Modern Art and Architecture Commons^™

Ecotones, Chas Schroeder

CGU MFA Theses

My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.

Mdocs Newsletter-2015-03-06, 1.9, Jordana Dym, Sam Grant 17, Sasha Abramowitz 15, Jasmyn Elise Story 15

MDOCS Publications

No abstract provided.

Vida Americana, 1919-1921. Redes Conceptuales En Torno A Un Proyecto Trans-Continental De Vanguardia, Natalia De La Rosa

Artl@s Bulletin

Este artículo analiza los orígenes cosmopolitas de la revista Vida-Americana, organizada en 1921 por el pintor mexicano David Alfaro Siqueiros. Se reflexiona sobre el concepto de universalismo y clasicismo artístico señalando las conexiones que Siqueiros tuvo en Barcelona con Joan Salvat-Papasseit, Joaquín Torres-García, Rafael Barradas, Diego Rivera, Marius de Zayas y Élie Faure. El estudio explica la alternativa que Siqueiros señaló para el desarrollo de nuevos centros de producción artística en América. El estudio presenta la unificación continental que el artista ideó desde la reflexión del impacto tecnológico en la modernidad, tomando como base la realización del dibujo Retrato …

Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan

Artl@s Bulletin

The painter Emilio Pettoruti (1892-1971) was born to Italian parents in the Argentine province of La Plata. In 1913, he sailed to Florence for artistic training and remained in Europe for eleven years. This article focuses on this formative stint, during which Pettoruti studied Quattrocento masters, conferred with Italian Futurists, and met French Cubists. Ultimately, the painter became a paragon of civiltá italiana, a cosmopolitan culture born in Italy but meant for global dissemination. Upon returning to Buenos Aires in 1924, he exposing the Argentine public to this culture, strengthening the already robust bond between the two countries.

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19^th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20^th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …

Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman

Graduate Research Posters

Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …

‘Fuchsia Lipstick’: The Domestication Of Lee Krasner In Post-War Criticism, Aleisha E. Barton

Richard A. Harrison Symposium

After the Second World War, the art world shifted from Europe to New York and a new form of painting that defined itself as distinctly American demanded attention from the public. This style, abstract expressionism, created an inability to survey clear subject matter allowed critics to imply gendered metaphorical resonances within works, as meanings were fluid and inconclusive to the viewer. Coupled with instability in the social sphere, artistic abstraction served as motivation for critics to seek out gendered aspects within an artwork, identifying and constructing difference to preserve order and control in a society that had dramatically changed from …

Women Surrealist Photographers And Their Response To The Objectification Of Women In Male Surrealist Art, Lois X. Nguyen

Undergraduate Research Posters

Objectification of women in Male Surrealist art depicted the male gaze in its darkest form, through the ideas of the uncanny, fetish, and convulsive beauty. Women were treated as objects throughout Surrealist photography and painting instead of as human subjects. Their femininity and beauty were valued to the extent of held belief that a woman’s destiny is to be beautiful and be present for the male gaze. Women Surrealists have gained notoriety in the last sixty years for their presence in the Surrealist movement and for their diligence in providing the female perspective in opposition to the male perspective.

This …

Clyfford Still In The 1930s: The Formative Years Of A Leading Abstract Expressionist, Emma Richan

Electronic Thesis and Dissertation Repository

In 2011, Clyfford Still’s painting 1949-A-No.1 sold for $61.7 million at Sotheby’s auction house. This painting was one of four up for auction by the artist that night, fetching a total of $114 million to build the Clyfford Still Museum in Denver to house his entire estate. Still was among the most celebrated and notorious of the Abstract Expressionists, receiving the highest praise from Mark Rothko, Jackson Pollock, and Clement Greenberg during his lifetime. Still’s legacy has faltered since his death in 1980. Until 2011, 95% of his life’s work was stored in a barn in Maryland, hidden from view. …

Art As Political Struggle: George Grosz And The Experience Of The Great War, Jeff Michael Ocwieja

Grand Valley Journal of History

The Great War was a highly traumatic event that rocked the Western world and beyond and had a tremendous effect on the professional lives of those who served in the conflict. Included among those profoundly changed by the experience of the war was George Grosz, whose art grew increasingly subversive in light of the horrors of what he had seen both on the battlefield and in the tumultuous political atmosphere of post-war Germany. This article uses the individual experience of Grosz to speak more generally about the German experience during and after the conflict, particularly through engagement with artist's illustrations …

Ficción Extrema: Deslizamientos En La Realidad A Través De La Relación Entre Arte Y Literatura (Max Aub, Leonora Carrington Y Enrique Vila-Matas), Adriana Herrera

FIU Electronic Theses and Dissertations

Si el siglo XX creó una extendida conciencia sobre las variantes de la intertextualidad en la ficción literaria, hoy enfrentamos transformaciones en la naturaleza de la ficción y sus relaciones con otras formas discursivas y/o creativas como el arte, y con la misma realidad, que es posible designar con el concepto de ficción extrema. Desde “Don Quijote” o “Las meninas” hay incursiones en la metaficción y/o autorrefecividad. Pero a partir de las vanguardias modernistas y de modo creciente en los estertores de la postmodernidad nos abocamos a un singular tipo de hipertextualidad que desbordando lo literario se apropia de prácticas …

Ken Jacobs, Alchemist, Ara C. Osterweil

Criticism

Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.

Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins

The Mid-America Print Council Conference

This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.

Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …

Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert

Journal of Undergraduate Research at Minnesota State University, Mankato

The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop artist …

Modernism, Seen From Prague, March 1937, Derek Sayer

Artl@s Bulletin

Focusing on the period 1890-1939, this paper explores exchanges between three generations of Prague artists and international—especially Parisian—avant-gardes. Documenting the extraordinary receptiveness of Prague to modernism, particularly in the applied arts, it argues for a thorough rethink of the conceptual geographies of art history.

Reading Foucault After Modern Painting: From Object To System’, Tim Stott

Conference Papers

By his own admission, Foucault wrote with great pleasure about painting, feeling little need for polemics or strategic interpretation (DE II, 707). But he also thought through paintings, taking them to be exemplary objects of knowledge, uniquely indicative of transformations and discontinuities in discursive and non-discursive orders. This mixture of pleasure, preference, and analysis leaves us with a diverse body of work that might still assist in our understanding of the development of modern painting. Of particular interest is that during the period in which Foucault wrote, what counted as painting was radically questioned, leading to an expansion that …

Paiting, Lucas Page

Undergraduate Theses—Unrestricted

My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its …

La Ciudad Como Museo En Sí Misma: Una Propuesta De Dinamización Turística Del Patrimonio Cultural Urbano., Pablo Rosser, Seila Aixa Soler

pablo rosser

No abstract provided.

New Women In The Weimar Republic: Hannah Höch, Sam Gardner

Chancellor’s Honors Program Projects

No abstract provided.

Women Of The 1913 Armory Show : Their Contributions To The Development Of American Modern Art., Jennifer Pfeifer Shircliff

Electronic Theses and Dissertations

This dissertation is the first comprehensive study of women’s involvement in the 1913 Armory Show as financial backers, art collectors, and artists. The Association of American Painters and Sculptors organized this seminal exhibition, which represents a pivotal change in the course of artistic developments in the early twentieth century. For the first time in American history, the public could view contemporary works of art created by both Europeans and Americans in a huge exhibition. Due to the new abstract work on display, the show sparked controversy and debates about art and challenged both American artists and collectors to reconsider artistic …