The Fantasticks, 2018 Otterbein University
The Fantasticks, Otterbein University Theatre And Dance Department
1974 Summer Theatre
The Fantasticks is a 1960 musical with music by Harvey Schmidt and lyrics by Tom Jones. It tells an allegorical story, loosely based on the play The Romancers by Edmond Rostand, concerning two neighboring fathers who trick their children, Luisa and Matt, into falling in love by pretending to feud.
Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, 2018 Duquesne University
Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, Bethany Csomay
Electronic Theses and Dissertations
Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, literature, history, economics, psychology, anthropology, sociology, and fashion” (Engel 752). While much scholarship has been conducted on the actress’ life, interaction with material culture, public spectacle, authority, femininity, and writings, the role of an actress’ education in her success has yet to be explored adequately or examined beyond biography. My project seeks to examine the educational beginnings of actresses and I assert there are three modes that eighteenth-century actresses often undertook to cultivate their celebrity and success: inheritance, discovery, and trial and error. This project examines ...
Anna Larpent And Shakespeare, 2018 McGill University
Anna Larpent And Shakespeare, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640-1830
Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally ...
Of Life And History, Vol. 1 (May 2018), 2018 College of the Holy Cross
Of Life And History, Vol. 1 (May 2018)
Of Life and History
No abstract provided.
The Broadway Of War: How Theater Remembers The American Revolution, 2018 College of the Holy Cross
The Broadway Of War: How Theater Remembers The American Revolution, Campbell Loeber
Of Life and History
No abstract provided.
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, 2018 The Graduate Center, City University of New York
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo
All Dissertations, Theses, and Capstone Projects
The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various ...
The Epistemology Of Observation: Performance, Power, And The Regulation Of Female Sexuality In The Duchess Of Malfi And The Changeling, Sarah Claudia Bonanno
No abstract provided.
Thoroughly Modern Millie, 2018 Otterbein University
Thoroughly Modern Millie, Otterbein University Theatre And Dance Department
The year was 1922 and to live in Manhattan meant, for many, an era of wild optimism, carefree abandonment of antiquated social constraints and for women, unprecedented advancement in how they were perceived by those around them. Everything was lovely and in this age of liberated sensibilities, our heroine, Millie Dillmount enters with just such a need to rewrite her personal narrative. Thoroughly Modern Millie is, to me, a valentine to optimism and a love letter to love itself.
Thom C. Warren, Director
"I'S Not So Wicked As I Use To Was:" The Interplay Of Race And Dignity In Nineteenth-Century American Drama And Blackface Minstrelsy, Sam Volosky
Blackface was an extremely popular and pervasive performance type unique to nineteenth century American performance. For years, the black characters of Uncle Tom’s Cabin and The Octoroon were played by white actors in blackface makeup whereas mixed-raced characters were presented as white. These two plays, each having played a role in affecting public opinion toward slavery, do not stand out from the tradition of blackface minstrelsy and, subsequently, take part in subjugating black entertainers in the realm of theatre as well as society. The playwrights borrowed conventions of contemporary theatrical performance in order to cater to the tastes of ...
Resistencia Y Asimilación: El Espacio Liminal En El Teatro Cubanoamericano, 2018 Trinity College, Hartford Connecticut
Resistencia Y Asimilación: El Espacio Liminal En El Teatro Cubanoamericano, Michael Mardoian
Senior Theses and Projects
The Cuban Revolution that took place in 1959 sparked a mass movement of Cubans to leave the island known as the Cuban Diaspora. To live in another place, a country and within a culture drastically different is a continual internal and external confrontation that many Cubans face living in the United States. Immigration and exile are central themes that emerge from Cuban literature and art. In the field of theater, many Cuban and Cuban-American playwrights such as Matías Montes Huidobro (1931), Alberto Pedro (1954-2005) and María Irene Fornés (1930), have illustrated the effects of immigration and exile on the displaced ...
How Drag Culture Resolves Tensions In Victorian Shakespearean Cross-Dressing; Or, Slay, Feste, Slay, 2018 Brigham Young University
How Drag Culture Resolves Tensions In Victorian Shakespearean Cross-Dressing; Or, Slay, Feste, Slay, Isaac Robertson
Criterion: A Journal of Literary Criticism
In 2017, Madame Le Gateau Chocolat, a black drag queen, sashayed onto the stage of the Globe theater to portray Feste in Emma Rice’s production of Shakespeare’s Twelfth Night. This bold move not only gave anxiety to its investors (eventually leading to the stepping down of Emma Rice), but also raised questions about the validity of drag performance within Shakespeare plays. Shakespeare has historically been inseparable with traditional cross-dressing (both in performance and in the narrative itself), although the relationship has not always been cordial. In Victorian England, cross-dressing was often set equal to homosexuality or moral deviance ...
Writing The Collaborative Process: Measure (Still) For Measure, Shakespeare, And Rape Culture, 2018 Independent Scholar
Writing The Collaborative Process: Measure (Still) For Measure, Shakespeare, And Rape Culture, Nora J. Williams
PARtake: The Journal of Performance as Research
To what extent can a process of collaborative creation unseat Shakespeare as a source of cultural authority?
In February 2016, a group of professional performers gathered in an abandoned shop front in Exeter’s city centre to formally begin a devising process with Shakespeare and Middleton’s Measure for Measure that had been incubating in my mind for almost a year. Nearly a year later, in January 2017, an unrelated group of secondary school students began a similar process, with the same text.
What began as a persistent sense that these long-dead writers had omitted an important perspective in their ...
An Historical Analysis Of The Relationship Between Organized Religion And Dramatic Theory, 2018 Otterbein University
An Historical Analysis Of The Relationship Between Organized Religion And Dramatic Theory, Emily Bubeck
Theatre artists and organized religion both use the same tactics and strategies in order to connect to their audiences. This isn’t a coincidence: Over the course of human history organized religion and performance traditions developed, grew and evolved together. Performance practices grew out of religious traditions and often incorporated elements of spiritual celebration and religious ritual into their practices. In ancient Greece dramatic practices developed as a celebration of the god Dionysus, Sanskrit theatre of Ancient India evolved as a means of communicating Hindu myths to the masses and Noh theatre of ancient Japan started as shamanistic dance traditions ...
Stanislavsky Inspired Acting Lessons For Life And Leadership, 2018 Kennesaw State University
Stanislavsky Inspired Acting Lessons For Life And Leadership, Harrison O. Long Prof.
Journal of Global Initiatives: Policy, Pedagogy, Perspective
An artist’s creative work can become the primary lens through which he or she sees the world; it is a fundamental tool for interpreting life. But artistry can also teach a great deal about effective leadership. Based on the principles of Konstantin Stanislavsky, the father of modern acting, this essay reflects on five important lessons for life and leadership: The Power of Purpose, The Power of Context, The Power of Listening, The Power of Partnerships, and The Power of Community. After a year of studying Russian culture, history, and foreign policy, I believe these lessons can be applied on ...
An Embodied Analysis Of Humankind's Development And History As Viewed Through Our Art And Theatre, 2018 Otterbein University
An Embodied Analysis Of Humankind's Development And History As Viewed Through Our Art And Theatre, Mikayla Burr
Our theatre practices are just as diverse and rich as everything else in our history and often are products of the climate in which they are created. Medieval European churches utilized the stage to convey their truths to peasants and church services can be described as nothing less than a spectacle. Complete with flying set and prop pieces and grand entrances with echoing chants made for quite a sight. In this way theatre was a teaching tool. In Native American ritual practices, the dances and chanting were often meant to bring upon a literal climate change, asking the spirits to ...
Struggling Toward An American National Theatre, 2018 Michigan Technological University
Struggling Toward An American National Theatre, Rebecca Ann Soderna
Dissertations, Master's Theses and Master's Reports
The United States is conspicuously lacking in a large-scale government subsidy program for the arts and has never established a National Theatre. This makes us unique among most developed nations in the world as well as among many developing countries that established national theatres early in their burgeoning histories, and it begs the question: why has government support of the cultural life of the nation never been a priority in the U.S.? One notable exception to this can be found in considering the work accomplished by the Federal Arts Projects created under the auspices of the Work Progress Administration ...
An American Myth In The (Re)Making: The Timeless Fantasy Appeal Of 'The King And I', 2018 Scripps College
An American Myth In The (Re)Making: The Timeless Fantasy Appeal Of 'The King And I', Lina Purtscher
Scripps Senior Theses
It is now well-known that The King and I has little claim to truth. Recent research has exposed the inaccuracy of the “biographical” works on which the musical is based: Anna Leonowens invented many things about her personal background and experiences. Much of her life, then, is a contrived fantasy. Yet her life of fantasy has been resurrected in countless adaptations, including the 1951 Rodgers and Hammerstein musical and its 2015 revival production, that ceaselessly draw audiences. The fascination of American audiences with Anna’s tale lies their belief in the timeless American ideals that her fantasy employs: those of ...
The Designs Of Oliver Smith, 2017 Selected Works
The Designs Of Oliver Smith, Patrick Finelli
A Dramaturgical Exploration: Setting Oliver Goldsmith’S She Stoops To Conquer In Post-Civil War Virginia, Amanda Ward
Senior Honors Theses
A reputable theatrical company will hire a dramaturg to implement historical research and to provide reputable information where the director or staff desires it. They ensure that the play’s elements are as truthful to the time period as possible and aid in a performance’s overall success. If a theatrical company were to set Oliver Goldsmith’s play She Stoops to Conquer in 1870 Virginia, it could strengthen the play’s underlying religious, political, and cultural elements.
The paper is comprised of seven sections: a biography of the playwright, a religious exploration, a political analysis, a cultural comparison, a ...
Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, 2017 Louisiana State University and Agricultural and Mechanical College
Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones
LSU Doctoral Dissertations
The scholarly consensus of the Federal Theatre Project (FTP) is that it was a massive undertaking set to employ theatre professionals during the Great Depression. That undertaking resulted in vibrant, relevant theatre that helped to build a theatre audience across the nation. Outside of the overview-style scholarship, specialized studies have delved into the FTP as a community-building enterprise, a site of racial/ethnic study, and an essential new play creator.
My scholarship fills a hole that previous FTP scholarship has left open. The FTP was a political machine engaged in producing pro-American propaganda. That aspect of production has been largely ...