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Innovator - Winter 2020

Innovator

8 - A MESSAGE FROM THE PRESIDENT

10 - WHAT’S HAPPENING AT JEFFERSON

16 - DEFINING THE FUTURE OF LEARNING AND WORK
How well are institutions of higher education preparing their graduates for the realities of work in the 21st century?

26 - IT’S IN OUR DNA
Innovative partnership leads to Jefferson Institute for Bioprocessing.

32 - JEFFERSON IS GLOBAL
Jefferson’s study away program provides life-changing experiences for students.

36 - PURSUING KNOWLEDGE AND IMPACT
Provost Mark L. Tykocinski, MD, explores the different research initiatives happening across Jefferson.

38 - LIVING THE DREAM
Jefferson grad orbits among the stars like …

Innovator - Fall 2016

Innovator

4 - What’s Now: Impact Edition

6 - Building the Futures Center

9 - Snapshots of Impact

12 - The Six Steps to Success

16 - On Common Ground

18 - Opening the Door of Opportunity

20 - A Team Effort

24 - The Clash of Tradition and Technology

26 - Enriching the Student Experience

27 - Who Named the Rams?

27 - Financial Information

Innovator - Winter 2015

Innovator

4 - What’s Now: Impact Edition

6 - Athletics

8 - W. W. Smith Scholarship

12 - A Full Embrace

18 - Donor Honor Roll

23 - Financial Information

Innovator - Fall 2014

Innovator

4 - What’s Now: Impact Edition

6 - Scholarships

8 - Term Chairs

10 - Power to Innovate Campaign

20 - Donor Profile: Handsel Minyard

23 - Financial Information

Innovator - Fall/Winter 2013

Innovator

1 - THE BIG PICTURE

8 - WHAT’S NOW

16 - PINBOARD

17 - MIKE MADE THAT
Mike Leonard, academic dean of the School of Design and Engineering, gives us the inside story about his role in the invention of just about everything.

20 - MEET THE NEW BOARD CHAIR
Entrepreneur and education advocate, Eileen Martinson ’86, brings her passion and expertise for smart technology and education to her new role as Board Chair.

24 - THE DEC CENTER
Built to evolve as curricula changes, the DEC Center has quickly become the campus’ new academic hub.

26 - CHARTING THE …

Innovator - Fall 2012

Innovator

02 - A TRANSFORMATIVE GIFT
With his donation of $15 million, the largest single gift in University history, in support of the Kanbar College of Design, Engineering and Commerce, Maurice Kanbar ’52, H’03 continues his unwavering support of his alma mater.

06 - PRESIDENT SPINEELI COMMENTARY
President Spinelli, a leading authority in entrepreneurship, describes the experience of teaching innovation to freshmen.

08 - WHAT'S THE PROBLEM?
Freshmen in the Kanbar College of Design, Engineering and Commerce become professionals and learn how to turn problems into opportunities by working in real-world settings right from the start of their college careers.

12 …

Innovator - Summer 2011

Innovator

02 - LIVING IN YOUR GENES
Through its nationally ranked physician assistant studies program — led by insightful faculty and an award-winning champion of genetic literacy education — PhilaU is transforming a generation to “think genetically.”

06 - PRESIDENT SPINELLI COMMENTARY
New College structure maximizes students’ experiences

08 - QUIET ON THE SET
Emmy-nominated alumna Kim Wannop ’99 dresses six or more sets each week for Fox’s hit TV show Bones.

12 - MEET RON KANDER, PH.D.
The executive dean of the College of Design, Engineering and Commerce leads a revolutionary, transdisciplinary curriculum.

18 - NEWS

22 - PROFILES

24 …

Innovator - Fall 2010

Innovator

2 - TEXTILE LEGACY LEADING TO BIOMEDICAL BREAKTHROUGHS
PhilaU researchers developing a cardiac patch

6 - PRESIDENT SPINELLI COMMENTARY
A Great Return on Investment

8 - THE BUSINESS OF FASHION
Fashion thinking zeros in on bottom line

14 - MEN IN FLIGHT
Guggenheim Fellow chronicles history of male flight attendants

18 - PHILAU NEWS

22 - Q&A WITH NATHAN VANHOOK ’03
Alumnus designs new Nike shoe “Aina Chukka”

24 - PROFILES

28 - PHILAU AROUND THE WORLD
Alumni, faculty and students’ global impact

33 - AWARDS AND HONORS

34 - A THIRD DIMENSION TO THE INTERNATIONAL BUSINESS EXPERIENCE
Faculty commentary …

Innovator - Winter 2010

Innovator

2 - STEPPING FORWARD AS A NATIONAL MODEL
PhilaU takes a leadership role in green education

6 - 125 THINGS THAT MAKE PHILAU GREAT
Celebrating our 125th Anniversary

12 - PRESIDENT SPINELLI COMMENTARY
A Solid Foundation for the 21st Century

14 - NEW VISION FOR THE ACADEMY
A day in the life of Provost Randy Swearer

18 - STRATEGIC INITIATIVES
Developing the model for professional education in the 21st century

22 - PROFILES

24 - TRUSTEE UPDATE

26 - PHILAU NEWS

31 - AWARDS AND HONORS

32 - EMBRACING THE NEW WORLD OF PERSONALIZED MEDICINE
Faculty commentary by Michael A. …

Freedom Quilt: Collective Patchwork In Post-Communist Hungary, Christalena Hughmanick

Textile Society of America: Symposium Proceedings

The paper investigates the democratic and social values of patchwork quilting through its culture of open-source pattern sharing and communal group work – using The Freedom Quilt Hungary project as a primary example. I facilitated a social engagement artwork, developed in 2019 on the occasion of the 30th anniversary of the end of Socialist rule in Hungary in 1989. This change resulted in new laws, allowing for the formation of the Hungarian Patchwork Guild (HPG), with whom I worked closely to create the work. It provided members of this group and the public with a platform to define individual notions …

Prejudiced Commodities: Understanding Knowledge Transfer From India To Britain Through Printed And Painted Calicoes, 1720-1780, Aditi Khare

Textile Society of America: Symposium Proceedings

The eighteenth-century trade in calico between Europe and India was a function of global textile manufacture, exchange, and consumption on multiple levels. This trade had several political, cultural, and economic consequences— the most important of which, I suggest, was the transfer of useful knowledge from artisanal oral textile traditions in India to the receptive, commercial, and nascent cotton printing industry in Europe.

This paper explores the contribution of Indian cotton printing knowledge towards the development of Europe’s cotton industry and, consequently, its dissemination through European knowledge networks. In particular, the largely overlooked chemical knowledge pertaining to dyes and mordants responsible …

Schoolgirl Embroideries & Black Girlhood In Antebellum Philadelphia, Kelli Racine Coles

Textile Society of America: Symposium Proceedings

Embroideries stitched by girls at schools for Black children in the eighteenth and nineteenth centuries are rare finds in the antiques world. The few embroideries likely stitched by Black schoolgirls that do survive often offer historical evidence in the form of the names of their makers’ schools stitched onto their embroideries. Yet there is little scholarship on these embroideries or the education these schoolgirls were pursuing while creating their samplers. In scholarship using material culture as primary evidence, these embroideries provide valuable clues about the lives of Black girls in northern cities during the antebellum period. My work examines the …

Arpilleras The Vessels Of Chile’S Resistance, Soledad Fátima Muñoz

Textile Society of America: Symposium Proceedings

Most historians locate the beginning of the Chilean military government after the coup d’etat, which overthrew democratically elected President Salvador Allende, on September 11, 1973. However, I would like to focus on the ideological background that preceded this era through the investigation of arpilleras and their relationship to Western academic institutions in the making and writing of history—more specifically, to the University of Chicago as the “Ideological State Apparatus” responsible for the implementation of neoliberalism in Chile.

Arpilleras are patchwork-based textiles of narrative imagery, made with a technique of applique and embroidery on a burlap background. They are produced in …

Plants In The Tapestry (Literally), Ann H. Peters, Adriana Soldi S.

Textile Society of America: Symposium Proceedings

Among our studies of ancient Peruvian textiles created in tapestry technique, we have come across some surprising elements, both in the warp and the weft. Andean textiles created over the past 10,000 years have been preserved in certain locations along the Pacific desert coast. They are usually preserved in the cloth bundles that protect and adorn the dead, and composed of fibers from native cotton varieties of Amazonian ancestry, the hair of highland ancestors of today’s llama and alpaca, maguey leaves from the mid-valley canyons, and reeds from coastal marshes. Garment forms, techniques and imagery can indicate textiles produced in …

Kenyan Basketry (Ciondo) By Women From Central And Eastern Kenya, Mercy Wanduara

Textile Society of America: Symposium Proceedings

The Kenyan baskets commonly known as kiondo/kyondo (s)/ciondo (p) are made by women in different parts of Kenya mainly as utilitarian items for carrying goods around. The baskets are made using traditional/indigenous fibers that are readily available near where people live. The fibers may be from plant stems of shrubs, barks of trees, or banana fibers. The fibers are manually harvested, processed (spun), dyed, and woven into baskets. Dye stuffs are produced locally from natural sources such as mud (brown), leaves from specific plants (green), tree barks (red and brown), and charcoal (black), among other sources. Even though basketry is …

A Compared Study Of Miao Embroidery And Ancient Chinese Embroidery: The Cultural And Historical Significances, Tomoko Torimaru

Textile Society of America: Symposium Proceedings

The Miao people of Guizhou province, China, use two different types of chain stitch. One is a standard chain stitch similar to the Western style. The other one, which I termed “ancient” chain stitch, is distinctly different in execution and appearance, and it is a technique that only Miao practice currently.

Numerous examples of fine chain stitch embroidery have been excavated from archeological sites in China, including the Jiangling Mashan No.1 Chu Tomb, Jingzhou, Hubei, Warring States period (770–221 BC) and the Mawangdui No.1 Tomb, Changsha, Hunan, Western Han period (206 BC–AD 8). These extant embroideries clearly illustrate a unique …

Alnôbakskwak: Native American Women Making Ceremonial Regalia, Vera Longtoe Sheehan

Textile Society of America: Symposium Proceedings

In the borderland between the United States and Canada stand communities of Native American people whose resilience enabled them to survive the ravages of hundreds of years of wars, eugenics, and racism that persists into the present day. These factors contributed to the decline of traditions and a subsequent period of cultural renewal and pride that has led up to several Abenaki tribes petitioning the State of Vermont for tribal Recognition. When the Recognition applications were compared, it became apparent that they had retained many of their agricultural traditions and that their cultural revitalization efforts could be extended not only …

Of Prophets, Caterpillars, And Silver: Job And The Origin-Story Of Sericulture In The Early Modern Islamic World, Nader Sayadi

Textile Society of America: Symposium Proceedings

Similar to most pre-modern guilds and crafts around the world, the silk craft had origin-stories and patron saints to provide its practitioners with “historical” background and institutional heredity. In the early modern Safavid era— as discussed in a rare silk-weaving treatise in Persian titled The Treatise of Silk-Weaving and Grasping the Grip of the Shuttle (Resāleh-e yeh Shaʿrbāfi va Gereftan-e Qabzeh-e yeh Māku) dated October 18, 1606—the origin-story of sericulture and silk-weaving has been woven into the Biblical/Qur’anic narrative of Job (Ayyoub). The contemporary Ottoman futuwwatnama literature gives similar narratives; however, the story of Job in the Bible and Qur’an, …

Tameji Ueno: A Living National Treasure Of Kyoto Textiles, Keiko Okamoto

Textile Society of America: Symposium Proceedings

When the Japanese word yūzen is translated into English, it is hard to find an exact expression, as yūzen is used to describe both “hand-painted dyeing on textiles” and a “look-alike style of prints.” Yūzen is the unique aspect of Japanese “motif dyeing” in which the pre-modern hand-painted method survives when printing methods are used for mass production.

The Ueno family from Kyoto devoted themselves to design and manufacture of high-end hand-painted yūzen dyeing since the early twentieth century.

This paper will follow the Ueno family’s one hundred years of contributions to kimono textile development along with its applications and …

An Uncommon Ammunition Case: Interpreting “Transitional” Textiles And Social Worlds In Nineteenth-Century Tlingit Alaska, Laura J. Allen

Textile Society of America: Symposium Proceedings

Overlooked objects in museum collections can reveal complex social relationships behind well-known textile forms. A tattered woven case for ammunition cartridges, collected in southern Alaska in the late nineteenth century, presents such an opportunity. Part of the vast Tlingit collection at the American Museum of Natural History, the ammunition bag has been little documented and displayed compared to other highly esteemed indigenous naaxein or Chilkat weavings of the region. The piece is unusual in that the maker combined two weaving styles—not only figural motifs characteristic of Chilkat weaving, but also geometric patterns reminiscent of its stylistic and technical precursor called …