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Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara 2016 The University of San Francisco

Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara

Master's Projects

For this Museum Studies capstone project, I presented and developed a proposal and project plan for an exterior interactive exhibition of an Argentinean artist, Leandro Erlich, at the Contemporary Jewish Museum (CJM) in San Francisco, California. After researching diverse conflicts between architects and artists in the art museum context, my goal was to show an approach in which art can “dialogue” with the exterior features of the CJM’s cutting edge building. To be presented on the courtyard entrance of the Libeskind construction, the exhibition that I propose will potentially prove that an effective relationship can be established outside the ...


Iain Muirhead, Iain Muirhead 2016 Claremont Colleges

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.


The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam 2016 Université Bordeaux Montaigne

The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam

Artl@s Bulletin

This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation ...


Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, YIN KER 2016 School of Art, Design & Media, Nanyang Technological University

Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker

Artl@s Bulletin

Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.


La Identidad Cultural A Través Del Espacio Urbano Y Arquitectónico En La Ciudad De México: El Caso De La Villa De Guadalupe, Jamil Afana 2016 The University of Western Ontario

La Identidad Cultural A Través Del Espacio Urbano Y Arquitectónico En La Ciudad De México: El Caso De La Villa De Guadalupe, Jamil Afana

Electronic Thesis and Dissertation Repository

Today, the revered sanctuary of Tepeyac where the Virgin Mary of Guadalupe appeared in 1531, is one of the most visited sites in Mexico and one of the most culturally characteristics spaces of Mexico City. The urban and architectural space of guadalupanista sacred enclosure has continuously transformed since the sixteenth century. This focuses primarily on the years 1976 to 2011 to analyze the Mexican cultural identity that has developed during that time. Both dates are important because they represent the last two built interventions within the sanctuary and they mark the urban image of the sacred space and surroundings. In ...


Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti 2016 History of Arab Modernities in the Visual Arts Study Group

Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti

Artl@s Bulletin

An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine ...


Les Transferts De « L’Art Total » De La Suisse Au Brésil : Une Modernisation Très Particulière, Ana Paula Cavalcanti Simioni 2016 Universidade de São Paulo

Les Transferts De « L’Art Total » De La Suisse Au Brésil : Une Modernisation Très Particulière, Ana Paula Cavalcanti Simioni

Artl@s Bulletin

Cet article considère les projets d’art décoratif réalisés par John et Regina Graz, un couple pionnier dans l’introduction de l’idée d’ « art total » au Brésil (1920-30). On s’intéresse à la façon dont ils transposèrent dans un contexte très différent des modèles et des hiérarchies appris durant leur formation à Genève, selon un processus de réception sélective qui correspondait aux projets d'identité et de distinction de l'élite locale brésilienne. Plus largement, cette étude de la réception des arts décoratifs au Brésil permet de découvrir d'autres modèles artistiques modernistes que ceux venus de Paris, auxquels ...


Le Triangle Des Circulations Artistiques Transnationales, Béatrice Joyeux-Prunel, Catherine Dossin 2016 Ecole normale supérieure

Le Triangle Des Circulations Artistiques Transnationales, Béatrice Joyeux-Prunel, Catherine Dossin

Artl@s Bulletin

L'étude des circulations artistiques à l’échelle mondiale est désormais un champ en pleine expansion ; mais celle des circulations transcontinentales reste un domaine plus réduit. De même, alors que les études de transferts artistiques et culturels bilatéraux sont désormais chose courante, il est plus difficile de trouver des études dans lesquelles un système triangulaire est mis en évidence – où la circulation artistique, qu’il s’agisse d’œuvres, d’artistes, d’esthétiques ou de styles, fait intervenir un nombre au moins ternaire de référentiels culturels, et où les effets de transformation, d’adaptation et de réadaptation sont donc particulièrement ...


Dag Hammarskjöld And Modern Art: An Inquiry Into The Aesthetic Values Of The Second Secretary-General Of The United Nations, Shantala M. DuGay 2016 CUNY Hunter College

Dag Hammarskjöld And Modern Art: An Inquiry Into The Aesthetic Values Of The Second Secretary-General Of The United Nations, Shantala M. Dugay

School of Arts & Sciences Theses

This thesis presents original research and previously unpublished information that breaks new ground in the legacy of United Nations Secretary-General Dag Hammarskjöld. By providing a new historical perspective of Hammarskjöld’s aesthetic values, this study forges a place for him in art history as a patron and collector of modern art.


Magazine Politics: Edgardo Antonio Vigo’S Diagonal Cero And Hexágono ‘71, Francisco Javier Rivero Ramos 2016 CUNY Hunter College

Magazine Politics: Edgardo Antonio Vigo’S Diagonal Cero And Hexágono ‘71, Francisco Javier Rivero Ramos

School of Arts & Sciences Theses

This research looks at the magazines Diagonal Cero (28 issues, 1962 – 1968) and Hexágono ‘71 (14 issues, 1971 – 1974) edited by Edgardo Antonio Vigo (La Plata, Argentina 1928 – La Plata, 1997) in order to examine the forms of political commentary incorporated into the magazines.


Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter 2016 CUNY Hunter College

Photographing The "Uncelebrated" Truth: The Newspaper Pm, New York 1940-1942, Nancy Wechter

School of Arts & Sciences Theses

The left-liberal NYC newspaper, PM, used photography with unprecedented transparency as a crucial element in its mission to inform ordinary working people, teach them to be literate about the photographic message, and encourage them to be a participating audience during the tense period just before World War II.


David Alfaro Siqueiros’S Pivotal Endeavor: Realizing The “Manifiesto De New York” In The Siqueiros Experimental Workshop Of 1936, Emily Schlemowitz 2016 CUNY Hunter College

David Alfaro Siqueiros’S Pivotal Endeavor: Realizing The “Manifiesto De New York” In The Siqueiros Experimental Workshop Of 1936, Emily Schlemowitz

School of Arts & Sciences Theses

The Siqueiros Experimental Workshop, initiated by David Alfaro Siqueiros (1896–1974) in 1936, is often considered a pivotal moment for the artist. This thesis unveils new documentation about the Workshop, illuminating heretofore-unobserved aspects of the group’s governance, political aims, and theoretical framework put forth by Siqueiros in his critical “Manifiesto de New York.”


Claude Cahun, Marcel Moore, And The Collapse Of "Surrealist Photography"., Elizabeth Ann Driscoll Smith 2016 University of Louisville

Claude Cahun, Marcel Moore, And The Collapse Of "Surrealist Photography"., Elizabeth Ann Driscoll Smith

Electronic Theses and Dissertations

This thesis probes the photographic oeuvre of Claude Cahun and Marcel Moore and their interpretation of Freudian fetishism. Cahun and Moore rework Freud’s theory to disrupt and invalidate various symbols conventionally associated with sexual difference, examining social, fictional, and historical dimensions of gendering and the shift that occurs when their parameters disintegrate. The first section examines the lovers’ portraiture and use of clothing—specifically the androgyny of early-twentieth century Paris fashion—in order to demarcate same-sex gaze, desire, and fetish. The second section covers the four years in which Cahun and Moore’s participation in the Paris Surrealist circles ...


The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur 2016 University of Louisville

The Queer Child And Haut Bourgeois Domesticity : Berthe Morisot And Mary Cassatt., Jessica Cresseveur

Electronic Theses and Dissertations

Since the 1970s, feminist art historians have extensively treated Mary Cassatt and Berthe Morisot. In particular, focusing on class-bound womanhood and domesticity, Griselda Pollock, Linda Nochlin, and Anne Higonnet have provided compelling psychoanalytic, Marxist, and semiotic analyses, seemingly exhausting all potentials for any further historical exploration of these artists. Yet, to date, investigations into the significance of the queer (deviations from normative sociocultural codes of gender identity, sexuality, and reproduction) in the works of Cassatt and Morisot have not been conducted. In this dissertation, queer theory complements the existing scholarship that has focused on the significance of women as mothers ...


Exploring The Contemporary Use And Understanding Of Precedent In Architectural Design Via A Comparative Analysis Of Brunelleschi And Le Corbusier, Shaelyn J. Vinson 2016 University of Arkansas Fayetteville

Exploring The Contemporary Use And Understanding Of Precedent In Architectural Design Via A Comparative Analysis Of Brunelleschi And Le Corbusier, Shaelyn J. Vinson

Architecture Undergraduate Honors Theses

Abstract

As a student of architecture, conducting precedent research before diving into the design phase of a project is something that I am very familiar with. But, following each project’s precedent research, is often an overwhelming feeling of uselessness for the material found. For each project, assignments call for students to find a certain number of buildings on which to base their project. While historically this step makes sense, 21st-century architecture students are taught that there is no “new” architecture, and that copying and collaging together existing buildings is the best way to achieve a successful design ...


Surrealism, Communism, And The Pursuit Of Revolution, Robin S. Klaus 2016 The College of Wooster

Surrealism, Communism, And The Pursuit Of Revolution, Robin S. Klaus

Black & Gold

In January of 1927, five surrealist artists applied for membership to the French Communist Party (PCF) in a move that seemed contrary to their mission as surrealists.[1] Since the art movement’s founding manifesto in 1924, surrealism had pursued the visceral purity of fantasy and dreams under the leadership of André Breton. The political agenda of the PCF, on the other hand, sought social revolution informed by a Marxist political theory grounded in material reality. Although apparently contradictory, surrealism and communism actually stem from the same source; both are reactions to the misery of the human condition, and both ...


Race, Class And Wealth: Thomas Gainsborough's Mr. And Mrs. Andrews (1750) And Yinka Shonibare's Mr. And Mrs. Andrews Without Their Heads (1998), Yema Thomas 2016 Georgia State University

Race, Class And Wealth: Thomas Gainsborough's Mr. And Mrs. Andrews (1750) And Yinka Shonibare's Mr. And Mrs. Andrews Without Their Heads (1998), Yema Thomas

Georgia State Undergraduate Research Conference

No abstract provided.


Full Issue - Vol. 1, No. 1 - February 2016, 2016 Kennesaw State University

Full Issue - Vol. 1, No. 1 - February 2016

ATL

The full issue of ATL's inaugural special issue on CPDI Africa's 2015 Competition, featuring the prototype designs and narratives from the 25 recognized submissions, from architects and designers of all around the globe.


The Bauhaus Wall Painting Workshop: Mural Painting To Wallpapering, Art To Product, Morgan Ridler 2016 Graduate Center, City University of New York

The Bauhaus Wall Painting Workshop: Mural Painting To Wallpapering, Art To Product, Morgan Ridler

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

The wall painting workshop at the Bauhaus was established in fall 1919, the first semester of the famed and influential German school of art, architecture, and design. Over the course of the next thirteen years, the workshop experimented with many techniques, philosophies, and strategies for painting, coloring, and covering wall surfaces. This dissertation analyzes the evolving approaches of the Bauhaus wall painting workshop. Early Masters of Form, Oskar Schlemmer and Wassily Kandinsky, oversaw abstract and figurative murals like those developed for the 1923 Bauhaus exhibition, and the student wall painters used color to form and mold architectural spaces in, for ...


Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble 2016 Graduate Center, City University of New York

Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

From 1944–48 the Museum of Modern Art, New York (MoMA) offered free art classes to World War II veterans through an experimental educational initiative called the War Veterans’ Art Center. This project was run by Victor D’Amico, who served as the museum’s first Director of Education from 1937–69. Building on an existing institutional ethos of experimentation and civil service, D’Amico and his colleagues explored the role of creative engagement in facilitating the transition from military service to civilian life. As they experimented with new pedagogical approaches, they also worked to articulate and share their innovative ...


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