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The Second Pen, Nicholas D. Brennan 2017 CUNY Hunter College

The Second Pen, Nicholas D. Brennan

School of Arts & Sciences Theses

"The Second Pen" evaluates the historical relevancy of prevalent monikers for William Shakespeare-- namely, "The Bard," "Swan of Avon," and "Upstart Crow." While Brennan finds the general concept of the moniker to encapsulate Shakespeare's current historical legacy, he equally finds the aforementioned monikers to misrepresent this. Brennan offers "The Second Pen" as a moniker for Shakespeare that redresses the distortions of the others. He concentrates his defense of its relevancy around a defense of William Shakespeare as the "second pen" which Ben Jonson's 1605 Sejanus quarto names as a collaborator in the writing of a preceding stage version ...


Mutilation And The Law In Early Medieval Europe And India: A Comparative Study -- Open Access, Patricia E. Skinner 2016 Swansea University

Mutilation And The Law In Early Medieval Europe And India: A Comparative Study -- Open Access, Patricia E. Skinner

The Medieval Globe

This essay examines the similarities and differences between legal and other precepts outlining corporal punishment in ancient and medieval Indian and early medieval European laws. Responding to Susan Reynolds’s call for such comparisons, it begins by outlining the challenges in doing so. Primarily, the fragmented political landscape of both regions, where multiple rulers and spheres of authority existed side-by-side, make a direct comparison complex. Moreover, the time slippage between what scholarship understands to be the “early medieval” period in each region needs to be taken into account, particularly given the persistence of some provisions and the adapatation or abandonment ...


The Writers, Artists, Singers, And Musicians Of The National Hungarian Jewish Cultural Association (Omike), 1939–1944, Frederick Bondy 2016 Purdue University

The Writers, Artists, Singers, And Musicians Of The National Hungarian Jewish Cultural Association (Omike), 1939–1944, Frederick Bondy

Purdue University Press Book Previews

In May 1938, Hungary passed anti-Semitic laws causing hundreds of Jewish artists to lose their jobs. In response, Budapest’s Jewish community leaders organized an Artistic Enterprise under the aegis of OMIKE Országos Magyar Izraelita Közművelődési Egyesület (Hungarian Jewish Education Association) to provide employment and livelihood for actors, singers, musicians, conductors, composers, writers, playwrights, painters, graphic artists, and sculptors.

Between 1939 and 1944, activities were centered in Goldmark Hall beside the Dohány Street Synagogue in Budapest. Hundreds of artists from all over Hungary took part in about one thousand performances, including plays, concerts, cabaret, ballet, operas, and operettas. These performances ...


Screen To Stage: The Adaptation Of Films To Stage Musicals, Michael Gillies Mahacek 2016 Loyola Marymount University

Screen To Stage: The Adaptation Of Films To Stage Musicals, Michael Gillies Mahacek

Research & Exhibition

Many musical films are inspired by stage shows that originated on Broadway. While this transition still remains popular today, there is also a continuous rise in the popularity of adapting a film into a stage show, regardless if the film possessed any musical elements to start. This research aims to explore the elements and creative decisions needed in order to adapt a film into a stage musical. The focus will be primarily aimed toward the preproduction of a musical and how the creative team is able to manipulate the preexisting story from the film into the confinements of the stage ...


Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay 2016 CNRS

Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay

Artl@s Bulletin

This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.


Friends Of Musselman Library Newsletter Fall 2016, Musselman Library 2016 Gettysburg College

Friends Of Musselman Library Newsletter Fall 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Exhibits

GettDigital: Sports Reels

Research Reflections: The Gettysburg Superstar (Devin McKinney)

Remembering 9/12

Will Power: 400 Years After the Bard

Treasure Island (Robin Wagner)

Margin of Error

A Call to Activism in the Summer of '65 (Richard Hutch '67)

Digital Scholarship: The New Frontier (Julia Wall '19, Lauren White '18, Keira Koch '19)

Scrapbooks and Photo Albums: Snapshots of History (Clara A. Baker '30)

Soldiers' Scrapbooks (Laura Bergin '17)

A Book of Dreams (Alexa Schreier)

Who Do You Think You Are? (Timothy Shannon)

From Professor-Student to Collaborators (Jesse Siegel '16)

The Mysterious Easel ...


The First Of The Modern Directors: Conclusion To The Actor-Manager Career Of William Charles Macready, Abe J. Bassett 2016 Wright State University - Main Campus

The First Of The Modern Directors: Conclusion To The Actor-Manager Career Of William Charles Macready, Abe J. Bassett

Abe J. Bassett

“My ambition,” wrote William Charles Macready on retiring from the stage in February 1851, was “to establish a theatre, in regard to decorum and taste, worthy of our country, and to have in it the plays of our divine Shakespeare fitfully illustrated.” Although this was undoubtedly a life-long aspiration, which spanned over forty years of his professional career it was best expressed in the four theatrical seasons in which Macready managed Covent Garden theatre (from 1837 to 1839) and Drury Lane theatre (from 1841 to 1843.) It has been the purpose of this study to examine the contributions that Macready ...


Staging Colorism, Mya D. Flood 2016 Ursinus College

Staging Colorism, Mya D. Flood

Theater Summer Fellows

Colorism is a topic not frequently discussed in the African American community. My research focuses on representations of colorism in American drama. Using this research, I am workshopping a creative performance piece about this taboo topic to educate both Ursinus students and community members of all racial backgrounds. The research involves dissecting plays that confront colorism and the everyday struggles dealing with the stereotypes that come along with lighter and darker skin. My research takes the form of an annotated bibliography of plays about colorism and/or racism, a 20 page research paper about colorism in drama, and a draft ...


Ancient Greeks Today: Modern Adaptations Of The Orestes Myth, Arthur L. Robinson 2016 Ursinus College

Ancient Greeks Today: Modern Adaptations Of The Orestes Myth, Arthur L. Robinson

Theater Summer Fellows

This research closely examines the ancient Greek myth of Orestes, the boy who murdered his mother to avenge his father. It first draws upon the works of Aeschylus, Euripides, and Sophocles, who all wrote different variations of the same myth. This is followed by an examination of several more modern day adaptions of the myth, including but not limited to Eugene O’Neill’s Mourning Becomes Elektra, David Foley’s Murders at Argos, and Ferdinando Baldi’s The Forgotten Pistolero. The research highlights differences made to more effectively reach the varying audiences of the time, and the techniques used to ...


José Tamayo In Spanish America, 1949-1951, Carey Kasten 2016 Fordham University

José Tamayo In Spanish America, 1949-1951, Carey Kasten

Teatro: Revista de Estudios Culturales / A Journal of Cultural Studies

“José Tamayo in Spanish America, 1949-1951” relies on previously overlooked archival material from Spain and Spanish America to reconstruct the performance schedule and study the financial management and critical reception of the Lope de Vega Company in Cuba, Puerto Rico and Colombia. In doing so, it sheds new light on Tamayo’s administration of the artistic agenda and fiscal needs of his company’s international tour, helping us to understand how Tamayo built and cultivated his growing fame, at home and abroad, in the early part of his career. The performance calendar featured in the article’s appendix provides a ...


Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby 2016 Dominican University of California

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Master's Theses and Capstone Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study ...


Transgender Issues In Film, Eulalah R. Prater Mx 2016 East Tennessee State University

Transgender Issues In Film, Eulalah R. Prater Mx

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The question of gender inequality in film has been widely debated, both within the industry as well as within gender studies, with scholars such as Dr. Stacy L. Smith, Marc Choueiti, Elizabeth Scofeils, Dr. Katherine Pieper and Melissa Rigney arguing about gender inequality in modern popular films. However, these critics ignore the issue of trans-inclusive representation. My paper addresses the issue of trans* representation in modern film through comparative analysis with Greek theatre and early American film. I argue that in order to better understand lack of non-cis-gendered representation, it is instructive to connect this phenomenon to blackface in early ...


The Interchanging Development Of Sexuality: Laumann's Theory In Lgbtq Texts, Libby Jackson 2016 Kent State University - Kent Campus

The Interchanging Development Of Sexuality: Laumann's Theory In Lgbtq Texts, Libby Jackson

Excellence in Performing Arts Research

Same-sex relations, despite their presence throughout history, have for the most part been misunderstood and are only recently beginning to be accepted. Even as these ideas have been explored dramatically, LGBTQ theatre that discusses such topics openly is still a largely new phenomenon. Nevertheless through analyzing these texts as they have developed throughout the centuries, their importance in contemporary repertoire is much more easily realized. Historically, views on how homosexuality manifested itself within the individual changed drastically. As new concepts and theories were introduced into society, these manifestations were understood differently both collectively and independently. Still, past views often lingered ...


Purely American: How Art From Harlem And Broadway Shaped American Culture, Emily Knocke 2016 Ouachita Baptist University

Purely American: How Art From Harlem And Broadway Shaped American Culture, Emily Knocke

English Class Publications

The United States of America is a relatively young country, if you consider its foundations established in the late eighteenth century. For this reason, the art forms of visual art, theatre, and literature were already well-developed by the time America had established a unique voice. Although their beginnings were segregated by race, socioeconomic status, popularity, and a couple of streets in New York City (see Figure 1), two musical styles stick out as entirely American art forms: the Broadway musical and jazz. While Harlem Renaissance writers and artists argued for a separate but valued black culture, the unique American art ...


Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk 2016 Rhode Island School of Design

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


The Fabulous Lunts: A Biography Of Alfred Lunt And Lynn Fontanne, Jared Brown 2016 Illinois Wesleyan University

The Fabulous Lunts: A Biography Of Alfred Lunt And Lynn Fontanne, Jared Brown

Jared Brown

Foreword by Helen Hayes. Biography of the best loved and most successful acting team in American theatrical history.


The Theatre In America During The Revolution, Jared Brown 2016 Illinois Wesleyan University

The Theatre In America During The Revolution, Jared Brown

Jared Brown

Whether moralistic or satirical, the plays of the American Revolution offer unique insights into the sympathies and fears of both loyal and dissident parties, and so serve as a telling document of a socially turbulent age. Brown's extensive research coheres into an invaluable theatrical and historical chronicle that should prove a useful resource for those working in the field. Content Provided by Syndetics.


Jared Brown, Jared Brown 2016 Illinois Wesleyan University

Jared Brown, Jared Brown

Jared Brown

Interview located at http://digitalcommons.iwu.edu/oral_hist/42/


The Theatre In America During The Revolution, Jared Brown 2016 Illinois Wesleyan University

The Theatre In America During The Revolution, Jared Brown

Jared Brown

Whether moralistic or satirical, the plays of the American Revolution offer unique insights into the sympathies and fears of both loyal and dissident parties, and so serve as a telling document of a socially turbulent age. Brown's extensive research coheres into an invaluable theatrical and historical chronicle that should prove a useful resource for those working in the field. Content Provided by Syndetics.


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