Theatre and Performance Studies Commons^™

Fall Dance Concert (November 19-21, 2026), Lindenwood University

Student Dance Programs & Brochures

Event program for Fall Dance Concert (November 19-21, 2026), Lindenwood University.

Femininitas Dalam Tubuh Maskulin Penari Lengger Banyumas Sebagai Inspirasi Penciptaan Batik Mixed Media, Aqilla Wisnu Amartya, Ponimin Ponimin

Journal of Language, Literature, and Arts

Lengger Lanang, a traditional performing art from Banyumas, Indonesia, is characterized by the interplay of masculinity and femininity expressed through male dancers. This phenomenon inspired the creation of mixed-media batik artworks using a biomorphic art approach, with butterfly metamorphosis as a visual metaphor. This study aims to conceptualize feminine expression within the masculine bodies of Lengger Lanang dancers as an artistic foundation, describe the creative process, and analyze the visual elements and symbolic meanings of the artworks. The study adopts Alma Hawkins’ three-stage creative model: exploration, improvisation, and formation. The creative process involved cultural observation, sketch development, material experimentation, and …

Artizein Arts And Teaching Journal Volume 11 (1), Darlene St. Georges

Artizein: Arts and Teaching Journal

Full Issue

Music, Meditation And Decolonization: A Cross-Cultural Conversation, Ashwani Kumar, Zaira Manila

Artizein: Arts and Teaching Journal

This article presents a reflective and dialogical exploration of music, meditation, and holistic well-being. It draws on the authors’ distinct musical backgrounds and personal experiences to explore structure and free flow in music, the impact of Western thought and colonialism on perceptions of Indian classical music (ICM), and the challenges in promoting ICM to younger audiences. Key points discussed include decolonization and cultural heritage, the journey from seeing ICM as “boring” to spiritual, viewing fusion as a respectful blend of musical forms, and the notion of existential music as music that exists within, waiting to be expressed. The dialogue format …

Drawing Out Remarkable Communities, Bailey Ennig

Artizein: Arts and Teaching Journal

This visual essay examines how an unused classroom whiteboard evolved into a student-driven site of relational art and community building. Initially left blank, the whiteboard became a shared drawing space as students began to doodle informally, returning regularly to contribute and interact. Over time, these collective drawing practices fostered friendships, cross-grade connections, and a sense of belonging grounded in shared pop culture interests and creative play. Drawing on theories of relational aesthetics (Bourriaud, 2002), creative ecosystems (Harris, 2021), and connected learning (Ito et al., 2019), the whiteboard functioned as a dynamic social space shaped by student agency rather than teacher …

The Humidity Of Living: Walking, Permeability, And Care As Embodied Research Practice, Lyndsay Mckay

Artizein: Arts and Teaching Journal

This visual-textual essay traces walking as an embodied research methodology situated at the intersection of autoethnography, material feminist theory, and practices of care. Drawing on nursing-informed sensorial attunement and site-responsive observation, the work follows a pedestrian route through urban and coastal landscapes to examine how bodies, infrastructures, atmospheres, and more-than-human matter co-produce perception. Through photographic documentation and poetic narrative, the project foregrounds permeability as a methodological stance—one that resists detached observation in favor of affective, relational, and trans-corporeal engagement. Concepts from Ingold’s correspondence, Alaimo’s trans-corporeality, Mol’s logic of care, and Benner’s embodied expertise are woven into lived encounters with decay, …

Alice By Heart Playbill, Providence College Department Of Theatre, Dance & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Alice by Heart, Book by Steven Sater & Jessie Nelson, Composer: Duncan Sheik, Lyrics by Steven Sater

October 30th-November 8^th, 2026

Katrina Pavao - Director

Esther Zabinski - Music Director

Nina Kossler - Choreographer

Trevor Elliot - Scenic Designer

Lovanni Gomez - Lighting Designer

Maxine Wheelock - Costume Designer

Gabriel Luxton - Sound Designer

Cast: Jade Bocciarelli - Alice Spencer/Alice; Thomas Sullivan - Alfred Hallam/Rabbit & Hare; Julia Lawson - Red Cross Nurse/Queen of Hearts; Gabe Joseph - Harold /Hatter, K. of Sp., M2 Turtle; Olivia …

The “Campification” Of Old-School Broadway: Review Of Frank Loesser, Jo Swerling, And Abe Burrows’S Guys And Dolls, Kara Riley

Best Integrated Writing

This review examines the Stratford Festival’s 2026 production of Guys and Dolls and argues that director Donna Feore transforms a familiar Golden Age Broadway musical through a distinctly camp aesthetic. It explores how set design, costumes, and performances exaggerate mid-twentieth-century gender conventions and theatrical traditions, creating a playful reinterpretation of the source material. Special focus is given to the production’s visual design, its treatment of gender roles, and the standout comic performances of Jennifer Rider-Shaw as Miss Adelaide and Mark Uhre as Frank Detroit. Through close analysis of performance elements, the review demonstrates how contemporary productions can renew as well …

Sanitized For Public Viewing: Review Of William Shakespeare’S The Tempest, Allison Meyer

Best Integrated Writing

This review analyzes the Stratford Festival’s 2026 production of Shakespeare’s The Tempest, directed by Antoni Cimolino, and argues that the production minimizes the play’s political and colonial themes. The article examines how specific production choices, including Caliban’s costume design, the comic treatment of Stephano and Trinculo, and Prospero’s final interaction with Ariel, obscure questions of power and colonization. Through detailed analysis of staging, characterization, and directorial decisions, the review evaluates the consequences of presenting Shakespeare’s play as a story of personal forgiveness rather than political conflict. It interrogates this erasure of colonial power struggles within the framework of the Stratford …

Best Integrated Writing Fall 2026 - Complete Edition, Wright State University School Of Humanities And Cultural Studies, Kristie Mckiernan

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University.

Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika

Regards

This article examines the role of theatre costume in constructing and transmitting the memory of the performing arts, drawing on the exhibition Tisser le Temps: Histoire et Création du Costume Théâtral Marocain (Weaving Time: History and Creation of Moroccan Theatre Costume), presented in 2024 as part of the National Theatre Festival of Tetouan. Given the ephemeral nature of theatrical performance, costume emerges as a material trace capable of preserving the memory of the production, of the actor's body and of the creative process. In this sense, it can be regarded as a genuine "living archive". The article also analyses the …

Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki

Regards

Undertaking research on theatre in Algeria, the Arab world or sub-Saharan Africa is by no means an easy task; it is closer to an obstacle course. It is far from the simple "intellectual adventure" it is so often imagined to be. It is a gruelling experience, patiently built up over time: the outcome of a long and delicate process, a lengthy journey made up of rewarding moments, to be sure, and genuine discoveries, but also of trial and error, self-questioning, refusals, closed doors and, at times, decisive encounters.

Résumé
Entreprendre une recherche sur le théâtre en Algérie, dans le monde …

Interview – رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi

Regards

This interview looks back on the career of theatre researcher and historian Sayed Ali Ismail and on his distinctive journey through the forgotten and marginalised documents of Arab theatre. The historian highlights the importance of archives in building a reinterpretation of the history of the performing arts in the Arab world, particularly in Egypt.

ملخّص
تتناول هذه المقابلة المسيرة المهنية للباحث والمؤرخ المسرحي سيد علي إسماعيل، بالإضافة إلى رحلته الفريدة مع الوثائق المنسية والمهمشة في مجال المسرح العربي. ويؤكد الباحث على أهمية الأرشيفات في إعادة قراءة تاريخ الفنون المسرحية في العالم العربي، ولاسيما في مصر

كلمات مفتاحية
الأرشيف، التوثيق، التاريخ، …

Palestinian Theatre Studies: The Emergence Of A Field, Noor Shihadeh

Regards

This article analyses the emergence of Palestinian theatre studies, a field of research bound to the modern history of Palestine and to the settler colonial violence that marks it. This violence strikes people, their cultural production and the very possibility of preserving it, shaping in turn how scholarship circulates and where it can be conducted. Studies on Palestinian theatre have nonetheless appeared since the 1960s. The article examines them through a multilingual literature review (Arabic, English, French, Italian, Hebrew) and identifies three main lines of research: a historical-documentary approach, a socio-political and anthropological approach, and a body of studies devoted …

Héritages, Mémoires Et Transmissions Dans « Augures (LaʿAllā Wa ʿAsā) » De Chrystèle Khodr, Najla Nakhlé-Cerruti

Regards

This article examines how Augures (Laʿallā wa ʿasā), a play created by Chrystèle Khodr in 2021 in Beirut and then presented in France, constructs an alternative historiography of the Lebanese civil war through theatre and its history. While the history of theatrical practice during this period remains largely unwritten in Lebanese historiography, the play draws on the intertwined memories of two iconic actresses, Hanane Hajj Ali and Randa Asmar had never converged before this production. Drawing on textual analysis, observation of the performance, and secondary sources, the article shows how Augures turns the stage into a space where history is …

L’Archive, Enjeu Et Miroir De La Structuration Du Mouvement Théâtral Indépendant En Égypte, Pauline Donizeau

Regards

This article examines the link between the archives of the independent theatre movement in Egypt and the movement’s difficult journey towards structuring itself, from its formation in the late 1980s to the present day. For the artists involved in this movement, who create outside the structures and funding of official institutions, the archives represent a major challenge in political, economic and aesthetic terms.

Résumé
L’article s’intéresse au lien entre les archives du mouvement théâtral indépendant en Égypte et sa difficile structuration, depuis sa formation à la fin des années 1980 jusqu’à maintenant. Pour les artistes de ce mouvement, qui créent …

نقد معاوية نور لمسرح أحمد شوقي (1929-1932): قراءة في أرشيف مجهول, Essam Abu Elgasim Abdel Wahid

Regards

Critiques of Ahmad Shawqi’s drama formed a prominent feature of the Sudanese critic Muawiya Muhammad Nur’s theatrical scholarship. Among the six articles he dedicated to analyzing theatrical works, Nur authored three pivotal essays on Shawqi’s theater published during the "Prince of Poets" life- time. The significance of these articles today lies in the fact that they remained "unknown" and absent from foundational references, leading to the omission of Nur’s contributions from studies documenting Arabic theatrical criticism in the pre-Mohamed Mandour era. This study serves as a call to re-read the history of Arabic theatrical criticism through a more precise and …

Introduction, Marianne Noujaim, Ons Trabelsi

Regards

L’histoire du théâtre arabe est une histoire traversée par des silences, des lacunes, et des discontinuités qui relèvent autant des conditions de préservation des spectacles que des modalités de la mise en place d’une historiographie rigoureuse. D’aucuns infèrent de ces lacunes la carence de production des arts du spectacle dans le monde arabe. Dans la préface de son ouvrage Al-Masraḥ al-munawwaʿ, Tawfīq Al- Ḥakīm (1966) déplorait ainsi le fait que « notre création théâtrale contemporaine surgît ainsi de rien ou de presque rien, de quelques rares expériences […], œuvrant par-delà un abîme vertigineux que les efforts fournis au fil …

Presupposition As A Pragmatic Phenomenon In Daily Communication: A Literature Review, Uhood Abdul Razzaq Sliah

Journal of Language, Literature, and Arts

Presupposition has traditionally been examined as a semantic phenomenon, although its functions in everyday communication extend beyond truth-conditional meaning. This study aims to examine presupposition as a pragmatic phenomenon, particularly how speakers use implicit assumptions to manage information, influence interpretation, and negotiate common ground. Using a literature review approach with qualitative thematic synthesis, the study examines 13 studies published between 2011 and 2026, identified through academic literature searches involving Web of Science, Scopus, and Google Scholar. The analysis identifies four major themes: the development of semantic and pragmatic theories, the rhetorical functions of presupposition in political and media discourse, the …

Konstruksi Identitas Nasional Melalui Bahasa Visual Animasi Dalam Trailer Film Merah Putih: One For All, Deva Alviana, A. Syaifuddin Rohman

Journal of Language, Literature, and Arts

This study aims to analyze the application of the 12 principles of animation, the construction of national identity, and audience interpretations of the animated film trailer Merah Putih: One for All. A qualitative approach was employed through scene-by-scene audiovisual analysis of the 2-minute, 2-second trailer published on the YouTube channel @perfikitv and reception analysis of 15 comments purposively selected from X. The analytical framework combines Thomas and Johnston’s 12 principles of animation with Stuart Hall’s encoding/decoding theory. The evaluation indicates that one principle was applied effectively, two were partially applied, four were inadequately applied, and five were not adequately …