Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, 2017 The University of San Francisco
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Master's Projects and Capstones
In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks ...
On A Table Sits A Grapefruit- A Looking Back On Fluxus, 2017 Murray State University
On A Table Sits A Grapefruit- A Looking Back On Fluxus, Elaina Barnett
Honors College Theses
My intent for this thesis essay is to discuss how East Asian culture and philosophies informed the 1960’s and 1970’s artist group, Fluxus, and how the media and conceptualizations developed by Fluxus, as part of the neo-avant-garde, changed art in ways that still affects contemporary artists, including myself. I will begin with a discussion of the historical avant-garde, the reinvigoration of those ideals in the neo-avant-garde, and the key vanguard concept of anti-art. Following, will be a brief expansion on what aspects of East-Asian culture appealed to the Euro-American vanguard artists of the mid-twentieth century. I will end ...
Workshop As Network: A Case Study From Mughal South Asia, 2017 Amherst College
Workshop As Network: A Case Study From Mughal South Asia, Yael Rice
Over the course of Emperor Akbar’s reign (1556–1605), an exceptionally high volume of illustrated manuscripts was produced. The manuscript workshop was staffed accordingly: between the 1580s and early seventeenth century, over one hundred painters found employ at the Mughal court. Thanks to contemporaneous ascriptions found in the margins of the manuscripts’ illustrated pages, the artists’ names and the capacities (designer or colorist) in which they worked are known. This essay uses digital and sociological methods to examine networks of artistic collaborations across select manuscript projects, arguing that the structure of workshop production teams—in which membership frequently fluctuated ...
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, 2017 University of Pennsylvania
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, Linda H. Chance, Julie Nelson Davis
The act of rendering the handwritten in print participates in a long tradition of appreciation of calligraphy in East Asia. This essay considers the question of why manuscript remained the mode for representing writing well after the development of print culture in early modern Japan, forcing us to reexamine our expectations of what the term “manuscript” means: must a work be “written by hand” to be a manuscript, for instance? We argue that the use of print technology as a means to capture and disseminate the calligraphic expands the scope of current notions of what a manuscript is and challenges ...
Chinese Wines And Foreign Urns: Making Objects Of Lyric, 2017 Yale University
Chinese Wines And Foreign Urns: Making Objects Of Lyric, Ryan Matthew Hintzman
A 2016-2017 William Prize for best essay in East Asian Studies was awarded to Ryan Matthew Hintzman (Silliman College '17) for his essay submitted to the Department of Comparative Literature, "Chinese Wines and Foreign Urns: Making Objects of Lyric.” (Edward Kamens, Sumitomo Professor of Japanese Studies, advisor.)
Ryan Hintzman’s essay, Chinese Wines and Foreign Urns: Making Objects of Lyric is a work of awe-inspiring erudition, vision, and ambition. Ranging far and wide among traditional and more recent theories of the lyric and moving boldly from 8th century poems in Japanese to 19th and 20th century poems in English, Hintzman ...
Temple Artworks At The Bagan Archaeological Site, 2017 Chapman University
Temple Artworks At The Bagan Archaeological Site, Lauren Ogie
Student Research Day Abstracts and Posters
The Bagan Archeological Site located in Myanmar is home to the largest assemblage of Buddhist monuments in the world with more than 3,200 temples and stupas across 30 square miles. Research on Bagan’s temples has emphasized the archeology of the site and preservation of the monuments, but surprisingly little information is available on the religious role of the art within the temples. My project examines how both Hindu and Buddhist religious stories are depicted within some of the temples in images from frescos, sculptures, and glazed plaques to reliefs. Most artworks depict Buddhist Jataka stories. I will investigate ...
Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, 2017 University of Southern Mississippi
Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang
Beijing opera (known as jingju in Chinese) dates back to 1790 and is the most famous traditional Chinese regional opera of some 335 different styles, combining music, vocal performance, dance, and acrobatics. Originally considered vulgar by the court, Beijing opera became especially popular with the Qing dynasty court in its later days (1884-1910), thus raising its status at the beginning of the twentieth century to a ‘national opera.’ Furthermore, it has become an important nationalistic and traditional element in Chinese contemporary music.
Qigang Chen studied and lived in Europe for long time and is proficient in Western compositional techniques. On ...
Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan
Theses and Dissertations--Art & Visual Studies
The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors ...
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, 2017 Scripps College
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos
Scripps Senior Theses
Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.
Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu
Scripps Senior Theses
In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally ...
Iain Muirhead, 2016 Claremont Colleges
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, 2016 Université Bordeaux Montaigne
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam
This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation ...
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, 2016 School of Art, Design & Media, Nanyang Technological University
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker
Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, 2016 Morehead State University
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and ...
Rainbow Effect, 2016 Vocational Training Council
SIGNED: The Magazine of The Hong Kong Design Institute
Bold and bright hues are an integral part of the Asian landscape. In November the HKDI will host an exhibition called Colours of Asia which, as Lisa Li reports, will offer new insights into the way that colour shapes every aspect of our lives.
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, 2016 SIT Study Abroad
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey
Independent Study Project (ISP) Collection
This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19th and early 20th century India and Ravi Varma’s role within it, I gained a clearer understanding of the ...
The Influence Of Ajanta On Indian Modern Art, 2016 SIT Study Abroad
The Influence Of Ajanta On Indian Modern Art, Nolan Hawkins
Independent Study Project (ISP) Collection
The artwork of the Ajanta cave temples has had a major impact on the definition of Indian artistic identity and upon the modern art movement in India. This paper describes the history and construction of the caves and their specific stylistic and ideological influence of and interpretation by various key figures of the modern art movement. The first major projects to produce copies of the Ajanta frescoes (those by Major Robert Gill, John Griffiths and his students, and Lady Herringham and Abanindranath Tagore's students) are surveyed and put in context. Various early art-historians and critics are examined with respect ...
Orientalism And The Archaeological Survey(S) Of India, 2016 SIT Study Abroad
Orientalism And The Archaeological Survey(S) Of India, Ilan Desai-Geller
Independent Study Project (ISP) Collection
This study is an investigation of the Archaeological Survey of India (ASI). It was inspired by the somewhat incongruous fact that the ASI, which now exhorts visitors to its monuments to feel pride in their heritage, was founded by British colonialists who felt that contemporary Indian society was in shambles and in need of Western domination. In an attempt to investigate the completeness of this transformation, this study traces key events and figures in the ideological, institutional, and academic history of the study of the Indian past, paying close attention to the relationship between scholarship and colonialism. This analysis, combined ...
Murakami-Ego : Collective Culpability And Selective Retention., 2016 University of Louisville
Murakami-Ego : Collective Culpability And Selective Retention., Yun Kweon Jeong
Electronic Theses and Dissertations
The purpose of this thesis is to argue that Murakami’s art expresses the Japanese’s psychological suffering by showing their struggle between remembering themselves as victims but forgetting themselves as aggressors. I apply the Mitscherlichs’ psychoanalisys of the Germans’s psyche to the Japanese because their people have had similar experiences. The first section examines the history of Japan surrounding WWII in order to demonstrate its effects on the Japanese people’s psyche. The second section introduces Otaku to better understand Murakami’s art. The third section examines how selective retention works on the Japanese’s psyche. The fourth ...
Past Disquiet: From Research To Exhibition, 2016 History of Arab Modernities in the Visual Arts Study Group
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine ...