Ethnomusicology Commons^™

The Show Must Go On: New York Diy As Cultural Practice In The Changing City, Danni Slawinski

Senior Projects Spring 2022

The New York DIY scene is situated in a long history of social, political, and musical movements across the nation. Coming from this tradition of “do it yourself” politics, this community has adapted over the years to combat the forces of gentrification and capitalism which constantly threaten DIY music scenes. Over the last two years, this community has faced one of the most unexpected challenges to the continuation of the scene; The COVID-19 pandemic. In this ethnographically inflected analysis of the New York City DIY scene, I will be looking at the ways in which this musical community has been …

Schoolhouse Rap, Andrea L. Dennis

Scholarly Works

Rap on Trial, the treatment of rap music as evidence in the American criminal legal process, is well-documented and increasingly scrutinised. Research has shown that – with little restraint – police, prosecutors, probation officers and judges use rap lyrics to investigate, prosecute and punish individuals. Less noticed is that a similar phenomenon is occurring in the American K–12 educational system, which disciplines school-age youth who participate in rap culture and sometimes refers them to the juvenile or criminal legal systems for additional punishment. This article describes and analyses a small set of identified cases of this scenario, demonstrating that rap …

Viola Music Written By Costa Rican Composers: Analysis Of Three Compositional Trends In Costa Rica, Karen Soto Huertas

Theses and Dissertations--Music

What could come from a country that just this past year celebrated 200 years of independence that was only discovered in 1502 and was under the yoke of the Spanish Empire for over 300 hundred years? What contribution to the art music community could this third-world country, Costa Rica, bring to the table? Specifically, what contributions could Costa Rica make to the viola repertoire, which status as a soloistic instrument was raised only 100 or so years ago? How could a small country contribute to the repertoire of this often-forgotten instrument? To answer these questions, I have embarked on research …

Impressions On The American Cowboy: End Of The Trail, Ghost Town And Rough Men, Jude Edmund Markey-Smith

Senior Projects Spring 2022

“Impressions on the American Cowboy” seeks to consider, expose, and investigate the symbol of the cowboy in our culture–– in all of its twisted romance. After reflecting on my personal experiences as well as various historical texts and works of western fiction, I set out to make my own western-themed work. My intention is to comment and explore the so-called “man problem” across disciplines in live performed time and space. This work attempts to think critically about how and why cowboy culture has persisted, and to delve into this particular and troubling projection of masculine consciousness.

The Cultural Blueprint Of Laotian Society From The Contexts Of Traditional And Modern Music, Nandi Ampone Woodfork-Bey

Senior Projects Fall 2022

Senior Project submitted to The Division of Social Studies and The Arts of Bard College

Looking Into The Meaning Of Vaporwave: The Internet’S Favorite Genre Of Music, Thelonious Spike Kelly-Rossini

Senior Projects Fall 2022

Senior Project submitted to The Division of Arts of Bard College. An Ethnographic look into Vaporwave as a genre, and the politics surrounding it and it's online community.

Improving Arts Management/Marketing Efficiency: Optimizing Utilization Of Scarce Resources To Produce Artistic Outputs, Theresa A. Kirchner, Linda L. Golden, Patrick L. Brockett

Marketing Faculty Publications

Purpose

This longitudinal research examines US symphony orchestra sector organizations to determine individual efficiencies in allocating resources (donations, governmental/private funding, etc.) for desirable outputs (concerts, educational programs, community outreach). It provides researchers and managers with a tool for identifying, assessing and mitigating organizational inefficiencies.

Design/methodology/approach

This study assesses relative efficiencies in performing arts organizations using Data Envelopment Analysis (DEA), a widely-used nonparametric data-intensive benchmarking technique that determines an optimal “production frontier” of best-practice organizations among their peers and assesses their abilities to turn multivariate inputs into multivariate desired outputs.

Findings

This analysis highlights efficiency differences in a wide range of …

La Musique Dans Les Cultures Tech. La Synthèse Modulaire En Temps De Covid-19, Eliot Bates

Publications and Research

Depuis 1996, la synthèse modulaire matérielle est passée d’une pratique artisanale de fabrication d’instruments de niche soutenue par un petit nombre de musiciens, à un phénomène transnational, une véritable culture tech. Malgré cet engouement, elle n’a pas donné naissance à de nouveaux genres musicaux populaires, et il n’est pas certain que la « musique », quelle que soit sa définition, soit ce qui rassemble les amateurs de synthèse modulaire. Ce texte a deux objectifs : tout d’abord, il présente les résultats d’une recherche en cours menée en ligne et dans plusieurs pays concernant le rôle des objets technologiques dans la …

Tradition, Pedagogy, And Internet Open-Access Music Libraries, Erin Tallman

Pomona Senior Theses

In this paper I take up the topic of open-access digital music libraries, specifically the ways performance and pedagogical traditions interact with and are impacted by open-access or public domain sheet music libraries on the internet. I first consider how traditions of performance and pedagogy have become misaligned in the case of viola repertoire and its historical context. I then turn to questions of copyright on the internet and copyleft practices as they relate to internet open-access libraries such as IMSLP, finding that they often are simply a new medium through which to uphold existing patterns, despite their apparent potential …

All Roads Lead To Darrington: Building A Bluegrass Community In Western Washington, James W. Edgar

Electronic Theses and Dissertations

Through the mid-twentieth century, a significant pattern of migration occurred between Appalachia and the Pacific Northwest, with Washington’s thriving timber industry offering compelling economic opportunities. Many workers and families from western North Carolina settled in the small mountain town of Darrington, Washington, frequently accompanied by their banjos and guitars. As a group of young bluegrass enthusiasts from Seattle established relationships with Darrington’s “Tar Heel” musicians, a collaborative music community formed, laying the foundation for the region’s contemporary bluegrass scene.

Drawn from a series of ethnographic interviews, this project illuminates the development of a bluegrass community in western Washington, while identifying …

Vatican Ii, Liberation Theology, And Vernacular Masses For The Family Of God In Central America, Bernard J. Gordillo

Yale Journal of Music & Religion

The Second Vatican Council (1962–65) instituted reforms in the Catholic Church that included changes in language and music employed in the liturgy, inspiring a proliferation of sung vernacular masses throughout Latin America. Drawing on archival and ethnographic research undertaken in Nicaragua and the United States, this article examines three Central American vernacular masses—Misa típica panameña de San Miguelito (1967), Misa popular nicaragüense (1969), and Misa campesina nicaragüense (1975). Each mass emanated from communities founded as part of the transnational Familia de Dios (Family of God) movement, which established programs of religious education, leadership training, and community building among impoverished …

Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan

Yale Journal of Music & Religion

The early 20^th century was a period in which understandings of music, religion, and the nation-state underwent rapid change in Japan. In this article I examine Japanese cultural discourse from the first decades of the 20^th century in which the shakuhachi, a Japanese bamboo flute, was frequently portrayed as a religious instrument. In some cases, this discourse referenced pre-20^th century historical affiliations of the shakuhachi with the Fuke-sect, an organization that was loosely affiliated to Rinzai Zen Buddhism. But the article also explores how religio-musical discourse surrounding the shakuhachi intersected with developments in modern Japanese religious life, …

The Rise Of Opera In Monteverdi's Orfeo, Allison N. Zieg

Musical Offerings

Late Renaissance composer Claudio Monteverdi is known by scholars as the father of opera. While Monteverdi did not directly invent the production, we honor him as the first to successfully produce three major operas that have survived to this day. His works set the stage for future opera composers, and he drastically influenced the rise of such a large scale production. He is most known for his opera "Orfeo," which has continued to be adapted to the modern stage, and performed frequently in several opera houses. What led to the creation of such an extravagant production and never before heard …

Re-Forming Music: Martin Luther’S Impact On Church Music Through The Lutheran Reformation, Soraya Peront

Musical Offerings

Martin Luther is regarded as a seminal figure in 16th-century Europe, having a profound impact on the development of the Protestant Church as it separated from the Roman Catholic Church. Though Luther is most commonly known for his theological influences during the time, his upbringing and musical education strongly influenced his theological beliefs. Not only did this result in a development of a new Christian denomination, but Luther permanently changed the way music was written and performed in the church. How is it, though, that we can credit this musical change to Luther? Through an examination of Luther’s musical understanding …

Hildegard: A Trailblazer?, Emilie Schulze

Musical Offerings

Hildegard von Bingen, a Christian mystic, influenced theology, philosophy, and music during the Middle Ages. Some people today claim her as a forerunner for women’s rights because her works gained such prominence people assume she had the authority to teach men in the church. However, this assertion places unnecessary strain on Hildegard, misreading her works and her place within the structure of the medieval Catholic church. Hildegard’s writings did not seek to equalize men and women. Rather, in her life and in her works, she appealed to her humility, virginity, and close relationship with the Holy Spirit to minister. This …

Moving Beyond World Music: An Exploration Of Non-Western Music Cataloging Practices In Higher Education And Where To Go From Here, Alastair L. Canavan

New Librarianship Symposia Series: Fall 2021

The term “world music” has been used for decades as a catchall genre to describe any form of music outside of Western classical. As a byproduct of the eurocentrism pervasive throughout academia, its use furthers a bubble that others or ignores Non-Western cultures and their music. By examining the public-facing catalogs of 13 university libraries across 10 different countries to determine to what extent Non-Western music is included in their collections, how it is cataloged, and if the term “world music” is used to do so, the specific cataloging practices and norms that perpetuate a bias toward Western classical music …

Memory Vague: A History Of City Pop, Jeffrey Salazar

Masters Theses

This thesis gives a definition and chronology of city pop and places it within the context of Japanese history. City pop can be traced from the 1960s folk movement in Japan until its demise in the early 1990s, coinciding with the end of the bubble economy. This thesis also examines the mid-2010s resurgence of interest in city pop among English-speaking internet users, beginning with a nostalgic rediscovery and curation of city pop around the turn of the century by DJs in Japan known as “crate diggers.” City pop was then transmitted to the West through sampling in hip-hop and especially …

Ann Flood, Mairéad Farrell, And The Representation Of Armed Femininity In Irish Republican Ballads, Seán Ó Cadhla

Articles

This article critically considers the representation of armed femininity within the attendant song tradition of Irish physical-force Republicanism, with specific focus on the personal and cultural consequences for two prominent female Republican activists, both of whom successfully traverse the gender demarcation lines of war. While noting the didactic, often misogynistic, trajectory of works narrating ‘transgressive’ females within the broader ballad tradition, this article seeks to determine whether or not the interwoven essentialist tropes of death, martyrdom and resurrection — all deeply-embedded ideological constructs within the framework of Irish Republicanism — successfully supersede calcified patriarchal mores and in so doing, facilitate …

The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad

Journal of Religion & Film

Rāvaṇa, the ten-headed Rākṣasa (‘demon’) king of the epic the Rāmāyaṇa, is the most fascinating of all the antagonists in films based on Hindu mythology, so powerful that even the Sun cannot rise without his orders, and celebrated as an unparalleled musician-scholar and great devotee of the god Śiva. His passion for the vīṇā, a string instrument with divine associations, is so great that this instrument adorns his royal flag as its emblem. His consciousness of his supreme powers and great knowledge soon gives way to ahaṅkāra (hubris) and lust, which leads to his eventual downfall and death at the …

Performing Empowerment: Children's Rights And Musical Participation In Dakar, Senegal, Lynne Stillings

Dissertations, Theses, and Capstone Projects

This dissertation provides a critical examination of how music is used to introduce concepts of children’s rights to children and youth in Dakar, Senegal. I explore why music has been chosen as a tool of engagement and promotion, building on Senegal’s history of youth activism and music as a grassroots tool for inspiring social change and sparking political movements. Both international NGOs and local programs use musical activities, centering children as performers and songwriters, to address rights in Senegal including girls’ equality, the right to education, early marriage, violence towards women and children, access to healthcare, and street children. Outside …