Theatre and Performance Studies Commons^™

Kembang Setaman Dalam Budaya Jawa Sebagai Ide Penciptaan Seni Lukis Kontemporer, Lintang Putri Kinasih, Ponimin Ponimin

Journal of Language, Literature, and Arts

Kembang setaman is a traditional floral arrangement used in various Javanese cultural practices and carries symbolic meanings associated with human life. This research and artistic creation aims to reinterpret the symbolism of kembang setaman through contemporary painting and explore its potential as a source of visual ideas for representing the human life journey. The creative process adapted Alma M. Hawkins’ method, comprising exploration, improvisation, and realization. Exploration involved literature and visual studies as well as reflection on personal experience; improvisation involved sketch development and artistic experimentation; and realization employed acrylic paint on canvas. The process resulted in six paintings representing …

Perundungan Di Mts Al Khairaat Sindue: Analisis Pragmatik Komentar Pada Tiktok @Inews.Com, Maruf Faddurahman, Ananda Alya Dwi Ariani, Suci Muhimmatul Khusna, Sutrisno Gustiraja Alfarizi, Didin Widyartono

Journal of Language, Literature, and Arts

Bullying in educational settings is a social issue that not only affects victims but also generates diverse public responses on social media. This study examines the linguistic forms and pragmatic functions used by netizens in responding to a bullying case at MTs Al Khairaat Sindue through comments on the TikTok account @Inews.com. A descriptive qualitative approach employing qualitative content analysis was used. The data comprised 12 high-engagement comments purposively selected from approximately 23,000 comments on the relevant post. The findings reveal several response orientations, including support for the victim, demands for sanctions, rejection of bullying normalization, defense of the perpetrators, …

Representasi Visual Cover Artwork “Revolusi Mental” Paroots: Analisis Semiotika Roland Barthes, Revaldi Arya Utomo, Agnisa Maulani Wisesa

Journal of Language, Literature, and Arts

Cover artwork in digital music functions not only as a visual identity but also as a representational medium that constructs meaning through symbols, colors, and composition. This study examines the visual representation of Paroots’ “Revolusi Mental” cover artwork, created by Garis Edelweiss, using Roland Barthes’ semiotics and Stuart Hall’s theory of representation. A descriptive qualitative approach was employed, drawing on the visual artwork and in-depth interviews with Garis Edelweiss and five members of Paroots. Barthes’ framework was used to identify denotative, connotative, and mythical meanings, while Hall’s framework was applied to examine the relationship between the creator’s encoding and the …

Transformasi Visual Spiritualitas Qur'ani Fundamental Dalam Seni Lukis Kaligrafi Kontemporer, Muhammad Nur Wahid, Ponimin Ponimin

Journal of Language, Literature, and Arts

Fundamental Qur'anic themes, including monotheism (tawhid), revelation and prophethood, the afterlife, justice, and knowledge, serve as the primary source of inspiration for the creation of contemporary Islamic calligraphic paintings. The rapid development of modernization and secularization has reduced the representation of Qur'anic spiritual values in contemporary society, creating the need for a visual medium capable of communicating these values through symbolic, reflective, and aesthetic expressions. This study aims to transform Qur'anic spirituality into contemporary Islamic calligraphic paintings, develop a creative process based on practice-based research, and produce artworks that integrate religious values with contemporary visual art approaches. …

Representasi Variasi Pola Asuh Dalam Relasi Orang Tua–Anak Pada Film Home Sweet Loan, Aulia Qisthi Rosyada, Baiq Nibriyas Imthinan, Fitriyani Nurrohmah, Neviada Bristyn, Helmi Muzaki, Bayu Koen Anggoro

Journal of Language, Literature, and Arts

Family-themed films can represent different parenting styles through communication, behavior, and parent–child relationships. This study aims to analyze the representation of parenting styles in the film Home Sweet Loan. A descriptive qualitative approach was employed, using dialogue, characters’ actions and expressions, and contextual elements of parent–child interactions as data. The data were collected through repeated viewing and systematic note-taking and were subsequently coded and deductively categorized according to authoritative, authoritarian, permissive, and neglectful parenting characteristics. The findings reveal three predominant parenting tendencies. Kaluna’s father represents authoritative parenting through emotional support, firm boundaries, open communication, and respect for his children’s …

Strategi Sanggar Mekkas Laras Dalam Pelestarian Musik Karawitan Di Kabupaten Pamekasan, Fai’Atus Sakinah

Journal of Language, Literature, and Arts

This study examines the strategies employed by Mekkas Laras Art Studio to preserve karawitan music in Pamekasan Regency and identifies the challenges and adaptive responses involved. A descriptive qualitative approach was employed, with data collected through interviews, observations, and documentation involving the studio's management, instructors, and participants. Data were analyzed through data condensation, data display, and conclusion drawing and verification. The findings reveal three interrelated processes of karawitan preservation: perception, appreciation, and creation. Perception introduces participants to karawitan and facilitates enculturation through direct engagement; appreciation fosters recognition of its cultural values and functions; and creation provides space for innovation and …

Transformasi Karakter Pandawa Lima Dalam Penciptaan Batik Lukis Dengan Pewarna Remazol, Putri Ayu Karisma Oktavia, Ike Ratnawati

Journal of Language, Literature, and Arts

This art creation study explores and transforms the characters of the Pandawa Five into the visual language of batik painting through figures, gestures, attributes, motifs, colors, and composition. The creative process employed Gustami’s method, comprising exploration, design, and realization. Exploration involved examining the characters of the Pandawa, observing batik paintings, interviewing practitioners, and experimenting with colors, followed by the development of alternative designs and their realization using canting and brush-coloring techniques with Remazol dyes. The process produced six 90 × 110 cm works entitled Yudistira, Bima, Arjuna, Nakula, Sadewa, and Pandawa Lima. Each work …

D2.09 Cultural Activity: Borges Posthumous Interview, Carlos Uncal, Courtney L. Self, Cristo Leon

10mo Coloquio Internacional de Estudios sobre Juegos de Rol

Descripción del evento: Actividad cultural transdisciplinaria que combina teatro, entrevista performativa e improvisación para presentar un encuentro imaginario con Jorge Luis Borges. La sesión inicia con una conversación guiada sobre literatura fantástica, mitología, filosofía, religión, historia y creación literaria. Posteriormente, el público podrá formular preguntas espontáneas y proponer palabras o frases que servirán como punto de partida para la improvisación de poemas originales. La actividad explora la relación entre interpretación teatral, participación del público, memoria cultural y creación colaborativa.

Event description: This transdisciplinary cultural activity combines theater, performative interviewing, and improvisation to stage an imagined encounter with Jorge Luis Borges. …

Performing Disobedience: Critical Spatial Heritage, Counter-Memory, And The Rewriting Of Medellín’S Public Space, Laura Balán

Interiority

This article examines the radical street performance practice of Bernardo Ángel Saldarriaga in Medellín, Colombia, as a site of political and epistemological transformation. Through ethnographic engagement with Saldarriaga—an ascetic artist who stages trance-based interventions in public space—the study analyses how his performances disrupt dominant narratives of history, identity, and citizenship. Drawing on political ontology, decolonial thought, and critical heritage studies, the article argues that Saldarriaga's work functions as a hybrid forum for negotiating plural knowledges and social imaginaries. His refusal of institutional funding, his embodied critique of state power, and his use of trance and possession rituals generate both affective …

Together//Apart Explorations In Choreorobotic Performance Ontologies, Kate Sicchio, Patrick J. Martin

Computer Science Faculty Publications

This chapter presents a practice-as-research approach to developing an improvisational choreorobotic performance. Our performance process motivated the creation of new human–robot interaction and live choreography technologies. These technologies were tested during the performance and evaluated by the audience through feedback on their perceptions about the coexistence of humans and machines in a shared space. Examining these results through both autonomous robotics and performance studies ontologies, we formulated a new analytical process in which choreographic practice informs design and robots inform performance.

(Un)Easily Writing The Future, Stuart Moulthrop, Judith Pintar, John G. Mcdaid

ELO (un)supervised 2026

General Abstract: This panel brings together three experienced digital writers who have recently begun to explore Language Models and transformers in creative and academic practice.  Each of us will comment on recent experience and projects, reflecting on how these technologies alter the way we think of ourselves as writers and teachers.

[1] Judith Pintar, "The Non-applicability of Wishing due to Lack of Capacity".

Pintar will discuss her experience of facilitating Gemini AI in a Rogerian therapy session with an Eliza bot written in the Inform programming language. The session is occasionally interrupted with a meta-conversation with Gemini regarding its responses. …

“Anything Can Have Life”: An Interview With Everett Quinton About Charles Ludlam’S Ridiculous Puppetry, Jungmin Song, John Bell, Everett Quinton

Ballard Institute Publications

This Ballard Institute and Museum of Puppetry conversation, via Zoom, with

Everett Quinton, Dr. John Bell, and Dr. Jungmin Song was recorded March 21,

2021, and edited by Tom Tuke and John Bell. Everett Quinton (1952-2023) was an

actor, director, and—after the death of his partner Charles Ludlam (1943-1987)—

the leader of the Ridiculous Theatrical Company, the landmark ensemble which

helped define queer theater in the late 20th century. While mostly known for his

acting, playwriting, and directing, Charles Ludlam was also an active puppeteer

and ventriloquist. Many of his puppets are now part of the Ballard Institute and

Museum …

"Then Daddy Began A Story": Storytelling In Tolkien’S Home And Our Own, Josh Renaud

Journal of Tolkien Research

"Then Daddy began a story, and this is what he said." That's how J.R.R. Tolkien began the first manuscript version of "Farmer Giles of Ham," one of a few moments of fatherly storytelling to be found in his fiction. Tolkien is remembered today as a great author and artist, but in his home he was a loving parent who regaled his children with tales — a "story-telling presence," as his daughter Priscilla Tolkien put. In this presentation, I reflect on Tolkien as a "daddy" and oral storyteller, drawing on examples from Tolkien's life and writing. I also consider what storytelling …

Perkembangan Visual Motif Waru Pada Batik Tulis Namiroh Sidoarjo, Muhammad Habib Rafi Asyhari, Sumarwahyudi Sumarwahyudi

Journal of Language, Literature, and Arts

This study aims to examine the visual development of the Waru motif in Batik Tulis Namiroh Sidoarjo over time, identify the factors influencing these changes, and analyze the visual elements of batik that indicate such development. The visual development of the motif was analyzed chronologically based on different time periods by examining changes in form, color, and composition from the perspective of visual aesthetics. This research employed a descriptive qualitative method with an art and cultural approach. Data were collected through interviews, observations, and documentation and analyzed using the stages of data reduction, data presentation, and conclusion drawing. The findings …

Introducing Contested Weather: Art And The Power Of Collaborative Response In Times Of Crisis, Jo Pollitt, Helena Grehan

Research outputs 2022 to 2026

No abstract provided.

Forecast: An Exhibition Inviting Slow Feeling Through Participation In Unstable Weather States, Jo Pollitt, Helena Grehan, Lilly Blue, Peggy Attkinson, Justine Dandy, Naomi Joy Godden, Leanda Mason, Renee Esther Newman, Alexa Taylor, Danielle Gilson

Research outputs 2022 to 2026

This paper presents a series of responses from Western Australian based artists and scholars from a range of disciplines including: meteorology, science, education, social work, psychology, art and performance studies, to a year-long exhibition titled Forecast in Gallery 09 at The Art Gallery of Western Australia (AGWA). Forecast is a collaboration between AGWA's Head of Learning and Creativity Research, Lilly Blue, Edith Cowan University's Centre for People, Place and Planet artist-scholar, Jo Pollitt, together with artists Dianne Jones and Eva Fernández. The exhibition invites audiences to contribute to two participatory works: Weather Patterns, a daily changing installation that makes room …

“Retalhos De Mim Costurados Por Nós” (A Patchwork Of Me, Stitched Together By Us), Marjorye Graves

MFA in Dance Theses

This document represents the culmination of my thesis project "Retalhos de Mim Costurados por Nós" (A Patchwork of Me, Stitched Together by Us), a choreographic project integrating scholarly perspectives from Dance and Social Justice, Phenomenology, and Somatics courses. Employing both dance film and solo live performance, the research interrogates the complexities of identity within the overlapping contexts of immigration, domestic violence, and motherhood. Through an embodied praxis, the project addresses the intersection of adversity and resilience, highlighting the transformative potential of community, cultural inheritance, and spirituality in my healing process.

Spirals Of Light: A Healing Journey Through Somatics, Dance, And Pedagogy, Jessica Batha

MFA in Dance Theses

This thesis investigates dance as an embodied practice of healing, attunement, and belonging through phenomenology, somatics, and environmental engagement. Grounded in Sondra Fraleigh’s eco-phenomenological framework, the research weaves personal narrative, artistic inquiry, and interdisciplinary scholarship to examine how thresholds of birth, injury, and recovery shape sensory orientation across the lifespan. Drawing from lived experiences as a dancer, mother, educator, and researcher, the study explores tone, breath, light, and movement as formative forces in identity and resilience. Central to the inquiry is a knee injury and subsequent surgical recovery, which catalyzed a somatic practice aligned with circadian rhythms, sunrise ritual, and …

Machine (Un/Re) Learning, Jordan Shadley

MFA in Dance Theses

This thesis document is an exploration of the interaction between live performance art and digital content creation such as Generative A.I. In this work, I draw from several courses I completed during my time in Saint Mary’s College of California MFA in Dance and Creative Practice program, including Dance and Social Justice, Phenomenology, Somatic Movement Seminar and Dance and Performance Studies. Each offers a throughline of my scholarly explorations and embodied research into the spheres of adapting and challenging how concert dance spaces respond to digital information and creation. I utilized live movement collaboration and distorted videography through Generative A.I. …

D-Entangled, Macy Yu

MFA in Dance Theses

This thesis investigates the choreographic, somatic, and cultural significance hair holds in dance through identity and belonging. Hair is more than merely a visual or aesthetic marker, it is a lived, identity-bearing, and sensory archive of the body. To say that hair is merely just for aesthetics in lifestyles and in dance is not acknowledging its full impact. Hair functions as both a cultural and sensory archive as well as embodied resistance and a site of identity. I identify as a multi-ethnic woman, dancer, educator, and choreographer. This paper analyzes hair through the examination of four different methodologies including a …