Fashion Design Commons^™

Nyfw Can't Handle Texture On The Runway, Treashure Lewis

Capstones

NYFW has seemingly made great strides over the years regarding inclusivity and diversity within its runway. But how are they accommodating the models of color that they are hiring? This year, unfortunately, black models are still showing up to runway sets in which the hair stylists hired do not know how to do their hair. This issue dates back to the reign of Naomi Campbell and still has yet to be resolved.

Link: https://brownlewiscapstone.wordpress.com/

The Bronx Solidifies Itself In The Fashion World With Borough-Based Nonprofit, Nicholas R. Hernandez, Demetria Osei-Tutu

Capstones

Bronx-born nonprofit organizer, Flora Montes, founded Bronx Fashion NYC in 2014. The organization aims to establish Bronx-centric fashion-event opportunities and better representation in an industry where access is often unattainable for people of color or of limited means—or who happen to come from the Bronx, a borough often perceived by some as un-chic despite boasting a culturally thriving history of innovation in both fashion and music.

With Bronx Fashion NYC, Montes is working on putting Bronx models and local designers on the map with multiple fashion shows and paving the way for the future with the addition of a start-up …

You Need This: Global Fast Fashion, Environment, And Consumption Culture, Alexandra Lamm

Student Work

In looking at how global production of clothing has increased and shifted, we see the impacts in places like workers rights, environmental issues and cultural consumption. Although vastly different, through examination we will see how all are intrinsically linked. We have reached a truly global economy, and even when threatened with negative consequences of mass consumption in our daily lives, the road to actual change in the fashion industry becomes harder in time due to our dependency on the industry as a whole.

Vivienne Westwood And The Socio-Political Nature Of Punk, Ashley Rosato

Honors College Theses

Punk fashion, which helped define the punk movement in the 1970s, has been ever changing as it adapts to modern times. Before it was the watered-down, mainstream mass-produced aesthetic that it is today, punk style was full of counterculture meaning and signs that communicated counter-hegemonic ideologies to the public. Vivienne Westwood, one of the contributors to early punk culture and the mother of British punk style, designed clothing that was central to the ethos of the early punk movement. Through a semiotic analysis of five of Westwood’s designs from the 1970s, this study aims to demonstrate how Westwood’s early punk …

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

An Exploration Of The Black Female Cosplay Experience, Geneisa B. Ragin, Geneisa Ragin

Honors College Theses

Cosplay is the practice of dressing up as a fictional character whether it's from a television show, video games, or even a book series. Many people participate in cosplay to show their dedication or admiration for their favorite character and sometimes cosplay a character that helps reflect their own character or personality. This thesis will mainly focus on the experience of being a Black female cosplayer in pop culture, social media, conventions, and other places where people can share and communicate. In this thesis’s research, participants' answers about their experiences were centered around their inspiration to start cosplaying, their ways …

A Historical Overview And Description Of The University Of Kwazulu-Natal’S Ceremonial And Academic Attire, Andrew-John Bethke

Transactions of the Burgon Society

he University of KwaZulu-Natal was legally constituted in 2004 when the University of Natal was amalgamated with the University of Durban-Westville. In the early 2000s, the South African government sought to decrease the number of higher education institutions in the country from thirty-six to twenty-one through amalgamation. This article describes the process by which the current university developed its ceremonial and academic dress.

Peculiar And Proper Habits: The Use And Production Of Academic Dress In Colonial, Revolutionary, And Federal Philadelphia, Nicholas Heavens

Transactions of the Burgon Society

This is a study of the adoption and use of academic dress at the University of Pennsylvania and its predecessor institutions, the College of Philadelphia and University of the State of Pennsylvania from approximately 1750–1830. Despite early interest of the College’s founder, Benjamin Franklin, to use academic dress to monitor student activities outside college bounds, there was soon contentious debate between the institution’s founding senior academics about whether academic dress should be used at all. By sheer force of will of its leading proponent, academic dress came into use at public ceremonies. These public ceremonies became a model for public …

A Study Of The History And Use Of Lace On Academical Gowns In The United Kingdom And Ireland: Updates And Corrections, Charles Rupert Tsua

Transactions of the Burgon Society

This article is a supplement to my 2012 article in the Transactions. In the last few years research has answered some of the questions I raised in the original article, and has uncovered some ambiguities that may require further study. I shall follow a similar format to the original article, but list only the laces which need updating due to new information.

Coloured Velvet Is Too Gaudy: The 1861 Reforms To The Academical Costume Of The University Of London, Bruce Christianson

Transactions of the Burgon Society

The University of London’s original system of academic dress was adopted by the Senate in 1844, and made extensive use of velvet on both gowns and hoods. In 1861 London adopted a radically new system, which eliminated the use of velvet and which has (with various amendments and additions) remained recognizably in use to this day. This article tells the story of how the revision came about, by tracing its progress through the Minute Book of Convocation.

Bristol Blue: A Search For The Origins Of Academic Dress At The University Of Bristol, Paul Hayward

Transactions of the Burgon Society

This article gives the results of research into the origins of academic dress at the University of Bristol, and is principally concerned with the regulations surrounding that subject. As such, it does not look into the actual use of academic dress. For example, undergraduate gowns still form part of the official regulations, but they are not to be seen in the University today. This falls outside the scope of this research.

Erratum: The Lack Of A Theology Hood At The University Of The West Indies, Mitchell A. Nicholls

Transactions of the Burgon Society

In the printed edition of Volume 20, p. 162, Mitchell A. Nicholls’ article ‘The Lack of a Theology Hood at the University of the West Indies’ erred in spelling out the degree BCL. It is a Bachelor of Civil Law, not Canon Law. The error was corrected before the digital edition of Volume 20 was uploaded.

The Curious Case Of A Women’S Academic Collar, Valentina S. Grub

Transactions of the Burgon Society

In mid-nineteenth century America, women’s seminaries were established as a counterpoint to men’s colleges. However, while their male counterparts immediately adopted various iterations of academic gowns, these seminaries struggled to formalize their own academic attire. One element of it was a ‘collar’ made of fine mesh and, most unusually, sectioned into panels by lengths of boning. The ends would have been drawn around the back of the neck and fastened by a row of tiny, cumbersome hooks and eyes. As an academic accessory, such a collar has hitherto been unknown to the academic dress academe. Moreover, it offers a scholarly …

Front Matter, Editorial Board

Transactions of the Burgon Society

No abstract provided.

Fossils In Silk: Historical Hoods Of Trinity College, Toronto, Colin Fleming

Transactions of the Burgon Society

The hoods used by Trinity College at the University of Toronto bear out to some extent what Groves and Christianson suggested, namely that ‘colonial universities initially borrowed their [academical dress] from the mother country, and particularly, in the case of British colonies, from the Universities of Oxford and Cambridge.’ The hoods we saw at the conference provide evidence that Trinity College may represent an archaeological record of Canadian interpretations (or adaptations) of historical UK usage. The robes of the College have been described in various catalogues and other publications from 1875 to the present, and these sources provided valuable clues …

The Invention Of Tradition: The Cambridge Benefactors’ Gowns, Simon Morris

Transactions of the Burgon Society

This article examines the emergence of a new phenomenon in academic dress that has developed over the past twenty years—the awarding of special gowns by some colleges of the University of Cambridge to recognize individual donors and reward their munificence. This appears to be predominantly—albeit not exclusively—a Cambridge phenomenon, and for reasons advanced below not replicated at Oxford University. This article considers in turn whether benefactors’ gowns qualify as academic dress, the reasons for their institution and the criteria for their design. It then looks at the two types of design that have been used, paying particular attention to the …

University Of Portsmouth Academic Dress, Philip Goff

Transactions of the Burgon Society

The University of Portsmouth has its origins in the Portsmouth and Gosport School of Science and Art (1870), the Portsmouth Municipal Technical Institute (1894) and Portsmouth Municipal College (1908), which replaced the earlier Institute. The College also took under its wing the College of Art, Portsmouth Day Training College for teachers and a public library.This article examines the development of academic dress at the University of Portsmouth.

History And Development Of University Doctoral Academical Dress In Aotearoa (New Zealand), Scott Pilkington

Transactions of the Burgon Society

In 2018 it was announced that Auckland University of Technology (AUT) would join the other seven universities in Aotearoa (New Zealand) in offering a higher doctorate qualification. As part of this process it became apparent that new academical dress would need to be designed and created. Working in the university’s Graduate Research School gave me an opportunity to provide input, and as a result, I designed a new set of academic dress for these qualifications in conjunction with the university’s official robemaker, Paul Fielder (FBS).

This provided a prompt to examine what academical dress exists for existing AUT doctorates – …

Uprising, Issue 14 [Fall 2022], University Of Northern Iowa. Northern Iowa Student Government.

Uprising

Inside This Issue:

Adoration of Art --- 7
Parallel Play --- 9
Diving, Painting, Dancing --- 13
Filter Face/Buy Our Product --- 15
Soul Meets Body --- 17
Untitled Poem --- 21
Painted Faces --- 23
Opposing Elegance --- 24
Untitled --- 28
Love Letter --- 29
Ode to Femininity --- 32
A Feminine Affair --- 33
Water --- 40
A Historic Glance of Women in Sororities --- 41
Our Julia --- 43
Letter to Singles --- 47
Uprising Book Club --- 49
The Grey Area --- 51
UNIted in Style --- 53
Blitz --- 61
Makin My Inner Teenager …

Sustainable Fashion Design Exploration: Transformation To Zero-Wash, Colleen Moretz

Sustainable Fashion Design Exploration

Sustainability has been at the center of my scholarship across the apparel and textile disciplines. Focusing my creative design scholarship on sustainability generates awareness of sustainable issues within the apparel industry to hopefully encourage change in fashion practices. This concentration on sustainability has been an evolution of investigating sustainable design processes through the exploration of transformation, aesthetics, zero waste, and up-cycling.