Modern Art and Architecture Commons^™

La Ciudad Como Museo En Sí Misma: Una Propuesta De Dinamización Turística Del Patrimonio Cultural Urbano., Pablo Rosser, Seila Aixa Soler

pablo rosser

No abstract provided.

New Women In The Weimar Republic: Hannah Höch, Sam Gardner

Chancellor’s Honors Program Projects

No abstract provided.

Women Of The 1913 Armory Show : Their Contributions To The Development Of American Modern Art., Jennifer Pfeifer Shircliff

Electronic Theses and Dissertations

This dissertation is the first comprehensive study of women’s involvement in the 1913 Armory Show as financial backers, art collectors, and artists. The Association of American Painters and Sculptors organized this seminal exhibition, which represents a pivotal change in the course of artistic developments in the early twentieth century. For the first time in American history, the public could view contemporary works of art created by both Europeans and Americans in a huge exhibition. Due to the new abstract work on display, the show sparked controversy and debates about art and challenged both American artists and collectors to reconsider artistic …

The Media Center: Functions And Organization Of A Collaboration Based Library, Stacy King

Georgia State Undergraduate Research Conference

No abstract provided.

Brochure: The George Washington Hotel, The Mayflower Hotel And The Flagler Hotel

Tourism

A leaflet describing the rates and amenities offered by The George Washington Hotel, The Flagler Hotel, and the Mayflower Hotel in Jacksonville Florida. A downtown Jacksonville street map is included showing the location of The George Washington on Adams Street and Julia Street, The Mayflower Hotel on Bay Street and Julia Street and the Flagler Hotel on Adams and Davis Street. The brochure was printed by Miller Press, Jacksonville. PALMM

Jackson Pollock: The Critical Reception, Elizabeth Heimann

Senior Theses and Projects

No abstract provided.

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …

Society And Style: Prints From The Sheldon Museum Of Art, Alison G. Stewart, Paul Royster

Zea E-Books Collection

This collection of works explores how Societies and Styles changed over the course of Early Modern Europe (1500-1800) from the time of the advent of printing on paper to the Industrial Revolution and beyond through little-seen printed masterpieces from the Sheldon Museum of Art’s collection. Today, “print” continues to endure even as new forms of digital publications transform our world in previously unimaginable ways, just as printing did centuries ago.

This exhibition offers a view into the ways printed works of art on paper (mostly woodcuts, engravings, and etchings) showcase society and its various aspects, ranging from one Christian martyrdom …

Popular Taste In Art As Related To Culture, Fariha Rahman

Senior Inquiry High School Program

We surround ourselves with visual art, from decorative mirrors and billboard ads to bedroom posters and hotel prints. These various genres of everyday art fall across a wide range, but many relate to or are inspired by institutionalized art. Those who already tend to visit or are inclined towards art museums are usually the ones who gain exposure to museum art, which often caters to their taste, but are still receptive to changes in the art that reflect our world and time period. One of the more major, recent movements in formal art is postmodernism, which developed from resisting societal …

Under The Surface: Surrealist Photography, Bowdoin College. Museum Of Art, Andrea Rosen

Museum of Art Exhibition Catalogues

"Accompanies an exhibition of the same name at the Bowdoin College Museum of Art, February 27 through June 1, 2014."

Foreword by Frank H. Goodyear III; essay: Conceal and reveal : layering techniques in surrealist photography by Andrea Rosen.

A "Peculiarly American" Enthusiasm: George Bellows, Traditional Masculinity, And The Big Dory, James W. Denison Iv

Honors Projects

A “Peculiarly American” Enthusiasm: George Bellows, Traditional Masculinity, and The Big Dory investigates the portrayal of masculinity in the oeuvre of the much-lauded yet enigmatic American painter George Bellows (1882-1925). Rather than relying on Bellows’ urban works for source material, a significant portion of this investigation is conducted via a case study of Bellows’ 1913 panel The Big Dory, a scene of fishermen pushing a boat into the North Atlantic off Monhegan Island, Maine that the artist painted during a sojourn on the island in the months after his involvement in the landmark Armory Show in New York. The …

André Masson: Into The ‘Humus Humaine', Charles J. Palermo

Arts & Sciences Book Chapters

Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, …

Edward Steichen And Hollywood Glamour, Alisa Reynolds

Theses and Dissertations--Art and Visual Studies

As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the close-up celebrity portraits by photographers like George Hurrell. The aesthetic properties in these images that help create glamour are characterized by the Modernist style, known for sharp focus, high contrast, seductive poses, and the close-up (tight framing). My essay will explore the origins of the visual aesthetics of glamour, arguing that their roots can be found in the still life photographs of the 1910s, produced by fine art photographers such as Edward Steichen. This essay …

Fred Kabotie, Elizabeth Willis Dehuff, And The Genesis Of The Santa Fe Style, Jessica W. Welton

Theses and Dissertations

Those scholars who have overlooked the relevance of Fred Kabotie and the Santa Fe Style he developed have missed an important historical segment of early Native American painting. This dissertation underscores the convergence of diverse intellectual, artistic and cultural backgrounds, especially those of Kabotie and Elizabeth Willis DeHuff, his first art teacher, which led to the formation of the Santa Fe Style in 1918. This style was formative for Dorothy Dunn’s later Studio School at the Santa Fe Indian Boarding School.

This first generation of the Santa Fe Style of watercolor painting was empowered by highly educated men and women, …

The Neue Frau And The Significance Of Beetle Imagery In The Photomontages Of Hannah Hӧch, Hannah C. Waara

DISCOVERY: Georgia State Honors College Undergraduate Research Journal

Hannah Höch incorporated the image of a beetle into several of her photomontages. By analyzing three of her works, Untitled (c. 1920), From Above (c. 1922), and The Coquette (1923-25), I propose Höch’s beetle to be a response to the archeological understanding of the Egyptian scarab’s meaning of rebirth, which directly relates to the contemporary social phenomenon of the neue Frau, or New Woman. Thus, by removing the beetle from the focal points of these works, Höch represents the society’s rejection of the neue Frau as well as the Berlin Dadaists’ rejection of her.

To evaluate the significance of these …

Preserving The Historic Garden Suburb: Case Studies From London And New York, Jeffrey A. Kroessler

Publications and Research

The garden city or garden suburb was a response to the social and environmental ills of cities at the turn of the twentieth century. Letchworth Garden City, Hampstead Garden Suburb, and Welwyn Garden City were built outside London in the early 1900s, and each remains a highly desirable place of residence today. From the start, each was tightly regulated, and remains so a century later. By protecting the appearance and enhancing property values, the strict application of historic preservation principles contribute to the long-term sustainability of each place. Similar garden suburbs were built in the borough of Queens in New …

Shantytown Vistas And Immigrant Voices: Bernardo Verbitsky, Kenneth Kemble And The Art Of Overcoming Peronism, Stephen Buttes

Stephen M Buttes

Este ensayo propone leer Villa Miseria también es América (1957) de Bernardo Verbitsky como una propuesta para superar el binario político-afectivo de la revolución anti-peronista de la década del 1950. En primer lugar, se argumenta que el personaje José Rodríguez, estudiante de izquierda torturado por el régimen peronista, puede entenderse como un retrato del artista comprometido. Luego, se establecen conexiones entre los intereses estéticos de este personaje y los del movimiento de vanguardia informalista, haciendo hincapié en la serie de collages Paisajes suburbanos (1958–61) de Kenneth Kemble. Al comparar los materiales que componen los paisajes villeros que produce Kemble y …

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …

Science Fictional Transcendentalism In The Work Of Robert Smithson, Eric Saxon

School of Art, Art History, and Design: Theses and Student Creative Work

In studies of American artist Robert Smithson (1938-1973), scholars often set the artist’s early abstract expressionist and Christian iconographical paintings apart from the rest of his body of work, characterizing this early phase as a youthful encounter with the enduring legacy of abstract expressionism in the late 1950s to early 1960s as well as a temporary preoccupation with ritualized Catholic imagery. This thesis argues for the inclusion of this early phase into Smithson’s career as a foundational period in which he established the set of problems that artistically engaged him throughout his life: issues of temporality, materiality, and universal entropy. …

Ritual Process, Kevin A. Baer

University of New Orleans Theses and Dissertations

My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …