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A Didactic Teaching And Learning Project In Art Market Research. Researching And Publishing The History Of Commercial Art Dealing, Nadine Oberste-Hetbleck 2019 University of Cologne, Germany

A Didactic Teaching And Learning Project In Art Market Research. Researching And Publishing The History Of Commercial Art Dealing, Nadine Oberste-Hetbleck

Art History Pedagogy & Practice

In addition to research, one of the main tasks of art historians is the authoring of academically and stylistically sound texts in differing genres. This case study of the research and publishing project Zur Geschichte des Düsseldorfer Kunsthandels (A History of Commercial Art Dealing in Düsseldorf) will demonstrate how research and writing can be integrated into teaching. The project involved supervised work with source materials, data visualization, semi-structured interviews (oral history), a supplementary writing workshop, as well as detailed feedback from a writing instructor, the teacher, and fellow participants in the seminar. In addition, the high practical relevance of the ...


Masks: A New Face For The Theatre, Alexi Michael Siegel 2018 James Madison University

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out ...


Liminality As Battle-Line, Hejun Xu, Jingmei Yu 2018 Sotheby's Institute of Art

Liminality As Battle-Line, Hejun Xu, Jingmei Yu

Curating Contemporary Art Course Student Shows Documents

Sotheby’s Institute of Art is pleased to present Liminality As Battle-Line, a group exhibition curated by Hejun Xu and Jingmei Yu, two MA Art Business candidates in class of 2018. The exhibition will be on view at Sotheby’s Institute of Art, New York from October 31st through November 6th. The exhibition is part of a series of projects curated by students of Sotheby’s Institute of Art enrolled in Curating Contemporary Art.


Enter The Universe, Matthew Blong 2018 Sotheby's Institute of Art

Enter The Universe, Matthew Blong

Curating Contemporary Art Course Student Shows Documents

Sotheby’s Institute of Art is pleased to present Enter the Universe, a monographic exhibition of recent work by New York City-based visual artist and poet Maria Dimanshtein, curated by Matthew Blong, candidate, Master of Arts in Contemporary Art, class of 2019.


Cross Cultural Presentation On Latin American Artists [Modern Languages And Literatures], Ernesto Menendez-Conde 2018 CUNY La Guardia Community College

Cross Cultural Presentation On Latin American Artists [Modern Languages And Literatures], Ernesto Menendez-Conde

Open Educational Resources

I have used this high-stakes assignment in the last four semesters, in the ELS103 Intermediate Spanish I class. However, it was considerably revised during two Center for Teaching and Learning sponsored seminars at LaGuardia Community College: “Bringing Global Learning Competency into Your Class” and “The Pedagogy of the Digital Ability.” These seminars allowed me to have a better understanding about how to scrutinize contexts in order to bring assignments closer to the Global Learning Core Competency and the Digital Communication Ability. The “Bringing Global Learning Competency into Your Class” seminar in particular shaped my thinking about the design and content ...


1981: One Or Several Aesthetics?, Jacob Norris 2018 The University of Western Ontario

1981: One Or Several Aesthetics?, Jacob Norris

Electronic Thesis and Dissertation Repository

Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze ...


Art Of The Harlem Renaissance, Joshua I. Cohen 2018 CUNY City College

Art Of The Harlem Renaissance, Joshua I. Cohen

Open Educational Resources

The Harlem Renaissance of the 1920s and 1930s, known during that time as the Negro Renaissance, affected a sea change in literary and artistic production. Whereas the early-20th-century avant-gardes in Europe had looked to black culture only as “primitive” inspiration, Harlem Renaissance practitioners asserted their status as agents of modern history and creators of black modernism. This important and tumultuous transformation can be tracked in the artistic expressions of the period, and in relation to key texts that shaped the movement. Planned visits to Harlem sites and collections, as well as to timely exhibitions elsewhere in New York ...


Skim, Joy Wong 2018 The University of Western University

Skim, Joy Wong

Electronic Thesis and Dissertation Repository

This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is comprised of three parts: a comprehensive artist statement outlining the methodology and theory to my work, a case study of painter Cecily Brown, and photographic documentation of my studio practice. These components illustrate the research and material engagement about skin, corporeality, the abject, the grotesque, the formless, and purity.


Public Art And Alberta's Regionalism, Amanda Buessecker 2018 Brigham Young University

Public Art And Alberta's Regionalism, Amanda Buessecker

Undergraduate Honors Theses

This thesis is a case study of two contemporary, regionalist public artworks in Alberta: Untitled, by Fraser McGurk, and Alberta Bound Panorama, by Jason Carter. The province’s economic history is outlined as an important background factor to understanding contemporary public artworks. The two artists use symbols such as the train, compass, and grain elevator to connect a contemporary audience with Alberta’s past, reminding today’s residents of the province’s tradition of success. Even in locations that target “tourists,” these paintings use local symbols to emphasize a message of prosperity and unity to the local people of Alberta.


Fluxus: The Significant Role Of Female Artists, Megan Butcher 2018 Pace University

Fluxus: The Significant Role Of Female Artists, Megan Butcher

Honors College Theses

The Fluxus movement of the 1960s and early 1970s laid the groundwork for future female artists and performance art as a medium. However, throughout my research, I have found that while there is evidence that female artists played an important role in this art movement, they were often not written about or credited for their contributions. Literature on the subject is also quite limited. Many books and journals only mention the more prominent female artists of Fluxus, leaving the lesser-known female artists difficult to research. The lack of scholarly discussion has led to the inaccurate documentation of the development of ...


Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen 2018 University of Kentucky

Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen

Art & Visual Studies Faculty Book Gallery

Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.


Fallen Fruit: How Social Practice Art Adapts To Success, Caroline Marie Giepert 2018 Louisiana State University and Agricultural and Mechanical College

Fallen Fruit: How Social Practice Art Adapts To Success, Caroline Marie Giepert

LSU Master's Theses

This thesis will discuss the development of socially engaged art collective Fallen Fruit (active 2004 – present) in regards to their community-oriented projects, museum exhibitions, and recent online artwork Endless Orchard (2017). Fallen Fruit presents an interesting example of a social practice art group since they straddle both an activist agenda as well as the commercial world of mainstream institutions and the Internet. This paper will analyze the rationale for Fallen Fruit’s manner of adapting to commercial success by considering their progression from localized projects in the communities of Los Angeles to curated exhibitions in well-known museums and venture into ...


Layered Histories, Interpretive Desires, Rachelle Dang 2018 CUNY Hunter College

Layered Histories, Interpretive Desires, Rachelle Dang

School of Arts & Sciences Theses

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.


“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales 2018 CUNY Hunter College

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

School of Arts & Sciences Theses

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.


Mind In Hand, Anna Olson 2018 Washington University in St. Louis

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set ...


Strange Woods, Song Park 2018 Washington University in St. Louis

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own ...


Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller 2018 CUNY Hunter College

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

School of Arts & Sciences Theses

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.


Misassembled Monsters, Jenn Brown 2018 Washington University in St. Louis

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the ...


Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson 2018 The Graduate Center, City University of New York

Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson

All Dissertations, Theses, and Capstone Projects

When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of ...


The Commodity Club: Commodity Fetishism In Modern Art And Tattoos, Shelby Maiden 2018 East Tennessee State University

The Commodity Club: Commodity Fetishism In Modern Art And Tattoos, Shelby Maiden

Undergraduate Honors Theses

The current culture of commodity fetishism that surrounds both modern art and tattoos are disproportionately a part of the perpetuation of an artificial sense of society and community. It promotes the notion that by simply by inking the deeper layers of their skin or by spending millions on a painting that somehow one becomes elevated and enters an elite space, or club, of people like them.


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