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Wrapped In Greek Robes Of Spirituality: The Historic Context For Isadora Duncan's Dance Performances, Anthony Shay 2017 Pomona College

Wrapped In Greek Robes Of Spirituality: The Historic Context For Isadora Duncan's Dance Performances, Anthony Shay

Pomona Faculty Publications and Research

In this paper I want to address Craig and Duncan’s shared interest in ancient Greek art, which is the context within which Isadora Duncan developed her art, the various influences that inspired her choreography, and the historical time period that influenced the decisions that she made. I want to make several preliminary comments before proceeding to the main claim that I am making, which is that Isadora Duncan, Ruth St. Denis, and other “barefoot” dancers were not the mothers or grandmothers or inventors of modern dance, as is repeated as if it were a religious tenet of faith in ...


Encountering Greek American Soundscapes, Anthony Shay 2017 Pomona College

Encountering Greek American Soundscapes, Anthony Shay

Pomona Faculty Publications and Research

For this chapter I will look at Greek American music making through the eyes of a non-Greek, my younger self, who enjoyed and sought out this musical tradition for over fifty years, primarily as a folk dance enthusiast. For the international recreational dancer of the 1950s, 1960s and 1970s, Greek music has rich melodic lines and many different rhythmic patterns (5/8; 7/8; 9/8, etc.) that attracted many individuals of Anglo American background like me to learn these dances, especially in the 1950s, 1960s, and 1970s when recreational and performance folk dance constituted a major leisure-time activity for ...


A Rainbow Of Iranian Masculinities: Raqqas, A Type Of Iranian Male Image, Anthony Shay 2017 Pomona College

A Rainbow Of Iranian Masculinities: Raqqas, A Type Of Iranian Male Image, Anthony Shay

Pomona Faculty Publications and Research

In this essay, I will explore the male dancer in the Iranian world, and how he came to occupy this abject position (dance, according to Zainab Stellar, being regarded by many conservative elements in Iranian society today as "the worst possible behavior of an undisciplined body in public, and symbol of all vice" (2011, 235)). Lotfollah “Lotfi” Mansouri, the renowned opera director and producer, recounted at a dinner that I attended (January 27, 2002 Peyvand Organization, San Jose), how one day as a student at UCLA, he entered Schonberg Music Hall and heard opera for the first time. He was ...


Art Infested Water, Nova Southeastern University Department of Performing and Visual Arts 2016 Nova Southeastern University

Art Infested Water, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

Art Infested Water Volume 1


Acting Is Repetition, Job Barnett 2016 Cal Poly Pomona

Acting Is Repetition, Job Barnett

The STEAM Journal

A short discussion of repetition in acting.


Transforming Body, Angelina Prendergast 2016 Claremont Colleges

Transforming Body, Angelina Prendergast

The STEAM Journal

This is a reflection about the use of balls for body therapy.


Giant, School of Theatre Arts 2016 Illinois Wesleyan University

Giant, School Of Theatre Arts

Productions

IWU School of Theatre Arts musical production of Giant by Sybille Pearson, music and lyrics by Michael John Lachiusa.


Re-Constructing The Choreographic Studio Of João Fiadeiro Through Animated Infographic Films, Stephan Jürgens, Francisco Henriques, Carla Fernandes 2016 New University of Lisbon

Re-Constructing The Choreographic Studio Of João Fiadeiro Through Animated Infographic Films, Stephan Jürgens, Francisco Henriques, Carla Fernandes

PARtake: The Journal of Performance as Research

The starting point for this article is an artist-led practice developed by choreographer João Fiadeiro during the past two decades, which has been designated as "Composition in Real Time" (CTR). The interesting point about this methodology is that it has been applied in performance composition and in arts education by its author himself; but also in such diverse fields as anthropology, sociology, neurosciences, and economy by scientists and academics in collaboration with Fiadeiro. The authors of this article have conducted a long-lasting case study on the artistic process of Fiadeiro in the framework of an ERC-funded interdisciplinary arts and cognition ...


Performative Schizoid Method: Performance As Research, Connie Svabo 2016 University of Colorado, Boulder

Performative Schizoid Method: Performance As Research, Connie Svabo

PARtake: The Journal of Performance as Research

The performative schizoid method is developed as a contribution to performance as research. The method is inspired by contemporary research in the human and social sciences urging experimentation and researcher engagement with creative and artistic practice. In the article, the method is presented and an example is provided of a first exploratory engagement with it. The method is used in a specific project Becoming Iris, which enquires into the creation of arts-based knowledge during a three month visiting scholarship at a small, independent visual arts academy. Using the performative schizoid method in Becoming Iris results in four audio-visual and performance-based ...


Performance Review Of 'Sweet And Lucky', Gina M. Braswell 2016 University of Colorado Boulder

Performance Review Of 'Sweet And Lucky', Gina M. Braswell

PARtake: The Journal of Performance as Research

In this performance review of Third Rail Project's Sweet and Lucky, I evaluate the "immersive" elements and quality of the experience within the performance.


Good Kids And Dog Sees God: Confessions Of A Teenage Blockhead, 2016 Chapman University

Good Kids And Dog Sees God: Confessions Of A Teenage Blockhead

Theatre Programs

Good Kids by Naomi Iizuka
Directed by James Gardner

Drama, adult language: Something happened to Chloe after that party last Saturday night. Something she says she can’t remember. Something everybody is talking about. Set at a Mid-western high school, in a world of Facebook and Twitter, smartphones and YouTube, Good Kids explores a casual sexual encounter gone wrong and its very public aftermath. Who’s telling the truth? Whose version of the story do you believe? And what does that say about you?

Studio Theatre, Moulton Hall, Room 149
October 11, 13, 15, 16, 19, 21, 22


Dog Sees ...


Friends Of Musselman Library Newsletter Fall 2016, Musselman Library 2016 Gettysburg College

Friends Of Musselman Library Newsletter Fall 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Exhibits

GettDigital: Sports Reels

Research Reflections: The Gettysburg Superstar (Devin McKinney)

Remembering 9/12

Will Power: 400 Years After the Bard

Treasure Island (Robin Wagner)

Margin of Error

A Call to Activism in the Summer of '65 (Richard Hutch '67)

Digital Scholarship: The New Frontier (Julia Wall '19, Lauren White '18, Keira Koch '19)

Scrapbooks and Photo Albums: Snapshots of History (Clara A. Baker '30)

Soldiers' Scrapbooks (Laura Bergin '17)

A Book of Dreams (Alexa Schreier)

Who Do You Think You Are? (Timothy Shannon)

From Professor-Student to Collaborators (Jesse Siegel '16)

The Mysterious Easel ...


Superiority In Humor Theory, Sheila Lintott 2016 Bucknell University

Superiority In Humor Theory, Sheila Lintott

Faculty Journal Articles

In this article, I consider the standard interpretation of the superiority theory of humor attributed to Plato, Aristotle, and Hobbes, according to which the theory allegedly places feelings of superiority at the center of humor and comic amusement. The view that feelings of superiority are at the heart of all comic amusement is wildly implausible. Therefore textual evidence for the interpretation of Plato, Aristotle, or Hobbes as offering the superiority theory as an essentialist theory of humor is worth careful consideration. Through textual analysis I argue that not one of these three philosophers defends an essentialist theory of comic amusement ...


Jane Eyre, Diane C. Merchant, Robert Clements, Tim Phipps, Rebecca M. Baker 2016 Director

Jane Eyre, Diane C. Merchant, Robert Clements, Tim Phipps, Rebecca M. Baker

Theatre Productions

This new adaptation of the beloved Gothic novel imaginatively incorporates haunting visual images, dreamlike memories and innovative staging. Orphaned Jane Eyre overcomes her lonely and abusive childhood to become an accomplished governess for Mr. Rochester’s ward at mysterious Thornfield, a place with dark and terrifying secrets. Her psychological journey allows her to triumph over the oppression of the Victorian era, in a script that Chicago Magazine called “a tide of loving and sure storytelling that treats its audience with reverence and respect.”


Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein 2016 The Graduate Center, City University of New York

Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

This study is about politics in Arabic rap. Specifically, it is about affective dynamics and material negotiations during rap concerts in three cities in the Levant. I analyze Arab hip hop culture in the context of three different but related histories of cosmopolitan, middle class growth, and gentrification. Using an ethnomusicological framework rooted in participant observation and performance theory, I compare concert conditions, audience behavior, and accessibility of music production in Ramallah, Amman, and Beirut.

In Chapter One, I elaborate the discursive and theoretical frameworks that have pinned the political valences of Arab youth, Arab artists, and Arab rappers in ...


Aboriginal Performance Cultures And Language Revitalization: Foundations, Discontinuities, And Possibilities, Remi Alie 2016 The University of Western Ontario

Aboriginal Performance Cultures And Language Revitalization: Foundations, Discontinuities, And Possibilities, Remi Alie

Totem: The University of Western Ontario Journal of Anthropology

This paper address the question of how indigenous art and performance culture(s) can contribute to institutionalized language revitalization efforts in Canada, through their use of threatened indigenous languages. Drawing from a wide range of sources published between 1988 and 2014 by scholars, the Assembly of First Nations, departments and agencies of the Canadian government, and artistic practitioners, I illustrate the absence of performance from the available literature on language revitalization. By analyzing these documents thematically, I argue that a substantial shift occurred in the public discourse surrounding language revitalization between the 1980s and 1990s, and the mid- to late-2000s ...


The First Of The Modern Directors: Conclusion To The Actor-Manager Career Of William Charles Macready, Abe J. Bassett 2016 Wright State University - Main Campus

The First Of The Modern Directors: Conclusion To The Actor-Manager Career Of William Charles Macready, Abe J. Bassett

Abe J. Bassett

“My ambition,” wrote William Charles Macready on retiring from the stage in February 1851, was “to establish a theatre, in regard to decorum and taste, worthy of our country, and to have in it the plays of our divine Shakespeare fitfully illustrated.” Although this was undoubtedly a life-long aspiration, which spanned over forty years of his professional career it was best expressed in the four theatrical seasons in which Macready managed Covent Garden theatre (from 1837 to 1839) and Drury Lane theatre (from 1841 to 1843.) It has been the purpose of this study to examine the contributions that Macready ...


Steps In Time: An Exploration Of Tap Dance Education, Sara Pecina 2016 Western Kentucky University

Steps In Time: An Exploration Of Tap Dance Education, Sara Pecina

Honors College Capstone Experience/Thesis Projects

Tap dance is an indigenous American art form that not only holds a valuable presence in the world of entertainment but also boasts an important historical background. From the slave quarters on plantations to Hollywood’s silver screen, the development of tap dance mirrors the story of American history. Tap dance must be preserved because of its cultural significance in American history; likewise, it is imperative for dancers to understand its development in order to appreciate the art and for today’s artists to continue the growth and presence of tap dance in America. However, many dance educators today focus ...


Negotiating Resistance With The Character G In Naomi Izuka’S Polaroid Stories., Konrad Ormand Davis Jr. 2016 University of Louisville

Negotiating Resistance With The Character G In Naomi Izuka’S Polaroid Stories., Konrad Ormand Davis Jr.

Electronic Theses and Dissertations

This thesis will analyze my portrayal of G (Zeus) in Polaroid Stories by Naomi Iizuka through my psychological journey as an actor. In my investigation of G, I will discuss the specific techniques used to create my performance in Polaroid Stories, which include influences from my Commedia, Improv, and ensemble training. I will examine the connection these tools acquired during my candidacy at the University of Louisville as well as real-life experiences that shaped my professional development as an artist and performer. In this thesis you will discover the influence of my early youth, my blackness, the artistic technique, and ...


How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, David Cleveland Brown 2016 University of New Orleans, New Orleans

How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, David Cleveland Brown

University of New Orleans Theses and Dissertations

This thesis documents my research, rehearsal, and performance of the role of Alceste in Moliere’s The Misanthrope, which includes, a biography of Moliere, character analysis, role development, a rehearsal journal, character research, acting process, evaluation of my performance, and script analysis. The Misanthrope was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed in the Robert E. Nims Theatre of the Performing Arts Center September 17 - 19, 24 - 26 at 7:30pm, and September 27, 2015 at 2:30pm.


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