Ouachita To Host Annual One-Act Play Festival May 4-5, 2017 Ouachita Baptist University
Ouachita To Host Annual One-Act Play Festival May 4-5, Hannah Hines, Ouachita News Bureau
Ouachita Baptist University’s Department of Theatre Arts will host its annual One-Act Play Festival on Thursday and Friday, May 4-5. The performances, which are free and open to the public, will be held in Verser Theatre at 7:30 p.m. both nights.
A total of six one acts will be performed throughout the weekend, with three on each night. All of the shows are directed by senior theatre majors enrolled in the play directing class, a capstone course for a theatre degree.
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, 2017 Liberty University
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson
Senior Honors Theses
This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given ...
Art Infested Water, 2017 Nova Southeastern University
Art Infested Water, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
Art Infested Water Volume 5
Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, 2017 Otterbein University
Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, Steven Meeker Jr.
I have always believed that the best theater comes from a very real and sometimes very painful place. My parents were undergoing a brutal and very open separation and then divorce throughout my junior and senior year of high school. In the middle of the constant war zone that was our home, my brother and I would simply go from one room to the other with our heads down and as quick as possible. The only day we would linger in the living room would be Mondays. On Monday nights, my brother and I owned the living room ...
Acting Out The Old Sport, 2017 Illinois Mathematics and Science Academy
Acting Out The Old Sport, Leah Kind
The purpose of this exercise is twofold: one, to have students make text-based interpretations in their discussion, planning, and eventual performance of scenes from The Great Gatsby; two, to have students see the crucial (albeit sometimes frustrating) role of Nick Carraway as the narrator of the novel. In their performance groups, one student will fill the role of “performing” (verbally) Carraway’s interior monologue as conceived by the group, so it will be necessary for students to make informed decisions on his mental commentary. In being tasked with bringing Fitzgerald’s text to life for their peers, students will also ...
Sameena Mustafa Interview, 2017 DePaul University
Sameena Mustafa Interview, Uyanga Chinzorig
Asian American Art Oral History Project
Bio: Sameena Mustafa is a stand-up comedian, actor, and writer named in the Chicago Reader’s Best of Chicago 2016 issue. She has been featured in videos by The Onion and performed on world-famous stages like the Laugh Factory and Biograph Theater. A Northwestern University graduate, Sameena is a sought-after speaker and host, praised for founding Simmer Brown, a comedy showcase featured in the Chicago Sun-Times and Redeye Chicago.
Art Infested Water, 2017 Nova Southeastern University
Art Infested Water, Nova Southeastern University Department Of Visual And Performing Arts
Department of Performing and Visual Arts Newsletters
Art Infested Water Volume 4
Contents - Edward Gordon Craig Special Issue 2017, 2017 University of Iowa
Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt
Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.
Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, 2017 Instituut Voor Scheppende Ontwikkeling
Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, Harvey Grossman
In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux. Grossman elucidates Craig’s much-debated comments on the “Art of the Theatre,” as well as Craig’s influence upon the French corporeal mime Étienne Decroux. He relates in detail Craig’s positive response to seeing Decroux and his students (among them Jean-Louis Barrault and Éliane Guyon) perform in 1945.
Walk: Artist's Statement, 2017 Independent Artist, Los Angeles
Walk: Artist's Statement, Yozmit Walker
Testifying to Thomas Leabhart’s legacy as a corporeal mime performer and educator, his former student Yozmit reflects on her performance piece “Walk,” a site-specific work created for a 2013 conference on Edward Gordon Craig at Pomona College (CA). Yozmit describes the way Leabhart’s teaching – partly inspired by Craig’s work – helped her to explore the balance between artistic thought and rigorous physical training.
Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", 2017 Pomona College, Claremont, CA, USA
Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", Thomas Leabhart, Sally Leabhart
Thomas Leabhart testifies to Edward Gordon Craig’s continuing influence on postmodern mime and movement. Leabhart discusses the influences that shaped Craig’s theory of acting. He then considers what the living actor and Craig’s “übermarionette” have to say to each other, putting pressure on the binary between human and non-human performers, especially in physical theater. Himself a student from 1968-72 of Étienne Decroux, the French corporeal mime and teacher whom the elderly Craig recognized as an “artist of the theatre,” Leabhart relates how he carries on Decroux’s pedagogy and legacy as a performer and teacher of corporeal ...
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, 2017 University of Iowa
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove
Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career. This edited transcription of their conversation takes its point of departure from Craig’s portfolio of six drawings of Duncan in action, Isadora Duncan: Sechs Bewegungsstudien, Insel Verlag, 1906. Belilove sees both Craig and Duncan as poised between late Victorianism and modernism, and she contends they shared a modernist impulse toward abstraction. Belilove also comments on her own practice as a performer and as ...
Nine Ways Of Opening Macbeth, 2017 Bibliothèque nationale de France
Nine Ways Of Opening Macbeth, Patrick Le Boeuf
A previously unpublished essay by Edward Gordon Craig in which Craig considers various directorial and casting choices for Shakespeare's Macbeth. Edited, with notes, by Patrick Le Boeuf.
A Note On Sanity In Stage Productions Of Shakespearean Plays, 2017 Bibliothèque nationale de France
A Note On Sanity In Stage Productions Of Shakespearean Plays, Patrick Le Boeuf
A previously unpublished essay by Edward Gordon Craig which elucidates his ideas about the “right” way to produce Shakespeare. Edited, with notes, by Patrick Le Boeuf.
Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, 2017 University of Iowa
Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt
A roadmap to this Special Issue of Mime Journal. This issue emphasizes the tissue of influences that shaped Craig’s own work and continue to impact contemporary theater and performance. By focusing on the historical contexts in which his ideas were developed and those in which they have been received, the essays counter the widely held perception of Craig as the solitary genius of the “Art of the Theatre.” His claims of originality and singularity have too often obscured the connections between his work and that of other artists—especially the dancer Isadora Duncan, upon whom two of the pieces ...
The Dancer And The Übermarionette: Isadora Duncan And Edward Gordon Craig, 2017 The University of Edinburgh
The Dancer And The Übermarionette: Isadora Duncan And Edward Gordon Craig, Olga Taxidou
Olga Taxidou analyzes the ambiguous concept for which Edward Gordon Craig is best known—the “übermarionette”—alongside Isadora Duncan’s discussions of the liberated dancer. Highlighting the emphasis on futurity in Craig’s and Duncan’s manifestos and theories, she contends that this pairing works to undo the binaries between Hellenism and modernism, and between mechanistic and vitalistic aesthetics. Emphasizing the impact of Nietzsche’s The Birth of Tragedy (1872) and Charles Darwin’s evolutionary theories upon Duncan’s theory and practice, Taxidou locates Duncan within an intellectual vanguard that includes Jane Harrison and her fellow Cambridge Ritualists as well ...
Hamlet's Last Act: Artist's Statement, 2017 Freelance Artist, New York
Hamlet's Last Act: Artist's Statement, Sam J. Gold
Gold contextualizes his performance piece Hamlet’s Last Act (video will be available on the Action, Scene, and Voice website going live in Summer 2017). He reflects on his own journey and process in creating the show, and also offers some fascinating information about Craig’s relationship to Asian puppetry traditions. Gold’s innovative show turns Craig’s wood engravings for the Cranach Press Hamlet into Balinese wayang kulit shadow puppets; Gold later discovered that Craig actually knew of this genre and referenced it in certain works. Gold explains how in Hamlet’s Last Act, Craig’s published engravings literally ...
The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, 2017 Pomona College
The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor
Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally ...
Dreaming Of Light: On Edward Gordon Craig, 2017 University of California, Los Angeles
Dreaming Of Light: On Edward Gordon Craig, Peter Sellars
Sellars reflects on Craig’s legacy, emphasizing Craig’s focus on “making theatre out of light,” and casting Craig as “John the Baptist to Bob Wilson.” Sellars highlights the importance of Craig’s “keeping the dream space open,” but he also criticizes Craig for not traveling to experience the predominantly Asian cultures whose performance traditions he appropriated. Craig and Sellars have a shared interest in the functions of Baroque opera in socially cataclysmic times; Sellars speaks about the influence of Craig upon his stagings of Purcell and the St. Matthew Passion (first staged in 2010). Sellars celebrates Craig’s attempt ...
The Who's Tommy, 2017 Chapman University
The Who's Tommy
The Who's Tommy
Book by Des McAnuff and Pete Townshend
Music and Lyrics by Pete Townshend
Additional Music and Lyrics by John Entwistle and Keith Moon
Directed by Oanh Nguyen
Rock musical; adult language and content as well as strobe lighting effects will be utilized
Based on the iconic 1969 rock concept album, The Who’s Tommy is an exhilarating story of hope, healing, and the human spirit. The story of the pinball-playing, deaf, dumb and blind boy who triumphs over his adversities has inspired, amazed, and puzzled audiences for more than 40 years. This five-time Tony Award-winning musical ...