Fiber, Textile, and Weaving Arts Commons^™

Moments Of Metanoia, Mariah Anne Pickett

LSU Master's Theses

The term ‘metanoia’ embodies a climactic moment on the precipice—an instance where one is confronted by the tremendous threshold between youth and maturation. Moments of Metanoia explores these experiences that create an overwhelming division between the way things were and the way things will be. They are the crystallizing moments of metamorphosis or the shattering moments of undoing. As evidenced by their thematic appearances in ancient mythology, these dramatic episodes of transformation have existed as a part of the human condition for millennia. By using Greek mythology to explore metanoia, the universality of the human experience is emphasized. Each piece …

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

Capes Make The Man, Khalid Mezaina

Masters Theses

‘Capes Make The Man’ is a project that provided me with the opportunity to grow as a designer and an artist. Over the last two years at RISD, I’ve frequently asked myself questions about my place and role as a man in the United Arab Emirates, and what awaits when I move back after graduating. Using personal narratives and cultural symbols from home, I bring to life the archetypes I carry as a mature masculine – my king, warrior, magician, lover and dancer. The end result is a series of bold, wearable capes, resembling stage costumes worn by pop stars …

Cosmic Whatever, Cement Gardens, Luminous Shade, Winifred Vaughan

Masters Theses

My work is an assemblage of disciplines, reductive processes, and accumulated materials interpreted with a painterly quality. Slipping away faster than we can grasp, the unrelenting forces of time propel us forward. Memory fragments our chronologies, transforming our existence into a collaged fabric. Layered transparencies allow the three chapters of this thesis, Cosmic Whatever, Cement Gardens and Luminous Shade, to bleed into each other turning them into composed cycles. These unlikely combinations permit freedom to experience a narrative that is both vast and intimate.

Summer Peaches And Salt-Tinged Fog, Carolina Jiménez

Masters Theses

The pieces that I create are monuments of the mundane; they are both garments and--through their installation--a place as well. They are portraits of loved people, embodied through hand labor and industrial processes. In this project I destabilize the idea of a memory palace--an imagined rational space which holds memory--and replace it with an ever-expanding memory atmosphere. From a palace of marble and bronze to a fog of salt tinged color, a sky turning, like a cut plum, from orange to purple, music carried on the breeze.

I map individuals, qualities of light, flashes of color and material. Specific moments …

The Evolution Of Ornament, Charlotte Ngaio Fairless

Masters Theses

The Evolution of Ornament is a visual exploration of Darwin’s theory of sexual selection, abstracted into three textile panels representing the allure of textural ornamentation. The fragmented shapes depicted are gathered together into asymmetrical layouts that reference dissection and bird plumage. The parallel themes of glamour in the natural world, and the pulsing vivacity of flora and fauna, emerge as a vehicle for the contemplation of the innate irrationality of desire. The viewer is seduced through neon color palettes, tactile materiality, and considered placement of specifically amorphous shapes. They are intended to simulate in the viewer the reaction of a …

Haptic Wonder : The Sensation Of Exquisite Craft, Anjuli Berstein

Masters Theses

I reinterpret traditional woven techniques to create permeable handcrafted screens, by using archival research of historical passementerie and gauze structures. Conceptually, these textiles are an exploration of how wonder can be reached through exquisite craft, a result of valuable raw materials combined with fine hand manipulation. I attempt to distinguish a kind of wonder that exists as a tactile sensation based on haptic sight of minutia, versus the sublime as an experience of optical sight of distant objects.

Los Productos Textiles De Los Andes Sur-Centrales: Guía Ontológica Centrada En La Región Aymara-Hablante, Denise Y. Arnold

Textile Research Works

El presente libro ofrece una organización ontológica de los productos textiles andinos. A nivel mundial, los museólogos están dando cuenta de la utilidad de este recurso para estructurar sus colecciones de objetos y para vincularlas con datos de respaldo (registros, catálogos, dibujos, fotos, etc.). Una ontología es una especificación explícita de una conceptualización, que proporciona una estructura y los contenidos que codifican las reglas implícitas de una parte de la realidad, en este caso del dominio textil. Aquí presentamos una representación del conocimiento del dominio textil centrada en las ‘formas’ textiles, por decir los tipos de prendas (ahuayo, acso, unco, …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

Observance | A Passage, Charis Schneider Norell

Graduate School of Art Theses

My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I see myself, …

Craft Production And Sociocultural Context: A Case Study Of Nasa Werregue Coiled Basketry In Colombia, Cindy Cordoba Arroyo

LSU Master's Theses

According to the Alliance of Artisan Enterprise from the Aspen Institute, the existence of the artisan enterprise is valuable for native communities since it creates jobs and preserves ancient techniques (Aspen Institute, 2012). The design and development of the Werregue (Astrocaryum Standleyanum) coiled basket is a source of income for indigenous communities in Colombia. This research uses a case study method which employed semi-structured interviews with fifteen skilled Nasa Werregue coiled basketmakers, to analyze the sociocultural characteristics, design, production, and market in Werregue coiled basketry in the Pacific region of Colombia within two research settings, Cali and the …

Hoyt, Roy (Fa 1145), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1145. Student paper titled “Upholstery – A Folk Occupation” in which Roy Hoyt speaks with Frank Black, a resident of Burgin, Kentucky and “the last of the true ‘tufters’ in his portion of Kentucky.” In the interviews conducted by Hoyt, Black, who had been a craftsman for more than three decades, details the tools, materials, and processes used to upholster furniture. The paper also includes occupational anecdotes and color photographs of Black’s workshop, machines, and finished products.

An Analysis Of Trade-Offs: The Artisan Fair Trade Sector, Stephanie Leiderman

Sustainability and Social Justice

This paper examines the history, frames, critiques and current applications of Fair Trade in the artisan sector, with an eye to raising up the specific trade-offs being made, and their implications for an evolving artisan market in the global north and south. It includes a discussion of the history of the Fair Trade idea, including that sector’s increasing focus on certification, agricultural commodities, and corporate involvement. It investigates the potential lessons the artisan sector can learn from the agricultural one, as well as the lessons learned from current actors in the artisan Fair Trade field. Using a continuum of trade-offs …

Unspooling Of Experience Into Space: Diary Projects, Jinhee Kim

Graduate School of Art Theses

Through meditation and layering of yarns, I visually present the process of embracing myself, specifically my personal traumas, and cultural duality. The tension between concealing and revealing of constant shifts in emotion is a crucial facet of my artwork. Evolving from an art therapy technique, the Winnicott Squiggle Game, I am drawn to the connections one can make with one another from a simple cluster of lines and create images as a result. These images are a result of intention and accident, a combination that mimics inevitable life choices.

My method of creating each canvas is a very intricate process …

Experience Bobo Experience, Sara Smith

Capstone Projects and Master's Theses

Experience Bobo Experience -by Sara Marie Smith (Artist Statements and Images of work)

Spring 2018-CSUMB Undergraduate Capstone Project/ Visual Public Arts Department

My Senior Capstone is about using inspirational wisdom from acknowledged sources to address the quandaries of our human experiences. I have chosen a cognitive clown, named Bobo, to investigate Henry David Thoreau, Jack Kerouac, and Allen Watts. Bobo, my character, goes on a journey of learning. Bobo is a line drawing, rendered in marker, with a circular head, two dot eyes, three puffs of hair with a clown smile and clown clothing. Experience Bobo Experience speaks to …

The Significance Of Cloth In The Narrative Of The Life Of Christ As Represented In Dieric Bouts' "Life Of Christ Altarpiece", Mary-Margaret Mcleod Pilling

Undergraduate Honors Theses

This thesis explores the materialistic importance of cloth in the life of Jesus Christ and relates it to the disassembled Life of Christ Altarpiece painted by the Renaissance artist Dieric Bouts. References to cloth in the scriptural accounts of Christ’s life support the claim that there is deep theological significance to fabric. The medium of each of the paintings that comprised the altarpiece is a flax linen canvas, which, combined with the references to cloth throughout the compositions, parallels these references to cloth in the scriptures. The entire artwork serves as a metaphor for the Eucharist resting on linen on …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Battle Of The Washita: Swosu Libraries Honor 150th Anniversary, April Miller

Faculty Articles & Research

SWOSU Libraries, the Art Department, and the Washita Battlefield National Historic Site Joined forces in 2017 to host a four-part workshop titled: Make Your Own Moccasins with Southwestern Cheyenne Artists, George Levi, and Creg Lee Hart. Due to Dr. Peters hard work, a grant was received from the Oklahoma Arts Council to pay for the majority of the supplies needed for attendees to make their own moccasins.

Creating A Textile Museum Exhibit: Conservation And Accessibility, Kelly M. Lorenz

Honors Theses

This twofold study engages a collection of early-to-mid-20th century Levantine textiles held by the Institute of Archaeology and Siegfried H. Horn Museum. The first part of the study involves identifying the risks of physical deterioration posed to the collection and then providing a proposal for the storage and display of these artifacts. Keeping the museum's means in mind, the storage plan emphasizes preventive conservation, focusing on minimizing risks wherever possible to keep damage from happening in the first place. The second part provides written interpretive material for the display that informs visitors of the textiles' geographic, physical, and cultural origins.