Giant, 2016 Illinois Wesleyan University
Giant, School Of Theatre Arts
IWU School of Theatre Arts musical production of Giant by Sybille Pearson, music and lyrics by Michael John Lachiusa.
Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, 2016 Graduate Center, City University of New York
Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein
All Graduate Works by Year: Dissertations, Theses, and Capstone Projects
This study is about politics in Arabic rap. Specifically, it is about affective dynamics and material negotiations during rap concerts in three cities in the Levant. I analyze Arab hip hop culture in the context of three different but related histories of cosmopolitan, middle class growth, and gentrification. Using an ethnomusicological framework rooted in participant observation and performance theory, I compare concert conditions, audience behavior, and accessibility of music production in Ramallah, Amman, and Beirut.
In Chapter One, I elaborate the discursive and theoretical frameworks that have pinned the political valences of Arab youth, Arab artists, and Arab rappers in ...
How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, 2016 University of New Orleans, New Orleans
How To Be A Misanthrope: Creating The Title Role In Moliere’S The Misanthrope, David Cleveland Brown
University of New Orleans Theses and Dissertations
This thesis documents my research, rehearsal, and performance of the role of Alceste in Moliere’s The Misanthrope, which includes, a biography of Moliere, character analysis, role development, a rehearsal journal, character research, acting process, evaluation of my performance, and script analysis. The Misanthrope was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed in the Robert E. Nims Theatre of the Performing Arts Center September 17 - 19, 24 - 26 at 7:30pm, and September 27, 2015 at 2:30pm.
Addiction: Physiology In Performance, Opioid Pharmacology In Character Development For The Theater, 2016 Loyola Marymount University
Addiction: Physiology In Performance, Opioid Pharmacology In Character Development For The Theater, Lacey M. Smith
Actors inquire into the physical, mental, and emotional impulses of their respective characters in the effort to develop a cohesive persona for the stage. The goal of this research is to determine whether a more thorough, scientific understanding of the physiopyschological phenomena a character experiences, specifically opioid withdrawal, will aid in the depiction of symptoms on stage. The project began with a research period and culminated in physical dissemination through theater performance. Both video, audio, and text media were utilized to establish a thorough comprehension of the physiological mechanisms in opioid addiction. Further profiling of the characteristics and symptomatic episodes ...
Love On - The Life Of A Suicide Survivor: A Performance Autoethnographic Study, 2016 East Tennessee State Universtiy
Love On - The Life Of A Suicide Survivor: A Performance Autoethnographic Study, Patricia R. Wheeler
Electronic Theses and Dissertations
Suicide touches the lives of millions of people each year in this country alone, yet conversations about suicide loss and survival after a loss remain taboo and often do not happen. The story I performed for this performance autoethnographic study centers on my life as a survivor of suicide. It provides a starting point for dialog regarding trauma, grief, and suicide loss. The narrative was constructed directly following the sudden death of my father, which had a direct effect on my ability to produce artistic work. The development, staging and performance of the story were altered to account for the ...
Transforming The Mundane: Juxtaposing Maria Friedman’S "High Society" With George Cukor’S "The Philadelphia Story" As An Emphasis On The Importance Of Theatre, Dana T. Speight Ms.
Undergraduate Honors Theses
The subjects of film and theatre belong to an extensive hierarchical debate that has remained prominent within the realm of performing arts since the introduction of cinema in the late nineteenth century. A plethora of scholars choose to argue in favor of the former, suggesting that film surpasses theatre as superior in both aesthetics and overall execution of naturalism; however, the argument is purely subjective and cannot be applied to all films and their corresponding plays. As a counterclaim, theatre continues to thrive as a prominent source of artistic entertainment globally, not only offering a contemporary twist to preexisting texts ...
Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, 2016 Dominican University of California
Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby
Master's Theses and Capstone Projects
Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study ...
Presence And The Actor's Craft., 2016 University of Louisville
Presence And The Actor's Craft., Casey Richard Moulton
Electronic Theses and Dissertations
The purpose of this thesis is to establish that Presence is essential to an actor’s craft. This thesis makes considerable mention of my own work on Naomi Iizuka’s Polaroid Stories, playing the part of SKINHEADboy, as well as making mention of the theoreticians and practitioners of Acting who have dealt with the subject of Presence. The parallels I draw between actor training and the sources from outside of the field of Acting feed not only into an understanding of how consequential Presence is for the actor, but also how Presence can affect the lives human beings. This thesis ...
Choral Theatre, 2016 University of Southern Mississippi
Choral Theatre, Albert Joseph Wolfe Jr.
Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.
Today, Jamaicans boast a number of artistic developments that are instantly recognized across the ...
Sweeney Todd, 2016 Augustana College, Rock Island Illinois
Sweeney Todd, Jay Cranford, Michelle Crouch
2010-2019: All Shows
Sweeney Todd, an unjustly exiled barber, returns to 19th century London seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up, and the carnage has only just begun!
A Tank Full Of Wishful Thinking: Crystallizing The Rhythms Of The Road, 2016 James Madison University
A Tank Full Of Wishful Thinking: Crystallizing The Rhythms Of The Road, Leanna K. Smithberger
Graduate Showcase of Scholarship and Creative Activities
This presentation is a personal exploration of American car culture — the roads that enable it, the everyday actions that sustain it, and the values that justify it. I use a constellation of mobilities, autoethnography, and rhythmanalysis in order to tap into the political, personal, and aesthetic ways our road-centered culture shapes and constrains our lives in mundane and extraordinary ways. I argue that our road system of mobility is largely taken for granted, and is stubbornly persistent due to deeply held cultural values. I use a variety of artistic, evocative methods, including narrative, poetry, and music, because I argue that ...
Exploring Femme Fatale Through Lady Macbeth, 2016 Otterbein University
Exploring Femme Fatale Through Lady Macbeth, Tori Hidalgo
Honors Thesis Projects
I performed the role of Lady Macbeth at a common hour presented to Otterbein University’s Department of Theatre and Dance students. The concept involved presenting a cut of Shakespeare’s Macbeth that highlighted the development of Macbeth and Lady Macbeth’s relationship. In scripting and performing this adaptation, I sought to fully incorporate my body into my acting style and to expand and apply my knowledge of the femme fatale archetype to a well known literary character: Lady Macbeth. Another goal of this project was to determine how and if the femme fatale fits into feminist ideologies.
Wit, 2016 Director and Dramaturgy Coordinator
Wit, Diane C. Merchant, Tim Phipps
A brilliant and respected university professor, known for her teaching of the difficult and metaphysical poems of John Donne, is diagnosed with terminal cancer. Throughout the course of her experimental treatments, she comes to an understanding of her work, and her life, with profound humor. Winner of the 1999 Pulitzer Prize for Drama, the New York Times called WIT a “brutally human and beautifully layered new play…you feel both enlightened and, in a strange way, enormously comforted.” Presented in an intimate staging atmosphere, WIT is sure to move you.
Playing With Croxton, 2016 Southeastern University - Lakeland
Playing With Croxton, Molly Mccann
Selected Honors Theses
The Croxton Play of the Sacrament is an often overlooked, yet highly important piece for understanding the social climate of England in the fifteenth century.
This time period was riddled with religious and nationalist anxieties ingrained in the text of Croxton. This paper is designed to give an overview of these tensions and explain how our production of this drama sought to navigate and translate these tensions for a modern audience.
Lara Salmon, Thesis Statement, 2016 Claremont Graduate University
Lara Salmon, Thesis Statement, Lara Salmon
CGU MFA Theses
My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.
We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", 2016 Florida International University
We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso
FIU Electronic Theses and Dissertations
The complicated issues surrounding translation studies have seen growing attention in recent years from scholars and academics that want to make it a discipline and not a minor branch of another field, such as linguistics or comparative literature. Writ large with Antigonick, Carson showcases the recent Western push towards translation studies in the American academy. By offering up a text that is chaotic in its presentation, she bypasses the rigid idea of univocality. By giving the text discordant images, she betrays the failed efficacy of sign and signification, and by choosing a text to be performed and mutually participated in ...
Risd Cabaret 1987-2000 Retrospective Poster, 2016 Rhode Island School of Design
Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk
RISD Cabaret 1987-2000 Retrospective
No abstract provided.
Risd Cabaret 1987-2000 Retrospective Program, 2016 Rhode Island School of Design
Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk
RISD Cabaret 1987-2000 Retrospective
No abstract provided.
Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe
Yale Journal of Music & Religion
This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese Christians ...
On The Shore Dimly Seen: Review, 2016 University of Wollongong
On The Shore Dimly Seen: Review, Götz Naleppa
A new wave of understanding and agreement with all sorts of secret service methods which pretend to protect us against terrorism makes Whitehead’s radio performance, On The Shore Dimly Seen, even more precious and important than at the time of its production. Because it is the voice of a radical believer in democracy and human rights: today a lonely voice in the chorus of fear. We hear Gregory Whitehead’s voice chanting the interrogation log of Guantanamo Bay detainee 063 (prisoners in Guantanamo do not have names, they are only numbers), interwoven with the voices of vocalist Gelsey Bell ...