Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period, 2018 Providence College
Idolizing Sans Idol: Buddhist Art And Its Reception During The Meiji Period, Joan Miller
No abstract provided.
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, 2018 The Graduate Center, City University of New York
Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, Naeem U. Din
All Dissertations, Theses, and Capstone Projects
The Pakistani city of Lahore is the capital of the Punjab province. The city itself has existed for over a thousand years. In 1947 the British rule in the Indian subcontinent ended, resulting in the partition of British India into the modern states of India and Pakistan. At the time the Punjab province was also partitioned, with the western half (including Lahore) going to Pakistan and the eastern half being awarded to India. Prior to partition, Lahore served as an important administrative and commercial center under the Mughal Empire (1526–1799), the Sikh Empire (1799–1849), the British East India ...
Medieval Japanese Zen: Catalyst For Symbol System Formation, 2018 Dominican University of California
Medieval Japanese Zen: Catalyst For Symbol System Formation, Kendall Ann Roper
Master's Theses and Capstone Projects
Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture ...
Procedural Generation And Rendering Of Ink Bamboo Painting, 2018 College of William and Mary
Procedural Generation And Rendering Of Ink Bamboo Painting, Yangyang He
Undergraduate Honors Theses
This thesis describes an algorithm that generates various ink bamboo paintings. First, a completely procedural model is used to generate the geometric shape of bamboos. The model uses a grammar-like approach that recursively generates new parts of the bamboo in a randomized manner. The random parameters are bounded by rules that simulate the natural form of bamboo.
The structure of the bamboo is represented line segments with directions. Various ink stroke sprites of stalk, branch, or leaf shapes are mapped to line segments, using reverse mapping and bilinear sampling to eliminate aliasing effects. The sprites are mapped in different degrees ...
How To Be The Perfect Asian Wife!, 2018 Macalester College
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
The Claremont Colleges Asian Studies Faculty Research Practices, 2018 The Claremont Colleges Library
The Claremont Colleges Asian Studies Faculty Research Practices, Xiuying Zou, Carrie Marsh
Library Staff Publications and Research
A study on research practice and needs for library resource and service support of Asian studies faculty at The Claremont Colleges.
Flora And Fauna In East Asian Art, 2018 Gettysburg College
Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles
Schmucker Art Catalogs
Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by ...
Through My Window, 2018 Virginia Commonwealth University
Through My Window, Haiyin Liang
Theses and Dissertations
I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The ...
Invisible Invisibility, 2017 CUNY Hunter College
Invisible Invisibility, Eugina Song
School of Arts & Sciences Theses
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, 2017 The University of San Francisco
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Master's Projects and Capstones
In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks ...
On A Table Sits A Grapefruit- A Looking Back On Fluxus, 2017 Murray State University
On A Table Sits A Grapefruit- A Looking Back On Fluxus, Elaina Barnett
Honors College Theses
My intent for this thesis essay is to discuss how East Asian culture and philosophies informed the 1960’s and 1970’s artist group, Fluxus, and how the media and conceptualizations developed by Fluxus, as part of the neo-avant-garde, changed art in ways that still affects contemporary artists, including myself. I will begin with a discussion of the historical avant-garde, the reinvigoration of those ideals in the neo-avant-garde, and the key vanguard concept of anti-art. Following, will be a brief expansion on what aspects of East-Asian culture appealed to the Euro-American vanguard artists of the mid-twentieth century. I will end ...
Workshop As Network: A Case Study From Mughal South Asia, 2017 Amherst College
Workshop As Network: A Case Study From Mughal South Asia, Yael Rice
Over the course of Emperor Akbar’s reign (1556–1605), an exceptionally high volume of illustrated manuscripts was produced. The manuscript workshop was staffed accordingly: between the 1580s and early seventeenth century, over one hundred painters found employ at the Mughal court. Thanks to contemporaneous ascriptions found in the margins of the manuscripts’ illustrated pages, the artists’ names and the capacities (designer or colorist) in which they worked are known. This essay uses digital and sociological methods to examine networks of artistic collaborations across select manuscript projects, arguing that the structure of workshop production teams—in which membership frequently fluctuated ...
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, 2017 University of Pennsylvania
The Handwritten And The Printed: Issues Of Format And Medium In Japanese Premodern Books, Linda H. Chance, Julie Nelson Davis
The act of rendering the handwritten in print participates in a long tradition of appreciation of calligraphy in East Asia. This essay considers the question of why manuscript remained the mode for representing writing well after the development of print culture in early modern Japan, forcing us to reexamine our expectations of what the term “manuscript” means: must a work be “written by hand” to be a manuscript, for instance? We argue that the use of print technology as a means to capture and disseminate the calligraphic expands the scope of current notions of what a manuscript is and challenges ...
Chinese Wines And Foreign Urns: Making Objects Of Lyric, 2017 Yale University
Chinese Wines And Foreign Urns: Making Objects Of Lyric, Ryan Matthew Hintzman
A 2016-2017 William Prize for best essay in East Asian Studies was awarded to Ryan Matthew Hintzman (Silliman College '17) for his essay submitted to the Department of Comparative Literature, "Chinese Wines and Foreign Urns: Making Objects of Lyric.” (Edward Kamens, Sumitomo Professor of Japanese Studies, advisor.)
Ryan Hintzman’s essay, Chinese Wines and Foreign Urns: Making Objects of Lyric is a work of awe-inspiring erudition, vision, and ambition. Ranging far and wide among traditional and more recent theories of the lyric and moving boldly from 8th century poems in Japanese to 19th and 20th century poems in English, Hintzman ...
Temple Artworks At The Bagan Archaeological Site, 2017 Chapman University
Temple Artworks At The Bagan Archaeological Site, Lauren Ogie
Student Research Day Abstracts and Posters
The Bagan Archeological Site located in Myanmar is home to the largest assemblage of Buddhist monuments in the world with more than 3,200 temples and stupas across 30 square miles. Research on Bagan’s temples has emphasized the archeology of the site and preservation of the monuments, but surprisingly little information is available on the religious role of the art within the temples. My project examines how both Hindu and Buddhist religious stories are depicted within some of the temples in images from frescos, sculptures, and glazed plaques to reliefs. Most artworks depict Buddhist Jataka stories. I will investigate ...
Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, 2017 University of Southern Mississippi
Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang
Beijing opera (known as jingju in Chinese) dates back to 1790 and is the most famous traditional Chinese regional opera of some 335 different styles, combining music, vocal performance, dance, and acrobatics. Originally considered vulgar by the court, Beijing opera became especially popular with the Qing dynasty court in its later days (1884-1910), thus raising its status at the beginning of the twentieth century to a ‘national opera.’ Furthermore, it has become an important nationalistic and traditional element in Chinese contemporary music.
Qigang Chen studied and lived in Europe for long time and is proficient in Western compositional techniques. On ...
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, 2017 Scripps College
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos
Scripps Senior Theses
Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.
Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu
Scripps Senior Theses
In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally ...
Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan
Theses and Dissertations--Art & Visual Studies
The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors ...
Iain Muirhead, 2016 Claremont Colleges
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.