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Art Infested Water, Nova Southeastern University Department of Performing and Visual Arts 2017 Nova Southeastern University

Art Infested Water, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

Art Infested Water Graduation Edition


From Playwriting To Production, Lauren Wade 2017 University of Rhode Island

From Playwriting To Production, Lauren Wade

Senior Honors Projects

Theater has been a beloved art form for centuries, originating in Ancient Greek times and evolving into what we know today. For as long as I can remember I have been involved in theater, performing in my own school plays starting in elementary school and, upon entering high school, assisting the middle school next door in their productions. While I have been studying acting here at the University of Rhode Island, I have also had the opportunity to expand my knowledge in many aspects of stagecraft including stage management, costume and set design, set construction and scenic painting, and more ...


Staging A Clinical Performance, Kelly Legacy 2017 Plymouth State University

Staging A Clinical Performance, Kelly Legacy

Student Showcase of Excellence

“Staging a Clinical Performance” is a cross-cluster, cross discipline collaborative between the Arts & Technology Cluster & the Health & Human Enrichment Cluster. This project will work with faculty and external partners with medical and theater expertise, to develop a curriculum to train PSU students to act as standardized and simulated patients for Allied Health Profession programs. *Standardized/Simulated Patient is an actor who performs the role of a patient.

Students in the clinical allied health programs will work with standardized patients to integrate clinical knowledge and “soft skills” early and often in simulated clinical practice environments. Working with standardized patients will generate ...


Ouachita To Host Annual One-Act Play Festival May 4-5, Hannah Hines, Ouachita News Bureau 2017 Ouachita Baptist University

Ouachita To Host Annual One-Act Play Festival May 4-5, Hannah Hines, Ouachita News Bureau

Press Releases

Ouachita Baptist University’s Department of Theatre Arts will host its annual One-Act Play Festival on Thursday and Friday, May 4-5. The performances, which are free and open to the public, will be held in Verser Theatre at 7:30 p.m. both nights.

A total of six one acts will be performed throughout the weekend, with three on each night. All of the shows are directed by senior theatre majors enrolled in the play directing class, a capstone course for a theatre degree.


Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson 2017 Liberty University

Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson

Senior Honors Theses

This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given ...


Art Infested Water, Nova Southeastern University Department of Performing and Visual Arts 2017 Nova Southeastern University

Art Infested Water, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

Art Infested Water Volume 5


Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’S, A Bright New Boise, Chadwick R. Taylor 2017 University of Nebraska-Lincoln

Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’S, A Bright New Boise, Chadwick R. Taylor

Student Research and Creative Activity in Theatre and Film

This thesis contains the written documentation of the process of directing a theatrical production of A Bright New Boise by Samuel D. Hunter, in partial fulfillment of the requirements for Masters of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.

Topics addressed include play selection, background of the play and author, script analysis, concept development, casting, production and rehearsal process, director’s reflection, and critical responses and self-evaluation.

Advisor: Ian Borden


Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, Steven Meeker Jr. 2017 Otterbein University

Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, Steven Meeker Jr.

Distinction Papers

THE SPARK

I have always believed that the best theater comes from a very real and sometimes very painful place. My parents were undergoing a brutal and very open separation and then divorce throughout my junior and senior year of high school. In the middle of the constant war zone that was our home, my brother and I would simply go from one room to the other with our heads down and as quick as possible. The only day we would linger in the living room would be Mondays. On Monday nights, my brother and I owned the living room ...


The Complete Works Of William Shakespeare (Abridged), Diane C. Merchant, Robert Clements, Tim Phipps, Rebekah Priebe 2017 Director and Dramaturgy Coordinator

The Complete Works Of William Shakespeare (Abridged), Diane C. Merchant, Robert Clements, Tim Phipps, Rebekah Priebe

Theatre Productions

The Complete Works takes us through all of Shakespeare’s Histories, Comedies and Tragedies in one hilarious show! It’s a fast-paced romp through the Bard’s well known plays. Join three actors, lots of wigs, crazy props, bona fide costumes, and iambic pentameter all rolled into this Shakespearean adventure you won’t soon forget. It’s time to get up close and personal with this in-your-face merriment staged in our black-box performance venue.


Echoes: A Short Play, Laura Mae Ward 2017 Ouachita Baptist University

Echoes: A Short Play, Laura Mae Ward

Theatre Productions

Echoes was performed during the All Night Theatre Festival of March 2017. It is an existential dramedy about two astronauts on a malfunctioning spacecraft.


Summons: A Short Play, Laura Mae Ward 2017 Ouachita Baptist University

Summons: A Short Play, Laura Mae Ward

Theatre Productions

Performed as part of OBU's All Night Theatre Festival in March of 2017, Summons is an absurdist comedy about inept witches trying really hard to summon an ancient evil, but failing miserably.


Acting Out The Old Sport, Leah Kind 2017 Illinois Mathematics and Science Academy

Acting Out The Old Sport, Leah Kind

Leah Kind

The purpose of this exercise is twofold: one, to have students make text-based interpretations in their discussion, planning, and eventual performance of scenes from The Great Gatsby; two, to have students see the crucial (albeit sometimes frustrating) role of Nick Carraway as the narrator of the novel. In their performance groups, one student will fill the role of “performing” (verbally) Carraway’s interior monologue as conceived by the group, so it will be necessary for students to make informed decisions on his mental commentary. In being tasked with bringing Fitzgerald’s text to life for their peers, students will also ...


Sameena Mustafa Interview, Uyanga Chinzorig 2017 DePaul University

Sameena Mustafa Interview, Uyanga Chinzorig

Asian American Art Oral History Project

Bio: Sameena Mustafa is a stand-up comedian, actor, and writer named in the Chicago Reader’s Best of Chicago 2016 issue. She has been featured in videos by The Onion and performed on world-famous stages like the Laugh Factory and Biograph Theater. A Northwestern University graduate, Sameena is a sought-after speaker and host, praised for founding Simmer Brown, a comedy showcase featured in the Chicago Sun-Times and Redeye Chicago.


Art Infested Water, Nova Southeastern University Department of Visual and Performing Arts 2017 Nova Southeastern University

Art Infested Water, Nova Southeastern University Department Of Visual And Performing Arts

Department of Performing and Visual Arts Newsletters

Art Infested Water Volume 4


Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt 2017 University of Iowa

Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt

Mime Journal

Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.


Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, Harvey Grossman 2017 Instituut Voor Scheppende Ontwikkeling

Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, Harvey Grossman

Mime Journal

In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux. Grossman elucidates Craig’s much-debated comments on the “Art of the Theatre,” as well as Craig’s influence upon the French corporeal mime Étienne Decroux. He relates in detail Craig’s positive response to seeing Decroux and his students (among them Jean-Louis Barrault and Éliane Guyon) perform in 1945.


Walk: Artist's Statement, Yozmit Walker 2017 Independent Artist, Los Angeles

Walk: Artist's Statement, Yozmit Walker

Mime Journal

Testifying to Thomas Leabhart’s legacy as a corporeal mime performer and educator, his former student Yozmit reflects on her performance piece “Walk,” a site-specific work created for a 2013 conference on Edward Gordon Craig at Pomona College (CA). Yozmit describes the way Leabhart’s teaching – partly inspired by Craig’s work – helped her to explore the balance between artistic thought and rigorous physical training.


Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", Thomas Leabhart, Sally Leabhart 2017 Pomona College, Claremont, CA, USA

Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", Thomas Leabhart, Sally Leabhart

Mime Journal

Thomas Leabhart testifies to Edward Gordon Craig’s continuing influence on postmodern mime and movement. Leabhart discusses the influences that shaped Craig’s theory of acting. He then considers what the living actor and Craig’s “übermarionette” have to say to each other, putting pressure on the binary between human and non-human performers, especially in physical theater. Himself a student from 1968-72 of Étienne Decroux, the French corporeal mime and teacher whom the elderly Craig recognized as an “artist of the theatre,” Leabhart relates how he carries on Decroux’s pedagogy and legacy as a performer and teacher of corporeal ...


The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove 2017 University of Iowa

The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove

Mime Journal

Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career. This edited transcription of their conversation takes its point of departure from Craig’s portfolio of six drawings of Duncan in action, Isadora Duncan: Sechs Bewegungsstudien, Insel Verlag, 1906. Belilove sees both Craig and Duncan as poised between late Victorianism and modernism, and she contends they shared a modernist impulse toward abstraction. Belilove also comments on her own practice as a performer and as ...


Nine Ways Of Opening Macbeth, Patrick Le Boeuf 2017 Bibliothèque nationale de France

Nine Ways Of Opening Macbeth, Patrick Le Boeuf

Mime Journal

A previously unpublished essay by Edward Gordon Craig in which Craig considers various directorial and casting choices for Shakespeare's Macbeth. Edited, with notes, by Patrick Le Boeuf.


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