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Recent Articles in Other Theatre and Performance Studies
Grandma’S Dictionary, Leiquan Jeremiah
Johnson & Wales University
Grandma’S Dictionary, Leiquan Jeremiah
Academic Symposium of Undergraduate Scholarship
Act 1:
We are introduced to the Baileys who live in a modest neighborhood in Gary, Indiana. The family has lived in the same house for generations.
Grandma Athena is the family glue and holds true to her role. She serves as a mediator and voice of reason for family and friends.
Cecile is the main voice of the play who finds herself learning about different people and their lives by being at the right place at the right time. Besides her bold listening in, she loves to tell people’s stories.
Susie-Ann is Cecile’s long-time, childhood friend. Susie-Ann ...
Almost, Maine: A Director's Journey, Adam S. Crandall
University of Tennessee, Knoxville
Almost, Maine: A Director's Journey, Adam S. Crandall
University of Tennessee Honors Thesis Projects
No abstract provided.
Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz
Liberty University
Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz
Senior Honors Papers
Many Christians have noted Romans 1:20’s statement that God is reflected in His creation. As a theater student, I have found this to be true even in how theatrical artists actually execute their craft. Thus, for my senior honors thesis I have decided to further study this connection between the Lord and theater, for which I expect to find more of what I have already found in parallels between the Christian walk and theater arts. For the completion of this thesis, research for theatrical content will include acting and design, and research for biblical content will include the ...
Agravio: A Technical Direction Project, Erica G. King
University of Nebraska - Lincoln
Agravio: A Technical Direction Project, Erica G. King
Student Research, Performance, and Creative Activity: Hixson-Lied College of Fine and Performing Arts
Johnny Carson School of Theatre and Film at the University of Nebraska – Lincoln (UNL) opened the Fall 2012 season in the Howell Theatre on October 04, 2012 with Agravio. My thesis project was the technical direction of Agravio. As the technical director, I took the designer’s ideas and made them a reality on stage. My responsibilities included organization, construction drawings, ordering supplies, problem solving, supervising build and the budgeting of time, people and money. In the course of this thesis I will discuss the process I took to assure the set would be built on time and under budget ...
Costume Design For Agravio, Julie Douglass
University of Nebraska - Lincoln
Costume Design For Agravio, Julie Douglass
Student Research and Creative Activity in Theatre and Film
This thesis presents the costume design, research, and execution process for Valor, Agravio y mujer by Ana Caro, adaptation to Agravio by Ian Borden, based on an original translation by Amy Williamsen. The play was performed in the Howell Theatre of the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in October 2012. Agravio was directed by Ian Borden, with Costume Design by Julie Douglass, Scenic Design by Joshua Rajaee, Lighting Design by Aja Michelle Jackson, Properties by David Tousley, and Technical Direction by Erica King.
Advisor: Janice Stauffer
10,000 Words: Creating And Subverting The Theatrical Process For Personal Insights And Practical Application, Dimitar Christo Venkov
University of Tennessee, Knoxville
10,000 Words: Creating And Subverting The Theatrical Process For Personal Insights And Practical Application, Dimitar Christo Venkov
University of Tennessee Honors Thesis Projects
No abstract provided.
Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple
California Polytechnic State University
Infusing Technology Into The Performing Arts At Cal Poly, Tyler Whipple
Liberal Arts and Engineering Studies
No abstract provided.
Teatralidad, Globalidad Y Tecnología En El Siglo Xxi, Luz Andrea Ávila Becerril
Western University
Teatralidad, Globalidad Y Tecnología En El Siglo Xxi, Luz Andrea Ávila Becerril
Electronic Thesis and Dissertation Repository
The development of a spectacular theatricality that may reflect the aesthetics of a neobaroque society is the outcome of a long process. As any complex system, theatricality endures thanks to its ability to adapt and being resilient. Factors like globalization, research, scientific aproach and risk management have been needed for the theatricality to reach the level we enjoy now. The 3 cases I analyze here (Cirque du Soleil, Robert Lepage and La Fura dels Baus) are good samples of the state of art of the 21st century theatricality and give us an idea where this human expression could be going ...
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