Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, 2018 University of Puget Sound
Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, Kyungin Kim
International Political Economy Theses
Many scholars of Chinese soft power commonly believe that despite the fact that China has been working hard to achieve successful soft power expansion, one of the biggest factors that leads to Chinese soft power deficit or failure of the Chinese government to effectively trump “China threat” is its inability to use its cultural industries as a tool to fulfill its soft power expansion goals. This is a major obstacle to China in achieving its goal of successful Chinese soft power expansion, as it is said that culture is the most traditional and powerful source of soft power expansion. This ...
Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period, 2018 Providence College
Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period, Joan Miller
No abstract provided.
Procedural Generation And Rendering Of Ink Bamboo Painting, 2018 College of William and Mary
Procedural Generation And Rendering Of Ink Bamboo Painting, Yangyang He
Undergraduate Honors Theses
This thesis describes an algorithm that generates various ink bamboo paintings. First, a completely procedural model is used to generate the geometric shape of bamboos. The model uses a grammar-like approach that recursively generates new parts of the bamboo in a randomized manner. The random parameters are bounded by rules that simulate the natural form of bamboo.
The structure of the bamboo is represented line segments with directions. Various ink stroke sprites of stalk, branch, or leaf shapes are mapped to line segments, using reverse mapping and bilinear sampling to eliminate aliasing effects. The sprites are mapped in different degrees ...
Medieval Japanese Zen: Catalyst For Symbol System Formation, 2018 Dominican University of California
Medieval Japanese Zen: Catalyst For Symbol System Formation, Kendall Ann Roper
Master's Theses and Capstone Projects
Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture ...
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, 2018 The Graduate Center, City University of New York
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, Naeem U. Din
All Dissertations, Theses, and Capstone Projects
The Pakistani city of Lahore is the capital of the Punjab province. The city itself has existed for over a thousand years. In 1947 the British rule in the Indian subcontinent ended, resulting in the partition of British India into the modern states of India and Pakistan. At the time the Punjab province was also partitioned, with the western half (including Lahore) going to Pakistan and the eastern half being awarded to India. Prior to partition, Lahore served as an important administrative and commercial center under the Mughal Empire (1526–1799), the Sikh Empire (1799–1849), the British East India ...
How To Be The Perfect Asian Wife!, 2018 Macalester College
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
The Claremont Colleges Asian Studies Faculty Research Practices, 2018 The Claremont Colleges Library
The Claremont Colleges Asian Studies Faculty Research Practices, Xiuying Zou, Carrie Marsh
Library Staff Publications and Research
A study on research practice and needs for library resource and service support of Asian studies faculty at The Claremont Colleges.
Flora And Fauna In East Asian Art, 2018 Gettysburg College
Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles
Schmucker Art Catalogs
Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by ...
Through My Window, 2018 Virginia Commonwealth University
Through My Window, Haiyin Liang
Theses and Dissertations
I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The ...
East Meets West: A Comparative Study On The Origin Of Landscape Depiction, 2018 Bard College
East Meets West: A Comparative Study On The Origin Of Landscape Depiction, Conghao Tian
Senior Projects Spring 2018
This project examines the origin and evolution of landscape depictions from both Eastern and Western traditions, covering from Han Dynasty (206 BC-220 AD) to Northern Song Dynasty (960-1127) in China, and from Roman antiquity to early Renaissance in Europe. Landscape depiction from each time period is examined. With the help of detailed visual analysis and overviews of religious ideology, the study reaches the conclusion that in both traditions, landscape depiction reaches its maturity both in terms of pictorial techniques and the ability to convey spirituality by the early Renaissance (11th century in China and 15th century in Italy). The project ...
Morning Glory, 2018 Iowa State University
Morning Glory, Hyunsoo Kim
International Textile and Apparel Association (ITAA) Annual Conference Proceedings
The design challenge for this three dimensional art wear, Morning Glory is to create a transformative garment inspired by biomimicry. Morning Glory is applying two levels of biomimicry through textile innovation: not only has it mimics form and shape, also imitates movement- bloom and wilt.
Ancient China And Its Eurasian Neighbors: Artifacts, Identity, And Death In The Frontier, 3000-700 Bce, 2018 University of Pittsburgh
Ancient China And Its Eurasian Neighbors: Artifacts, Identity, And Death In The Frontier, 3000-700 Bce, Katheryn M. Linduff, Yan Sun, Wei Cao, Yuanqing Liu
Gettysburg College Faculty Books
This volume examines the role of objects in the region north of early dynastic state centers, at the intersection of Ancient China and Eurasia, a large area that stretches from Xinjiang to the China Sea, from c.3000 BCE to the mid-eighth century BCE. This area was a frontier, an ambiguous space that lay at the margins of direct political control by the metropolitan states, where local and colonial ideas and practices were reconstructed transculturally. These identities were often merged and displayed in material culture. Types of objects, styles, and iconography were often hybrids or new to the region, as ...
21st Century Chinese Art Market Boom, 2018 University of Pennsylvania
21st Century Chinese Art Market Boom, Ayca Deniz Ergin
Summer Program for Undergraduate Research (SPUR)
This research paper provides a detailed analysis of how China has become the fastest growing art market around the world. How did the economic development in China led the country to the top in recent years, in contrast to its Western competitors? What is China’s role in the global art market scene? What changes have been made, in a socialist system, to accommodate foreign investors and what future changes should be made to sustain its growth?
Through focusing on the correlation between economic growth and art market expansions, this research develops the relationship through referencing various quantitative and qualitative ...
A Study On The Cultural Role Of Walking Court Ladies’ Hat In Queen Jeongsun’S Wedding Parade Illustration Of Oegyujanggak Uigwe, Jeong Choi
International Textile and Apparel Association (ITAA) Annual Conference Proceedings
This study considers the cultural role of walking court ladies’ hats in a wedding parade illustration of Oegyujanggak Uigwe that focuses on the parade of Queen Jeongsun. Walking court ladies’ hat and hairstyle were changed immediately into a loose wig, jokduri-shaped hat, and chignon when the costume policy was legislated by the king. Jokduri, small padding hat, was recommended by the king’s command in 1756 for the first time instead of a massive wig, however discussions continued from 1748-49. Loose wigs disappeared in wedding parade illustration of Queen Jeongsun of 1759, 4 walking court ladies wore angled black ...
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, 2018 Claremont Colleges
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland
Scripps Senior Theses
The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.
Invisible Invisibility, 2017 CUNY Hunter College
Invisible Invisibility, Eugina Song
School of Arts & Sciences Theses
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, 2017 The University of San Francisco
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Master's Projects and Capstones
In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks ...
On A Table Sits A Grapefruit- A Looking Back On Fluxus, 2017 Murray State University
On A Table Sits A Grapefruit- A Looking Back On Fluxus, Elaina Barnett
Honors College Theses
My intent for this thesis essay is to discuss how East Asian culture and philosophies informed the 1960’s and 1970’s artist group, Fluxus, and how the media and conceptualizations developed by Fluxus, as part of the neo-avant-garde, changed art in ways that still affects contemporary artists, including myself. I will begin with a discussion of the historical avant-garde, the reinvigoration of those ideals in the neo-avant-garde, and the key vanguard concept of anti-art. Following, will be a brief expansion on what aspects of East-Asian culture appealed to the Euro-American vanguard artists of the mid-twentieth century. I will end ...
Workshop As Network: A Case Study From Mughal South Asia, 2017 Amherst College
Workshop As Network: A Case Study From Mughal South Asia, Yael Rice
Over the course of Emperor Akbar’s reign (1556–1605), an exceptionally high volume of illustrated manuscripts was produced. The manuscript workshop was staffed accordingly: between the 1580s and early seventeenth century, over one hundred painters found employ at the Mughal court. Thanks to contemporaneous ascriptions found in the margins of the manuscripts’ illustrated pages, the artists’ names and the capacities (designer or colorist) in which they worked are known. This essay uses digital and sociological methods to examine networks of artistic collaborations across select manuscript projects, arguing that the structure of workshop production teams—in which membership frequently fluctuated ...
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, 2017 University of Pennsylvania
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, Linda H. Chance, Julie Nelson Davis
The act of rendering the handwritten in print participates in a long tradition of appreciation of calligraphy in East Asia. This essay considers the question of why manuscript remained the mode for representing writing well after the development of print culture in early modern Japan, forcing us to reexamine our expectations of what the term “manuscript” means: must a work be “written by hand” to be a manuscript, for instance? We argue that the use of print technology as a means to capture and disseminate the calligraphic expands the scope of current notions of what a manuscript is and challenges ...