Iain Muirhead, 2016 Claremont Colleges
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, 2016 Université Bordeaux Montaigne
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam
This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation ...
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, 2016 School of Art, Design & Media, Nanyang Technological University
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker
Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.
Rainbow Effect, 2016 Vocational Training Council
SIGNED: The Magazine of The Hong Kong Design Institute
Bold and bright hues are an integral part of the Asian landscape. In November the HKDI will host an exhibition called Colours of Asia which, as Lisa Li reports, will offer new insights into the way that colour shapes every aspect of our lives.
Murakami-Ego : Collective Culpability And Selective Retention., 2016 University of Louisville
Murakami-Ego : Collective Culpability And Selective Retention., Yun Kweon Jeong
Electronic Theses and Dissertations
The purpose of this thesis is to argue that Murakami’s art expresses the Japanese’s psychological suffering by showing their struggle between remembering themselves as victims but forgetting themselves as aggressors. I apply the Mitscherlichs’ psychoanalisys of the Germans’s psyche to the Japanese because their people have had similar experiences. The first section examines the history of Japan surrounding WWII in order to demonstrate its effects on the Japanese people’s psyche. The second section introduces Otaku to better understand Murakami’s art. The third section examines how selective retention works on the Japanese’s psyche. The fourth ...
Past Disquiet: From Research To Exhibition, 2016 History of Arab Modernities in the Visual Arts Study Group
Past Disquiet: From Research To Exhibition, Kristine Khouri, Rasha Salti
An exhibition of an exceptional scale and scope took place in Beirut in the middle of the civil war and today, its archival and documentary traces have been almost entirely lost. The International Art Exhibition for Palestine opened in the Spring of 1978, comprising some 200 works donated by artists hailing from nearly 30 countries, to be a seed collection for a museum in exile. This is a transcript of a presentation of the transformation of research into an exhibition format and a virtual walkthrough of the show Past Disquiet: Narratives and Ghosts from the International Art Exhibition for Palestine ...
How Liberal Korean And Taiwanese Textbooks Portray Their Countries’ “Economic Miracles”, 2016 Yale University
How Liberal Korean And Taiwanese Textbooks Portray Their Countries’ “Economic Miracles”, Frances Chan
A 2015-2016 William Prize for best essay in East Asian Studies was awarded to Frances Chan (Timothy Dwight College '16) for her essay submitted to the Department of History, “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles”.” (Peter C. Perdue, Professor of History, advisor.)
Frances Chan’s essay “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles,” is a fascinating exploration of the creation of historical memory as seen in textbooks on the history of postwar economic development in Korea and Taiwan. Drawing on her remarkable linguistic skills in both Korean and Chinese, she compares ...
The Brush Is Mightier Than The Bayonet: The Role Of Cooperation With The Art And Media Communities Of Japan During The American Occupation, 2016 University of Tennessee, Knoxville
The Brush Is Mightier Than The Bayonet: The Role Of Cooperation With The Art And Media Communities Of Japan During The American Occupation, William B. Carpenter
University of Tennessee Honors Thesis Projects
No abstract provided.
The Unintended Legacy Of Hellenism: The Development And Dissemination Of The Buddha Image, Chukyi Kyaping
History Honors Papers
This paper traces the development and evolution of the Buddha image from the first century CE in Gandhara to the fifth century CE in Luoyang, China and discusses the circumstances that allowed the image to adapt to different cultural environments. The emergence of the Buddha image marked a significant shift in the perception of the Buddha himself, through which Buddhism had effectively transformed from a philosophy into a religion.
Due to the syncretic nature of the Gandhari region, the Buddha image incorporated elements from multiple cultures, most notably from the Hellenistic artistic tradition. The dissemination of the Buddha image, traced ...
Reawakening In Bundelkhand: Cultural Identity In Orchha And The Effects Of Tourism On Its Creation, Preservation, And Loss, Brenton David Kalinowski
Black & Gold
The purpose of this study is to explore the roots of the cultural identity of the Indian town of Orchha today, and with that context in place, to analyze the influence tourism has had in Orchha in the past twenty years. In particular, how tourism has created new cultural identity, how it has influenced a movement towards the preservation of cultural identity, but also how it has threatened loss of cultural identity. The research was conducted using a combined historical and ethnographic approach, using both archival research and ethnographic techniques. Throughout the study, and as this paper shows, the medieval ...
Arts 344, 2016 Colgate University
Arts 344, Padma Kaimal
From rock-cut halls carved into cliffs to elaborately ornamented constructions with multiple interior spaces, the buildings that have housed worship of the Goddess, Shiva, Vishnu, and other deities of the Hindu pantheon honor the ideals of the divine palace and of the silent cave embedded in a mountain. This course will explore what characteristics the wide range of Hindu temples share, how they vary from one region to another, and how they changed from the 3rd century BCE to 12th century CE. What do they share with structures for Buddhist, Jaina, and Muslim worship? How did ritual shape buildings and ...
Shunga: Erotic Art In The Tokugawa Era, 2016 Western Washington University
Shunga: Erotic Art In The Tokugawa Era, Rachael Redjou
Western Libraries Undergraduate Research Award
This paper analyses the artistic elements of Shunga, or Japanese erotic art, produced throughout the Edo period. It also discusses the historical, economic, and social factors that culminated in Shunga's production and consumption as a popular urban commodity.
A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, 2016 Hollins University
A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, Abigail Sease
Undergraduate Research Awards
The eighteenth century within the Korean peninsula, part of the extensive Joseon dynasty (1392-1910), was marked by peace and prosperity after a long period of foreign invasions, war, and factional conflict. After centuries of negatively shifting political and social relations, intellectual and cultural life was flourishing beyond the walls of the palace. Despite prevailing differences in class and education, both the literary and visual arts rapidly developed. Works produced during this time mutually influenced one another, developed into vernacular understandings, and tended towards representing the native and the local, rather than foreign or imaginary subjects. A new nativist form of ...
Impact Of Ancient Chinese Painting On Contemporary Art, 2016 Bard College
Impact Of Ancient Chinese Painting On Contemporary Art, Yi Cheng
Senior Projects Spring 2016
Senior Project submitted to The Division of Arts of Bard College.
Chinese And Japanese Literati Painting: Analysis And Contrasts In Japanese Bunjinga Paintings, Qun Dai
Senior Projects Spring 2016
Senior Project submitted to The Division of Arts of Bard College.
Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, 2015 University of New Orleans
Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws
University of New Orleans Theses and Dissertations
This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results ...
A Localized Approach To The Origins Of Pottery In Upper Mesopotamia, 2015 University of Toronto
A Localized Approach To The Origins Of Pottery In Upper Mesopotamia, Elizabeth Gibbon
Laurier Undergraduate Journal of the Arts
No abstract provided.
The Figure In Art: Selections From The Gettysburg College Collection, 2015 Gettysburg College
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
Schmucker Art Catalogs
The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.
In-Betweeness On Stage, 2015 Washington University in St Louis
In-Betweeness On Stage, Qiyuan Liu
It all started with the question of “where are you from”. Coming from China and making art in America, I have been confused by people’s question about where am I from and, more importantly, where I identify myself belong. By using installation as the main format, I created works with strong theatrical quality to restage and reenact my social and cultural experiences that finally led to my understanding of the “in-betweeness” of myself: I reside in neither of the two cultures but rather moving back and forth between them. I carry influences from both sides with me and present ...
Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, 2015 Pepperdine University
Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley
Seaver College Research And Scholarly Achievement Symposium
The Five Peaks Screen of Korea’s Joseon dynasty (1392-1910) is one of the most iconic works of its time. Nevertheless, the remarkable visual impact and cultural significance of the Five Peaks Screen evades systematic scholarly study, partly because of its generic classification as folk art. In this paper, I will resituate the Five Peaks Screen in the artistic tradition of East Asian landscape painting. When considered in the context of literati painting traditions and relevant popular landscapes, it becomes clear that the design of the Five Peaks Screen coheres to traditional aesthetics to emphasize the ability of artwork to ...