Precolumbian Textiles In The Ethnological Museum In Berlin, 2017 University of Copenhagen
Precolumbian Textiles In The Ethnological Museum In Berlin, Lena Bjerregaard, Torben Huss
The Ethnological Museum in Berlin, Germany, houses Europe’s largest collection of PreColumbian textiles—around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum’s holdings – by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book’s second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as ...
Complexity As A Narrative, 2017 Universitat Innsbruck
Complexity As A Narrative, Giacomo Pala
Journal of Applied Sciences and Arts
In this paper an attempt is made to discuss how the computer has imposed new conventions to architecture over the last thirty years. The paper’s aim is to discuss how the introduction of digital media has forced architecture to find ways to deal with new technologies and to develop new disciplinary meanings. First, the paper addresses the question of complexity and chaos in the postmodern discussion by the reading of Lyotard’s theories. Therefore, the essay pinpoints attempts of developing new conceptions of “complexity” in architecture derived from the post-modern sciences of indetermination. Interengsly enough, this was doable because ...
I Like America: Painting In The Expanded Field, 2017 City University of New York (CUNY)
I Like America: Painting In The Expanded Field, Isaac Aden
School of Arts & Sciences Theses
Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.
Johann-Joachim Winckelmann. Les Larmes De L'Historien, 2016 Université du Québec à Montréal
Johann-Joachim Winckelmann. Les Larmes De L'Historien, Corinne Streicher-Anglade
Le Monde français du dix-huitième siècle
Le spectre classique de Winckelmann (1717-1768), père fondateur de la discipline, hante l’histoire de l’art. Il apparaît comme une figure volontairement désincarnée associée aux statues de l’Apollon du Belvédère (fig.1) ou de Laocoon (fig.2). Winckelmann est l’une des figures les plus connues de l’Allemagne historique, philologique et artistique du XVIIIe siècle. L’historien est ordinairement associé à une esthétique néoclassique, mais sa figure, mystique et idéale cache en vérité bien des tensions et des contradictions.
Editor’S Introduction: Advancing Sotl-Ah, 2016 Sotheby's Institute of Art
Editor’S Introduction: Advancing Sotl-Ah, Virginia B. Spivey Phd, Renee Mcgarry
Art History Pedagogy & Practice
No abstract provided.
Against The "Coverage" Mentality: Rethinking Learning Outcomes And The Core Curriculum, 2016 Duquesne University
Against The "Coverage" Mentality: Rethinking Learning Outcomes And The Core Curriculum, Julia A. Sienkewicz
Art History Pedagogy & Practice
This article proposes a revised way of approaching the learning outcomes of introductory courses in Art History and Art Appreciation. Taking into account disciplinary complexities, this article argues that instructors can improve student learning by focusing on "understanding" and "application" (the second and third levels of the revised Bloom's Taxonomy pyramid) rather than "remembering" (the bottom level). The article argues that focusing on student understanding and application of ideas rather than memorization can improve the value of introductory courses both for art history and for the core curricula that these courses often serve.
Looking Beyond The Canon: Localized And Globalized Perspectives In Art History Pedagogy, 2016 University of California, Merced
Looking Beyond The Canon: Localized And Globalized Perspectives In Art History Pedagogy, Aditi Chandra, Leda Cempellin, Kristen Chiem, Abigail Lapin Dardashti, Radha J. Dalal, Ellen Kenney, Sadia Pasha Kamran, Nina Murayama, James P. Elkins
Art History Pedagogy & Practice
Our pedagogical choices make art history classrooms political spaces of cultural production. Through a global exchange of ideas we consider questions of imbalance between western and non-Western materials and differing art history pedagogies in introductory courses and reveal teaching methods shaped by varied local contexts.
Kristen L. Chiem suggests re-routing students to the fundamentals of art historical inquiry rather than to a specific time or region. Abigail L. Dardashti’s essay re-configures the global art history course by focusing on artworks that defy the neat West and non-West categories. Radha J. Dalal discusses a curriculum that includes a series of ...
Making The Absent Present: The Imperative Of Teaching Art History, 2016 Smarthistory
Making The Absent Present: The Imperative Of Teaching Art History, Beth Harris Phd, Steven Zucker Phd
Art History Pedagogy & Practice
Since its emergence in 2005 as a free and open online resource for instructors, students, and the general public, Smarthistory has made numerous groundbreaking changes and advances for better teaching and more engaged learning. Playing upon the theme "making the absent [art work] present,” we explain how Smarthistory’s lively dialogic pedagogy combined with a rich variety of image views, reconstructions, google street views, diagrams, and essays has successfully replaced the traditional dependence on an art history text for many instructors. The result is an enhanced experiential and contextual experience for the student. For a discipline whose works were often ...
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Research Day Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...
Data Recovery Investigations: Murvaul Creek Site (41pn175), Panola County, Texas, 2016 Center for Regional Heritage Research, Stephen F. Austin State University
Data Recovery Investigations: Murvaul Creek Site (41pn175), Panola County, Texas, Arlo Mckee, Charles D. Frederick, Timothy K. Perttula, Robert Z. Selden Jr., Leslie L. Bush, Leonard Kemp, Brittney Gregory, Chad Yost, Linda Scott Cummings, Jeffrey R. Ferguson, Michael D. Glascock, Steve Tomka, Leslie Cecil, Caroline Masiello, Xiaodong Gao, Christopher Goodmaster, Virgil Beasley Iii
Robert Z. Selden Jr.
This report summarizes the archeological findings of the 2011 data recovery investigations at the Murvaul Creek site, 41PN175, in far northeastern Texas in Panola County. The site is located along Farm-to-Market Road (FM) 10 approximately 1 mile north of Gary, Texas (Figure 1). Geo-Marine, Inc. (GMI), performed this work under contract to the Texas Department of Transportation, Environmental Affairs Division (TxDOT ENV) under the Texas Antiquities Permit Number 5879 (Work Authorization [WA] 579 06 SA005; WA 590 08 SA005; CSJ:1222-01-014; Geo-Marine project numbers 22005.00.06 and 22005.00.09). The fieldwork for this project was conducted in advance ...
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, 2016 Université Bordeaux Montaigne
The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam
This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation ...
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, 2016 School of Art, Design & Media, Nanyang Technological University
Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker
Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, 2016 Morehead State University
Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss
Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and ...
A Home For Lucille Vinyard’S Lifework In Humboldt State University Library’S Special Collections, 2016 Humboldt State University
A Home For Lucille Vinyard’S Lifework In Humboldt State University Library’S Special Collections, Carly Marino, Nicole Martensen, Kaycie Voigt, Alexandria Jones, Cathlyn Garibay, Blanca Drapeau, Victoria Bruner, Kathleen C. Bromley 2733528
ideaFest: Interdisciplinary Journal of Creative Works and Research from Humboldt State University
No abstract provided.
The Influence Of Ajanta On Indian Modern Art, 2016 SIT Study Abroad
The Influence Of Ajanta On Indian Modern Art, Nolan Hawkins
Independent Study Project (ISP) Collection
The artwork of the Ajanta cave temples has had a major impact on the definition of Indian artistic identity and upon the modern art movement in India. This paper describes the history and construction of the caves and their specific stylistic and ideological influence of and interpretation by various key figures of the modern art movement. The first major projects to produce copies of the Ajanta frescoes (those by Major Robert Gill, John Griffiths and his students, and Lady Herringham and Abanindranath Tagore's students) are surveyed and put in context. Various early art-historians and critics are examined with respect ...
The Transatlantic Triangle Of Artistic Circulation, 2016 Ecole normale supérieure
The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin
The international circulation of art has today become a rapidly expanding field of study, yet transcontinental circulations have thus far received less attention. In much the same way, a great deal of research has been conducted into bilateral artistic and cultural exchanges, yet scholarship around triangular systems is still somewhat lacking. This latter term refers to instances in which artistic circulation – whether in the form of artworks, artists, aesthetics or styles – involves at least three cultural reference points, and wherein effects of transformation, adaptation and readaptation are all the more complex. Despite the focus on bilateral exchanges, even a relatively ...
Pharaonic Occultism: The Relationship Of Esotericism And Egyptology, 1875-1930, 2016 California Polytechnic State University, San Luis Obispo
Pharaonic Occultism: The Relationship Of Esotericism And Egyptology, 1875-1930, Kevin Todd Mclaren
Master's Theses and Project Reports
The purpose of this work is to explore the interactions between occultism and scholarly Egyptology from 1875 to 1930. Within this timeframe, numerous esoteric groups formed that centered their ideologies on conceptions of ancient Egyptian knowledge. In order to legitimize their belief systems based on ancient Egyptian wisdom, esotericists attempted to become authoritative figures on Egypt. This process heavily impacted Western intellectualism not only because occult conceptions of Egypt became increasingly popular, but also because esotericists intruded into academia or attempted to overshadow it. In turn, esotericists and Egyptologists both utilized the influx of new information from Egyptological studies to ...
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, 2016 State University of New York Buffalo State
Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers
Museum Studies Theses
Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas ...
Ashes In Bethel: Bearings Of Second Millennium Bce Ugaritic Mythology Upon First Millennium Bce Israelite Religion, 2016 University of Tennessee, Knoxville
Ashes In Bethel: Bearings Of Second Millennium Bce Ugaritic Mythology Upon First Millennium Bce Israelite Religion, Taylor Thomas
University of Tennessee Honors Thesis Projects
No abstract provided.
Le Triangle Des Circulations Artistiques Transnationales, 2016 Ecole normale supérieure
Le Triangle Des Circulations Artistiques Transnationales, Béatrice Joyeux-Prunel, Catherine Dossin
L'étude des circulations artistiques à l’échelle mondiale est désormais un champ en pleine expansion ; mais celle des circulations transcontinentales reste un domaine plus réduit. De même, alors que les études de transferts artistiques et culturels bilatéraux sont désormais chose courante, il est plus difficile de trouver des études dans lesquelles un système triangulaire est mis en évidence – où la circulation artistique, qu’il s’agisse d’œuvres, d’artistes, d’esthétiques ou de styles, fait intervenir un nombre au moins ternaire de référentiels culturels, et où les effets de transformation, d’adaptation et de réadaptation sont donc particulièrement ...