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Zine-Nona: Paper, Scissors, Resistance, Winona State University-Ethnic Studies Program, Winona State University-Women's, Gender, & Sexuality Studies Department 2024 Winona State University

Zine-Nona: Paper, Scissors, Resistance, Winona State University-Ethnic Studies Program, Winona State University-Women's, Gender, & Sexuality Studies Department

Research & Creative Achievement Day

ZINE-NONA: Paper, Scissors, Resistance explores the intersections of power and privilege through zines.

This event is hosted by the WGSS Intersections of Power and Privilege, WGSS Introduction to LGBTQIA+ Studies, and ETHN Punk Rock and Folks of Color.

Sponsored by the WSU Ethnic Studies Program (ETHN) and Women's, Gender, and Sexuality Studies Department (WGSS) faculty. Funding provided by the Learning and Community Engagement Community.


Dangerous Dyes: The Poison Book Project At Lipscomb University, Michaela Rutledge, Jan Cohu 2024 Lipscomb University

Dangerous Dyes: The Poison Book Project At Lipscomb University, Michaela Rutledge, Jan Cohu

Faculty Works

Last year, the Winterthur Library began a worldwide effort to identify 19th century books that have covers dyed with toxic heavy metals, such as arsenic and chromium, which they called the Poison Book Project. Lipscomb University joined in the Poison Book Project, looking for books dyed with dangerous chemicals. The library collaborated with the University's Chemistry department for the testing of suspected books. We will give results, recommendations, and resources for other libraries.


Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis 2024 Belmont University

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …


Satori 2024, Draconian Onyx, Xander Auman, Elizabeth Benfield, Samantha Bird, Elysia Beynon, Ashleigh Campbell, Lydia Domaille, Mawatta Dukuly, Alysen Endres, Jessica Grafe, Grace Guertin, Mushfiq Kabir, Nathan Kronbeck, Alayna Majkrzak, Rachel Marzahn, Noelle McKinney, Ian Douglas McKinzie, Dorothy Moore, Jack Mulvaney, Kaylee Nickisch, Kiera Norman, Alex Peachy, Sophia Porter, Sydney Porter, Keaton Riebel, Sophia Sailer, Lucy Severson, Kelly Steltzer, Celia Stern, Willow Swinbank, Jackie Velishek, Allen Wedekind, Riker Weiler, Jaydon Wilson 2024 Winona State University

Satori 2024, Draconian Onyx, Xander Auman, Elizabeth Benfield, Samantha Bird, Elysia Beynon, Ashleigh Campbell, Lydia Domaille, Mawatta Dukuly, Alysen Endres, Jessica Grafe, Grace Guertin, Mushfiq Kabir, Nathan Kronbeck, Alayna Majkrzak, Rachel Marzahn, Noelle Mckinney, Ian Douglas Mckinzie, Dorothy Moore, Jack Mulvaney, Kaylee Nickisch, Kiera Norman, Alex Peachy, Sophia Porter, Sydney Porter, Keaton Riebel, Sophia Sailer, Lucy Severson, Kelly Steltzer, Celia Stern, Willow Swinbank, Jackie Velishek, Allen Wedekind, Riker Weiler, Jaydon Wilson

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2024 editors are:

Design and Technical Editor: Draconian Onyx;
Fiction Editors: Elizabeth Benfield, Jed, Nelson, Kate Nissen, Mandie Schmidt, Kylie White, Jayde Yeates;
Poetry Editors: Xander Auman, Kat Beekman, Alex Peachey, Kelly Stelzer;
Art Editors: Jessica Grafe, Draconian Onyx Benjamin Rayburn.
The Satori 2024 faculty advisor is Dr. Liberty Kohn, Professor of English.


Bridging Borders: Exploring Local To Global Citizenship Through Zines, Tanisha M. Jackson Ph.D. 2024 Syracuse University

Bridging Borders: Exploring Local To Global Citizenship Through Zines, Tanisha M. Jackson Ph.D.

Global Citizenship Pedagogy Community

"Empowering Voices through DIY Zine-Making" workshop, where participants will harness the power of zine-making to explore themes of community, activism, and global citizenship. Zines, small-scale publications with big messages, serve as a conduit for diverse voices to be heard and shared, making them a perfect medium for exploring the interconnectedness of local and global issues.

This workshop delves into the intersection of art, activism, and citizenship, providing a space for participants to express their perspectives on pressing social and environmental issues. Led by experienced zine-makers, attendees will delve into the rich history of zines as tools for social change, discovering …


Earth/Unearth [On The Nature Of G-D And Creation], Macs Herdrich 2024 Seattle Pacific University

Earth/Unearth [On The Nature Of G-D And Creation], Macs Herdrich

Honors Projects

Inspired by creative research, EARTH/UNEARTH explores the nature of the divine and the act of creation. This triptych of poetry features poems such as “EXPERIENCE OF A TREE (AND SKY)”, “RITUAL/SENSUAL”, and “THE THING THAT DOESN’T COME FROM THINKING” as meditations on the following questions: Is there a hierarchy that exists from G-d to dirt? How does inspiration flow through the hands to creation? And in the strain of creation, how do we care for our bodies? Each section concludes with an opportunity for visual meditation and reflection.


How To Crochet, Koji Hellman, Special Collections, Fleet Library 2024 Rhode Island School of Design

How To Crochet, Koji Hellman, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

LAURIE WHITEHILL PURCHASE PRIZE | $375 Purchase prize winners receive a cash reward and the books are added to the Fleet Library at RISD Special Collections' Artists' Book collection. Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.


Interview: Chef Per Henrik Jonsson, Carla Thomas 2024 Vocational Training Council

Interview: Chef Per Henrik Jonsson, Carla Thomas

AMBROSIA 客道 : The Magazine of The International Culinary Institute

Meet The New Programme Director Of ICI:

專訪國際廚藝學院 新任課程總監兼名廚

Chef Per Henrik Jonsson

The new head shares his vision of what students and stakeholders can anticipate in the upcoming years.

這位新上任的總監,分享學院與學生及持份者共同創造的未來願景。


Flesh ‘N’ Alloy, Rodney F. Ford II 2024 Kennesaw State University

Flesh ‘N’ Alloy, Rodney F. Ford Ii

Student Sequential Art and Comics

This is a excerpt of my original IP that I turned into a short comic for this assignment.


A Series Of Embarrassment, Jaimie Winston 2024 Kennesaw State University

A Series Of Embarrassment, Jaimie Winston

Student Sequential Art and Comics

A Series of Embarrassment is a mini comic that was written and illustrated by Jaimie Winston. This comic was created in March 2024. The mini comic assignment was a given to her in Sequential Art by her professor, Professor Shuchita Mishra. In this piece, it features a young girl named Savannah who creates a comic. She discusses the embarrassing situations she has experienced throughout her life. Her intentions are to make light of embarrassing moments and to not take them so seriously.


Dragon's Lair, julie cheung 2024 Kennesaw State University

Dragon's Lair, Julie Cheung

Student Sequential Art and Comics

An 8 page zine that goes through two characters exploring a cave that is the dragon's lair.


Diy Delivery Systems Rethinking Self-Sponsorship Through Extracurricular Literacy Narratives, Jason W. Luther 2024 Rowan University

Diy Delivery Systems Rethinking Self-Sponsorship Through Extracurricular Literacy Narratives, Jason W. Luther

College of Communication & Creative Arts Departmental Research

This essay reconsiders the role of the “self-sponsored” writer in the attention economy by suggesting that contemporary do-it-yourself publishers have not only attempted to negotiate a public sphere which has linked "self-sponsored" to "entrepreneurial," but contend with a digital environment that makes it difficult to parse authorial desire from neoliberal rationality. Ultimately, this essay suggests that materialist models of circulation should be accounted for in studies of extracurricular literacies, specifically by drawing from the literacy narratives of public writers such as zine authors. It thus provides a method of analysis for understanding how these writers, who must necessarily exist within …


Waiting For Democracy, Naya Lee Chang, Special Collections, Fleet Library 2024 Rhode Island School of Design

Waiting For Democracy, Naya Lee Chang, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.


A Guide To Japanese Papermaking With Kozo, Xiao Guo, Special Collections, Fleet Library 2024 Rhode Island School of Design

A Guide To Japanese Papermaking With Kozo, Xiao Guo, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.


From Panels To Shelves: The Evolving Intersection Of Comics And Italian Libraries. History, Issues, Perspectives, Andrea Tosti 2024 Lancaster University, Lancaster (UK)

From Panels To Shelves: The Evolving Intersection Of Comics And Italian Libraries. History, Issues, Perspectives, Andrea Tosti

SANE journal: Sequential Art Narrative in Education

Despite comics' popularity and cultural significance in Italy, its integration into Italian libraries has been slow, problematic, and uneven. This is reflected in the scarcity of academic research on the topic, which demands further in-depth exploration.

In the context of Italian libraries, characterized by chronic underfunding and staffing shortages, comics might be perceived as a low priority. However, as essential cultural institutions, libraries must strive to reflect both the contemporary era and the evolving reading habits of their audience. Comics, in this regard, could prove to be – and in part already are – a critical resource, a 'booster' for …


Ripe Spoils, Yan Cynthia Chen 2024 City University of New York (CUNY)

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …


Ivy Leaves, Volume 99, Ivy Leaves Editorial Staff 2024 Anderson University

Ivy Leaves, Volume 99, Ivy Leaves Editorial Staff

Ivy Leaves

The 2024 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Carson Cawthon, Allison Jones, Lily McNamara, Brea Bingham, Briana Martin, Emma Brightman, Grace Hartsell, Jaylee Koon, Maeve Foote, Marielys Diaz, Meg Hindman, Milena Ulrich, Zoe Dubiski-Pitts, Lindsay Blumenfield, Knoxie Le Roux, Lily Gregory, Ethan Wright, Jocelin Flora, Ellie Gramm, Iley Graham, Emily Miller, Julia Hewitt, Miriam Cabrera, Ashlee Keller, Isabelle Rigsbee, Abby McDonald, Derek Updegraff, and Tim Speaker.


Experimentation On Manual Paper Making Using Mango Seed Fibers, Mercy Wanduara 2024 Kenyatta University

Experimentation On Manual Paper Making Using Mango Seed Fibers, Mercy Wanduara

Textile Society of America: Symposium Proceedings

This paper seeks to explore the use of Kenyan mango fiber as a core ingredient in papermaking. Mango is a tropical fruit grown in many countries around the world, including Kenya. The fruit tree grows naturally and has a maturity period of approximately three years. When this juicy fruit is ready for harvesting most of the fruits are harvested for consumption but plenty of them find their way into compost because of overproduction and lack of market. Moreover, the fruits are either consumed whole or juiced. The core of the fruit is a hairy seed which has little value to …


Visual Narratives And Global Journeys, Sarah Laura Nesti Willard, Claudia Maria Tresso, Jolanda Guardi 2024 United Arab Emirates University

Visual Narratives And Global Journeys, Sarah Laura Nesti Willard, Claudia Maria Tresso, Jolanda Guardi

CoHSS Faculty Work

No abstract provided.


Recollection, Shelby Ann Theis-Lukenbill 2024 Missouri State University

Recollection, Shelby Ann Theis-Lukenbill

Graduate Theses/Dissertations

My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …


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