Composition Commons^™

Production As Analysis In Commercial Music Recordings, Simeon P. Church

Composition/Recording Projects

Since the 1960s, scholarship of popular music in the fields of musicology and music theory has blossomed (Kajanová 2013). The inclusion of the social sciences and humanities in music analysis has allowed for new methodologies in commercial music analysis. Although new methodologies have been developed around popular song analysis, they are notably absent in the field of music production (Blake 2012, 1). In this thesis, I will assert that music production is an under-explored facet of commercial music that offers abundant opportunities for analysis.

Life, Man, Diane Wong

Theses and Dissertations

This piece paints the picture of what life felt like from the composer’s vantage point, specifically at the time when the composition was conceived. The first section employs the first sixteen pitches present in the harmonic series as an embodiment of the pure nature of sound – vibration, physics, and acoustics. The middle section shows a dynamic that pulls in two directions, one going sharper and sharper ascending through the circle of fifths and the other going flatter and flatter descending, all the while a steady pedal point in the center of the axis nonchalantly ticks like clockwork. As this …

Reborn: The Documentation And Processes Of A Fusion Project, Natalie Merrill

Composition/Recording Projects

Many musicians aim to create something new, fresh, unprecedented, unpredictable. They seek uniqueness, attempting to create a sound that will be traced back to their work as music history progresses. As they work to find their distinct voices, musicians spend years trying to find their right sound, hoping it will leave a legacy of music tied to their original creativity. Composition, when based on various musical influences, is an incredible tool for the musician because it can bring together styles – and more importantly, people and cultures – from all over the world. The chapters of this paper tell the …

Exploring The Chromatic Harmony And Tonal Organization Of Casey Crescenzo, Nicholas Veine

Music Theses

Much of western music harmony study considers repertoire only from the classical canon and so-called "jazz standards." While this pursuit is noble, much more can be gleaned from musical theoretical study expanding the repertoire into progressive rock. "Prog" has pioneered the modern usage of chromatic harmony, especially 4ths-based movement, and subdominant harmony, as well as the natural expansion of the ideas of chromatic mediants and transformational theory. This paper specifically highlights the usages of these extended harmonic techniques in the music of Casey Crescenzo, primary writer/composer for the rock band: The Dear Hunter.

Composition Recital Program, Cedarville University

Student Composition Recitals

No abstract provided.

Plains Minimalism, Matthew Magerkurth

Graduate Theses and Dissertations

Plains Minimalism is a set of four musical scores that seeks to reconcile classical and folk music styles in a semi-improvisatory style. In each piece, the musicians are asked to interact with each other in different ways, alternating between a specifically-notated classical score and esoteric text descriptions. Additionally, this body of work includes instruments traditionally associated with American folk music, including banjo, manolin, and acoustic guitar. Through both the textural and notational fusion, these pieces are designed to be performed by musicians with variable degrees of reading ability, thus widening access to traditional classical music spaces.

The Game: A Contemporary Opera In One Act, Kailey Erwin

Graduate Theses and Dissertations

My opera entitled “the game: a contemporary opera in one act” began as a project in my undergraduate composition lessons. My vision for this opera is to make it accessible and easily performed by singers with minimal “operatic training.” This is an opera for developing singers, and a great introduction to the style of opera without long, draining arias, or complicated ensembles. This opera was performed on April 2nd, 2022 in Stella Boyle Smith Concert Hall as a partial fulfillment for my degree requirements. Long-term, I envision The Game performed by singers in high school, undergraduates, or even community theaters. …

Music Inspired By The Works Of Robert Frost, Ryan Martin

Graduate Theses and Dissertations

AbstractMany years ago on Easter, my mother gave me a book of Robert Frost’s poems as a gift. As a child, I enjoyed his rhyming schemes and the characteristically simple, beautiful, natural imagery he portrayed in his verses, but the deeper meaning of the words was largely lost on me. As I grew, I would revisit the poems from time to time and would enjoy discovering a subtly hidden metaphor or experiencing new feelings and emotions evoked by a poem I had already read dozens of times. When looking for inspiration as a music composition student here at the University …

Maria On The Moon: A Chamber Opera., Tanner Jones

Electronic Theses and Dissertations

After receiving news that his mother’s cancer has taken a turn for the worse, Brian must face the inevitability of her passing. He refuses to let her go without a fight, however, and attempts to buy time with rituals and strange objects from his eccentric, late family. But dark and mysterious things begin to lurk around their home, and Brian sees what comes of attempting to ward off death. An encounter with a strange figure forces Brian to face his inability to let go of what he cannot control. This work is adapted by the composer from Travis Brown’s short …

The Last Straw For Mixed Ensemble And Electronis., Nicholas Hall

Electronic Theses and Dissertations

The Last Straw was composed for mixed ensemble and electronics. The main idea behind this piece is twofold: a) the treatment of the pitches, articulations, and dynamics shared between instruments and how they propagate out of phase closely resembles what I would have programed on various standalone synthesizer, and b) the processing itself is treated how I would manipulate various parameters on said synthesizers to achieve different sonic modulations. All instruments are amplified through a 4.1 sound system (4 loudspeakers and subwoofer) which is setup in a circle (see the performance layout page viii). Through processing via Max/MSP, the sound …

Ashley: A Chamber Opera In Four Scenes., Rron Karahoda

Electronic Theses and Dissertations

This thesis is an intimate chamber opera which explores an original story of a young woman finding her place in the world at the same time she is dealing with unresolved feelings of regret, jealousy, and confusion over her sister’s death. This journey is complicated by people on all sides seeking to benefit by exploiting her and her sister’s legacy. As these two threads collide, the opera reveals itself to be about introducing and synthesizing dualities (in the dialectical sense of thesis→antithesis→synthesis), both musically and dramatically. Octatonic and whole tone pitch sets learn to intermingle, as do whole families of …

Telling Stories: An Analysis Of Speech-Melody Compositions And An Original Speech-Melody Composition For Wind Ensemble, Kevin Cheek

Electronic Theses and Dissertations

This thesis explores the compositional technique of speech melody and provides a brief historical overview of speech in music. This thesis also examines recent works (2005-2014) that have sourced their melodies from the spoken word and in turn creates an original composition for wind ensemble consisting of melodies sourced from recordings of members of United States military forces speaking about their lived experiences. In conjunction with the analytical and compositional aspects of this thesis, I also conducted an interview with Dutch composer Jacob ter Veldhuis (Jacob TV). i

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

On The Subject Of Loneliness., Isaac Raymond Smith

Electronic Theses and Dissertations

Loneliness has been experienced since ancient times, but all were made acutely aware of the need for social interaction during the long periods of lockdown during 2020 and 2021. on the subject of loneliness draws inspiration from a variety of texts which examine the complex effects of loneliness from emotional, scientific, and spiritual viewpoints. Redactions and rearrangements of these texts form a new narrative which does not always follow a linear form or work toward a clear goal. The speaker’s internal dialogue formed from the disparate texts reflects the impact of loneliness on the music itself; only in retrospect do …

Don't Lose Your Keys: Exploring The Transition From Harpsichord To Piano, Justice Post

Capstone Projects and Master's Theses

This paper explores keyboard technology in music from the Baroque era to today. Central focus is on the initial dominance of the harpsichord in Western music and how this shifted to the piano. Using this context of evolving instrumentation, the paper considers how this coincided with changing styles of music composition. Finally, the paper considers the question of how a keyboardist of today should handle music written in eras before the piano existed, and whether it is appropriate to perform harpsichord music using a modern piano.

Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring

Composition/Recording Projects

This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …

The “Sing Me A Story” Project: A Study Of Songwriting And Its Impact On The Disabled, Camden M. Diver

Honors Scholars Collaborative Projects

The “Sing Me a Story” project is an initiative with the purpose to explore the therapeutic effect of songwriting on young adults with disabilities. With sessions taking place over the course of several weeks, the project is inspired by my own experience and incorporates research on the ever-growing field of music therapy. Participants are invited to join me for co-writing sessions where they will help write a song that expresses their original ideas and emotions. As we get to know one another and the songs are written, the goal is for participants to experience greater confidence in conveying and communicating …

Chiral Reflection, Alyssa Regent

Theses and Dissertations

Chiral Reflection was written for flutist Emi Fergusson and is inspired both by nature and chemistry. The melodic core of the work is derived from the wailing of loons. Loons are birds inhabiting Northern American forests. They are often found on large lakes, usually in pairs. Their wail is believed to be a contact call. In this piece, the loon asks: “where are you”, without an answer back from its partner.

This image of the lonely bird call on a lake at twilight piqued my curiosity regarding the natural phenomena of reflections. I was made aware of the physics of …

Hard Feelings: A Musical Exploration Of Plutchik's Primary Human Emotions, Sarah Killian

Honors Scholars Collaborative Projects

The purpose of this project was to explore Robert Plutchik’s eight primary human emotions - joy, sadness, trust, disgust, fear, anger, surprise, and anticipation - through three musical lenses: key selection and chord/rhythm choices; lyrics; and production and arrangement choices made for each of the eight demo recordings.

Voyages D'Hiver ("Winter Travels"), Anthony Elia

Bridwell Library Research

Between mid-January and late March 2022, these twenty-four preludes for solo piano were written as an exercise to portray the various changes in the seasons and the world, which is constantly in flux. They reflect travels by the composer, as well as reflections on current events and of cultural and arts events hosted at SMU during March ("the Festival of Form"), which provided insight and reconsideration of sound, time, and space. Many of the pieces are studies in contrast, especially the contrast in volume, tonality, and harmony. The preludes are also inspired by and written for the wonderful community of …