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592 full-text articles. Page 1 of 17.

Ofengenden, Ari Curriculum Vitae, Ari Ofengenden 2017 Brandeis University

Ofengenden, Ari Curriculum Vitae, Ari Ofengenden

CLCWeb Library

No abstract provided.


Nir, Oded Curriculum Vitae, Oded Nir 2017 Ohio State University - Main Campus

Nir, Oded Curriculum Vitae, Oded Nir

CLCWeb Library

No abstract provided.


From Classic Novel To Broadway Musical Production: An Examination Of Little Women As An Adaptation, Meghan Skiles 2016 La Salle University

From Classic Novel To Broadway Musical Production: An Examination Of Little Women As An Adaptation, Meghan Skiles

HON499 projects

Little Women by Louisa May Alcott is a classic work of American literature that has been adapted into many different forms since its original publication in 1868. This essay analyzes the effects of adapting a novel, or written medium, to a visual medium such as a film or stage production. Particularly, it looks at Alcott’s Little Women in relation to Allan Knee’s 2005 Broadway musical adaptation of the story. This article begins with a discussion about the challenges that come with adapting a written medium to a visual medium, and then uses Little Women as a case study ...


Screen To Stage: The Adaptation Of Films To Stage Musicals, Michael Gillies Mahacek 2016 Loyola Marymount University

Screen To Stage: The Adaptation Of Films To Stage Musicals, Michael Gillies Mahacek

Research & Exhibition

Many musical films are inspired by stage shows that originated on Broadway. While this transition still remains popular today, there is also a continuous rise in the popularity of adapting a film into a stage show, regardless if the film possessed any musical elements to start. This research aims to explore the elements and creative decisions needed in order to adapt a film into a stage musical. The focus will be primarily aimed toward the preproduction of a musical and how the creative team is able to manipulate the preexisting story from the film into the confinements of the stage ...


The Three Year Clock, Sam Roeck 2016 CUNY Hunter College

The Three Year Clock, Sam Roeck

School of Arts & Sciences Theses

Roeck: I mean, it’s “a” future. It’s like half what I want to be and half completely not what I want. I didn’t want to create a future that I was entirely excited about because I’m not actually that excited about the future. It looks pretty fucking grim.


Review Of The Bluestocking Archive, Emory Women Writers Resource Project, And Women’S Travel Writing, 1780-1840: A Bio-Bibliographical Database, Megan Peiser 2016 University of Missouri

Review Of The Bluestocking Archive, Emory Women Writers Resource Project, And Women’S Travel Writing, 1780-1840: A Bio-Bibliographical Database, Megan Peiser

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of The Bluestocking Archive, Emory Women Writers Resource Project, and Women's Travel Writing 1780-1840.


Review Of Sigrund Haude And Melinda S. Zook, Eds, Challenging Orthodoxies: The Social And Cultural Worlds Of Early Modern Women: Essays Presented To Hilda L. Smith, Emma Major 2016 University of York, UK

Review Of Sigrund Haude And Melinda S. Zook, Eds, Challenging Orthodoxies: The Social And Cultural Worlds Of Early Modern Women: Essays Presented To Hilda L. Smith, Emma Major

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews Sigrun Haude and Melinda S. Zook, eds, Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women: Essays Presented to Hilda L. Smith.


Review Of Joellen Delucia, A Feminine Enlightenment: British Women Writers And The Philosophy Of Progress, Nicole Pohl 2016 Oxford Brookes University

Review Of Joellen Delucia, A Feminine Enlightenment: British Women Writers And The Philosophy Of Progress, Nicole Pohl

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of JoEllen DeLucia's A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820.


Review Of Rivka Swenson, Essential Scots And The Idea Of Unionism In Anglo-Scottish Literature, 1603-1832, Rhona Brown 2016 University of Glasgow

Review Of Rivka Swenson, Essential Scots And The Idea Of Unionism In Anglo-Scottish Literature, 1603-1832, Rhona Brown

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review: Rivka Swenson, Essential Scots and the Idea of Unionism in Anglo-Scottish Literature, 1603-1832


Females And Footnotes: Excavating The Genre Of Eighteenth-Century Women’S Scholarly Verse, Ruth Knezevich 2016 University of Otago

Females And Footnotes: Excavating The Genre Of Eighteenth-Century Women’S Scholarly Verse, Ruth Knezevich

ABO: Interactive Journal for Women in the Arts, 1640-1830

Throughout the eighteenth century, the genre of women’s poetry heavily annotated with editorializing commentary (a genre I term “scholarly verse”) became increasingly prevalent. Such poetry presents an ironic reversal of conventions of gender and authority by incorporating the literal margins of the page: the female voice commands the majority of the page, while the masculine voice of empiricism, authority, and scholarly reason is pushed to the margins. This essay offers a distant reading of the range of annotations women poets provided, in order to begin new conversations about the ways women’s poetry served as a site of and ...


Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay 2016 CNRS

Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay

Artl@s Bulletin

This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.


Rehearsal Skirts: Undergraduate Research And 'Hamletmachine'’S Chorus Of Dead Ophelias, Jeanmarie Higgins 2016 University of North Carolina at Charlotte

Rehearsal Skirts: Undergraduate Research And 'Hamletmachine'’S Chorus Of Dead Ophelias, Jeanmarie Higgins

PARtake: The Journal of Performance as Research

This essay considers the 2016 University of North Carolina at Charlotte production of Heiner Müller’s Hamletmachine as a set of rehearsal and production practices that followed a feminist pedagogical framework with the potential to, as Ann Elizabeth Armstrong suggests, “transform both the artists who make the representations and the community members who witness them” by considering “what we do with our bodies on the stage.” Among other choices that decentralized authority, Hamletmachine cast a large Chorus of Dead Ophelias with students of different academic majors, theatre experience, and gender expressions. The result was a working environment that strengthened a ...


Performance Review Of 'Sweet And Lucky', Gina M. Braswell 2016 University of Colorado Boulder

Performance Review Of 'Sweet And Lucky', Gina M. Braswell

PARtake: The Journal of Performance as Research

In this performance review of Third Rail Project's Sweet and Lucky, I evaluate the "immersive" elements and quality of the experience within the performance.


Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', William Boles 2016 Rollins College

Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', William Boles

PARtake: The Journal of Performance as Research

The performance review of Jack Thorne's The Solid Life of Sugar Water (Temporary Space, National Theatre production) argues that Thorne's play and Graeae Theatre Company succeeds admirably in producing a work that details the story of a disabled couple's failed pregnancy. The play is not about a married disabled couple suffering a loss. The play is instead about a married couple suffering a loss. In short, disability is not the focus of the play, but instead the inevitable pain and reaffirming love we all experience in our lives.


Performing History: Remembering Paul Robeson And The Peekskill Riots Through Tayo Aluko’S Call Mr. Robeson, Mark Alan Rhodes II 2016 Kent State University - Kent Campus

Performing History: Remembering Paul Robeson And The Peekskill Riots Through Tayo Aluko’S Call Mr. Robeson, Mark Alan Rhodes Ii

Excellence in Performing Arts Research

In 1949 Paul Robeson (with support from Pete Seeger, Woodie Guthrie, Howard Fast, and others) attempted to and then successfully held a civil and workers’ rights concert in Peekskill, New York. Marring these performances, however, were protests that turned progressively violent. These violent protests have come to be known as the Peekskill Riots and serve as a major milestone in the nation’s history surrounding protest, music, politics, and Paul Robeson. This paper reflects on this relationship, particularly how it is being remembered today. Through field research, including participant observation, interviews, landscape analysis, and primary and secondary archival research, I ...


Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate 2016 University of Pennsylvania

Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate

Literature

“Very few critics have all the qualities and competencies required to engage fully with the entirety of Beckett’s work in all genres: a detailed familiarity with Beckett’s texts in both English and French; a sensitivity to his linguistic, stylistic, and thematic maneuvers; an encyclopedic knowledge of his intellectual context; an awareness of the range and detail of Beckett studies; and an ability to write with refinement and wit. It is clear from this remarkable book that Jean-Michel Rabaté is one of those few.” —Derek Attridge, University of York


Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan 2016 University of Dayton

Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan

Aili Bresnahan

Western philosophical aesthetics tends to answer the question, “What is art?” by starting with the perspective of the art appreciator. What does the spectator perceive in the artistic entity at issue? For example, are these properties formal and tangible, an arrangement of lines and colors as provided by Clive Bell’s theory of significant form? Are they contextual—are they, for example, the expression of the experience of a particular culture? Or are these properties relational in the sense of being a comment on or response to another art-historical movement, such as Cubism?

Starting from this perspective, the methodology tends ...


Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine 2016 Western Michigan University

Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine

The Hilltop Review

T.S. Eliot’s poem of 1922, “The Waste Land,” lays philosophical and stylistic ground for the Modern literary movement in which human experience takes the performative shape of inner dialog (or soliloquy) for the benefit of the reader/audience. This essay will argue that Eliot’s poem is an existentialist work that is not merely informed by Shakespeare’s Hamlet (the earliest example of British existentialism), but is directly modeled after it, in Eliot’s attempt to rectify the play’s perceived failings. Existentialism as a key to unlocking the mood of Modern literature is overlooked by those critics ...


Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight 2016 Seattle Pacific University

Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight

Honors Projects

Megan Whalen Turner’s The Thief follows the story of a thief who seeks to steal an item for fame and glory and to save his country. Though he initially does not believe in the gods, he finds that they exist and are more involved in his life than he would want them to be. The screenplay is a loyal adaptation of the book. The analysis follows the thief’s journey from skepticism to faith and draws a comparison between the gods in the novel and the Christian God.


Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan 2016 University of Dayton

Dancing Philosophy: What Happens To Philosophy When Considered From The Point Of View Of A Dancer, Aili W. Bresnahan

Philosophy Faculty Publications

Western philosophical aesthetics tends to answer the question, “What is art?” by starting with the perspective of the art appreciator. What does the spectator perceive in the artistic entity at issue? For example, are these properties formal and tangible, an arrangement of lines and colors as provided by Clive Bell’s theory of significant form? Are they contextual—are they, for example, the expression of the experience of a particular culture? Or are these properties relational in the sense of being a comment on or response to another art-historical movement, such as Cubism?

Starting from this perspective, the methodology tends ...


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