Rethinking Ionesco’S Absurd: The Bald Soprano In The Interlingual Context Of Vichy And Postwar France, 2018 Loyola University Chicago
Rethinking Ionesco’S Absurd: The Bald Soprano In The Interlingual Context Of Vichy And Postwar France, Julia Elsky
Modern Languages and Literatures: Faculty Publications and Other Works
Rereading Eugène Ionesco’s postwar play La cantatrice chauve (The Bald Soprano) in the light of the original, wartime Romanian version alongside archival materials concerning his political activity in Vichy France allows us to reconsider his role in the theater of the absurd. Instead of staging the emptiness of language in a conformist world, the Romanian play dramatizes how language and language exchange created meaning but also upheld state violence during the Second World War. Although the French version of the play adapts this theme to the postwar context, traces of state power over language remain. This new approach to ...
Dadless: Dead Dads In Hamlet And The Effects On Their Children, 2018 Dyson College of Arts and Sciences
Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio
Student and Faculty Research Days
This research is a close look at the methods of grief as depicted by the children who lose their fathers in William Shakespeare’s classic, Hamlet. The goal is to track each child’s reaction to the sudden bereavement in a variety of physical and emotional manifestations. This has been done by first examining current literature on the text, followed by a review of historical context of the period in which the play was written, and finally analyzing each character’s behavior. In doing so, this research seeks to highlight the importance of the presence of fathers within Hamlet and ...
Turned On: An Exploration Of Intimacy In The Age Of Technology., 2018 Bard College
Turned On: An Exploration Of Intimacy In The Age Of Technology., Franchesca Breanna Chorengel
Senior Projects Spring 2018
Senior Project submitted to The Division of Arts of Bard College.
Queer Temporality And Aesthetics In Taylor Mac's The Lily's Revenge: A Dramaturgical Exploration Of The Play At Umass Amherst, 2018 University of Massachusetts Amherst
Queer Temporality And Aesthetics In Taylor Mac's The Lily's Revenge: A Dramaturgical Exploration Of The Play At Umass Amherst, Gaven D. Trinidad
This master’s thesis documents the dramaturgical exploration of the spring 2018 University of Massachusetts Amherst Department of Theater’s production of gender non-conforming performance artist Taylor Mac’s The Lily’s Revenge. The thesis is separated into two parts. The first half focuses on my dramaturgical analysis of Mac’s play and its exploration of queer temporality and queer embodiment, asserting the importance of queer aesthetics in American drama and its vital role in shaping the future of LGBTQIA+ politics in the United States. The second half includes reflections on rehearsal processes and performances, giving readers and fellow artists ...
The Dissemination Of Responsibility: Exploring The Audience As Bystander In Theatre, 2018 The College of Wooster
The Dissemination Of Responsibility: Exploring The Audience As Bystander In Theatre, Helen Rooker
Senior Independent Study Theses
This study focuses on finding how theatrical technique and process changes when the audience is reframed as bystanders. I hoped to find ways that theatre artists could fight against the bystander effect in life by bringing it into our theatres. The study was written in conjunction with a production of Nine by Jane Shepard. Nine is a piece about two women who are imprisoned. The audience does not know where they are, how long they have been there, or who has taken them—just that they are regularly raped and tortured. The play is treated as a focal point for ...
Telling Room: Color In Action, 2018 University of Southern Maine
Telling Room: Color In Action, Ryan Poag, Meaghan Gonsior
Thinking Matters Symposium
The Telling Room is a nonprofit writing center in Portland that helps young writers ages 6 to 18 build confidence, strengthen literacy skills, and provide real opportunities for students to display their creativity for audiences. Every year they approach creative writing through a unique theme to help keep young writers engaged. Their anthology’s theme this year is COLORS. Colors can symbolize and illustrate various aspects of life including human emotion, energy levels, and cultural phenomena. Using the connection between color and creativity, we have embarked on a project to produce a series of six short videos based on the ...
Theology, Phenomenology, And The Divine In King Lear, 2018 Chapman University
Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof
English Faculty Books and Book Chapters
"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."
The Personal Is Political: Performing Saint Joan In The Twenty-First Century, 2018 Gettysburg College
The Personal Is Political: Performing Saint Joan In The Twenty-First Century, Susan Frances Russell
Theatre Arts Faculty Publications
Contemporary theater makers aiming to present feminist-inflected interpretation of Shaw's Saint Joan could benefit from the practice of intertextuality: examining feminist playwrights' versions of Joan's story. Two plays by contemporary writers, Carolyn Gage's The Second Coming of Joan of Arc and Martha Kemper's Me, Miss Krause and Joan can illuminate the most pressing contemporary issues, highlighting the ways that Shaw's version overlaps with current feminist concerns, including intersectionality, positionality, and sexual assault. Such a process would empower performers and audience members alike, and would help playwrights, directors, and dramaturgs avoid some of the pitfalls exhibited ...
Anything But Crazy: How American Musical Theatre Can Change Societal Stigmas Against Mental Illnesses, 2018 University of Central Florida
Anything But Crazy: How American Musical Theatre Can Change Societal Stigmas Against Mental Illnesses, Benjamin Walton
Honors Undergraduate Theses
There is a societal stigma that villainizes or degrades anyone diagnosed or associated with any mental illness. While many different forms of media have attempted to destroy this stigma through psycho-centric narratives, I wanted to argue that musical theatre has the greatest potential as a live entertainment source to deconstruct and reduce the stigma surrounding mental illness. For my research, I theorized that musical theatre can most effectively change societal stigma about mental illness by communicating a clear understanding of the disease through music, and achieving popularity in the public eye longer than other live forms of theatre. I chose ...
Splitting Hair: Reviving The American Tribal Love-Rock Musical In The 1970s, 2018 Bucknell University
Splitting Hair: Reviving The American Tribal Love-Rock Musical In The 1970s, Bryan M. Vandevender
Faculty Journal Articles
When Hair premiered on Broadway in 1968, the musical garnered attention
for its reflection the current cultural moment. Critics acknowledged
this congruence of form, content, and zeitgeist as the production’s greatest
asset. This alignment with the Vietnam era proved a liability nine
years later when Hair received its first Broadway revival, particularly
when the musical’s authors replaced many of the libretto’s cultural references
with allusions to the 1970s, further illuminating the musical’s
inherently time-bound qualities.
Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, 2018 Bucknell University
Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, Jaye Austin Williams
Faculty Journal Articles
In this essay, I elaborate my present project, grounded in what I call drama theory, the critical theoretical dimensions of dramatic writing, and address the deeply troubling intramural tensions across Black Studies, between those who read blackness, and black cultural production, through largely futurist, celebratory lenses; and those who apply a structural analysis to blackness as the site against, upon, and through which the world coheres its soci(et)al apparatuses and machinations. I situate myself within the latter constellation, and sample here two plays by Suzan-Lori Parks to demonstrate how I translate the analyses of antiblack violence by black ...
Paul Ibell: Tennessee Williams, 2018 Loyola University Chicago
Paul Ibell: Tennessee Williams, Verna Foster
Department of Fine & Performing Arts: Faculty Publications and Other Works
A review of Paul Ibell's Tennessee Williams, written by Verna Foster.
Manipulated Manipulation: The Political Origins And Implications Of Shakespeare's Henry V, 2017 University of San Diego
Manipulated Manipulation: The Political Origins And Implications Of Shakespeare's Henry V, Kate Morton
Undergraduate Honors Theses
Shakespeare’s Henry V has long been one of the most ambiguous adaptations of the story of England’s most celebrated historical figure: King Henry V. This adaptation raises the question of why Shakespeare presents Henry V in a way that not only differs significantly from the other accounts of Henry V’s life, but is also entirely ambiguous as to whether this presentation of Henry V’s character is optimistic or pessimistic in nature. In my thesis, I will argue that the ambiguities present in Henry V are actually a result of Shakespeare's own stress over the political ...
Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, 2017 Kingston University
Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown
Studies in Scottish Literature
Discusses the stage history, structure and themes of Anne Marie Di Mambro’s play Tally’s Blood (1990), especially in terms of the cultural stresses on Italian immigrant families in Scotland in the 1930s and the impact on them of the Second World War.
“We Are Going Live In 3, 2, 1...”: Examining Liveness Amidst Streaming Technology, 2017 Chapman University
“We Are Going Live In 3, 2, 1...”: Examining Liveness Amidst Streaming Technology, Jessica Jeanne Johnson
Student Scholar Symposium Abstracts and Posters
The products of the theatre, film, and television industries are becoming increasingly homogenized. The modes of entertainment which feature a live audience experience (film and theatre) have seen a gradual decrease in ticket sales to these experiences, while simultaneously there has been a rapidly increasing number of subscriptions to streaming services providing access to productions from all three mediums (film, theatre, television). This fact represents the public’s divergence from the idea of traditional “liveness.” Many scholars believe that liveness has the ability to manifest itself in many mediatized forms (such as in 3D, surround sound, etc.), and while this ...
A Dramaturgical Exploration: Setting Oliver Goldsmith’S She Stoops To Conquer In Post-Civil War Virginia, Amanda Ward
Senior Honors Theses
A reputable theatrical company will hire a dramaturg to implement historical research and to provide reputable information where the director or staff desires it. They ensure that the play’s elements are as truthful to the time period as possible and aid in a performance’s overall success. If a theatrical company were to set Oliver Goldsmith’s play She Stoops to Conquer in 1870 Virginia, it could strengthen the play’s underlying religious, political, and cultural elements.
The paper is comprised of seven sections: a biography of the playwright, a religious exploration, a political analysis, a cultural comparison, a ...
Thinking Before You Act: A Constructive Logic Approach To Crafting Performance-For- Development Narrative, 2017 East Tennessee State University
Thinking Before You Act: A Constructive Logic Approach To Crafting Performance-For- Development Narrative, Angela Duggins
Electronic Theses and Dissertations
The intent of this thesis was to test the feasibility of constructing performance-for-development narrative using a constructive logic approach. I created an equation which expressed the sum of non-human-elements as the sum of a narrative with each element serving as a variable. I used a review of persuasion literature to provide insight into the selection and manipulation of each variable. I provided my family as a hypothetical example and used my knowledge of their preferences and communication styles in conjunction with the literature and the equation to craft a narrative which might increase pro-school attitudes in other families like my ...
A Production Process For Developing A Web Series, Snaptv, 2017 California State University, San Bernardino
A Production Process For Developing A Web Series, Snaptv, Toebey T. Caldwell
Electronic Theses, Projects, and Dissertations
My project for this Interdisciplinary Master’s Program, studying Film Theories and Media Production methods, details “A Production Process for Creating a Web Series, called SNAPtv”. This media production was designed to demonstrate my experience and knowledge I gained through this degree, by specific areas of developing and producing media, including script writing, filming and editing media content, to construct an original web series from Pre-Production to Post-Production.
SNAPtv is a hybrid, sketch comedy, talk show produced as an online web series that mimics the characteristics of a semi-scripted Reality-Television series and combines the elements of a talk show ...
Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, 2017 Louisiana State University and Agricultural and Mechanical College
Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones
LSU Doctoral Dissertations
The scholarly consensus of the Federal Theatre Project (FTP) is that it was a massive undertaking set to employ theatre professionals during the Great Depression. That undertaking resulted in vibrant, relevant theatre that helped to build a theatre audience across the nation. Outside of the overview-style scholarship, specialized studies have delved into the FTP as a community-building enterprise, a site of racial/ethnic study, and an essential new play creator.
My scholarship fills a hole that previous FTP scholarship has left open. The FTP was a political machine engaged in producing pro-American propaganda. That aspect of production has been largely ...
Book Review Of Emma Creedon, Sam Shepard And The Aesthetics Of Performance (Palgrave Macmillan, 2015), 2017 East Tennessee State University
Book Review Of Emma Creedon, Sam Shepard And The Aesthetics Of Performance (Palgrave Macmillan, 2015), Katherine Weiss
ETSU Faculty Works
Review of Emma Creedon, Sam Shepard and the Aesthetics of Performance Basingstoke: Palgrave Macmillan, 2015, xi + 199 pp., $90.00.