The Humanistic Value Of Individual Events Participation,
2017
Minnesota State University, Mankato
The Humanistic Value Of Individual Events Participation, Leah White
National Forensic Journal
Forensic educators have long struggled to communicate the value of forensic participation to those not familiar with the activity. Drawing from literature in the field of counseling and student personnel, this paper argues participation in individual events is beneficial because it allows students to engage in what Baxter Magolda (2001) refers to as self-authorship among good company. Using interviews and autoethnographic methods, I investigate how participation in competitive forensics helps students meet personal growth needs. I conclude with suggestions for how forensic educators can communicate the student development goals achieved through forensic participation.
Reflections On Forensic Practice And Civic Education: What Are We Teaching? What Are We Learning?,
2017
Westminster College
Reflections On Forensic Practice And Civic Education: What Are We Teaching? What Are We Learning?, R. Randolph Richardson
National Forensic Journal
No abstract provided.
Devising From A Distance: A Study Of The Difference In Process, Composition, And Audience Response Between In-Person And Digitally-Mediated Choreographic Collaborations,
2017
Colby College
Devising From A Distance: A Study Of The Difference In Process, Composition, And Audience Response Between In-Person And Digitally-Mediated Choreographic Collaborations, Kathryn Butler
Honors Theses
This paper argues that dance devising shares a value system with that of the digital age, justifying the use of a virtual choreographic site to facilitate geographically distributed collaborations. The presence of technology in our social lives, working environments, and creative practices is steadily increasing. Before we passively let technology digitize and make virtual the choreographic process, or before we expedite this seemingly inevitable trajectory, we need to know what the consequences and opportunities might be. Through use of a controlled empirical investigation, this study analyzed the process experience, composition, and post-performance audience response between in-person and remote choreographic collaborations. …
Awakening Imagination: Glimpses Of Ignatian Spirituality In Seventeenth-Century French Hagiographic Theatre,
2017
College of Saint Benedict/Saint John's University
Awakening Imagination: Glimpses Of Ignatian Spirituality In Seventeenth-Century French Hagiographic Theatre, Ana Fonseca Conboy
Languages and Cultures Faculty Publications
The Spiritual Exercises of Saint Ignatius of Loyola (1491–1556) propose an active method of exercising spirituality through meditation, prayer, and imaginative contemplation. Beyond mere spectators, Ignatian disciples are invited to become actors in the scene unfolding in their sensory imaginations, in what Barthes calls the “récit christique” (Barthes 1971, 10). In that sense, the Exercises possess a performative force. The implicit freedom inspired in the exercitant, the person who performs the Exercises, echoes the call to the imagination of the spectator of seventeenth-century French hagiographic drama. Exercises promulgated throughout the four weeks of the spiritual retreat are reflected in …
Volume 35 - Front Matter,
2017
Minnesota State University, Mankato
Volume 35 - Full Volume,
2017
Minnesota State University, Mankato
College Of The Arts 17/18 Season,
2017
Montclair State University
College Of The Arts 17/18 Season, Department Of Theatre And Dance, John J. Cali School Of Music
2017-2018
No abstract provided.
2017-2018 Peak Journal,
2017
Montclair State University
2017-2018 Peak Journal, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University, Claudia La Rocco
PEAK Journals
No abstract provided.
Art Infested Water, January 2017,
2017
Nova Southeastern University
Art Infested Water, January 2017, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
The Sinking Of The Abergavenny,
2017
College of the Holy Cross
The Sinking Of The Abergavenny, Richard Matlak
Texts relating to the Earl of Abergavenny (ship)
This section of the screenplay Immortal Sea is a fictional representation of the sinking of the Earl of Abergevenny off the coast of England in 1805.
Representation In American Theater: The Chicanx Community’S Fight To Express Social And Political Inequalities,
2017
Western Washington University
Representation In American Theater: The Chicanx Community’S Fight To Express Social And Political Inequalities, Claudia Wagener
Occam's Razor
Theatrical performance has survived for thousands of years and is still studied today by millions of aspiring artists. People have always gathered to tell stories and perform their own works in front of an audience. Since 1948, the Tony Awards have provided recognition to exceptionally original playwrights. The script of a play is often the foundation for a Broadway show, making it highly prestigious to be a recipient of the Tony Award for Best Play. The televised award ceremony brings together the most brilliant minds of Broadway for recognition. Four to five playwrights are nominated per year, but only one …
Storyboard: Act Iii, Scene I,
2017
Boise State University
Storyboard: Act Iii, Scene I, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Storyboard: Act Ii, Scene Ii,
2017
Boise State University
Storyboard: Act Ii, Scene Ii, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Conceptual Hookup,
2017
Boise State University
Conceptual Hookup, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Storyboard: Act Iii, Scene Iii,
2017
Boise State University
Storyboard: Act Iii, Scene Iii, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Lighting Questions List,
2017
Boise State University
Lighting Questions List, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Research Analysis, Act I, Scene I,
2017
Boise State University
Research Analysis, Act I, Scene I, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Lighting Key,
2017
Boise State University
Lighting Key, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Rhythm Analysis,
2017
Boise State University
Rhythm Analysis, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
Magic Sheet,
2017
Boise State University
Magic Sheet, Brandon Washington
Journey's End (2017) - Lighting
The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.
