Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, 2021 University of Massachusetts Amherst
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally ...
The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., 2021 Louisiana State University
The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., Suellen Da Costa Coelho
LSU Master's Theses
This research aims to investigate the role of costume in identity formation in the second line group The Undefeated Divas, Gents and Kids. The methodology used in this research was data collection through interviews with members of the group. Through these interviews, we seek to establish the importance of costume in reflecting and constructing a sense of community within the group.
While the existing literature focuses on the history of second line parades and their importance in Louisiana’s culture, this research intends to explore costume’s meaning and significance. The purpose of this work is to complement the existing ...
State, Transnational Citizenship And The Transformative Power Of Art: The Nsk State In Time, 2021 University of Ljubljana
State, Transnational Citizenship And The Transformative Power Of Art: The Nsk State In Time, Barbara Orel
CLCWeb: Comparative Literature and Culture
This article deals with one of the most intriguing art projects at the intersection of art and social experiment—The NSK State in Time. This is a paradigmatic transnational state that does not have a territory and whose citizenship can be obtained regardless of one’s nationality, citizenship, race, religion or political convictions. It was established in 1992 by the Slovenian art collective Neue Slowenische Kunst—the NSK, and has seen continuous manifestations in various sociopolitical contexts worldwide. The most prominent one in recent time took place in 2017, when the NSK State opened its own pavilion at the Venice ...
Paragons Of Loyalty On The Japanese Stage, 2021 University of Pittsburgh
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
No abstract provided.
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, 2021 Kyoto Sangyō University
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
No abstract provided.
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, 2021 Medieval Japanese Studies Institute
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, 2021 Kyoto Sangyō University
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, 2021 Kyoto Sangyō University
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
No abstract provided.
Mochizuki: History And Context, 2021 Meiji Gakuin University
Mochizuki: History And Context, Michael Watson
No abstract provided.
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, 2021 University of California at Santa Barbara
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197 ...
The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West
Landscapes: the Journal of the International Centre for Landscape and Language
This article recounts the history to date of the Dancing Between Two Worlds (DBTW) project, which was initiated by a team of artist-scholars at Deakin University in 2018. DBTW’s brief was to engage the Indian community living in the western fringes of Melbourne in a project on civic belonging, cross-cultural artistic identity, and the performance of outer-suburban Indian diaspora. Working with the creative and community energies that are activated at the intersection of the creative arts and demographically inflected place, the Deakin researchers collaborated with local artists with an Indian background on a major performance in late 2019: Dancing ...
In Search Of A Stimulating Visual Dance Art Medium: Overlapping Realities In Live And Screen Dance, 2020 CUNY Hunter College
In Search Of A Stimulating Visual Dance Art Medium: Overlapping Realities In Live And Screen Dance, Yael Levitin Saban
School of Arts & Sciences Theses
This thesis paper captures research into historical examples of artistic performance pioneers who integrated multiple layers of imagery into complex dialogue and describes how this research inspired and influenced the creation of an original 17-minute video work, “Overlay.”. My interest throughout my MFA Thesis Project has been to understand the effect of fusing or layering multiple movement-based art forms, the application and integration of modern technology to established traditional stage performance, and the creation of engaging new art form.
War Of The Moon, 2020 University of Massachusetts Amherst
War Of The Moon, Bibiana Medkova
Space, in the post-World War context, was the new frontier of ‘global’ dominion. Space Race of the 1950s was a competition to signal technological capability and military strength. The objective of War of the Moon is to unpack the motivation for Moon race in 1950s. What did countries have to gain politically, economically, socially and technologically by conquering space and landing on the moon. At what cost? Who financed it, and where did the labor, land, and raw materials sourced come from. And how it was used to accomplish said landing. Space security is a massive aspect of all current ...
Taking Student Artists And Audiences To The West Side: Exploring The Value Of Creative Adaptation In An Arts Context Through A Case Study Of “West Side Story”, 2020 State University of New York College at Buffalo - Buffalo State College
Taking Student Artists And Audiences To The West Side: Exploring The Value Of Creative Adaptation In An Arts Context Through A Case Study Of “West Side Story”, Rebecca G. Bateson-Brown
Creative Studies Graduate Student Master's Projects
This project focuses on the practical application and conceptual acceptance of deliberate creative adaptation within the purview of the performing arts and arts education. More specifically, it centers this conversation around stagings of the iconic musical West Side Story, as my role as a choreographer and arts educator is used to further explore, examine, and emphasize these topics through the documentation of my production planning process, choreographic creation, and ultimate execution of performance material for a local high school production of the show. As such, this project builds with greater specificity off of my previous investigations of “adaptation” as an ...
Camp And Pop: David Bowie, Oskar Schlemmer, Madonna And Janelle Monáe, 2020 Heinrich-Heine-University Düsseldorf
Camp And Pop: David Bowie, Oskar Schlemmer, Madonna And Janelle Monáe, Kathrin Dreckmann
Text Matters: A Journal of Literature, Theory and Culture
While contemporary pop culture is nowadays considered part of the cultural mainstream, its practices of codification and its use and circulation of signifiers are still shaped by its roots in counterculture. This leads to a second order esthetic that reflects upon mass culture and subverts it by means of transgression and rearrangement. This essay argues that this subversive logic of reference is closely linked to what Susan Sontag has described as “camp.” While doing so it not only sheds light on the aspect of subversion and identity building, but also on the aspect of performance and staging that plays an ...
Sorjuanismo: An Academic Devotion Towards Sor Juana, 2020 Bowdoin College
Sorjuanismo: An Academic Devotion Towards Sor Juana, Uriel López-Serrano
The Macksey Journal
I begin this essay with a short anecdote that describes a gathering of Sorjuanistas, a group of scholars who have devoted their careers in analyzing the life and literary work of Sor Juana Inés de la Cruz (16848-95). I argue that even though the study of Sor Juana is usually interpreted as an academic endeavor, recent artistic projects have proven otherwise. Sorjuanistas have become scholar-artists who use the narrative of Sor Juana to shed light on the injustices experienced by Latin@ and Chicana@ individuals living in the United States. By creating dramatic works, Sorjuanistas exhibit their devotion to Sor Juana ...
Say “Yes And” To Improv: It’S Good For Your Brain, 2020 Trinity University
Say “Yes And” To Improv: It’S Good For Your Brain, Anthony F. Tresca
The Macksey Journal
Everyone improvises from the moment life begins, but few know what exactly happens when you improvise. Neuroscience shows the biological basis, and thus, the universality and practical application of improvisation. This recent research on the subject of improv shows why—for centuries—humans have been drawn to improv. The paper begins by offering historical antecedents to contemporary improvisation; then, moves on to discuss the rich history of American improvisation and the move towards integrating spontaneity into improvisational performances. Through close analysis of what makes something spontaneous, the effects of spontaneity on individuals have shown the “naturalness” of improv and its ...
Recalling The (Afro)Future: Collective Memory And The Construction Of Subversive Meanings In Janelle Monáe’S Metropolis-Suites, Anders Liljedahl
Focusing on the intersection of collective memory, technology, and African American popular music, this paper use aspects of the sonic narratives in Janelle Monáe’s Metropolis-Suites I–V to introduce core concepts of Afrofuturism. The paper challenges the positioning of collective memory as being exterior to the sphere of individual cognitive memory. By inhabiting past, present, and future at once, Afrofuturism is able to critically revisit collective memory not only as a social framework but also as actual individual memory. Afrofuturist discourse questions the status of the human being by examining African Americans as always already robotic, and posits ...
Annotated Bibliography - Grace Jones, Slave To The Rhythm, 2020 Boston Public Schools
Annotated Bibliography - Grace Jones, Slave To The Rhythm, Bennett Brazelton
Annotated Bibliography entry for Grace Jones' album, Slave to the Rhythm (1985).
Composing The Performance Of Ōto Shōgo’S The Water Station, 2020 University of Massachusetts Amherst
Composing The Performance Of Ōto Shōgo’S The Water Station, Vishnupad Barve
This written portion of my thesis documents my process as a director in composing the Performance of Ōto Shōgo’s The Water Station in collaboration with a creative team of designers, dramaturgs, stage managers and performers.
I share with the reader my processes toward fostering cohesion and collaboration among a team while composing a theatrical experience that departs from many theatrical conventions. I discuss significant learnings from several areas of dramaturgical and performance research that dovetail within the performance: aesthetics of divestiture, dramaturgy of simultaneity and composition of psychophysical score, and how I used this research to support the communication ...