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Little Dresses For Africa, College of Education and Human Development 2016 Western Michigan University

Little Dresses For Africa, College Of Education And Human Development

Family and Consumer Sciences News

On Saturday, April 2, Fashion Merchandising and Design students applied their clothing design skills to a good cause.


Textile Society Of America Newsletter 28:1 — Spring 2016, Textile Society of America 2016 Textile Society of America

Textile Society Of America Newsletter 28:1 — Spring 2016, Textile Society Of America

Textile Society of America: Newsletters

Letter from the Editor

Volunteer Opportunity: TSA Is Looking for a New Proceedings Editor

Letter from the President

Textiles Close Up Report: Art of the Zo: Textiles from Myanmar, India, and Bangladesh, Chin Weaving at the Philadelphia Museum of Art

R. L. Shep Ethnic Textile Book Award 2015 Nominees

Ossabaw Island, Indigo, and Sea Island Cotton: Two Ways to See a Georgia Barrier Island

Peer-Review Process Yields Range of Exciting Exhibitions for Biennial Symposium

Book Reviews:
Symbols of Power: Luxury Items from Islamic Lands, 7th–21st Century
Textiles of the Banjara: Cloth and Culture of a Wandering Tribe
The Handbook …


Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, RISD Archives 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, RISD Archives 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, RISD Archives 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, RISD Archives 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Dean Li Attends Meijer Alumni Breakfast, College of Education and Human Development 2016 Western Michigan University

Dean Li Attends Meijer Alumni Breakfast, College Of Education And Human Development

Family and Consumer Sciences News

Dean Ming Li attended a WMU Alumni Breakfast at Meijer in Grand Rapids on February 17.


Dietetic Interns Receive Student Sustainability Grant, College of Education and Human Development 2016 Western Michigan University

Dietetic Interns Receive Student Sustainability Grant, College Of Education And Human Development

Family and Consumer Sciences News

Western Michigan University Dietetic Interns are proud to announce they have received a Student Sustainability Grant for $235 from the WMU Office for Sustainability.


Fashion Merchandising And Design Professor Has Article Published In National Journal, College of Education and Human Development 2016 Western Michigan University

Fashion Merchandising And Design Professor Has Article Published In National Journal, College Of Education And Human Development

Family and Consumer Sciences News

Fashion merchandising and design professor Barbara Frazier recently published an article in Clothing and Textiles Research Journal.


Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts 2016 University of California - Los Angeles

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …


Fashion Photography On Social Media: Insights From Hong Kong Fashion Image Producers, Athena Choi 2016 Hong Kong Design Institute, Vocational Training Council

Fashion Photography On Social Media: Insights From Hong Kong Fashion Image Producers, Athena Choi

Staff Publications

This study draws on fashion and culture theories to explore the influence of visual sharing culture on social media in fashion. The objective is to interpret the perceived creative values and the meanings of such cultural phenomenon from the perspective of fashion media industry in Hong Kong. In-depth interviews, in the exploratory semi-structured format, were adopted in which 20 fashion image producers in Hong Kong were interviewed regarding their increasing involvement in professional fashion image making and blogging. Among the 20 respondents, 12 respondents were younger generation of image producers with experience around 3 years, while 8 respondents have been …


Author Guidelines: Biennial Symposium 2016 Proceedings, 2016 University of Nebraska - Lincoln

Author Guidelines: Biennial Symposium 2016 Proceedings

Textile Society of America: Symposium Proceedings

Instructions for submission to the biennial symposium proceedings


Lasting Impressions: Indian Block-Prints And Global Trade, Eiluned Edwards 2016 University of Nebraska - Lincoln

Lasting Impressions: Indian Block-Prints And Global Trade, Eiluned Edwards

Textile Society of America: Symposium Proceedings

"Above the proficiency in making cotton textiles, India’s crowning textile accomplishment was the patterning of this cloth with brilliant fast dyes."

Textiles are among India’s most successful exports and the enduring popularity of block printed cloth has sustained a centuries-old craft that survives and even thrives in the digital age. Block prints have been integral to the dress codes of the subcontinent as well as serving domestic and ritual functions. (figs. 1-2) They were also embedded in the material culture of diverse nations through centuries of international trade. So what has enabled their longevity and global reach? This paper explores …


Exploring Color Interactions Illuminated In Goldwork Embroidery, Katherine Diuguid 2016 North Carolina State University

Exploring Color Interactions Illuminated In Goldwork Embroidery, Katherine Diuguid

Textile Society of America: Symposium Proceedings

Unexpected things happen when you mix colored threads with metal threads in embroidery--the metals cast their reflections onto the threads, changing the perception of the colors to the viewer. The expectation is for the metal to reflect the light. The excitement lies in the unpredictable nature of how the reflections affect the perception of the surrounding colors and how these perceived colors change as the metals age. Color theory principles are seen in their extremes when mixed with the metal threads. The natural reaction when approaching gold is to assume it is a yellow, making purple its complement according to …


Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee 2016 University of Nebraska - Lincoln

Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee

Textile Society of America: Symposium Proceedings

In this 18th century colonial Andean image painted in the former Inka capital of Cuzco, Peru, a wreath of flowers encircles a small female figure sitting upon a richly textured seat (Figure 1). She wears clothing that connotes distinction; her features and gestures are as delicate as her garments yet her eyes are fixed and discerning. Our eyes are drawn to her eyes. What does she see? What is her role? We also turn these questions on ourselves: what do we know about this figure that gives the painting meaning? We tend to interpret the work through her identity.

However, …


On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China), Sophie Desrosiers, Corinne Debaine-Francfort 2016 Ecole des Hautes Etudes en Sciences Sociales (EHESS), Paris

On Textile Fragments Found At Karadong, A 3rd To Early 4th Century Oasis In The Taklamakan Desert (Xinjiang, China), Sophie Desrosiers, Corinne Debaine-Francfort

Textile Society of America: Symposium Proceedings

In 1993 and 1994, the Sino-French archeological mission in Xinjiang led by Abdurassul Idriss and Corinne Debaine-Francfort,1 excavated the site at Karadong in the heart of the Takalamakan desert, on a former delta of the Keriya River, whose headwaters are in the Kunlun Mountains at the Tibetan border, and which vanishes in the desert sands. At one time, it continued north all the way to the Tarim River, thus forming a communication link with the Kucha region. Older deltas visible on satellite images have been explored and two related archeological sites have been consecutively excavated to the northwest of Karadong: …


Mexican Ikat And Transatlantic Trade, Alejandro B. de Avila 2016 University of Nebraska - Lincoln

Mexican Ikat And Transatlantic Trade, Alejandro B. De Avila

Textile Society of America: Symposium Proceedings

The earliest text known so far in the Americas was engraved on a potsherd found in Chiapa de Corzo in southern Mexico that has been dated to around 300 years before our era. The script appears to represent a language in the Mixe-Zoquean family (which developed historically along the Isthmus of Tehuantepec), and it has been proposed that the inscription on the clay reads as follows: “The pleated cloth got dyed. The thing that is made of pleated cloth has been cut.”1 If this interpretation holds true, the text must refer to a textile that was patterned by means of …


America’S Indigo Obsession: From Colonial Plantations To Contemporary Diy Ethos, Sonja Dahl 2016 University of Nebraska - Lincoln

America’S Indigo Obsession: From Colonial Plantations To Contemporary Diy Ethos, Sonja Dahl

Textile Society of America: Symposium Proceedings

This research project is, as the title implies, quite broad. It has grown from stories shared generously with me by many of indigo’s proponents today, as well as the stories compiled in the historical and ethnographic research of scholars such as Andrea Feeser1 and Jenny Balfour Paul.2 This paper was originally written for oration, and what I offer here is a transcript of this talk as performed at the Textile Society of America’s 2016 symposium, Land, Labor and the Port in Savannah, GA, October 2016. It is an open reflection on some of the stories and broader themes I’ve encountered …


New Tools In The Box: Traditional Methods, Contemporary Materials And New Techniques On The Atlantic Coast A Round Table Discussion, Memory Holloway, Laurie Carlson Steger 2016 University of Nebraska - Lincoln

New Tools In The Box: Traditional Methods, Contemporary Materials And New Techniques On The Atlantic Coast A Round Table Discussion, Memory Holloway, Laurie Carlson Steger

Textile Society of America: Symposium Proceedings

Recently, the Wall Street Journal reported on the new interest in fiber arts, with the claim that this interest has seen a revival in the hands of contemporary artists exploring bold new forms. “The emergence of fiber art,” states Glenn Adamson, director of New York’s Museum of Art and Design, “is not just the reappraisal of an historic textile movement, rather a much more broad-based interest.”1 The fiber artists on this roundtable addressed two topics related to this broad-based interest, one on formal experimentation, the other on their geographic placement as artists on the Atlantic coast, particularly in and around …


Field To Bag, Bag To Field: Feedbag Production And Distribution In Rural America, Heather R. Buechler 2016 University of Nebraska - Lincoln

Field To Bag, Bag To Field: Feedbag Production And Distribution In Rural America, Heather R. Buechler

Textile Society of America: Symposium Proceedings

sack- noun a large bag made of a strong material such as burlap, thick paper, or plastic, used for storing and carrying goods.[English Oxford Living Dictionaries.com,]

A popular object among collectors of agricultural ephemera, the printed agricultural sack—both textile and paper—used for the distribution of agricultural goods, is an object with a rich history. Previous research published on these ephemeral objects has typically examined their use and reuse in American households as clothing, quilts, and other domestic goods, or their significance in the World War I Belgian War Relief under the Herbert Hoover administration. This paper poses approaches to the …


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