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Complexity As A Narrative, Giacomo Pala 2017 Universitat Innsbruck

Complexity As A Narrative, Giacomo Pala

Journal of Applied Sciences and Arts

In this paper an attempt is made to discuss how the computer has imposed new conventions to architecture over the last thirty years. The paper’s aim is to discuss how the introduction of digital media has forced architecture to find ways to deal with new technologies and to develop new disciplinary meanings. First, the paper addresses the question of complexity and chaos in the postmodern discussion by the reading of Lyotard’s theories. Therefore, the essay pinpoints attempts of developing new conceptions of “complexity” in architecture derived from the post-modern sciences of indetermination. Interengsly enough, this was doable because ...


Johann-Joachim Winckelmann. Les Larmes De L'Historien, Corinne Streicher-Anglade 2016 Université du Québec à Montréal

Johann-Joachim Winckelmann. Les Larmes De L'Historien, Corinne Streicher-Anglade

Le Monde français du dix-huitième siècle

Le spectre classique de Winckelmann (1717-1768), père fondateur de la discipline, hante l’histoire de l’art. Il apparaît comme une figure volontairement désincarnée associée aux statues de l’Apollon du Belvédère (fig.1) ou de Laocoon (fig.2). Winckelmann est l’une des figures les plus connues de l’Allemagne historique, philologique et artistique du XVIIIe siècle. L’historien est ordinairement associé à une esthétique néoclassique, mais sa figure, mystique et idéale cache en vérité bien des tensions et des contradictions.


Iain Muirhead, Iain Muirhead 2016 Claremont Colleges

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat 2016 Chapman University

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Research Day Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...


Marsilio Ficino's Music Theory, Amanda E. Crossan 2016 Oglethorpe University

Marsilio Ficino's Music Theory, Amanda E. Crossan

Oglethorpe Journal of Undergraduate Research

This paper explores the musical theory of Marsilio Ficino, a 15th century Italian philosopher. Examining his own work and those works which inspired him this paper attempts to explain his theory and understand its place in the world today. Looking at modern examples of the Renaissance philosopher's ideas shows that he may not have been too far from discovering the truth.


Saturnine Constellations: Melancholy In Literary History And In The Works Of Baudelaire And Benjamin, Kevin Godbout 2016 The University of Western Ontario

Saturnine Constellations: Melancholy In Literary History And In The Works Of Baudelaire And Benjamin, Kevin Godbout

Electronic Thesis and Dissertation Repository

Aristotle famously asked the question: why are extraordinary people so often melancholics? “Problem XXX,” written by Aristotle or one of his disciples, speculates that black bile, the humour once believed to cause melancholy, can promote a form of genius, a profound intellectual power. Walter Benjamin and Charles Baudelaire are two writers for whom this theory was true: though they suffered from gloominess and despondency, they also recognized that in the interior of sadness, and even madness, is a kernel of aesthetic, artistic, and philosophical truth. Melencolia illa heroica – whose theory was authoritatively formulated by Ficino, taking after Aristotle’s Problems ...


Discreet Performances, Anonymous Performances, Virtual Performances, Marco Catalão 2016 Universidade de São Paulo

Discreet Performances, Anonymous Performances, Virtual Performances, Marco Catalão

PARtake: The Journal of Performance as Research

Taking as a starting point some performances and actions of Francis Alÿs, Nate Hill and Chris Burden whose categorization as a work of art depends on a critical or narrative discourse about them, this article presents a theoretical discussion about the performative and creative character of the different discourses that are woven around concrete or imaginary artistic actions. The actions that Jacques Lennep groups under the Human Museum heading make even more evident the role of the discoursive elements in the displacement of everyday actions towards the artistic field. Finally, the article unfolds itself in a practical experiment that seeks ...


Legislative Art As Policy And Pedagogy, Albert Stabler 2016 University of Illinois at Urbana-Champaign

Legislative Art As Policy And Pedagogy, Albert Stabler

Marilyn Zurmuehlen Working Papers in Art Education

The primary medium for artist Laurie Jo Reynolds is that of political lobbying. She refers to her practice as “legislative art,” adapting the term “legislative theater,” a technique for grassroots lawmaking developed and coined by Brazilian director and playwright Augusto Boal, who both founded the Theater of the Oppressed and served as a member of the Rio city government from 1993 to 1997. By linking the discourses of art and law, Reynolds’ practice can be understood as a form of education, highlighting the restrictions required for creativity, and the possibilities afforded by structure. In my essay I bring together European ...


Growing The Art Image And Visual Literacy Garden: The Journey To Create A Practical Guide For Student Employees, Lael J. Ensor 2016 Johns Hopkins University

Growing The Art Image And Visual Literacy Garden: The Journey To Create A Practical Guide For Student Employees, Lael J. Ensor

VRA Bulletin

Expanding upon my poster titled “Art Instead of Just Images: Training Students to See Beyond the Screen” presented at the 2016 ARLIS/NA + VRA Third Joint Conference in Seattle, I detail the current journey of my project to create a practical guide for student employees to understand and manipulate images of art. In exploring this topic I discovered that there is a lack of literature specifically addressing looking at and manipulating digital surrogate images of works of art. Non-humanities student employees often lack the visual literacy and art historical skills to successfully edit and evaluate digital art images. This article ...


The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin 2016 Ecole normale supérieure

The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin

Artl@s Bulletin

The international circulation of art has today become a rapidly expanding field of study, yet transcontinental circulations have thus far received less attention. In much the same way, a great deal of research has been conducted into bilateral artistic and cultural exchanges, yet scholarship around triangular systems is still somewhat lacking. This latter term refers to instances in which artistic circulation – whether in the form of artworks, artists, aesthetics or styles – involves at least three cultural reference points, and wherein effects of transformation, adaptation and readaptation are all the more complex. Despite the focus on bilateral exchanges, even a relatively ...


Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn 2016 University of Louisville

Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn

Electronic Theses and Dissertations

Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.

Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.

In this thesis, Papalia’s work will be examined and ...


Bodies: Punk, Love And Marxism, Kathryn Grant 2016 The University of Western Ontario

Bodies: Punk, Love And Marxism, Kathryn Grant

Electronic Thesis and Dissertation Repository

This thesis returns love to the purview of Marxism and punk, which had attempted to ban the interpersonal in respective critiques of abstractions. Love-as-sense—as it is figured by Marx— will be distinguished from the love-of-love-songs, and from commodity fetishism and alienation, which relate to this recuperated love qua perception or experience. As its musical output exhibited residue of free love’s failure, and cited sixties pop which characterized love as mutual ownership, American and British punk from 1976-80 will be analyzed for its interrogation of commodified love. An introductory chapter will define love as an aesthetic activity and organize ...


Art As Display, Frank M. Boardman 2016 Graduate Center, City University of New York

Art As Display, Frank M. Boardman

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a ...


Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso 2016 Graduate Center, City University of New York

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the ...


Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena 2016 The Graduate Center, City University of New York

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept ...


Lost In Adaptation, Caitlin S. Manocchio 2016 Chapman University

Lost In Adaptation, Caitlin S. Manocchio

Student Research Day Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen ...


Gaslight, Melis Agabigum 2016 University of Wisconsin-Milwaukee

Gaslight, Melis Agabigum

Theses and Dissertations

Gaslight is an exploration of the psychological phenomena of “gaslighting” in abusive relationships. Sensations of disorientation, insecurity, and the overwhelming feeling of being trapped are metaphorically imbued in the soft sculptural objects installed within the confines of the gallery space. In conjunction with the crocheted soft sculptures, the use of fabricated shadows also manipulates the viewer into questioning the physical truth of the art objects.

Reality is further blurred as the objects extend their capacity of occupying space, drawing the viewer in to inspect whether or not the shadows that they are seeing are true projections or ghosts from previous ...


The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur 2016 University of Louisville

The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur

Electronic Theses and Dissertations

Since the 1970s, feminist art historians have extensively treated Mary Cassatt and Berthe Morisot. In particular, focusing on class-bound womanhood and domesticity, Griselda Pollock, Linda Nochlin, and Anne Higonnet have provided compelling psychoanalytic, Marxist, and semiotic analyses, seemingly exhausting all potentials for any further historical exploration of these artists. Yet, to date, investigations into the significance of the queer (deviations from normative sociocultural codes of gender identity, sexuality, and reproduction) in the works of Cassatt and Morisot have not been conducted. In this dissertation, queer theory complements the existing scholarship that has focused on the significance of women as mothers ...


History Influencing History: Changing Perceptions Of The Starving Time At Jamestown, Kelsey Fenske 2016 College of William and Mary

History Influencing History: Changing Perceptions Of The Starving Time At Jamestown, Kelsey Fenske

Undergraduate Honors Theses

The Starving Time is a fascinating period in American history, and the subject of substantial research for over a century. This paper closely examines twenty-four scholarly works that attempt to understand this period and place it in its proper context. The widespread fascination with the Starving Time stems from Jamestown’s importance in the history of the United States as the first permanent English settlement in America. Upon first glance, famine is not something that is usually associated with success, though. So it is intriguing that many Americans accept that the early years of what would become the United States ...


Salvador Dalí, Surrealism, And The Luxury Fashion Industry, Chantal Houglan 2016 College of William and Mary

Salvador Dalí, Surrealism, And The Luxury Fashion Industry, Chantal Houglan

Undergraduate Honors Theses

My research offers a unique look at why as a surrealist artist Dalí felt the need explore the luxury fashion industry, given the fact that he achieved much of his recognition and success as a Surrealist painter. Salvador Dalí’s contributions to fashion may be entirely underrated, but I argue that they are his most truly Surrealist works of art.


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