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Recent Articles in Theatre History
Bawds, Babes, And Breeches: Regendering Theater After The English Restoration, Laura Larson
University of Puget Sound
Bawds, Babes, And Breeches: Regendering Theater After The English Restoration, Laura Larson
History Theses
Restoration England (1660~1720) was a raucous time for theater-making. After an 18- year Puritanical ban on the theater, and with the restoration of the worldly Charles II to the throne, English theater underwent a pivotal rebirth. At this time, women were allowed to act on the public stage for the first time, an event carrying enormous implications for gender roles. This paper argues that actresses posed a threat to the patriarchal hierarchy that was in place at this time. Their unique position in professional theater and unusual access to a public voice not available to the rest of women ...
‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo '13
Gettysburg College
‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo '13
Student Publications
Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging the opening scene of William Shakespeare’s The Tempest. The physical presence of the ship, the sounds and lighting effects of thunder and lightning, the dialogue of the actors, and the use of music have varied from the early 17th century to the present in an effort to appeal to the audience. The presentation of these elements, especially sound cues and music, prepares audiences to understand the dynamics of Prospero’s powers and transformation as a character. Depending on how sound and stage technologies ...
Interview Of Sidney J. Macleod, Jr., M.F.A., Sidney J. MacLeod Jr., M.F.A., Amy E. Brooks
La Salle University
Interview Of Sidney J. Macleod, Jr., M.F.A., Sidney J. Macleod Jr., M.F.A., Amy E. Brooks
All Oral Histories
Sidney MacLeod (often called Sid) was born in 1933 in Chicago, Illinois. He is the oldest of three children and the only boy. He earned his M.S.S. at Saint Mary’s College in Winona, Minnesota and his M.F.A. at Catholic University in Washington, D.C. After graduate school he was drafted into the U.S. Army where he served two years on several domestic military bases. He began working at La Salle in 1959. In 1961 he married his wife, Mary Jane. They have four children (three sons and one daughter). He continues to work at ...
Vaudeville, Popular Entertainment And Cultural Division In The Inland Empire, 1880-1914, Mark Hauser
Claremont Colleges
Vaudeville, Popular Entertainment And Cultural Division In The Inland Empire, 1880-1914, Mark Hauser
CGU Theses & Dissertations
This paper discusses the emergence of vaudeville in California’s Inland Empire region of San Bernardino and Riverside counties. It will consider the social changes underway in late nineteenth-century America and their impact on attitudes towards popular entertainment. This paper will draw on Lawrence Levine’s observations of cultural hierarchies that emerged during the late nineteenth century and shaped American understandings of culture. Entertainment of the nineteenth century will be examined for the ways it was unable to match urban trends, and contrasted with vaudeville’s appeal to a diverse urban populace. The cities of San Bernardino, Redlands and Riverside ...
A "Temple Of Pleasure:" Missoula's Wilma Theatre, Elizabeth 'Libi' A. Sundermann
University of Washington Tacoma
A "Temple Of Pleasure:" Missoula's Wilma Theatre, Elizabeth 'Libi' A. Sundermann
Elizabeth 'Libi' A. Sundermann
The Wilma Theatre in downtown Missoula, Montana, has provided the city and surrounding area with entertainment since 1921. W. A. "Billy" Simons, president of the Northwest Theatre Company, commissioned the building's construction in 1920, during the heyday of the movie palace. In addition to the well-appointed theatre, the building housed a café , an Olympic-sized swimming pool, a gymnasium, offices, and apartments.
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Popular Articles
Power And Relationships In The Plays Of Neil Labute: Directing And Performing In Some Girl(S), Mary Griffith
“What Country Friends Is This?”: Creating Shakespeare’S Twelfth Night Onstage, A Director's Journey, Dawn Williams
A Historiography Of Informed Imagination: A (Hi)Story Drawn From The Correspondence Of Annie Russell And Faith Baldwin, Jennifer Cavenaugh
Undressing And Redressing The Harlequin: An Australian Designer's Perspective
The Casino Theatre At Newport, Rhode Island, The Summer Colonists' Playhouse: Reality, Grandeur, Memories 1881-1960, Marialyn Riley
Staging Ireland: The Sociopolitical Import Of John O'Keeffe's Comedies, Brittany Hause
History In The Age Of Fracture: The Politics Of Time In Recent English History Plays
Prolific Playwrights: Clifford Odets And Lillian Hellman Expose The Thirties
A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Martin
Korean Mask-Dance And Aristotle's Poetics
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