Mars Is For Fags,
2021
Rhode Island School of Design
Mars Is For Fags, Justin Quaid Grubb
Masters Theses
The overarching theme dealt with in my work relates to the Space Age - specifically the predictive futuristic approach to product design and the pop culture that came out of the movement. During this time, technological advancements permeated American culture. Manufactures made the future accessible to everyone and futuristic living became symbolic of innovation, progress, and prosperity. A blueprint for a futurist suburban utopia was forged and the American people were ready to embody the new “American Dream.” Residential Mid-Century Modern architecture emerged as the new site for this dream and along with it came a new way of life. …
Beauty Still Lives Here: Narratives Of Radical Self-Love,
2021
Rhode Island School of Design
Beauty Still Lives Here: Narratives Of Radical Self-Love, Deshun Peoples
Masters Theses
This exhibition is primarily concerned with the act of taking up physical and socio-political space. Through the use of form, design, color, and installation this work places various histories and traditions of both ceramics and resistance in communication with one another. The red, black, and green of Marcus Garvey’s 1920 Pan-African/Black American flag are proudly displayed against a warm, calm, pale green backdrop to highlight the importance of mental health in all endeavors, especially in the emotionally taxing labor of social, political, and economic protest in the battle for humanity, life, civil rights, equity, access, and decision-making power.
Fableware From The Garden Of The Grotesque,
2021
Rhode Island School of Design
Fableware From The Garden Of The Grotesque, Matt Becker
Masters Theses
In biology, a chimaera is created when two zygotes collide at an early stage of development, resulting in a unique creature containing two distinct sets of genes. The name is borrowed from Greek mythology where chimaeras are fire-breathing monsters born with the mixed attributes of lions, snakes, and goats. As creatures of myth, chimaera represent a narrative union of disparate parts; a collision of the fantastic and the mundane.
Clay can be used to explore this dichotomy, utilizing its ability as a mutable canvas to embody a vast range of visual vocabularies while referencing its rich history and placing new …
Control Theory,
2021
Rhode Island School of Design
Control Theory, Colin Yoon
Masters Theses
When people feel that everything is out of control, their natural response would be to turn to a designated space to manipulate anything within it, whether a physical environment or a digital platform. This book expresses the comforts of order and predictability in response to the chaos and confusion that emerged from the train wreck known as 2020. After everything that has happened, it’s understandable that people want to have some semblance of control over something in their lives, as predictability makes them feel safe, intelligent, and powerful.
Icarus Rooted,
2021
James Madison University
Icarus Rooted, Lacey Minor
Masters Theses, 2020-current
This thesis conceptually frames and accompanies the MFA body of work Icarus Rooted by Lacey Minor. This work grapples with the acceptance of impermanence and illustrates her personal narrative about grieving family lost to addiction — juxtaposed with societal reflections on the opioid epidemic in America — using the potato as a symbol for the addicted body.
Yellow,
2021
CUNY Hunter College
Yellow, Sisi Chen
Theses and Dissertations
The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.
Heartwork,
2021
University of Arkansas, Fayetteville
Heartwork, Lance Taylor Loftin
Graduate Theses and Dissertations
Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.
What's Going On Here,
2021
University of Arkansas, Fayetteville
What's Going On Here, Joanna R. Pike
Graduate Theses and Dissertations
This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …
Growth,
2021
University of Nebraska-Lincoln
Growth, Taylor Sijan
School of Art, Art History, and Design: Theses and Student Creative Work
I craft functional pottery that is richly decorated with layers of abstracted botanical imagery. While working within the parameters of function, I explore the possibilities for expressing and evoking beauty through altered porcelain forms and lush surfaces. As a potter, I create forms that inspire curiosity and interaction through a balance of originality and suggested function. I connect myself to others through the intermediary of the vessel, conveying my reverence for plants, nourishment and beauty. People then interpret how to use my work, adding their own sentiments as it becomes part of their lives. Pots live in the home, bridging …
Coping With Burdens,
2021
Missouri State University
Coping With Burdens, Jennifer Rose Wolken
Graduate Theses/Dissertations
How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …
Pink Fantasy,
2021
California State University, San Bernardino
Pink Fantasy, Andrea Clary
Electronic Theses, Projects, and Dissertations
“I do my hair toss check my nails, baby how you feeling? Feeling good as hell”– Lizzo, “Good as Hell”, Cuz I Love You, 2019.
My work is about self-acceptance and body positivity. I am learning to love and accept my own body and channel this personal growth into my ceramics.
Reacting to media images of celebrity culture and the movement of fabric in Couture runway fashion shows, I am deeply impacted by contemporary American beauty ideals. Utilizing Hip-hop’s cultural messages of defiance and historical platform for presenting underrepresented voices, song titles and slang become titles for my work, in …
The Weight Of It All,
2021
University of Nebraska-Lincoln
The Weight Of It All, Amythest Warrington
School of Art, Art History, and Design: Theses and Student Creative Work
The impetus for this exhibition is to visualize the weight of loss and to focus attention on the need to recognize the inherent dichotomy between life’s beauty and loss. My mobile upbringing taught me that details may differ from group to group, but the core experiences of loss, empathy and belonging are a universal language that connects us. I utilize clay’s unique physical properties of malleability, recyclability and permanence once fired, to explore the dichotomy between strength and frailty associated with these universal connectors. The meticulously crafted beautiful objects draw one into serious and often taboo subjects. The work comforts …
Sculpting Organs: An Arts-Based Educational Activity For Anatomy Learning,
2021
University of South Carolina - Columbia
Sculpting Organs: An Arts-Based Educational Activity For Anatomy Learning, Annika Gupta
Senior Theses
As an integral component of healthcare, a comprehensive understanding of anatomy is necessary for accurate clinical diagnoses and medical procedures. Beginning in undergraduate classrooms (premedical), there is a need to explore new ways of teaching and learning anatomy to train healthcare professionals. Traditional methods of attending a lecture and reading a textbook may not be the most effective method to learn about anatomical structures—or to engage learners. However, recent studies have reported promising results in the use of arts-based approaches to enhance anatomy learning. Of these, clay sculpting can provide an opportunity for students to participate in an active and …
Slowly But Surely,
2021
University of Nebraska-Lincoln
Slowly But Surely, Katie Bosley
School of Art, Art History, and Design: Theses and Student Creative Work
I craft porcelain vessels that combine dynamic forms and dimensional surfaces to create a captivating presence. Formal components such as line, space, and color are carefully considered to create objects that are striking at first glance and reward further inspection. Constructed with an emphasis on structure, these works challenge conventional interpretations of the vessel and promote a sense of awe.
My vessels are relational objects that both affect and are affected by their surroundings. Employing positive and negative space, and light and shadow, they collaborate with the space they inhabit. They are objects designed to promote and reward active viewing. …
"Sustainability Of Traditional Terracotta Artisan Communities In West Bengal",
2021
Johnson County Community College
"Sustainability Of Traditional Terracotta Artisan Communities In West Bengal", Laura-Harris Gascogne
Sabbatical Projects
Project Synopsis:
The long tradition of terracotta sculpture making survives in the state of West Bengal today, but due to several factors, it is at risk of being lost. I wish to research and document the disappearing processes and traditions being employed by terracotta artisan communities in the state and surrounding region. I believe that I will offer a parallel appreciation and intimate technical understanding of this material as a sculptor who has studied and applied terracotta within my own work. Secondly, as an academic, I have demonstrated a continuum of interest in studying and applying elements of traditional Indian …
A Third Culture Kid's Quest For Belonging: Ephemeral, Eternal, And The Space In Between,
2021
University of Central Florida
A Third Culture Kid's Quest For Belonging: Ephemeral, Eternal, And The Space In Between, Simona Darshani Wiig
Honors Undergraduate Theses
In fulfillment of my degree of Bachelor of Fine Arts at the University of Central Florida specializing in sculpture and ceramics, I have produced a body of artwork in a range of media, including printmaking, bookbinding, painting, ceramics, and sculpture. This thesis is the exegesis of my creative work, informed by contemporary artworks and the study of shelter-making in nature. Utilizing The Practitioner Model of Creative Cognition as defined by R. Lyle Skains, I will establish my work as practice-based research. While "exegesis" generally refers to the critical examination of written work, I feel it is appropriate in this context …
You Wouldn't Download An Art,
2021
Virginia Commonwealth University
You Wouldn't Download An Art, Rice Evans
Theses and Dissertations
To quote the late Alaskan Senator Ted Stevens, “The internet is a series of tubes.” Like my art practice, these tubes meander through concepts, techniques, and mediums to arrive at a messy, confusing, and overwhelming shared experience of digital life. It is here where we find humor, creativity, and most importantly our own folk culture.
Beside| |Between,
2021
University of Montana, Missoula
Beside| |Between, Brooke J. Armstrong
Graduate Student Theses, Dissertations, & Professional Papers
Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.
Lost In Translation,
2021
University of Montana, Missoula
Lost In Translation, Amanda Barr
Graduate Student Theses, Dissertations, & Professional Papers
Lost in Translation addresses the issues that trauma can create in communication; whether that be a physical trauma that damages ability to speak, think, or understand language, or mental and emotional trauma that significantly effects abilities to process, connect, and manage interpersonal relationships. My work is my voice, and a way to help others connect, to feel heard, and to even help them begin to communicate.
Between. Beneath. Beyond... A Visual Drama In Five Acts,
2021
Governors State University
Between. Beneath. Beyond... A Visual Drama In Five Acts, Deborah Burk
Art Theses
The concept that I explore in my thesis is the idea of marking moments in time by mental “snapshots” of events that are indelibly ingrained on the mind and can be theatrically portrayed through ceramics. That these moments birth opportunities to create a narrative between the artist and material, the art and the viewer, and between the works of art themselves was the impetus for the work, while also exploring what lies beneath the making and what might live beyond the exhibition. COVID-19 created, by necessity, a “slowing down” of time – and magnification of moments that one might otherwise …
