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Recent Articles in Modern Art and Architecture
George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk
Johnson & Wales University
George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk
Academic Symposium of Undergraduate Scholarship
No abstract provided.
Active, Disorienting, And Transitional: The Aesthetic Of Boredom In The Works Of Nam June Paik (1932-2006), Eugene Kwon
Washington University in St. Louis
Active, Disorienting, And Transitional: The Aesthetic Of Boredom In The Works Of Nam June Paik (1932-2006), Eugene Kwon
Undergraduate Research Symposium
The term boredom has a long and complex history. Boredom has been a topic of interest for both critical theorists and artists from various disciplines since antiquity. In the sixties, the meaning of the term boredom took on new significance as several art critics employed the term “boredom” to describe contemporary artworks. One artist from this period did not hesitate to describe his artworks as boring: Nam June Paik (1932-2006), a multimedia artist known for his avant-garde installations, sculptures, videos, and films. In my study, I argue that an aesthetic of boredom underlies certain works by Paik that employ particular ...
The Ambiguous Graveyard: Religious Sympathy And Erotic Desire In Sir John Everett Millais's The Vale Of Rest, Greg W. Spangler
University of Nebraska - Lincoln
The Ambiguous Graveyard: Religious Sympathy And Erotic Desire In Sir John Everett Millais's The Vale Of Rest, Greg W. Spangler
Theses, Dissertations, and Student Creative Activity, Department of Art and Art History
The Vale of Rest, 1859, despite or because of its oddities—two nuns digging a grave—was in its own day understood as a touchstone for Sir John Everett Millais and his career. Its critical reception in 1859 was hostile, with charges of “ugliness,” but by 1897, it was hanging in the Tate museum. Scholars and biographers have accordingly seen it as a turning point in Millais’s abandonment of Pre-Raphaelite realism for a more aestheticized and bourgeois style. The subject of nuns has led other scholars to investigate Millais’s sympathies with the Oxford Movement, the midcentury effort to ...
Hugnet, Georges, La Vie Amoureuse Des Spumifères ... The Love Life Of The Spumifers, Cosana Eram
University of Iowa
Hugnet, Georges, La Vie Amoureuse Des Spumifères ... The Love Life Of The Spumifers, Cosana Eram
Dada/Surrealism
No abstract provided.
The Neue Frau And The Significance Of Beetle Imagery In The Photomontages Of Hannah Höch, Hannah C. Waara
Georgia State University
The Neue Frau And The Significance Of Beetle Imagery In The Photomontages Of Hannah Höch, Hannah C. Waara
Georgia State Undergraduate Research Conference
No abstract provided.
Form And Meaning: How Media's Representation Tells The Story Of The Berlin Wall, In Young Lee
Occidental College
Form And Meaning: How Media's Representation Tells The Story Of The Berlin Wall, In Young Lee
Richter Research Abroad Student Scholarship
When the Berlin Wall fell, the first reaction of the citizens of Berlin was to destroy the loathed barrier altogether. As early as 1991, the city of Berlin firmly rejected and questioned the idea of attributing monument status to the Wall. Why should they have to preserve the border fortifications which marked the city with a sad universal notoriety? Today the Wall is approached and interpreted from a wider perspective that includes a border landscape and a sociopolitical landscape. The Wall serves as a visual object that illustrates a pictorial phenomenon in the context of political communication. Although the 'Iron ...
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Popular Articles
The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh
Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Bellman
Situated Architecture In The Digital Age: Adaptation Of A Textile Mill In Holyoke, Massachusetts, Dorcas Brooks
The Evolving Role Of The Exhibition And Its Impact On Art And Culture
Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec
American Made: Ansel Adams And The Bishop National Bank's "The Islands Of Hawaii", Lauren Walton
“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin
Art Is Dead?: A Criticial Analysis Of Arthur Danto's End Of Art Theory, Laura Ginn
With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel
Henri Mattise's "The Red Studio": Art As Real/The World As Illusion
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