Joseph Beuys And Social Sculpture In The United States, 2017 The Graduate Center, City University of New York
Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan
All Graduate Works by Year: Dissertations, Theses, and Capstone Projects
Alongside the rise of the activist movements in the late 1960s, the German artist Joseph Beuys (1921–1986) proposed his concept of “social sculpture” — a method of fostering creativity, aimed at transforming society through interdisciplinary dialogue — as an alternative to the chaotic political, economic, and social life of postwar West Germany. He sought to heal society through a work of art with holistic and spiritual intentions, centered on the belief that art can include the entire process of living and therefore can be created by a wide range of people beyond artists. Although his ideas are understood and even celebrated ...
I Like America: Painting In The Expanded Field, 2017 City University of New York (CUNY)
I Like America: Painting In The Expanded Field, Isaac Aden
School of Arts & Sciences Theses
Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.
Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, 2016 The University of San Francisco
Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara
For this Museum Studies capstone project, I presented and developed a proposal and project plan for an exterior interactive exhibition of an Argentinean artist, Leandro Erlich, at the Contemporary Jewish Museum (CJM) in San Francisco, California. After researching diverse conflicts between architects and artists in the art museum context, my goal was to show an approach in which art can “dialogue” with the exterior features of the CJM’s cutting edge building. To be presented on the courtyard entrance of the Libeskind construction, the exhibition that I propose will potentially prove that an effective relationship can be established outside the ...
Iain Muirhead, 2016 Claremont Colleges
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Research Day Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...
Discreet Performances, Anonymous Performances, Virtual Performances, 2016 Universidade de São Paulo
Discreet Performances, Anonymous Performances, Virtual Performances, Marco Catalão
PARtake: The Journal of Performance as Research
Taking as a starting point some performances and actions of Francis Alÿs, Nate Hill and Chris Burden whose categorization as a work of art depends on a critical or narrative discourse about them, this article presents a theoretical discussion about the performative and creative character of the different discourses that are woven around concrete or imaginary artistic actions. The actions that Jacques Lennep groups under the Human Museum heading make even more evident the role of the discoursive elements in the displacement of everyday actions towards the artistic field. Finally, the article unfolds itself in a practical experiment that seeks ...
Legislative Art As Policy And Pedagogy, 2016 University of Illinois at Urbana-Champaign
Legislative Art As Policy And Pedagogy, Albert Stabler
Marilyn Zurmuehlen Working Papers in Art Education
The primary medium for artist Laurie Jo Reynolds is that of political lobbying. She refers to her practice as “legislative art,” adapting the term “legislative theater,” a technique for grassroots lawmaking developed and coined by Brazilian director and playwright Augusto Boal, who both founded the Theater of the Oppressed and served as a member of the Rio city government from 1993 to 1997. By linking the discourses of art and law, Reynolds’ practice can be understood as a form of education, highlighting the restrictions required for creativity, and the possibilities afforded by structure. In my essay I bring together European ...
Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, 2016 Kennesaw State University
Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez
The Kennesaw Journal of Undergraduate Research
The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.
In a time where one ...
Ecopsychology Revisited: For Whom Do The “Nature” Bells Toll? (In Progress), 2016 European Ecopsychology Society
Ecopsychology Revisited: For Whom Do The “Nature” Bells Toll? (In Progress), Jorge Conesa-Sevilla
Jorge Conesa-Sevilla PhD
"[...] A recurring theme in “ecopsychology,” in its present and inchoate form, is the continuation and extension of “spirit” in juxtaposition with other privileged and/or habitually preferred (perhaps even psychologically needed) practices or causes (spirituality-somethings, farcical chemistry or physics, yoga, coopted and partially understood indigenous lore, extreme diets, and various fetishes). That these mostly emotion-laden, unreasoned, and/or idiosyncratic amalgamations are prevalent says more about the psychological needs of the persons espousing these sentiments or beliefs (their hobbies or interests) than about “nature.” Certainly, it is nothing new that humans project their hopes, desperations, and wish-fulfillment thinking onto the shifting ...
The Transatlantic Triangle Of Artistic Circulation, 2016 Ecole normale supérieure
The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin
The international circulation of art has today become a rapidly expanding field of study, yet transcontinental circulations have thus far received less attention. In much the same way, a great deal of research has been conducted into bilateral artistic and cultural exchanges, yet scholarship around triangular systems is still somewhat lacking. This latter term refers to instances in which artistic circulation – whether in the form of artworks, artists, aesthetics or styles – involves at least three cultural reference points, and wherein effects of transformation, adaptation and readaptation are all the more complex. Despite the focus on bilateral exchanges, even a relatively ...
Tragedy And The Vicious: Moral Education In Aristotle’S Poetics And Future Applications To Contemporary Art, 2016 Western Kentucky University
Tragedy And The Vicious: Moral Education In Aristotle’S Poetics And Future Applications To Contemporary Art, Erika Brown
Honors College Capstone Experience/Thesis Projects
This project interprets Aristotle’s Poetics through a morally educative approach. More specifically, expanding on past research of Poetics by individuals such as Isaiah Smithson, this project will examine the affective influence of tragedy on morally unknowing audience members of vicious character types. Through the associations between the sensory experiences incorporated in a tragedy and moral messages portrayed in the plot, the vicious character can begin a process of becoming morally knowing subjects. In others words, this experience with morally charged tragedies can teach vicious characters what is morally good. Moreover, the vicious audience members can learn how what is ...
Murakami-Ego : Collective Culpability And Selective Retention., 2016 University of Louisville
Murakami-Ego : Collective Culpability And Selective Retention., Yun Kweon Jeong
Electronic Theses and Dissertations
The purpose of this thesis is to argue that Murakami’s art expresses the Japanese’s psychological suffering by showing their struggle between remembering themselves as victims but forgetting themselves as aggressors. I apply the Mitscherlichs’ psychoanalisys of the Germans’s psyche to the Japanese because their people have had similar experiences. The first section examines the history of Japan surrounding WWII in order to demonstrate its effects on the Japanese people’s psyche. The second section introduces Otaku to better understand Murakami’s art. The third section examines how selective retention works on the Japanese’s psyche. The fourth ...
Let's Keep In Touch : Conversations About Access And Tactility., 2016 University of Louisville
Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn
Electronic Theses and Dissertations
Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.
Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.
In this thesis, Papalia’s work will be examined and ...
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, 2016 State University of New York Buffalo State
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers
Museum Studies Theses
Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas ...
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, 2016 Maison des Artistes
Sondage Autour De L’Exposition Internationale Pour La Palestine De 1978, Nasser Soumi
En 1978, une Exposition Internationale pour la Palestine se tint à Beyrouth dans le but d’exposer les œuvres d’artistes internationaux solidaires du peuple palestinien, dans un quartier contrôlé par les Palestiniens et fréquenté par des militants libanais et arabes pro-Palestiniens. Lors de l’exposition, Nasser Soumi réalisa un sondage auprès du public palestino-libanais. A cette époque, son travail artistique ne correspondait pas à l’art révolutionnaire pratiqué par la majorité des artistes palestiniens. Sa préoccupation était la problématique existentielle de l’être humain—y compris celle des Palestiniens. Au-delà du public, il s’agissait donc à travers ce ...
Past Disquiet: From Research To Exhibition, 2016 History of Arab Modernities in the Visual Arts Study Group
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine ...
Between Paris And London: Contacts And Exchanges Of South American Artists In Europe (1950-1970), Maria De Fatima Morethy Couto Dr
This paper calls attention to a network of artists, dealers, and critics from Europe and South America thanks to whom, from the 1950s to the early 1970s, Paris and London welcomed and fostered a certain form of South American avant-garde art. Accordingly, it discusses the European reception given to five South American artists active in Paris and London —Lygia Clark, Hélio Oiticica, Sérgio Camargo, Jesús Rafael Soto and Julio Le Parc—whose artistic practices were sometimes related to kineticism. It highlights the impact they had on the European art scene, as well as the role of several cultural agents who ...
L’Art Espagnol De L’Europe À L’Argentine : Mobilités Nord-Sud, Transferts Et Réceptions (1890-1920), 2016 InTRu, université François-Rabelais de Tours
L’Art Espagnol De L’Europe À L’Argentine : Mobilités Nord-Sud, Transferts Et Réceptions (1890-1920), Laura Karp Lugo
Au tournant du XXe siècle, Buenos Aires était une vitrine privilégiée pour la diffusion des artistes espagnols qui, pour promouvoir leur œuvre, ne bénéficiaient dans leur pays que d’une faible structure. Réfléchissant sur les imbrications entre la situation du marché de l’art espagnol et la réception des artistes espagnols en Argentine de 1890 à 1920 environ, cette étude contribue à éclairer les raisons de cette immigration massive et la manière dont ces circulations artistiques se sont opérées. Cet article analyse des questions d’identité et d’histoire du goût, dans une approche intercontinentale qui relève de la ...
Le Triangle Des Circulations Artistiques Transnationales, 2016 Ecole normale supérieure
Le Triangle Des Circulations Artistiques Transnationales, Béatrice Joyeux-Prunel, Catherine Dossin
L'étude des circulations artistiques à l’échelle mondiale est désormais un champ en pleine expansion ; mais celle des circulations transcontinentales reste un domaine plus réduit. De même, alors que les études de transferts artistiques et culturels bilatéraux sont désormais chose courante, il est plus difficile de trouver des études dans lesquelles un système triangulaire est mis en évidence – où la circulation artistique, qu’il s’agisse d’œuvres, d’artistes, d’esthétiques ou de styles, fait intervenir un nombre au moins ternaire de référentiels culturels, et où les effets de transformation, d’adaptation et de réadaptation sont donc particulièrement ...
Individualism In Portraiture: Accounting For The People In Our Lives In Identity Representation, 2016 Seattle Pacific University
Individualism In Portraiture: Accounting For The People In Our Lives In Identity Representation, Erin Miller
This joint research and creative honors project challenges the traditional painted portrait of Western culture. I do this through a study of the history of portraiture compared to construction of identity in the contemporary world. I argue that the traditional portrait of a single and serious individual doesn’t truly express what it means to be human today. Instead, I propose that a “sociological portrait” may be more accurate because it accounts for both the large, societal constructs that shape our identity as well as our more personal and emotional states. I argue that the most accurate way to unite ...