To Eat Or Not To Eat,
2016
Rhode Island School of Design
To Eat Or Not To Eat, Ellisa Cox, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Contemplation,
2016
Rhode Island School of Design
Contemplation, Ann Motonaga, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Exodo,
2016
Rhode Island School of Design
Exodo, Karen Darias, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Afloat,
2016
Rhode Island School of Design
Afloat, Shivani, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Oda A La Tipografía,
2016
Rhode Island School of Design
Oda A La Tipografía, Maisie Wills, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
SPECIAL RECOGNITION | Gift membership to the American Printing History Association awarded
Monsanto,
2016
Rhode Island School of Design
Monsanto, Daimei Wu, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Our Kitchen,
2016
Rhode Island School of Design
Our Kitchen, Jessica Young, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Brattleboro,
2016
Rhode Island School of Design
Brattleboro, Peter Nicholson, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Cornarchy,
2016
Rhode Island School of Design
Cornarchy, Hannah Kim, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Omg,
2016
Rhode Island School of Design
Omg, Sara Park, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
As The City Watched,
2016
Rhode Island School of Design
As The City Watched, Leah Marchant, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Illusion,
2016
Rhode Island School of Design
Illusion, Samantha Wong, Fleet Library, Special Collections
3rd Student Artists' Book Contest 2017
No abstract provided.
Input / Output: Mapping The Creative Process,
2016
Rhode Island School of Design
Input / Output: Mapping The Creative Process, Macy Chadwick, Special Collections, Fleet Library
Artists' Books
1 volume. Artist's book by Macy Chadwick. Title page spans two pages. Limited edition of 100 copies, signed and numbered by the artist. "'Input/Output' was created as one of the Small Plates series at San Francisco Center for the Book in 2016. The book was designed and written by Macy Chadwick and was letterpress printed at SFCB with Gotham typeface on Cougar Opaque paper using linoleum blocks and polymer plates with the assistance of Paola Hurtado, Cheryl Ball, Lian Ng, Carrie Ann Plank, Laurie Whitehill & Megan Adie... The binding was based on Keith Smith's 'border book' which opens out …
Southern Steam Prints: Large Scale, Relief Printmaking,
2016
Georgia Southern University
Southern Steam Prints: Large Scale, Relief Printmaking, Allison Mueller
Honors College Theses
Southern Steam Prints, a steamroller printmaking festival for Georgia Southern University I directed and organized. The project helped create community involvement in printmaking as an art form, gained notoriety for the Betty Foy Sanders Department of Art and especially the Print, Paper, and Book Arts Program. The project taught valuable skill mastery in relief print techniques, commercialism, and leadership for the kinds of event that artists plan, jury, and participate in, in the professional world. The Southern Steam Prints festival took place on April 23, 2016. Artworks created at the event were exhibited at the Center of Art and Theater …
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss,
2016
Scripps College
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Scripps Senior Theses
This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.
The Call Of The Undertow,
2016
University of Akron
The Call Of The Undertow, Rebekah Bradford
Williams Honors College, Honors Research Projects
Artist Statement
Prior to becoming a graphic design student, I was very interested in illustration. I wanted an opportunity to hone my illustration skills, focus on one consistent style of illustration, consistently draw the same characters, and practice writing. Creating a children’s book gave me the opportunity to do all of those things. And, after several semesters of work, it’s great to finally see The Call of the Undertow completed! I hope that you enjoy reading this story and looking at the images because I enjoyed creating it.
Unspinning And A Constant Whirring,
2016
Bard College
Unspinning And A Constant Whirring, Laura Marina Salgarolo
Senior Projects Spring 2016
My senior thesis project is a living workspace and reading environment, housing a library of books and ephemera. This collection includes a series of books I made by hand, the foremost of which is a picture book I have written and illustrated. The books are “guarded” by several small librarian characters I invented and sculpted, and are shelved alongside classified and labeled ephemera and found objects. My aim has been to construct an environment for this library with a lamp-lit reading space and a work desk covered in process work and sketches. The exhibit will represent the merging and hybridization …
Women At The Crossroads, Women At The Forefront, American Women In Letterpress Printing In The Nineteenth Century,
2016
Virginia Commonwealth University
Women At The Crossroads, Women At The Forefront, American Women In Letterpress Printing In The Nineteenth Century, Dianne L. Roman Ms
Theses and Dissertations
The significant role of the female printer in the American home-based print shops during the colonial and early republic periods has been documented in print history, socioeconomic, labor, and women studies, yet with the industrialization of the printing trade, women’s presence is thought to have disappeared. Contrary to the belief that industrialization of the print shop eradicated women’s involvement in skilled employments such as typesetting, the creation of the Women’s Cooperative Printing Union in California and the creation and chartering of the Women’s Typographical Union in New York, both in the late 1860s, clearly indicate that women continued to work …
Quicks-Bepress.Pdf,
2015
University of Texas at El Paso
Quicks-Bepress.Pdf, Anne M. Giangiulio
Anne M. Giangiulio
Pull,
2015
University of Texas at El Paso
