The Mixed Reception Of The Hamilton Premiere In Puerto Rico, 2019 Linfield College
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.
A Case Study Of The Arapahoe High School Shooting: Representations Of School Shootings In News Media And Art, 2019 University of Colorado, Boulder
A Case Study Of The Arapahoe High School Shooting: Representations Of School Shootings In News Media And Art, Chelsea Magyar
Communication Undergraduate Honors Theses
The moments of terror, emergency, and helplessness that unfold during a crisis extend beyond their initial occurrence through narrative. The stories that emerged from the December 13, 2013, Arapahoe High School shooting in news articles written by The Denver Post and in the survivor-authored play Thirteen provided different narratives about crisis and offered different ways to make sense of a traumatic event. Brummett (1984) highlighted the importance of communication in making sense of crisis by tasking the Burkean rhetorical critic to identify “the modes of discourse enjoying currency in a society and to link discourse to the real situations for ...
Dramatic Themes: Active Learning And Thematic Teaching In The Theatre History Classroom, 2019 Virginia Commonwealth University
Dramatic Themes: Active Learning And Thematic Teaching In The Theatre History Classroom, Brandon Lareau
Theses and Dissertations
This thesis explores major texts dealing with pedagogical theory and active learning in the context of a theatre history class. By comparing a class which is taught in the traditional, chronological format relying heavily on lectures to a class taught in a newer, thematic format utilizing active learning the thesis defines what student-centered learning means. Active learning, its benefits, and its implementation are explained and explored, along with the advantages and benefits of teaching thematically instead of chronologically. All of this is applied to a theatre history class in the resulting syllabus in chapter three. The syllabus creates a curriculum ...
“The Ground On Which I Stand” Healing Queer Trauma Through Performance: Crafting A Solo Performance Through The Investigation Of Ritual Poetic Drama Within The African Continuum, 2019 Virginia Commonwealth University
“The Ground On Which I Stand” Healing Queer Trauma Through Performance: Crafting A Solo Performance Through The Investigation Of Ritual Poetic Drama Within The African Continuum, Ashley W. Grantham
Theses and Dissertations
“The Ground On Which I Stand”
Healing Queer Trauma through Performance:
Crafting a Solo Performance through the investigation of Ritual Poetic Drama within the African Continuum.
By: Ashley W. Grantham
A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Performance Pedagogy at Virginia Commonwealth University
Virginia Commonwealth University
April 16th, 2019
Thesis Adjudicator: Dr. Tawnya Pettiford-Wates
Committee: Dr. Keith Byron Kirk, Director of Graduate Studies and Karen Kopryanski, Head of Voice and Speech
How does this method of Ritual Poetic Drama within the African Continuum, by extension, solo performance, uncover ...
Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta
Scripps Senior Theses
This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.
Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to trauma ...
Who Is Paying For God: A Thematic Analysis Of Henry Arthur Jones's Religious Plays In Relation To The Modernist Trend, 2019 Central Washington University
Who Is Paying For God: A Thematic Analysis Of Henry Arthur Jones's Religious Plays In Relation To The Modernist Trend, Jay Tyler Sharma, Jay Tyler Sharma
All Master's Theses
This thesis project argues for the value of Henry Arthur Jones’s work in the late 1890s and seeks to illustrate that Jones’s contribution to the larger Modernist movement in the theatre. Using a close textual analysis of Jones’s plays Michael and His Lost Angel, Judah, and Saints and Sinners, this project examines Jones’s use of popular theatrical genres to provide commentary on the religious and fiscal tensions in the surrounding Victorian society. The critical commentary in Jones’s plays is then used to draw a connection between Jones’s work and his fight for dramatists to ...
Americans Lost In America: Jose Rivera And The Meaning Of Home, 2019 University of Colorado, Boulder
Americans Lost In America: Jose Rivera And The Meaning Of Home, Daniel Jimenez
Undergraduate Honors Theses
In the fall semester of 2018, with artistic and financial support from the department of theatre, I directed a full production of Jose Rivera’s The House of Ramon Iglesia. The play concerns strained relationships within a family of Puerto Rican immigrants in New York. When the patriarch, Ramon, resists an overdue return to their native home, conflicting desires test bonds and open old wounds. I used the production to explore the meaning of “home” to disenfranchised, Latinx immigrants. Our company soon discovered that a universal answer will never satisfy everyone’s needs and desires. A constant search for home ...
The Future Of Theatre Is Trans An Exploration Of Transgender Identities In Diasporic Communities Through Performance Writing, 2019 University of Colorado Boulder
The Future Of Theatre Is Trans An Exploration Of Transgender Identities In Diasporic Communities Through Performance Writing, Ayla Lecochran, Ayla Xuan Chi Le Sullivan
Undergraduate Honors Theses
The purpose of this thesis is to explore how performance writing about transgender identities in theatre expands upon histories within the Vietnamese and Black American communities, with regards to cultural practises and assimilation into the United States. With a synthesis of autobiographical experiences and queer theory, I will self produce an original play exploring the nature of intersectional identities across race, gender, and citizenship.
Last Stop is an original full length play that will highlight a cast of only people of colour and especially, a cast of majority Asian Americans. As a transgender Vietnamese and Black American undergraduate, I seek ...
"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, 2019 CUNY Graduate Center
"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan
Publications and Research
This article surveys how contemporary Broadway musicals cast fat women and focuses on Hairspray. The use of fat suits and contractual weight clauses figure into the discussion of fat stigma and casting practices. Seemingly body-positive musicals both celebrate and undermine the identities staged in them.
Globalizing Nature On The Shakespearean Stage, 2019 University of Massachusetts Amherst
Globalizing Nature On The Shakespearean Stage, William Steffen
As the far-reaching consequences of human-generated climate change continue to threaten the earth, an evaluation of the historical narrative of the Anthropocene has never been more important. Globalizing Nature revises the anthropocentric narrative of early globalization from the perspective of the non-human world on the early modern stage, which showcases Nature’s agency in determining ecological, economic, and colonial outcomes. Overturning the popular narrative that European technology and military might determined the outcome of settler colonialism in ancient Britain and colonial Virginia, John Fletcher’s Bonduca suggests that the floral and microbial grafts attending colonial exchange could make or break ...
Baby Snooks And Daddy: A Little Gal's Journey To Joy And Jell-O, 2019 Bard College
Baby Snooks And Daddy: A Little Gal's Journey To Joy And Jell-O, Sofia Luella France
Senior Projects Spring 2019
A little girl in pursuit of Jell-O can do anything! In this Theater and Performance project Baby Snooks just wants a happy, gelatinous Halloween, but will Daddy’s petty pranks get in the way? Worry not, Baby Snooks saves the spooky day, and finds herself along the way. Come on pumpkin heads! It’s time for a treat!
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, 2019 University of Massachusetts Amherst
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing on ...
Buried Before, 2019 University of Colorado, Boulder
Buried Before, Devan Herbert
Undergraduate Honors Theses
Buried Before is a twelve-minute concert dance work which was performed February 7-10, 2019, in the Charlotte York Irey Theatre by Sasha Alcott, Sara Varra, Olivia Hodnett, and Adia Banks. This essay is a roadmap to understanding the piece as well as the research process that accompanied it. The piece challenges the way war stories are told, particularly the themes of glorification, masculinity, and heroism. It centralizes the body in the telling of women’s war stories which provides a level of complexity and abstraction which are not present in linear, traditional war narratives. Throughout both the essay and the ...
Monstrosity As A Problem Of Moral Proximity In Shakespeare’S Othello, 2018 Brigham Young University
Monstrosity As A Problem Of Moral Proximity In Shakespeare’S Othello, Kyle Ward
All Student Publications
In Othello, Shakespeare explores the idea of monstrosity through his titular character. This paper argues that Othello exemplifies the idea that monstrosity is not an inherent evil, but rather that it is a problem of Moral Proximity. The Problem of Moral Proximity, as it is explained in the paper, is the idea that good and evil are the moderation of or corruption of neutral traits. This paper not only argues that monstrosity is one of these neutral qualities, but also explores how Iago corrupts this monstrosity to bring about Othello's downfall.
Defending Eulalie, 2018 University of New Orleans, New Orleans
Defending Eulalie, Mimi Ayers
University of New Orleans Theses and Dissertations
No abstract provided.
Pillow, Talk: Kaitlin Prest’S The Shadows And The Elements Of Modern Audio Fiction, 2018 Northwestern University, Chicago
Pillow, Talk: Kaitlin Prest’S The Shadows And The Elements Of Modern Audio Fiction, Neil Verma
This essay is a study of The Shadows (2018), a series produced by Kaitlin Prest and Phoebe Wang for CBC Podcasts. I situate the work in the framework of Prest’s career after her podcast The Heart, and argue that The Shadows crystallises a set of conventions about “audio fiction” that set it apart from “audio drama,” “radio features” and other similar forms, at least at this particular historical moment. These conventions include: the embrace of naive themes; a preference for retroversion or 'queer temporality'; a focus on body sound; multiplication in mixing and editing that comes across as a ...
Masks: A New Face For The Theatre, 2018 James Madison University
Masks: A New Face For The Theatre, Alexi Michael Siegel
James Madison Undergraduate Research Journal (JMURJ)
This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out ...
The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, 2018 The University of Southern Mississippi
The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely
In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations ...
Christine Hegenbart. Zum Politischen Der Dramatik Von Thomas Bernhard Und Peter Handke. Neue Aufteilung Des Sinnlichen. Peter Lang, 2017., 2018 Université Paris Nanterre/Goethe Universität Frankfurt am Main
Christine Hegenbart. Zum Politischen Der Dramatik Von Thomas Bernhard Und Peter Handke. Neue Aufteilung Des Sinnlichen. Peter Lang, 2017., Catherine Girardin
Studies in 20th & 21st Century Literature
Review of Christine Hegenbart. Zum Politischen der Dramatik von Thomas Bernhard und Peter Handke. Neue Aufteilung des Sinnlichen. Frankfurt am Main: Peter Lang, 2017.
Michael Wood. Heiner Müller’S Democratic Theater: The Politics Of Making The Audience Work. Camden House, 2017., Josh Alvizu
Studies in 20th & 21st Century Literature
Review of Michael Wood. Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work. Rochester: Camden House, 2017.