Glass Is Skin Is Water Is,
2018
Rhode Island School of Design
Glass Is Skin Is Water Is, Raghvi Bhatia, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Bond.,
2018
Rhode Island School of Design
Bond., Joshua Coverdale, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Drawn Marks And Cavities,
2018
Rhode Island School of Design
Drawn Marks And Cavities, Daphne Do, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
A Voyage For Fools,
2018
Rhode Island School of Design
A Voyage For Fools, Daniel Fidoten, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
The Body Is All Underground,
2018
Rhode Island School of Design
The Body Is All Underground, Lucy Freedman, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Intraphysicum Apocrypha,
2018
Rhode Island School of Design
Intraphysicum Apocrypha, Mackay Hare, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Iceberg,
2018
Rhode Island School of Design
Iceberg, April Jiang, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Disappearing Of Glaciers,
2018
Rhode Island School of Design
Disappearing Of Glaciers, Jiayi Li, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
The Bookbinder,
2018
Rhode Island School of Design
The Bookbinder, Yvonne Liang, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
HONORABLE MENTION $100
Dear Humanity...,
2018
Rhode Island School of Design
Dear Humanity..., Clarence Mensah, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
There Was Nothing But Small Land And Big Sun.,
2018
Rhode Island School of Design
There Was Nothing But Small Land And Big Sun., Yeonsu Park, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Silent Sayings,
2018
Rhode Island School of Design
Silent Sayings, Benji Snyder, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Doublethink,
2018
Rhode Island School of Design
Doublethink, Tamara Stahl, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Landmarks Of My Life,
2018
Rhode Island School of Design
Landmarks Of My Life, Estelle Stroud, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Sum Of My Parts,
2018
Rhode Island School of Design
Sum Of My Parts, Skye Volmar, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Paradise,
2018
Rhode Island School of Design
Paradise, Yiwen Wang, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Nothing To Fear,
2018
Rhode Island School of Design
Nothing To Fear, Mason Zabrucky, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Fer•Rice Wheel,
2018
Rhode Island School of Design
Fer•Rice Wheel, Liekkas Zhang, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
Technology And The Printed Book: Pursuing A Holistic Human Experience With A Sacred Text,
2018
Liberty University
Technology And The Printed Book: Pursuing A Holistic Human Experience With A Sacred Text, Rachel Dugan
Masters Theses
There exists a sort of gravitas attached to a book that is printed and bound by hand that gets lost on the production line. When holding a hand-printed (or hand-written), hand-bound codex next to a mass-produced book, there is between the two a visible and tactile difference in quality and harmony between form and content. With the modern technological advancements now available, how can the craftsmanship and beauty — the gravitas — evident in books of the past be replicated in a way that is aesthetically pleasing, harmonious in message, and reflective of the present time? As objects, books are …
Only For So Long,
2018
Rhode Island School of Design
Only For So Long, Elsa Barrientos, Special Collections, Fleet Library
5th Baker & Whitehill Student Artists' Book Contest 2019
No abstract provided.
