Reflecting Domestic Genre Paintings: Chinese Reverse Paintings On Glass In Museum Volkenkunde, 2020 Washington University in St. Louis
Reflecting Domestic Genre Paintings: Chinese Reverse Paintings On Glass In Museum Volkenkunde, Xiaosong Gao
Arts & Sciences Electronic Theses and Dissertations
No abstract provided.
Tracing The Past, Drawing The Present, 2020 Washington University in St. Louis
Tracing The Past, Drawing The Present, Sixue Yang
Graduate School of Art Theses
The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic ...
The Transition Of Guanyin: Reinterpreting Queerness And Buddha Nature In Medieval East Asia, Robert Wilf
Religious Studies Honors Papers
Avalokitesvara, better known by the Chinese name of Guanyin, is perhaps the second most pervasive figure in all of Buddhism after the historical Buddha himself. Part of this popularity comes from his adaptability and willingness to change to order to save everyone, no matter what part of society they might be from. It is thanks to this adaptability that Guanyin’s iconography varies wildly by region, with much of Theravada and tantric Buddhism depicting him as a man, while Mahayana Buddhism tends to revere her as the patron of women. From their earliest description, Guanyin was known to transcend boundaries ...
Replication And Innovation In The Folk Narratives Of Telangana: Scroll Paintings Of The Padmasali Purana, 1625–2000, 2020 School of Oriental and African Studies
Replication And Innovation In The Folk Narratives Of Telangana: Scroll Paintings Of The Padmasali Purana, 1625–2000, Anais Da Fonseca
In the Southern Indian state of Telangana, itinerant storytellers narrate genealogies of the local castes using a scroll painting on cloth as a visual aid to their performance. These scrolls are the only archive of these otherwise oral narratives; hence key markers of their evolution. Once a scroll commission has been decided, performers bring an old scroll to the painters and request for a ‘copy.’ Considered as such by both performers and painters, a closer look at several scrolls of the same narrative highlights a certain degree of alteration. This paper focuses on the Padmasali Purana that narrate the origin ...
In The Age Of Non-Mechanical Reproduction: Manuscript Variation In Early-Modern South Asia, 2020 University of Cambridge
In The Age Of Non-Mechanical Reproduction: Manuscript Variation In Early-Modern South Asia, Arthur Dudney, Neeraja Poddar
No abstract provided.
Shuji Isawa And Bridgewater State Normal School, 1875-1878, 2020 Bridgewater State University
Shuji Isawa And Bridgewater State Normal School, 1875-1878, Charles C. Cox Iii
No abstract provided.
Women In Ukiyo-E, 2020 Regis University
Women In Ukiyo-E, Jade Meurer
All Regis University Theses
Kitagawa Utamaro’s Edo period prints (approx. 1770-1800) frequently feature prostitutes from Edo's officially licensed entertainment and pleasure ward. These prints were by no means portraits—instead, they were closer to advertisements for the pleasure district. Utamaro erased individuality from these women, placing them into stereotypical roles or personalities to appeal to potential customers of the ward. Utamaro glamorizes the life of courtesans for profit; and in this blatant objectification of women, the stories of these women are lost and glossed over. Who were these women, and what did their daily life actually look like? How does Utamaro betray ...
A Bridge Between Earth & Sky: How The Natural World Shaped The Civilizations Of Ancient And Early-Modern Persia, 2019 James Madison University
A Bridge Between Earth & Sky: How The Natural World Shaped The Civilizations Of Ancient And Early-Modern Persia, Sophia Cabana
Senior Honors Projects, 2010-2019
This project seeks to investigate the ways in which nature shaped the culture of ancient Persia through technology, architecture, agriculture, and art. Furthermore, this project investigates how the symbols and mentalities of ancient Persia were carried forward into the early-modern period. Achaemenid Persia and Babylon are studied as societies which influenced one another and combined to create the foundation of Persian culture as it is currently understood, which then combined in later centuries with other Middle Eastern and Central Asian cultural movements to produce the Safavid and Mughal Empires. The Safavids and Mughals imitated and revived Persian culture in order ...
Exhibit Review: Empress Dowager Cixi: Selections From The Summer Palace, Hannah Norton
History in the Making
No abstract provided.
Contemporary Asian Art: Indonesia, 2019 Western Michigan University
Contemporary Asian Art: Indonesia, Mary Louise Totton
Instructional Development Grants
Conducted fieldwork and research in preparation for a book on Indonesian art.
"The Chinese Animation Industry: From The Mao Era To The Digital Age", 2019 The University of San Francisco
"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones
Master's Projects and Capstones
Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators ...
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s, 2019 CUNY Hunter College
Seen And Unseen: Visualizing Contradictions In Postwar Japan, 1950s–1960s, Christina Lai
School of Arts & Sciences Theses
This thesis offers a comparative study on how photography visualizes the political dynamics, ideological and psychological contradictions in postwar Japan. The discussion includes the exhibition The Family of Man in Tokyo (1956), Werner Bischof and Robert Capa’s photographs of Japan, and local photographers Ken Domon and Shomei Tomatsu.
The Tale Of The Tokugawa Artifacts: Japanese Funerary Lanterns At The Penn Museum, 2019 Gettysburg College
The Tale Of The Tokugawa Artifacts: Japanese Funerary Lanterns At The Penn Museum, Yoko Nishimura
East Asian Studies Faculty Publications
That previously stood at the back of the quiet inner courtyard of the Penn Museum waited many years for its significance to be rediscovered. It is one of the Tokugawa lanterns that long illuminated the shogunate family’s grand mausoleums during the Edo period (1603–1868 CE) in the Zōjōji temple in Tokyo, Japan. Photographs taken around 1930 show the lanterns flanking the Museum entrance in the Stoner Courtyard. The prominent placement of these objects suggests that, in those days, the Museum acknowledged the significance of the lanterns. One of the lanterns was subsequently moved to Museum storage after suffering ...
The Home As An Object: Material Culture In The Age Of Ikea, 2019 Trinity College
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
Senior Theses and Projects
The curiosity of everyday objects looms large in every human’s life. And naturally, these objects are almost as diverse in character as the person who bought them. This variation can be in style, period, shape, origin but also in the arrangement it is given in relation to other objects or persons in a space. On one level, the objects we surround ourselves with are meaningless, purely functional, utilitarian and banal. Especially on a budget, one may not consider aesthetic or design issues at all and purely buy a toaster because they want toast. Why would one buy a SMEG ...
(Re-) Staging Translation: Meaningful Interaction With Hindu Devotional Objects In The Western Museum, Emma Efkeman
Undergraduate Honors Theses
In this thesis, the Hindu devotional object will be tracked through many contexts and its role will change based on its geographic and cultural location. First, the original ritual context will be established, paying specific attention to ceremonial processes and actions that activate the objects. Next, I will sketch the approaches to interpretation used in the two museum spaces. In this movement between spaces, the Hindu object is de- and then re-contextualized. Museums can discover from this narrative the many ways that meaning is constructed, within and outside of a Western framework. It is this pivotal period of re-contextualization that ...
Deities And Devotion In Mongolian Buddhist Art, 2019 Hope College
Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andrew Near, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019. Photographs, text and design copyright 2019 by Hope College and Tom Wagner. No reproduction or use of any material, in whole or in part, without the written permission of Hope College.
Japanese Influence On Western Impressionists: The Reciprocal Exchange Of Artiistic Techniques, Emma Wise
A with Honors Projects
In 1853, Commodore Perry reopened Japanese ports to the rest of the world. Japanese products made their way into Western markets (Ives). Products like fans, kimonos, lacquers, and other products became popular. This created the movement of Japanism, which is characterized by the influence of Japanese culture. For artists, there was a focus on Japanese art. Western artists looked at the techniques, compositional methods, and subject matter common in woodblock prints. Woodblock prints, from the Edo period, became an influence for the Impressionist movement in Paris during the nineteenth century. Similarly, the Western influence on Japan affected art during the ...
Market Value Analysis Of Takashi Murakami's Artwork Under Howard Becker's Theory, 2019 Sotheby's Institute of Art
Market Value Analysis Of Takashi Murakami's Artwork Under Howard Becker's Theory, Liu Yi-Ding
This paper is an analysis about the artist Takashi Murakami. As a representative of the corporate artist, he is favored by the Art business world while being criticized by many people. This paper adopts American sociologist Howard Becker's art world theory as a research tool to observe that the construction of Murakami and his art market is not the growth of genius, but the result of collective cooperation. Based on two decades of data on the art trade, Murakami has made his unique brand of ultra-flat theory and otaku work. These labels, along with internalization and external marketing, eventually ...
Qipao And Female Fashion In Republican China And Shanghai (1912-1937): The Discovery And Expression Of Individuality, Qingxuan Han
Senior Projects Fall 2019
This project is an attempt to understand the Chinese dress qipao in Republican China, with a primary concentration in Shanghai, and its associations with body politics, urbanscape, modernity, personal and national identity, and sociocultural practices. In particular, I argue that qipao, amongst other fashions of Republican China, had been one of the earliest examples of the modern expression of individuality through fashion in China; I strive to discover how this practice was enabled by its contemporary social environment as well as technological advancements.
Manga In China’S Reform Era: Transformation, Assimilation And Imagination Of Popular Culture, Danhui Chen
Senior Projects Spring 2019
Senior Project submitted to The Division of Social Studies of Bard College.