An Interview With Barrie Stavis, 2017 Fairhaven College, Western Washington University
An Interview With Barrie Stavis, Daniel Larner
Barrie Stavis lives in an apartment in New York City’s upper east side. He and his wife Bernice are surrounded by green plants, their collection of paintings and sculpture, and Barrie’s collection of duck decoys. What follows is a starkly reduced version of five days of very intense talk (the transcript runs 186 pages)—talk which, as Stavis said repeatedly, led him into painful, difficult, and exciting territory, and led him to see connections between his life and work he had either not seen, or not explored before.
Anywhere But Home: The Life And Work Of Barrie Stavis, 2017 Fairhaven College, Western Washington University
Anywhere But Home: The Life And Work Of Barrie Stavis, Daniel Larner
Barrie Stavis Th e American playwright Barrie Stavis is a paradox in his own country. “A prophet without honor” may exaggerate the case, but Yugoslavian critic Dragan Klai'c does see Stavis as a subtle but important kind of prophet, whose work precedes European efforts to reestablish a theatre of commitment: "to separate values, moral principles, and simple human concerns from compromised ideological projects. Disappointment about European developments, the sense of danger caused by racism, fanatical politicians, and ecological nightmares, bring theater back as a field of argumentative, activist aesthetics. Nothing old-fashioned, romantic, 68ish in all that—only a sense ...
Night Launch, 2017 University of New Orleans
Night Launch, Cavan Hallman
University of New Orleans Theses and Dissertations
No abstract provided.
From Playwriting To Production, 2017 University of Rhode Island
From Playwriting To Production, Lauren Wade
Senior Honors Projects
Theater has been a beloved art form for centuries, originating in Ancient Greek times and evolving into what we know today. For as long as I can remember I have been involved in theater, performing in my own school plays starting in elementary school and, upon entering high school, assisting the middle school next door in their productions. While I have been studying acting here at the University of Rhode Island, I have also had the opportunity to expand my knowledge in many aspects of stagecraft including stage management, costume and set design, set construction and scenic painting, and more ...
"We Are Family": The Influences Of American Culture On The Representation Of Family In Modern American Drama, Deandre C. Short
Student Scholar Showcase
The dramatic works that subject usually deals with the family unit reflect a particular issue in American culture—politically or socially. American playwrights often use their work to challenge popular ideologies and values embedded into American society. Often modern American drama incorporates political, social, and cultural issues as a means to develop the relationship between the family unit. The familial relationship(s) in modern American drama are influenced by the political, social, and cultural environments in the United States.
Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, 2017 Otterbein University
Not The Truth We Seek: The Story Of A Mime, Fierce Women, Proposals, & Pro Wrestling, Steven Meeker Jr.
I have always believed that the best theater comes from a very real and sometimes very painful place. My parents were undergoing a brutal and very open separation and then divorce throughout my junior and senior year of high school. In the middle of the constant war zone that was our home, my brother and I would simply go from one room to the other with our heads down and as quick as possible. The only day we would linger in the living room would be Mondays. On Monday nights, my brother and I owned the living room ...
A Cycle Of Farewells, 2017 Trinity College, Hartford Connecticut
A Cycle Of Farewells, Kailey E. Carpenter
Senior Theses and Projects
A two-act play that explores the influence of society on the individual. In a town where suicide is not frowned upon, by highly encouraged and honored, characters must find their place amongst the crowd, grappling with the ideas of agency, choice, and individualization.
Inspired by works such as Shirley Jackson’s “The Lottery,” and Peter Weir’s 1998 satirical dramedy The Truman Show, the play idealizes a society that not only encourages their citizens to monitor one another, but also internalizes the idea that someone is always watching. There is a particular sense of loneliness that comes from being in ...
Behind Valencia: A Contemporary Play, 2017 Bryant University
Behind Valencia: A Contemporary Play, Emily Charbonneau
Honors Projects in English and Cultural Studies
SYNOPSIS The purpose of this play is to highlight the length that modern females go to in order to maintain a desired appearance, especially across social media. These desired appearances are influenced by the glamorous and unrealistic looks and physiques that are prevalent in the media. Essentially, the primary goal of these characters is to attract the attention of their male counterparts because of the gender roles society promotes. This shallow lifestyle can be completely consuming for impressionable, young females.
Lejos De Aquí De Roberto Cossa Y Mauricio Kartun: Familia, Absurdo Y Temporalidad En Una Re-Escritura Del Grotesco Criollo, Mariana Pensa
SouthEast Coastal Conference on Languages & Literatures (SECCLL)
Lejos de aquí de Roberto Cossa y Mauricio Kartun: familia, absurdo y temporalidad en una re-escrituradel grotesco criollo
En este trabajo realizamos un acercamiento a la obra teatral Lejos de aquí (1993) escrita en colaboración por los dramaturgos argentinos Roberto Cossa y Mauricio Kartun. A través de nuestro análisis observamoscomo los elementos de la tradición del “grotesco criollo” de principiosdel siglo XX se han ido desarrollando y re-formulando hacia finesdel mismo siglo en lo que se ha dado en llamar el “neo-grotesco criollo”. Principalmente nos referimos a los cambios y permanencias que se producen por el ...
Echoes: A Short Play, 2017 Ouachita Baptist University
Echoes: A Short Play, Laura Mae Ward
Echoes was performed during the All Night Theatre Festival of March 2017. It is an existential dramedy about two astronauts on a malfunctioning spacecraft.
Summons: A Short Play, 2017 Ouachita Baptist University
Summons: A Short Play, Laura Mae Ward
Performed as part of OBU's All Night Theatre Festival in March of 2017, Summons is an absurdist comedy about inept witches trying really hard to summon an ancient evil, but failing miserably.
The Idea Of You, 2017 Providence College
The Idea Of You, Julia Zygiel
Creative Writer’s Festival
A woman confesses to a man but it doesn't go as planned. Although she is rejected the woman walks away pleased, and the man is left befuddled and without resolution.
The Sinking Of The Abergavenny, 2017 College of the Holy Cross
The Sinking Of The Abergavenny, Richard Matlak
Texts relating to the Earl of Abergavenny (ship)
This section of the screenplay Immortal Sea is a fictional representation of the sinking of the Earl of Abergevenny off the coast of England in 1805.
Not A Clue, 2017 Ouachita Baptist University
Not A Clue, Adam Wheat
Theatre Posters and Programs
The Ouachita Baptist University School of Fine Arts Department of Theatre Arts presents Not a Clue, a student-devised Muse Project by Hannah Fender.
Three Damn Letters, 2017 Rollins College
Three Damn Letters, Katherine Ammon
Honors Program Theses
Amyotrophic lateral sclerosis (ALS) is a terminal disease that destroys a patient's motor neurons. In the play Three Damn Letters, a sarcastic woman must accept her own ALS diagnosis while also balancing her relationships with her father, husband, and son. This seriocomedic play explores themes of family roles, disability, love, and death.
Another Summer, 2017 University of Iowa
Another Summer, Laura Townsend
University of Iowa Honors Theses
Escapism is a common defense mechanism, especially for people who are coming of age. Humans run when they feel they cannot handle the weight of their struggle, when the sting of their internalized emotions builds dangerously high and they are left to choose fight or to choose flight. Non-confrontational people will almost always choose the latter. The consequences of facing a problem directly may feel enormous, even world ending, to a young mind with little to no experience navigating adulthood.
Through the lens of young adults who flee to summer camp to hide from their strenuous home lives this creative ...
The Three Year Clock, 2016 CUNY Hunter College
The Three Year Clock, Sam Roeck
School of Arts & Sciences Theses
Roeck: I mean, it’s “a” future. It’s like half what I want to be and half completely not what I want. I didn’t want to create a future that I was entirely excited about because I’m not actually that excited about the future. It looks pretty fucking grim.
Engaging With The Dory Fleet: A Panel Discussion On A Collaborative College And Community Oral History Project, Brenda Devore Marshall, Tyrone Marshall, Mary Beth Jones, Kathleen Spring, Jackson B. Miller
This peer-reviewed program was presented at the annual Northwest Communication Association Conference in Coeur d’Alene Idaho on April 15, 2016. The presentation features an overview of the Launching through the Surf: The Dory Fleet of Pacific City project and includes detailed notes from each speaker.
Special thanks go to Mary Beth Jones and Brenda DeVore Marshall, who served as transcriber and editor for the detailed speaker notes.
'Nosferatu' Revisted, 2016 University of South Australia
'Nosferatu' Revisted, Russell D. Fewster
PARtake: The Journal of Performance as Research
In 2014 I set out to adapt and direct a new stage production entitled Nosferatu The Undead based on the Dracula fable. My research enquiry focussed on the question of how to approach such a classic while avoiding the stereotypes and clichés that have accrued with this seminal work. I critically reflect here on the processes involved in writing the play script and then rehearsing the performance. This is an ethnographic account and is based on participant observation where the artist participates but also steps back to document and analyse practice. In order that such a case study has multiple ...
Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', 2016 Rollins College
Performance Review Of Jack Thorne's 'The Solid Life Of Sugar Water', William Boles
PARtake: The Journal of Performance as Research
The performance review of Jack Thorne's The Solid Life of Sugar Water (Temporary Space, National Theatre production) argues that Thorne's play and Graeae Theatre Company succeeds admirably in producing a work that details the story of a disabled couple's failed pregnancy. The play is not about a married disabled couple suffering a loss. The play is instead about a married couple suffering a loss. In short, disability is not the focus of the play, but instead the inevitable pain and reaffirming love we all experience in our lives.