Music From The Harpsichord House, 2017 City University of New York (CUNY)
Music From The Harpsichord House, Julie Zhu
Theses and Dissertations
Music from the Harpsichord House is an installation and series of concerts that exists in the binary of in and out of performance. During a concert, the harpsichordist is hidden inside the house and his face is live-projected outside. Fifteen new musical compositions were commissioned for the harpsichord house.
Connection Between Visual Arts And Music: The Painting And Music Of I-Uen Wang Hwang, 2017 James Madison University
Connection Between Visual Arts And Music: The Painting And Music Of I-Uen Wang Hwang, Yining Jenny Jiang
Dissertations, 2014-2019
This document explores the connection between the visual arts and music, particularly focusing on the similarity between visual and aural artistic expression by analyzing two sets of piano pieces composed by I-Uen Wang Hwang, a contemporary Taiwanese-American composer and artist. The piano pieces are Dream Garden, Series I and II (2000-2004) and Preludes for Piano (2016). Series I of Dream Garden contains two piano solo compositions based on a series of Hwang’s own watercolor works. Each composition has an analogous painting: “The Horn of the Plenty” and “Butterfly Orchid”. Series II includes two compositions written for two pianos: “Red and …
On Improvised Music, Computational Creativity And Human-Becoming, 2017 CUNY Borough of Manhattan Community College
On Improvised Music, Computational Creativity And Human-Becoming, Arto Artinian, Adam James Wilson
Publications and Research
Music improvisation is an act of human-becoming: of self-expression—an articulation of histories and memories that have molded its participants—and of exploration—a search for unimagined structures that break with the stale norms of majoritarian culture. Given that the former objective may inhibit the latter, we propose an integration of human musical improvisers and deliberately flawed creative software agents that are designed to catalyze the development of human-ratified minoritarian musical structures.
A Generalized Intervallic Approach To Metric Conflict In Liszt, 2017 University of Mary Washington
A Generalized Intervallic Approach To Metric Conflict In Liszt, Robert L. Wells
Music
The music of Franz Liszt has become widely recognized by music theorists for its harmonic and formal innovations. However, little attention has been given to adventurous rhythmic/metric aspects of Liszt’s compositional style: specifically, he frequently incorporates rich metric structures in which the notated metric layer, indicated by time signatures and bars, and heard metric layer, given by cues in the sounding music, are locked in an evolving conflict. To model such interactions, this article develops a new analytical system based on Lewin’s generalized interval system (GIS) concept, constructing a new three-component metric direct product GIS called Met. The article …
Winds Of Courage A Mallet Concerto For Solo Mallets And Wind Ensemble., 2017 University of Louisville
Winds Of Courage A Mallet Concerto For Solo Mallets And Wind Ensemble., Ross Elliott
Electronic Theses and Dissertations
Winds of Courage is a motivically-driven composition based on a repeating chordal pattern. Although being written out, the solo mallets parts sound somewhat improvisatory, which is a key element to the part. In a way, the concerto illustrates what it is like to have a crush on someone; where the first movement is getting up the courage to talk to them; the second movement, crying from failing to say what you need to say or not getting up the courage to talk to them, or getting rejected; and the final movement, when things work out in a positive manner, or …
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, 2017 University of Southern Mississippi
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, Gustavo Schafaschek
Dissertations
Despite his significance as the most important Latin American composer of the twentieth century, serious analytical studies on the music of the Brazilian composer Heitor Villa-Lobos are still few and far between. Recent scholarship has started to demystify the figure of Villa-Lobos as an intuitive composer with no technique, revealing an artist that strove to develop an idiosyncratic musical language. The present document aims to contribute to this new trend in Villa-Lobos’s scholarship by analyzing pieces from the piano cycle Cirandas, W220, considered one of the most important works from the composer’s mature style. Each of the sixteen pieces …
Symposium Of Contemporary Music, 2017, 2017 Illinois Wesleyan University
Symposium Of Contemporary Music, 2017, School Of Music
Programs
The program for November 16-17, 2017 featured guest composer Judith Shatlin, he William R. Kenan, Jr. Professor at the University of Virginia. Ms. Shatin also founded the Virginia Center for Computer Music. Her music has been commissioned by organizations including Carnegie Hall and the National Endowment for the Arts.
It’S A Strange Place: The Narrative Film Music Of Danny Elfman, 2017 Southeastern University - Lakeland
It’S A Strange Place: The Narrative Film Music Of Danny Elfman, Chad Sell
Selected Honors Theses
The role of film music should function as part of the narrative, collaborating with all other filmic aspects such as color editing, scriptwriting, acting, and directing to convey a narrative that engages and affects the audience. Over the course of history, film music has functioned in a variety of ways, from live bands to draw in theatregoers to the contemporary discussion of diegetic and non-diegetic music in film. Composer Danny Elfman emerges from an unusual background in rock n’ roll, but, despite initial criticism and skepticism, has proven to be a seminal film composer whose scores demonstrate an intimate connection …
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, 2017 University of Florida
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett
Charleston Library Conference
This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can …
La Música Como Una Forma De Educación: Canciones Para Cambios Sociales / Music As A Form Of Education: Songs For Social Changes, 2017 SIT Study Abroad
La Música Como Una Forma De Educación: Canciones Para Cambios Sociales / Music As A Form Of Education: Songs For Social Changes, Di Hu
Independent Study Project (ISP) Collection
Este proyecto de ISP no tradicional busca recrear un mini EP de tres canciones basado en el entorno problemático del sistema educativo chileno y sus influencias negativas en los estudiantes. Las canciones pretenden pedir cambios sociales y aumentar la conciencia al criticar los problemas y al mismo tiempo servir como una forma de educar a los jóvenes de la nueva generación sobre las realidades del sistema educativo actual. Usando información de observaciones escolares anteriores, inspiraciones de la música de diferentes músicos y lo más importante las narrativas de entrevistas, estas tres canciones tomaron forma en tres temas principales: un llamado …
String Quartet No. 2, 2017 The Graduate Center, City University of New York
String Quartet No. 2, Ramin Heydarbeygi
Dissertations, Theses, and Capstone Projects
Abstract not provided.
Twenty-Two Miniatures Of The Tarot : A Cycle For Chamber Ensemble, 2017 University of New Orleans
Twenty-Two Miniatures Of The Tarot : A Cycle For Chamber Ensemble, Pierre Emmanuel Mariaca
University of New Orleans Theses and Dissertations
Twenty-two miniatures of the Tarot is a cycle for chamber ensemble related to the twenty-two major arcana of the Tarot. Indeed, the intention of this composition is to capture the esoteric essence for each Major Arcana of the Tarot, making them speak musically in a contemporary language of music. Ideally, this cycle should be performed in the same order as the Tarot cycle, which has a number for each Major Arcana: 1) The Magician, 2) The High Priestess, 3) The Empress, 4) The Emperor, 5) The Pope, 6) The Lover, 7) The Chariot, …
Trees On The River (For Solo Piano), 2017 Southern Methodist University
Trees On The River (For Solo Piano), Anthony Elia
Bridwell Library Research
One of three short pieces for piano, composed in early August 2017, for piano learners. (NB: RXZ)
Lost Bicycle (For Solo Piano), 2017 Southern Methodist University
Lost Bicycle (For Solo Piano), Anthony Elia
Bridwell Library Research
One of three short pieces for piano, composed in early August 2017, for piano learners (NB: RXZ).
Lakeside Dream (For Solo Piano), 2017 Southern Methodist University
Lakeside Dream (For Solo Piano), Anthony Elia
Bridwell Library Research
One of three short pieces for piano, composed in early August 2017, for piano learners. (NB: RXZ)
Manifestations: A Fixed Media Microtonal Octet, 2017 University of Tennessee, Knoxville
Manifestations: A Fixed Media Microtonal Octet, Sky Dering Van Duuren
Masters Theses
Manifestations is a composition in three movements, scored for an octet comprising the following instruments: flute (doubling piccolo), clarinet in B♭ (doubling bass clarinet), trumpet in C, tenor trombone, piano, marimba, violin, and cello. This piece serves as a vehicle for demonstrating the use of pitch adjustment software to incorporate microtonal aspects into a fixed-media piece. By utilizing this software, acoustic instruments may accurately provide pitches outside of the traditional twelve-tone chromatic scale in ways that impart expressiveness and/or provide structural significance without any physical alteration or extended techniques.
The microtonal elements of this piece are incorporated via three primary …
A Generalised Song, 2017 University of Aberdeen
A Generalised Song, Will Turner
Journal of Humanistic Mathematics
We consider parallels between words and music. We call a triple of structures, one verbal, one musical, and one mathematical, in which the mathematical structure is related to the verbal and musical structures, a generalised song. With the intention of exhibiting the potential of this form, we describe a generalised song called ‘Cube’.
Audio Mastering As A Musical Competency, 2017 The University of Western Ontario
Audio Mastering As A Musical Competency, Matthew T. Shelvock
Electronic Thesis and Dissertation Repository
In this dissertation, I demonstrate that audio mastering is a musical competency by elucidating the most significant, and clearly audible, facets of this competence. In fact, the mastering process impacts traditionally valued musical aspects of records, such as timbre and dynamics. By applying the emerging creative scholarship method used within the field of music production studies, this dissertation will aid scholars seeking to hear and understand audio mastering by elucidating its core practices as musical endeavours. And, in so doing, I hope to enable increased clarity and accuracy in future scholarly discussions on the topic of audio mastering, as well …
Evolution Of The Cello In Music, 2017 Western Kentucky University
Evolution Of The Cello In Music, Joshua Propst
Mahurin Honors College Capstone Experience/Thesis Projects
With this project, I have studied cello music written throughout many of the major musical eras in an attempt to discover the cello, specifically regarding playing style, technique, and tonal ability. The composers included in this project are Bach, Haydn, Dvořák, Pärt, and Amanti. Most of the major musical styles are represented, with a focus on baroque, classical, romantic, minimalism, and jazz. I performed this wide variety of pieces at my Senior Recital for the Western Kentucky University (WKU) Music Dept. The goal of the recital was to showcase the rich musical history of the cello and how cello composition …
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, 2017 Lawrence University
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Lawrence University Honors Projects
“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.