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Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle 2019 University of Missouri

Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle

PARtake: The Journal of Performance as Research

Shakespeare and Gender in Practice, the third volume in the Shakespeare {in} Practice series, is a theoretical and practical exploration of gender performance through Shakespeare’s works on stage. This volume implements intersectional feminist and queer theories, historical documentation, interviews, and workshop exercises to demonstrate the depth of Shakespearean gender performance. Power’s goal for this volume is to offer new ideas of gender performance using an intersectional feminist framework while simultaneously deconstructing preconceived notions of traditional Shakespearean performance. Power also sheds new light on possibilities of casting Shakespearean work and provides inspiration for feminist scholars, directors, students, and working ...


Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva 2019 INET-md at University of Lisbon

Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva

PARtake: The Journal of Performance as Research

This article looks at how memory of pain and physical change provoked by surgery can be translated into costume design (understood as an extension of the performer’s body in action). My main question is in what way the construction of a performer’s secondary skin—bringing her wounds outward and forward through the sculpting of fabric into form, texture and color—can mediate between performer and spectator and shape her extended body. By making the performer’s embodied knowledge visible through costume, costume is used to enlarge her capacity for expression.

Gesture and movement are central to a costume ...


Giau Minh Truong Interview, Gin To 2019 DePaul University

Giau Minh Truong Interview, Gin To

Asian American Art Oral History Project

Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s long-running Filipino ...


Masks: A New Face For The Theatre, Alexi Michael Siegel 2018 James Madison University

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out ...


Dance 2018: Gloriously Grimm, Otterbein University Theatre and Dance Department 2018 Otterbein University

Dance 2018: Gloriously Grimm, Otterbein University Theatre And Dance Department

2018-2019 Season

No abstract provided.


New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine McGirr 2018 University of Bristol

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition ...


Redefining Hope: Theatre For Young Audiences And The Battle For Visibility, Adam Goldstein 2018 Northeastern Illinois University

Redefining Hope: Theatre For Young Audiences And The Battle For Visibility, Adam Goldstein

Faculty Research and Creative Activities Symposium

No abstract provided.


The Launch 2018: A Senior Cabaret, Otterbein University Theatre and Dance Department 2018 Otterbein University

The Launch 2018: A Senior Cabaret, Otterbein University Theatre And Dance Department

2018-2019 Season

The senior Acting and Musical Theatre Majors will take their final bows on the Fritsche Theatre stage in this 90 minute program of songs, dance, scenes, and monologues. See performances from some the students' favorite productions, including Thoroughly Modern Millie, Dreamgirls, Brighton Beach Memoirs, Rumors, My Fair Lady, and Hamilton!


Arcadia, Otterbein University Theatre and Dance Department 2018 Otterbein University

Arcadia, Otterbein University Theatre And Dance Department

1998-1999 Season

The Underlying theme throughout the show is Classicism vs. Romanticism. The Classic ideals of balance and intellect, seen in Greek Geometry and the ordered universe, become challenged by the emotion and chaos of the Romantic World. The tensions that two completely conflicting philosophies create drive Arcadia forward, making a potentially academic play fun and exciting to watch.


Bat Boy Playbill, Providence College 2018 Providence College

Bat Boy Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre Smith Center for the Arts

Bat Boy

THE MUSICAL

Directed by Jimmy Calitri

Musical Direction by Lila Kane

Music and lyrics by Laurence O’Keefe

Story and book by Keythe Farley and Brian Flemming

Scenic Design Trevor Elliot

Costume Design Maxine Wheelock

Lighting Design Steven McLellan

Sound Design Gabriel Luxton & Stuart Holland

Choreographer Jennifer Hopkins

Fight Choreographer Jim Beauregard

Hair, Make-up, Prosthetics and Wigs Michael Dates

Voice and Dialect Coach Megan Chang


Bat Boy Poster, Providence College 2018 Providence College

Bat Boy Poster, Providence College

Playbill and Promotion

A Darkly Funny, Pop Rock Musical

Bat Boy

the musical

Providence College Dept. Theatre, Dance & Film

Directed by Jimmy Calitri

Musical Direction by Lila Kane

Choreography by Jennifer Hopkins


Macbeth...The Tragedy Of, Otterbein University Theatre and Dance Department 2018 Otterbein University

Macbeth...The Tragedy Of, Otterbein University Theatre And Dance Department

2018-2019 Season

A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. https://en.wikipedia.org/wiki/Macbeth


Big Fish, Otterbein University Theatre and Dance Department 2018 Otterbein University

Big Fish, Otterbein University Theatre And Dance Department

2018-2019 Season

When Edward Bloom becomes ill, his son, William, travels to be with him. William has a strained relationship with Edward because his father has always told exaggerated stories about his life, and William thinks he's never really told the truth. Even on his deathbed, Edward recounts fantastical anecdotes. When William, who is a journalist, starts to investigate his father's tales, he begins to understand the man and his penchant for storytelling.


Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker 2018 University of New Orleans

Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker

University of New Orleans Theses and Dissertations

The following thesis is a brief view of the 2017-2018 production of Marco Ramirez’s contemporary play The Royale, as produced by Theatre UNO, the theatre production arm of the University of New Orleans’ Department of Film & Theatre. This thesis will include initial responses, analysis, interpretation, production synthesis and communication, and reflection with conclusions on performance, directing, and pedagogy in academic theatre. This thesis is supported by documentation of the production process, including a scored script. The play was performed in New Orleans, Louisiana at the University of New Orleans Performing Arts Center’s Robert E. Nims Theatre, November 9-19, 2017; the University of New Orleans Performing Arts Center’s Soundstage, February 17, 2018; and in San Angelo, Texas at the Angelo State University’s Auditorium Theater, twice on March 2, 2018, as part of the Kennedy Center American College Theatre Festival, Region VI (KCACTF VI).


The Pavilion, Otterbein University Theatre and Dance Department 2018 Otterbein University

The Pavilion, Otterbein University Theatre And Dance Department

2005 Summer Theatre

Hailed by critics as an "an Our Town for our time," this play is by turns poetic and comic, romantic and philosophical. Peter returns to his twenty-year high-school reunion with dreams of winning back Kari, the girl he left behind after an unexpected pregnancy ended their relationship. Standing in Peter's way is Kari's bitter-as-ever resentment, her husband and the fact that Peter still hasn't grown up. As the night progresses, both Peter and Kari are led, through their interactions with a host of characters all played by a virtuosic Narrator, to face the consequences of choices made ...


Crimes Of The Heart, Otterbein University Theatre and Dance Department 2018 Otterbein University

Crimes Of The Heart, Otterbein University Theatre And Dance Department

2005 Summer Theatre

The three MaGrath sisters are back together in their hometown of Hazelhurst, Mississippi for the first time in a decade. Lenny, the eldest, never left Hazelhurst -- she is the caretaker of the sisters’ cantankerous Old Granddaddy. Meg, the middle sister, left home to pursue stardom as a singer in Los Angeles, but has, so far, only found happiness at the bottom of a bottle. And Babe, the youngest, has just been arrested for the murder of her abusive husband, Zackery Bottrelle. Under the scorching heat of the Mississippi sun, past resentments bubble to the surface and each sister must come ...


Rounding Third, Otterbein University Theatre and Dance Department 2018 Otterbein University

Rounding Third, Otterbein University Theatre And Dance Department

2005 Summer Theatre

Don is a coach who believes that winning is what is most important in baseball, and he is all about the game. Michael is his assistant coach, a businessman who believes that kids should have fun when they play baseball. These conflicting personalities instantly clash. Don's kid is the star pitcher of the team, and Michael's kid can barely remember to keep his shoelaces tied. In addition, there are extramarital affairs going on (though the truth of them is well-hidden), and Michael's job is not all that it seems.

https://stageagent.com/shows/play/1899/rounding-third


The Taming Of The Shrew, Otterbein University Theatre and Dance Department 2018 Otterbein University

The Taming Of The Shrew, Otterbein University Theatre And Dance Department

1985-1986 Season

A ribald, raucous, rowdy look at the eternal “battle of the sexes.” The beautiful Catherine has acquired a reputation as “Kate the Curst” because she apparently does not like the kind of potential suitors encouraged by her father. Enter the swashbuckling but roguish adventurer, Petruchio, who wants both Catherine and her dowry. The father happily agrees to the match and the resulting “battle” ends up as one of Shakespeare's most famous love matches.


Snoopy!, Otterbein University Theatre and Dance Department 2018 Otterbein University

Snoopy!, Otterbein University Theatre And Dance Department

2018 Summer Theatre

The musical sequel to YOU’RE A GOOD MAN, CHARLIE BROWN – deserves each of its three exclamation points. Based on the beloved Peanuts comic strip by Charles Schulz, the show sparkles with wit and warmth as it depicts life as seen through the eyes of Schulz’s unforgettable characters.


Should Theatre Disappear Like Soap Bubbles?, Erin Lee 2018 National Theatre

Should Theatre Disappear Like Soap Bubbles?, Erin Lee

Proceedings from the Document Academy

I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy for his materials to disappear "like soap bubbles" (Reason, 2006). One of the fundamentally difficult things about archiving theatre, aside from its ephemeral nature, is the approach that creatives take to their work. Not only do we need to battle the format of live performance but we also need to convince many creatives, not all I must add, that their work can and should remain in the Archive for use in the future. There are glimmers of potential in the area ...


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