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Pattern Research Project: An Investigation Of The Pattern And Printing Process - Herringbone, Seylar Pring

Pattern Research Project

2017 Pattern Research Project

Seylar Pring - Herringbone

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Seylar Pring, VCU Interior Design BFA 2020, selected the Herringbone pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“The herringbone pattern dates back to Roman times, where …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Seigaiha, Boya Yu

Pattern Research Project

2017 Pattern Research Project

Boya Yu - Seigaiha Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Boya Yu, VCU Interior Design BFA 2020, selected the Seigaiha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work

“The seigaia wave is a pattern of layered …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Zigzag, Matthew Toscano

Pattern Research Project

2017 Pattern Research Project

Matthew Toscano - ZigZag (pattern)

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Matthew Toscano, VCU BFA 2020, selected the “Chevron Black” pattern by Tina Raparanta for Spoonflower for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“My sample of ‘Chevron …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Shippo Tsunagi, Emilie Krysa

Pattern Research Project

2017 Pattern Research Project

Emilie Krysa - Shippo Tsunagi Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Emilie Krysa, VCU Interior Design BFA 2020, selected the Shippo Tsunagi pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“[The] Shippo pattern originates from Japan …

Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …

Provenance Investigations Of Raw Materials In Pre-Columbian Textiles From Pachacamac; Strontium Isotope Analyses, Karin Margarita Frei, Lena Bjerregaard

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Pachacamac was considered a sanctuary or oracle by several of the pre-Columbian Andean cultures. As a pilgrimage destination, the site was rich in archaeological artifacts and yielded also many well preserved textiles. Some of the objects found at Pachacamac are considered offerings by the pilgrims to their Gods, and the majority are assumed to be of nonlocal origin. Others are from the Ychsma people, who lived in Pachacamac and the nearby Rimac Valley during the last centuries before the conquest. We have investigated 10 pre-Columbian textile samples, which were supposedly excavated at the archaeological site of Pachacamac, Peru. The textiles …

Observations On The Terminology Of Textile Tools In The Edictum Diocletiani On Maximum Prices, Peder Flemestad, Mary Harlow, Berit Hildebrandt, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Edictum Diocletiani et collegarum: The so-called Edict of Maximum Prices was issued in AD 301 as part of a comprehensive administrative and financial reform released in the reign of the Roman emperor Diocletian. Diocletian came to power in AD 284 after a period in Roman history traditionally understood as a time of ‘crisis’, produced by a series of inter-related factors: a frequent turnover of emperors; problems with the economy in terms of production and coinage; incursions by various tribes on the edges of the empire; internal unrest; the rise of Christianity and periodic persecutions. Diocletian’s actions were arguably pragmatic …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Acanthus, Hongyi Zhu

Pattern Research Project

2017 Pattern Research Project

Hongyi Zhu - Acanthus

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Hongyi Zhu, VCU Interior Design BFA 2020, selected the Acanthus pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Acanthus is a type of plant that [is] widespread …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad -- Covers & Frontmatter, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Front and "back" covers

Title page

Copyright page

Preface

Acknowledgements

Table of contents

Jewish Terminologies For Fabrics And Garments In Late Antiquity: A Linguistic Survey Based On The Mishnah And The Talmuds, Christina Katsikadeli

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The main texts of the Rabbinic literature, the Mishnah and the Talmuds encompass a wide range of textile and clothing terms embedded in everyday situations as well as in ritual contexts. A great deal of intertextuality shared both by the Mishnah and the Talmuds as well as by other exegetic works like the Tosefta and the early Midrash – not to mention the Bible – makes these texts a valuable source for the investigation of cultural history and language change and contact, even in micro-contexts, in adherence to the traditions and heuristics of historical comparative linguistics, concerning etymology, language change …

Conceptualizing Greek Textile Terminologies: A Databased System, Kalliope Sarri

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

One of the major challenges in costume and textile research is dealing with the vast number of terms related to textiles and garments, especially because similar terms are found in different languages and dialects, in various regions and over long periods of time, where they have survived in a complicated network of linguistic and cultural interrelations. There have been many attempts to collect textile terms in glossaries as parts of costume studies or as parts of museum archival projects. These glossaries however are usually limited to specific topics, geographical areas, languages, and time periods.

Creating a diachronic and global costume …

Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …

Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …

Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …

A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Arabic Leinwand (A.L.) collection is held by the Department of Papyrus (Papyrussammlung) in the Austrian National Library of Vienna.1 The collection was acquired in Egypt in the late 19th century by an antiquity trader in Cairo commissioned by Joseph von Karabacek, the famous papyrologist, and contains 68 items.2 Almost all of these have an association with writing, hence the reason why they were collected for the Library, and only eight objects have no association at all. The language for the most part is Arabic with a few texts in Greek, or with Greek with Arabic. The collection of pieces …

A Diachronic View On Fulling Technology In The Mediterranean And The Ancient Near East: Tools, Raw Materials And Natural Resources For The Finishing Of Textiles, Elena Soriga

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Among the operations required in the overall cycle of the ancient production of textiles, Greek and Roman sources refer to the fulling of woollen fabrics as the most complex and expensive technical process performed both in the 1st millennium BC and the 1st millennium AD. Indeed, the finishing of woollen clothes needed a large amount of time, energy and labour, as well as involving the use of specialized skills and costly raw materials. Fulling fulfilled two functions that were necessary for the proper finishing of cloth, namely the scouring and consolidation of the fibres in the fabric. Woven cloth straight …

Flax And Linen Terminology In Talmudic Literature, Nahum Ben-Yehuda

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Material culture data is mentioned in Talmudic (or ‘rabbinical’) literature when a relevant legal (‘halakhic’) or homiletic (‘midrashic’) context arises. Therefore, certain details may be lacking or ambiguously stated. This however is not presented in a systematic and detailed manner, such as in ‘Pliny’s Natural History’.2 Additional classical authors mention flax and linen. First and foremost: Diocletian3 in his edict of maximum prices. And in less scope and detail: Xenophon,4 Virgil,5 Strabo,6 Columella,7 Pausanias,8 and Theodosius II9 – in his codex. In some instances, these sources may be useful for comparison, contrast and clarification – to Talmudic sources. It is …

Armenian Karmir, Sogdian Karmīr ‘Red’, Hebrew Karmīl And The Armenian Scale Insect Dye In Antiquity, Agnes Korn, Georg Warning

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper looks at three terms denoting the colour ‘red’, viz. Armenian karmir, the obviously corresponding Sogdian word karmīr, and karmīl ‘scarlet’ found in the Hebrew Bible. It will first briefly discuss the etymology of these words (summarising an argument made elsewhere) and argue that the words in question represent a technical term for a red dye from Armenia produced by scale insects. We will then attempt to show that historical data and chemical analysis of extant historical textiles confirm the Armenian red as the relevant dye.

Late Biblical Hebrew karmīl occurs only three times. All three attestations are …

Textilnet.Dk – A Toolkit For Terminology Research And Presentation, Susanne Lervad, Tove Engelhardt Mathiassen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Since February 2015, the digital dictionary or term database, textilnet.dk, has been accessible on the Internet.1 The purpose of this paper is to present the background and methods of this pilot project. Since 2010, the project has collaborated with The Danish National Research Foundation’s Centre for Textile Research (CTR), University of Copenhagen, and has gained moral support from Sabine Kirchmeier-Andersen, director of Dansk Sprognævn, the Danish National Language Advisory Committee.2 From 2011 to 2015, we have been working with generous funding from the Danish Ministry of Culture. The objective of textilnet.dk is to preserve and communicate the cultural heritage of …

Irritating Byssus – Etymological Problems, Material Facts, And The Impact Of Mass Media, Felicitas Maeder

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Byssus and sea-silk made of the fibre beard of the Pinna nobilis – zoologically called byssus – have both become subjects of scholarly interest in the last decade. The subject is discussed not only in scientific books and journals, but also in mass media around the world. Although scientific research has clarified some old misunderstandings, the double meaning of the term byssus has created new doubts and scepticism in the scholarly debate, bearing the danger of new, additional erroneous interpretations. This article recapitulates the present state of knowledge and calls attention to the consequences of assumed ‘old/new knowledge’ entering the …