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Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle 2019 University of Missouri

Book Review: 'Shakespeare And Gender In Practice' By Terri Power, Kate Busselle

PARtake: The Journal of Performance as Research

Shakespeare and Gender in Practice, the third volume in the Shakespeare {in} Practice series, is a theoretical and practical exploration of gender performance through Shakespeare’s works on stage. This volume implements intersectional feminist and queer theories, historical documentation, interviews, and workshop exercises to demonstrate the depth of Shakespearean gender performance. Power’s goal for this volume is to offer new ideas of gender performance using an intersectional feminist framework while simultaneously deconstructing preconceived notions of traditional Shakespearean performance. Power also sheds new light on possibilities of casting Shakespearean work and provides inspiration for feminist scholars, directors, students, and working ...


Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel 2019 University of Huddersfield / Urban Research Theater

Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel

PARtake: The Journal of Performance as Research

These three video essays come out of a multi-year research project that attempts to rethink and redesign the relationship between embodiment and audiovisuality in the context of academic research. As one anonymous reviewer noted, they gesture towards “a new kind of research artifact, making a space somewhere between standard documentation and contemporary creative product.” All three of the video essays comprise footage taken from experimental practice or “laboratory” sessions conducted at the University of Huddersfield in summer 2017. During this period the core research team (Ben Spatz, Nazlıhan Eda Erçin, and Agnieszka Mendel) undertook sustained practice research, working with and ...


Post-Soviet Primas: Challenging Archive And Repertoire, Ania Nikulina 2019 University of California, Riverside

Post-Soviet Primas: Challenging Archive And Repertoire, Ania Nikulina

PARtake: The Journal of Performance as Research

In ballet’s dual conceptual tracts of archive and repertoire, choreography and dance technique became largely associated with the field of repertoire, due to their potential to resist the structures of the archive. In my work, I set out to examine contemporary Russian ballet narratives of leading prima ballerinas, who consistently associate choreography and dance technique with the archive rather than the repertoire. Defining themselves as “interpreters” of the “texts,” rather than dancers, and rendering re-staged classical ballets as “editions,” rather than independent choreographies, primas challenge ballet power structures and assign a higher value to dancers’ work. As ballet remains ...


Floating In Space: Disembodied Experiences Of Being Held Tightly By The Vast Emptiness In Turrell’S 'Perfectly Clear', Naomi P. Bennett 2019 Louisiana State University

Floating In Space: Disembodied Experiences Of Being Held Tightly By The Vast Emptiness In Turrell’S 'Perfectly Clear', Naomi P. Bennett

PARtake: The Journal of Performance as Research

I stand floating in space, my eyes seeing only a vast expanse in the nothingness in which my body is suspended. Even as I feel my feet firmly planted on solid ground, a rush of strobing lights encompasses my field of vision, creating a sense of being un-stuck, a loss of physical placement that feels perfectly clear, perfectly safe, as if being held tightly by nothing at all.

In January 2018, I stepped through the entrance into James Turrell’s Perfectly Clear, an immersive art installation at the Massachusetts Museum of Contemporary Art in North Adams, MA. Using personal narrative ...


Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva 2019 INET-md at University of Lisbon

Sewing Pain: Using Costume To Bring The Clinical Body Forward, Filipa Malva

PARtake: The Journal of Performance as Research

This article looks at how memory of pain and physical change provoked by surgery can be translated into costume design (understood as an extension of the performer’s body in action). My main question is in what way the construction of a performer’s secondary skin—bringing her wounds outward and forward through the sculpting of fabric into form, texture and color—can mediate between performer and spectator and shape her extended body. By making the performer’s embodied knowledge visible through costume, costume is used to enlarge her capacity for expression.

Gesture and movement are central to a costume ...


Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski 2019 The Graduate Center, City University of New York

Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski

All Dissertations, Theses, and Capstone Projects

From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and ...


Giau Minh Truong Interview, Gin To 2019 DePaul University

Giau Minh Truong Interview, Gin To

Asian American Art Oral History Project

Bio: Giau Minh Truong is a company member of A-Squared Theatre Workshop and an at- large artist for various performing arts companies in the Chicago area. For A-Squared, he directed Ching Chong Chinaman, The Other Shore, and short plays for My Asian Mom, acted in Trial By Water, and designed lights for The Wind Cries Mary. Giau’s other directorial credits include Downward Facing, Lights Out, Everybody, and Theatre of Women for Dream Theatre Company. He directed Sister Outlaw, Mr. and Mrs. LaQuesta Go Dancing, My Name is Flor Contemplacion, and I Dream Electric for CIRCA-Pintig, Chicago’s long-running Filipino ...


Masks: A New Face For The Theatre, Alexi Michael Siegel 2018 James Madison University

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out ...


Message Music A Universal Genre, Clarissa E. Steffen Ed.D. 2018 Pacific University

Message Music A Universal Genre, Clarissa E. Steffen Ed.D.

Faculty Scholarship

Message Music is a collaboration of music from many different genres, that is meant to communicate universality, and bring about healing for individuals, couples, families, groups, and the community. It has a global message, and we are one. Finding its roots in an eclectic collection of folk, spiritual, gospel, blues, jazz, rhythm and blues, Motown, Fusion, Metaphysical or other genres "Message Music," transcends all genres and allows people to join in a universal quest to unite and find collective consciousness and way of being together that brings acceptance and love. It has always existed, in some circles, it will be ...


The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely 2018 The University of Southern Mississippi

The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely

Dissertations

In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations ...


Michael Wood. Heiner Müller’S Democratic Theater: The Politics Of Making The Audience Work. Camden House, 2017., Josh Alvizu 2018 Roanoke College

Michael Wood. Heiner Müller’S Democratic Theater: The Politics Of Making The Audience Work. Camden House, 2017., Josh Alvizu

Studies in 20th & 21st Century Literature

Review of Michael Wood. Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work. Rochester: Camden House, 2017.


Light Eaters: A Study On The Affect Of Light Depicted Through Different Art Mediums, Samuel Dyck 2018 Chapman University

Light Eaters: A Study On The Affect Of Light Depicted Through Different Art Mediums, Samuel Dyck

Student Scholar Symposium Abstracts and Posters

Humankind has spent its entire history defining and creating the things that make up our physical world. Everyday, humanity continues to discover and create, furthering society’s knowledge and understanding of existence. However, there are facets of nature that have never been entirely understood by mankind, because they have a unique affect on each individual. It is known how a tree manifests and grows but no one can explain the feeling of relief that comes in the shade of a long limbed oak on a cloudless day. Nature is unique in its simplicity and mystery. Artists often use aspects of ...


Bat Boy Playbill, Providence College 2018 Providence College

Bat Boy Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre Smith Center for the Arts

Bat Boy

THE MUSICAL

Directed by Jimmy Calitri

Musical Direction by Lila Kane

Music and lyrics by Laurence O’Keefe

Story and book by Keythe Farley and Brian Flemming

Scenic Design Trevor Elliot

Costume Design Maxine Wheelock

Lighting Design Steven McLellan

Sound Design Gabriel Luxton & Stuart Holland

Choreographer Jennifer Hopkins

Fight Choreographer Jim Beauregard

Hair, Make-up, Prosthetics and Wigs Michael Dates

Voice and Dialect Coach Megan Chang


Bat Boy Poster, Providence College 2018 Providence College

Bat Boy Poster, Providence College

Playbill and Promotion

A Darkly Funny, Pop Rock Musical

Bat Boy

the musical

Providence College Dept. Theatre, Dance & Film

Directed by Jimmy Calitri

Musical Direction by Lila Kane

Choreography by Jennifer Hopkins


Sea Squad, Liam Geary Baulch 2018 Goldsmiths, University of London

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.


Strange Fruit: Black Female Body Politics In Contemporary American Culture, Eleanor Kipping 2018 University of Maine - Main

Strange Fruit: Black Female Body Politics In Contemporary American Culture, Eleanor Kipping

Electronic Theses and Dissertations

The African American Civil Rights movement of the 1950s and 60s was an organized effort by and for Black American populations to receive equal treatment by law. Its legacy has much reason to be celebrated: not only for its accomplishments and successes in unifying the Black community but also in bringing issues of segregation, violence, and racial discrimination to the forefront of the public’s attention. The decade was a pivotal point in contemporary race relations, and served as an apex in attempts to bridge America’s past and what America is striving to become. Today however, the social and ...


Art Infested Water, Fall 2018, Nova Southeastern University Department of Performing and Visual Arts 2018 Nova Southeastern University

Art Infested Water, Fall 2018, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.


Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker 2018 University of New Orleans

Story & Style: Pursuing Excellence On The Academic Stage, Ryan M. Decker

University of New Orleans Theses and Dissertations

The following thesis is a brief view of the 2017-2018 production of Marco Ramirez’s contemporary play The Royale, as produced by Theatre UNO, the theatre production arm of the University of New Orleans’ Department of Film & Theatre. This thesis will include initial responses, analysis, interpretation, production synthesis and communication, and reflection with conclusions on performance, directing, and pedagogy in academic theatre. This thesis is supported by documentation of the production process, including a scored script. The play was performed in New Orleans, Louisiana at the University of New Orleans Performing Arts Center’s Robert E. Nims Theatre, November 9-19, 2017; the University of New Orleans Performing Arts Center’s Soundstage, February 17, 2018; and in San Angelo, Texas at the Angelo State University’s Auditorium Theater, twice on March 2, 2018, as part of the Kennedy Center American College Theatre Festival, Region VI (KCACTF VI).


Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance, Alicia Champlin 2018 University of Maine

Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance, Alicia Champlin

Electronic Theses and Dissertations

This paper examines the themes of human perception and participation within the contemporary paradigm and relates the hallmarks of the major paradigm shift which occurred in the mid-20th century from a structural view of the world to a systems view. In this context, the author’s creative practice is described, outlining a methodology for working with the communication networks and interpersonal feedback loops that help to define our relationships to each other and to media since that paradigm shift. This research is framed within a larger field of inquiry into the impact of contemporary New Media Art as we experience ...


Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi 2018 Morehouse College

Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi

Africana Digital Ethnography Project

Dean Kevin Booker of Morehouse College recorded this video of his last name being carved into his new djembe purchased in the Accra Cultural Market, next to Kwame Nkrumah Memorial.


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