultural trends. It shows the significance of costuming as an art form reflective of constantly changing societal norms and artistic expressions on the Broadway stage.
Cliffhanger,
2024
Washington University in St. Louis
Cliffhanger, Micah Mickles
MFA in Visual Art
I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …
The J In Danger,
2024
CUNY Hunter College
The J In Danger, Zachary Delamater
Theses and Dissertations
“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”
Default,
2024
CUNY Hunter College
Default, Noah Pica
Theses and Dissertations
“Default” explores the formation and maintenance of normalcy, uniformity, and banality in American life. Noah Pica starts with the visual language of lined paper, prefabricated objects, model-making kits, and blueprints. He reforms these structures through a sculpture practice, investigating how their design inconspicuously implements social norms.
The Catholic Runway: Examining The Representation Of The Chasuble In Modern Couture,
2024
Loyola Marymount University and Loyola Law School
The Catholic Runway: Examining The Representation Of The Chasuble In Modern Couture, Brendan Baehr
Honors Thesis
In Catholic tradition, the chasuble is a central garment worn by clergy members originating as far back as the 6th century, albeit under a different name. The chasuble is the outermost form of vestment for members of the clergy and takes the general shape of a cone, leaving room for the head to be placed in a circular opening. The changes in form of the chasuble will be something I exam within this paper, as although often relatively minor, still reflect changing attitudes towards fashion sensibilities within the Catholic church over time. I will be primarily examining these changes …
Threads Of Connection: An Offering To Re-Tangle Humanity And Nature With The Patterns Of Our World,
2024
Winthrop University
Threads Of Connection: An Offering To Re-Tangle Humanity And Nature With The Patterns Of Our World, Emily Shelton
Graduate Theses
In our world there are patterns of self-similarity that serve as evidence of the interconnectedness between humankind and the rest of the natural world. They are reflected in our bodies, behaviors, and environments, both natural and manmade, and can be found throughout systems at every scale, micro through macro. These organic, linear motifs branch into smaller iterations that seem to shape our existence on this planet as we gravitate towards experiences that echo these patterns. During everyday acts like shopping in a grocery store or a crowd at a concert, we unconsciously participate in self-similar collective movements as we navigate …
Pillowfort Logic,
2024
University of Arkansas, Fayetteville
Pillowfort Logic, Victoria Barquin
Graduate Theses and Dissertations
I use textiles, everyday objects, and my own studio archive to create assemblages that are both abstract and familiar. I follow my body, operating without preconceived notions as to what the materials are or how they should act, creating a liberatory practice of working intuitively, embracing play, and challenging my own conceptions of what’s possible. In my thesis exhibition, Pillowfort Logic, this methodology of reimagining what already exists is fundamental. The construction of these pieces mimic the act of building a fort in the living room where chairs are walls and blankets are roofs. The parts may return to work …
Threads Of Change: Crafting Sustainability In Fashion,
2024
University of Rhode Island
Threads Of Change: Crafting Sustainability In Fashion, Ruby Lombardi
Senior Honors Projects
The convergence of fashion and sustainability remains a pressing problem, necessitating coordinated efforts from corporate entities and individuals. In today's era dominated by new media and technology, the allure of fast fashion has captivated consumers, prompting them to prioritize quantity over quality purchased at a fraction of the usual cost. However, the resultant overproduction in the fashion industry is a pressing issue, now being acknowledged and reevaluated by numerous businesses and policymakers alike. This study delves into the intricate relationship between fashion and sustainability, seeking to delineate steps for consumers to adopt more environmentally conscious purchasing habits and textile repurposing …
Words With God,
2024
California State University, San Bernardino
Words With God, Krista Fassett
Electronic Theses, Projects, and Dissertations
As a studio artist using multiple media, I investigate subjectivity of the female body as depicted within the context of evangelical doctrines and traditions. I explore misogyny and the absence of bodily autonomy in the bible, which designates women as property to be owned, purchased, and sold. Some overlapping themes include religious trauma, domestication, submission, and virginity. The intertwining of topics allows me to share my lived experience, and ignite conversation into certain religious doctrines that simultaneously live among cultural and political lines.
Emphasizing ‘holy’ scripture, my art varies through domestic materiality and includes crocheted textiles, oil paintings, installation with …
Fragments Of Forgiveness,
2024
California State University, San Bernardino
Fragments Of Forgiveness, Sarah Hayashi
Electronic Theses, Projects, and Dissertations
Trauma lives in the body, with or without conscious memory of the events that placed it there. To cope with the pain of trauma we might disconnect from our bodies, choosing to view ourselves as some separate entity living within the body. Disconnection offers a sense of protection by allowing compartmentalization of pain, grief, and trauma, but the harder these emotional fragments are fought, the more they demand acknowledgment.
Referencing my torso for size, I handbuild biomorphic sculptures from clay, finishing them with glaze that mimics the dewy texture of raw clay, using a palette derived from my skin tone …
Groundswell,
2024
East Tennessee State University
Groundswell, Ursula Gullow
Electronic Theses and Dissertations
The artist discusses the artwork of her Master of Fine Arts exhibition, Groundswell, held at Tipton Gallery in Johnson City, March 11 – 22, 2024. The exhibition includes wall pieces, sculpture, plaster, and ceramic objects that explore the traditional parameters of painting and its presentation.
Ideas discussed include the philosophy of history, and the origin of European art tropes such as odalisques, flowers, and birds. Framing devices, deconstructed paintings, fiber arts, ceramics, 18th Century decorative art, plaster, the studio practice, Walter Benjamin, David Lowenthal, Gustave Courbet, Jean Honoré Fragonard, Titus Kaphar, Valerie Hegarty, and maximalism are also surveyed.
