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Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay 2016 CNRS

Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay

Artl@s Bulletin

This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.


Rehearsal Skirts: Undergraduate Research And 'Hamletmachine'’S Chorus Of Dead Ophelias, Jeanmarie Higgins 2016 University of North Carolina at Charlotte

Rehearsal Skirts: Undergraduate Research And 'Hamletmachine'’S Chorus Of Dead Ophelias, Jeanmarie Higgins

PARtake: The Journal of Performance as Research

This essay considers the 2016 University of North Carolina at Charlotte production of Heiner Müller’s Hamletmachine as a set of rehearsal and production practices that followed a feminist pedagogical framework with the potential to, as Ann Elizabeth Armstrong suggests, “transform both the artists who make the representations and the community members who witness them” by considering “what we do with our bodies on the stage.” Among other choices that decentralized authority, Hamletmachine cast a large Chorus of Dead Ophelias with students of different academic majors, theatre experience, and gender expressions. The result was a working environment that strengthened a ...


Performance Review Of 'Sweet And Lucky', Gina M. Braswell 2016 University of Colorado Boulder

Performance Review Of 'Sweet And Lucky', Gina M. Braswell

PARtake: The Journal of Performance as Research

In this performance review of Third Rail Project's Sweet and Lucky, I evaluate the "immersive" elements and quality of the experience within the performance.


Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', William Boles 2016 Rollins College

Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', William Boles

PARtake: The Journal of Performance as Research

The performance review of Jack Thorne's The Solid Life of Sugar Water (Temporary Space, National Theatre production) argues that Thorne's play and Graeae Theatre Company succeeds admirably in producing a work that details the story of a disabled couple's failed pregnancy. The play is not about a married disabled couple suffering a loss. The play is instead about a married couple suffering a loss. In short, disability is not the focus of the play, but instead the inevitable pain and reaffirming love we all experience in our lives.


Performing History: Remembering Paul Robeson And The Peekskill Riots Through Tayo Aluko’S Call Mr. Robeson, Mark Alan Rhodes II 2016 Kent State University - Kent Campus

Performing History: Remembering Paul Robeson And The Peekskill Riots Through Tayo Aluko’S Call Mr. Robeson, Mark Alan Rhodes Ii

Excellence in Performing Arts Research

In 1949 Paul Robeson (with support from Pete Seeger, Woodie Guthrie, Howard Fast, and others) attempted to and then successfully held a civil and workers’ rights concert in Peekskill, New York. Marring these performances, however, were protests that turned progressively violent. These violent protests have come to be known as the Peekskill Riots and serve as a major milestone in the nation’s history surrounding protest, music, politics, and Paul Robeson. This paper reflects on this relationship, particularly how it is being remembered today. Through field research, including participant observation, interviews, landscape analysis, and primary and secondary archival research, I ...


Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate 2016 University of Pennsylvania

Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate

Literature

“Very few critics have all the qualities and competencies required to engage fully with the entirety of Beckett’s work in all genres: a detailed familiarity with Beckett’s texts in both English and French; a sensitivity to his linguistic, stylistic, and thematic maneuvers; an encyclopedic knowledge of his intellectual context; an awareness of the range and detail of Beckett studies; and an ability to write with refinement and wit. It is clear from this remarkable book that Jean-Michel Rabaté is one of those few.” —Derek Attridge, University of York


Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan 2016 University of Dayton

Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan

Aili Bresnahan

Western philosophical aesthetics tends to answer the question, “What is art?” by starting with the perspective of the art appreciator. What does the spectator perceive in the artistic entity at issue? For example, are these properties formal and tangible, an arrangement of lines and colors as provided by Clive Bell’s theory of significant form? Are they contextual—are they, for example, the expression of the experience of a particular culture? Or are these properties relational in the sense of being a comment on or response to another art-historical movement, such as Cubism?

Starting from this perspective, the methodology tends ...


Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine 2016 Western Michigan University

Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine

The Hilltop Review

T.S. Eliot’s poem of 1922, “The Waste Land,” lays philosophical and stylistic ground for the Modern literary movement in which human experience takes the performative shape of inner dialog (or soliloquy) for the benefit of the reader/audience. This essay will argue that Eliot’s poem is an existentialist work that is not merely informed by Shakespeare’s Hamlet (the earliest example of British existentialism), but is directly modeled after it, in Eliot’s attempt to rectify the play’s perceived failings. Existentialism as a key to unlocking the mood of Modern literature is overlooked by those critics ...


Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight 2016 Seattle Pacific University

Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight

Honors Projects

Megan Whalen Turner’s The Thief follows the story of a thief who seeks to steal an item for fame and glory and to save his country. Though he initially does not believe in the gods, he finds that they exist and are more involved in his life than he would want them to be. The screenplay is a loyal adaptation of the book. The analysis follows the thief’s journey from skepticism to faith and draws a comparison between the gods in the novel and the Christian God.


Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan 2016 University of Dayton

Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan

Philosophy Faculty Publications

Western philosophical aesthetics tends to answer the question, “What is art?” by starting with the perspective of the art appreciator. What does the spectator perceive in the artistic entity at issue? For example, are these properties formal and tangible, an arrangement of lines and colors as provided by Clive Bell’s theory of significant form? Are they contextual—are they, for example, the expression of the experience of a particular culture? Or are these properties relational in the sense of being a comment on or response to another art-historical movement, such as Cubism?

Starting from this perspective, the methodology tends ...


Love On - The Life Of A Suicide Survivor: A Performance Autoethnographic Study, Patricia R. Wheeler 2016 East Tennessee State Universtiy

Love On - The Life Of A Suicide Survivor: A Performance Autoethnographic Study, Patricia R. Wheeler

Electronic Theses and Dissertations

Suicide touches the lives of millions of people each year in this country alone, yet conversations about suicide loss and survival after a loss remain taboo and often do not happen. The story I performed for this performance autoethnographic study centers on my life as a survivor of suicide. It provides a starting point for dialog regarding trauma, grief, and suicide loss. The narrative was constructed directly following the sudden death of my father, which had a direct effect on my ability to produce artistic work. The development, staging and performance of the story were altered to account for the ...


Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby 2016 Dominican University of California

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Master's Theses and Capstone Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study ...


Classical Masculinity In Shakespeare’S Antony And Cleopatra, Timothy N. Grams 2016 Northern Michigan University

Classical Masculinity In Shakespeare’S Antony And Cleopatra, Timothy N. Grams

All NMU Master's Theses

This thesis uses the formula of classical masculinity to examine Marc Antony’s value as a Roman man in Shakespeare’s Antony and Cleopatra. Examining Antony’s history as a Roman hero, I distinguish how his reputation is destroyed through his romantic involvement with Cleopatra. Furthermore, I consider the divine representations of Cleopatra and Octavian Caesar as they oppose each other, and how Antony’s role within their conflict defines his value as a classical Roman man. I then deliberate his sexual fetishism for the matriarch pharaoh, and how their relationship functions as sadomasochistic, defining Antony as the masochist and ...


Review Of Sarah Raff, Jane Austen's Erotic Advice, Danielle Spratt 2016 California State University, Northridge

Review Of Sarah Raff, Jane Austen's Erotic Advice, Danielle Spratt

ABO: Interactive Journal for Women in the Arts, 1640-1830

A book review of Sarah Raff's Jane Austen's Erotic Advice.


Review Of Dale Townshend And Angela Wright, Eds., Ann Radcliffe, Romanticism And The Gothic, Ellen Malenas Ledoux 2016 Rutgers University - Camden

Review Of Dale Townshend And Angela Wright, Eds., Ann Radcliffe, Romanticism And The Gothic, Ellen Malenas Ledoux

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.


Chasing Eliza: Shifting And Static Women In Elizabeth Craven's The Miniature Picture, Heather A. Ladd 2016 University of Lethbridge

Chasing Eliza: Shifting And Static Women In Elizabeth Craven's The Miniature Picture, Heather A. Ladd

ABO: Interactive Journal for Women in the Arts, 1640-1830

Georgian actress and author Mary Robinson famously wore a miniature portrait of her royal lover, the Prince of Wales, whom she captivated in the Shakespearean breaches role of Perdita. Intriguingly, Robinson’s final stage appearance was as the cross-dressing heroine of The Miniature Picture (1781), a three-act comedy penned by writer and socialite Lady Elizabeth Craven, later Baroness Craven and Margravine of Brandenburg-Ansbach. The play’s action, initiated by the threat of exposure, is driven by Eliza Camply, who aims to retrieve her miniature from the man who left her. Craven, like the actress playing her enterprising protagonist Eliza Camply ...


A Kaleidoscopic Book That'll Make Your 'World Spin', Wendy MacLeod 2016 Selected Works

A Kaleidoscopic Book That'll Make Your 'World Spin', Wendy Macleod

Wendy MacLeod

No abstract provided.


Angels In America And Rent: Aids Through The Ages, Nicole Motahari 2016 Georgia State University

Angels In America And Rent: Aids Through The Ages, Nicole Motahari

Georgia State Undergraduate Research Conference

No abstract provided.


"Outside And Also Beside Herself:" A Discussion Of The Treatment Of Hysteria In Female Characters Within The Western Theatrical Tradition, Molly Belsky 2016 Trinity College, Hartford Connecticut

"Outside And Also Beside Herself:" A Discussion Of The Treatment Of Hysteria In Female Characters Within The Western Theatrical Tradition, Molly Belsky

Senior Theses and Projects

No abstract provided.


More Than A 'Mere Painted Scene': The Role Of Theatricality And The Carnivalesque In 'The Mayor Of Casterbridge', Christine R. Vahaly 2016 Gettysburg College

More Than A 'Mere Painted Scene': The Role Of Theatricality And The Carnivalesque In 'The Mayor Of Casterbridge', Christine R. Vahaly

Student Publications

This essay examines the role of Thomas Hardy's scenes of community theatre, drawing examples from Far from the Madding Crowd, The Return of the Native, and The Mayor of Casterbridge. Only in such scenes from The Mayor of Casterbridge does Hardy employ Mikhail Bakhtin's carnivalesque, reversing the roles of the spectator and the creator of spectacle, the supporting cast and the lead actor, in order to magnify the fall of protagonist Michael Henchard.


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