Photography Commons^™

Vistas, Volume 31, Spring 2016, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of Sacred Heart University during the academic year 2015-2016.

This year's issue of Vistas is titled "Heritage and Beyond."

Zephyr: The Seventeenth Issue, Zephyr Faculty Advisor, Megan Totten, Melissa A. Destefano, Sarah Fleischmann, Shannon M. Cardinal, Alanna Sachse, Cassidy Bayen, Gabby Price, Sarah Hoover, Nick Letourneau, Anna Laskorski, Josh Powers, Will Drury, Kristen Brannen, Anthony Berube, Morgayne Nash, Trish Alling, Tyler Meunier, Emmie Travers, Heather Smith, Olivia Madore, Deanna Mansfield, Pilar Mendoza

Zephyr

This is the seventeenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Friends Of Musselman Library Newsletter Spring 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Receives 9/11 Commission Papers (Fred Fielding '16)

Library News

Digital Scholarship Fellows

From Paupers to Presidents

Fair Use Week

Reading About Race

Student Workers Save the Day (Nadia Romero Nardelli '19)

Life in the Fishbowl (Brittany Barry '17)

In Memory of Douglas R. Price; Former Aide to Eisenhower

Special Purchases

From the Piano Bench (Jay P. Brown ’51, Doug Brouder ’83, Julie Caterson ’84 and Mr. & Mrs. Michael Fiery)

Research Reflections: The Spirit of Gettysburg (Timothy Sestrick)

Gift of Art

Old Gettysburg Back to Thee (Jenna Fleming '16, Avery Fox '16, Melanie Fernandes …

Volume 95, Number 1 - Spring 2016

The Alembic

Volume 95, Number 1 - Spring 2016. Full issue, 133 pages in total including front matter & table of contents.

Table of Contents:

• Levy, Jeffrey, A Story to Tell, 1
• Durbin, Branan, Namesake, 2
• Durbin, Branan, Hannah, 4
• Durbin, Branan, Zoraida, 5
• Price, Devyn, The Surly Bonds of Earth, 7
• Perchik, Simon, *, 17
• Moglia, Greg, Three Steps, 18
• Moglia, Greg, Try to Get Away, 19
• Moglia, Greg, Commander, 20
• Wright, Ben, 1000 Tea & Topology, 21
• Wright, Ben, Herstein & More Caffeine, 22
• Wright, Ben, Irrational Pi, …

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …

Orpheus, Spring 2016, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

And This: Is The Journey To The Center Of Freedom, Erin Williams

Photography Senior Thesis Projects

And This: Is the Journey to the Center of Freedom is a personal allegory, navigating the collections of stories, events, and feelings that are relevant in my life. There are distinct, quadratic layers to categorize these events appropriately. These are recognitions and representations of an individualistic experience; one that could not have been made without the institutions it has been balanced on.

This has been rooted in the various struggles and encounters that have occurred throughout my life’s course thus far. There are the four layers, which are representational of four different emotions.

These are the four layers that are …

Nexus, Spring 2016, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Taking In: A Juried Selection Of Undergraduate Photography 2016, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Lens On Habitat Destruction: A Photo Essay In Double Exposure, Bethany Holtz

Student Publications

Human greed and ignorance bulldoze through nature, leaving behind scarred landscapes and broken ecosystems. Within the world’s aquatic environments, human actions have irreversibly fragmented and shattered habitats of countless animals. Voiceless, these displaced animals suffer largely in silence—their stories untold and invisible. Using my lens to expose their cries, my photography uncovers the narrative of habitat destruction.

In this photo essay, I juxtapose the pristine and degraded habitats of five threatened aquatic species using double exposure techniques, a method where two disconnected images are merged to create one unified work. By balancing light, opacity, color, and transparency, I focus attention …

The Fantasy Self, Jill Lobianco-Bartalis

All Student Theses and Dissertations

If you could be anything what would you be? The Fantasy Self is a visual and psychological examination of fantasy personas, analyzed using the vehicles of photography and Jungian psychology. The subjects are photographed as their fantasy self and then psychoanalyzed with the intention of making the connections between the subconscious mind and the conscious mind. The Collective Unconscious is comprised of twelve major archetypes, each with their own set of distinct characteristics. The Innocent, The Orphan, The Warrior, The Caregiver,The Seeker, The Destroyer, The Lover, The Creator, The Ruler, The Sage, The Magician, and The Fool. Every human being …

Exploring And Expressing Points In Time Through Iphoneography, Peter Bosy

All Student Theses and Dissertations

The purpose of this thesis is to examine how iPhoneography extends a personal expression of lights, lines, patterns previously captured on film and digital devices through arts-based research that includes social media feedback.

This thesis explores the elements of photographing fleeting moments of time using new technology. This work investigates how to capture moments from daily life through recording the essence of light on surfaces and objects. Images arise from spontaneous and/or semi-spontaneous artistic moments. Visual investigations explore and question light, time, and space, and are categorized into the themes of Shapes, Shadows, and Showers.

The work has roots in …

Systems Failure, Joyce Speechley Symoniak

All Student Theses and Dissertations

“Systems Failure” is a substantial array of digitally created images centered on many social and ethical issues that go undetected for numerous people. Many within our society live in silent anguish, something that remains unseen and undiscussed by others. “Systems Failure” shows the outsider a brief look into this life. While some images may seem as if the ugly side of life is being brought out, they are concentrated on the strength of humans. The focus of these images is on those who are trying to endure situations in which many cannot see or even understand.

I intend to bring …

Land/People, Amanda R. Breitbach

School of Art, Art History, and Design: Theses and Student Creative Work

Through my project, Land/People, I investigate the decline of family farming and the emotional and spiritual issues that underly the human relationship to land. The exhibition combines aerial and large-scale panoramic photographs of my family’s farmland in eastern Montana with more intimate images of family members and domestic spaces. Through the use of multiple images, visual grids, and a repeated motif of windows, I tell a complicated story about history and land use, as well as the changing face of American agriculture. The installation is meant to be immersive, inviting viewers to experience this landscape for themselves and to …

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.

Osamu James Nakagawa Interview, Myumi Ware

Asian American Art Oral History Project

Bio: Osamu James Nakagawa was born in New York City; raised in Tokyo, Japan and returned to Houston, Texas at the age of 15. He received a Master of Fine Arts from the University of Houston in 1993 He is the Ruth N. Halls Professor of Art at Indiana University and a recipient of the 2009 Guggenheim Fellowship and 2010 Higashikawa Award: New Photographer of the Year, and 2015 Sagamihara Photographer of the Year in Japan. Nakagawa's work is shown internationally and his monograph GAMA Caves was published by Aka Aka Art Publishing in January 2014.

His recent work, BANTA …

Leonard Suryajaya Interview, Megan Casey

Asian American Art Oral History Project

Bio: BFA, 2013, California State University, Fullerton; MFA, 2015, School of the Art Institute of Chicago. Exhibitions: Irvine Fine Arts Center, CA; Expo Chicago, IL; Chicago Artist Coalition, IL; The Center for Fine Arts Photography, CO; Roy G Biv Gallery, OH. Publication: Lenscratch; Chicago Magazine; South Side Weekly. Lectures: Society for Photographic Education 2014 National Conference, MD; Society for Photographic Education 2016 National Conference, NV. Awards: New Artist Society Award; James Weinstein Memorial Fellowship; Claire Rosen and Samuel Edes Prize for Emerging Artist.

Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder

Honors Projects

Seeking Solace: Regret, Grief, Anxiety is a triptych video and artifact piece inspired by the abstract analysis of my dreams. It recognizes worries held within my subconscious and brings them to life through graphic design, photography, and video. The process of creating provides a new perspective of looking at both art and occupational therapy as methods of solving emotional distress.

I have recorded over 80 of my dreams in the past year. In these dreams, regret, grief, and anxiety are common themes. These themes are represented in three triptychs that cycle through past, present, and future problems. The cycling of …

The Art Of Mildred G. Burrage, University Of New England Art Gallery, Earle G. Shettleworth Jr.

Exhibition Catalogues

The Art of Mildred G. Burrage is the catalogue from the Portland Campus UNE Art Gallery’s March 26, 2016—June 26, 2016 exhibition of curated artwork by Mildred G. Burrage.

Earle G. Shettleworth, Jr. and Sally W. Rand curated the exhibition, which traces the 65-year career of Mildred Giddings Burrage (1890-1983), one of Maine’s most creative 20th century artists. Her many genres included American Impressionism, patriotic posters, portraits, historic maps, southwest and Central American flora and World War II shipbuilding. Influenced by Jackson Pollack, Mildred, in her post war years, began to paint increasingly abstract and unique mica collages, her own …

Petrography, The Tar Sands Paradise, And The Medium Of Modernity, Warren Cariou, Jon Gordon

The Goose

This article engages with the artistic practice of petrography, the art of creating photographic images through the action of sunlight upon bitumen, the heavy-oil material that is the source of the petroleum in the Athabasca tar sands. It presents several examples of petrographs that document the process of industrial bitumen mining itself. Further, it theorizes the ways in which both the process of producing petrographs and the act of engaging with them as a viewer require a degree of collaboration normally absent from our consumption of petroleum as the medium of modernity. A key argument of the paper is the …

Magnetic North, Pyramiden, Svalbard, Jenna Butler

The Goose

excerpts from Magnetic North Pyramiden, Svalbard

Vex, A Rawlings

The Goose

"Vex" is a visual poem from the serial work Dump. The series focuses on language discarded at rural Canadian landfill sites. "Vex" was sourced at Kennisis Lake Landfill Site, July 2014.

True Nature, Kevin Ballantine

Landscapes: the Journal of the International Centre for Landscape and Language

True Nature

A Shadow Place: Plumwood Mountain, Natasha Fijn

Landscapes: the Journal of the International Centre for Landscape and Language

This photo essay features the journey from the main highway, up a long bush track, to Australian environmental philosopher Val Plumwood's home in a clearing amongst dense, temperate rainforest, on the edge of a steep escarpment. The highway is the contact zone, where humans and other beings collide with one another. The intention of this photo essay is to draw attention to such contact zones, acting as conduits to our urban environments, and to ask us to acknowledge the shadow places along the way that make a different kind of contribution to our lives.

Off The Lip Conference - Transdisciplinary Approaches To Cognitive Innovation. Conference Proceedings, Sue Denham, Michael Punt, Edith Doove, Martha Blassnigg, Raluca Briazu, Kathryn Francis, Agi Haynes, Guy Edmonds, Adam Benjamin, Matthew Emmett, Iris Garrelfs, Christopher B. Germann, Joanna Griffin, Diane Humphrey, Bryanna Lucyk, Christie Purchase, Rachel Sansone, Emily Baxter, Amy Ione, Frank Loesche, Abigail Jackson, Alexis Kirke, Eduardo Miranda, Luke Rendell, Simon Ingram, Yutaka Nakamura, Gi Taek Ryoo, Eugenia Stamboliev, Michael Straeubig, Chun-Wei Hsu, Pinar Oztop, Mihaela Taranu, Sundar Sarukkai, James Sweeting, Minami Hirayama

Off the Lip Conference - Transdisciplinary Approaches to Cognitive Innovation

The promise of cognitive innovation as a collaborative project in the sciences, arts and humanities is that we can approach creativity as a bootstrapping cognitive process in which the energies that shape the poem are necessarily indistinguishable from those that shape the poet. For the purposes of this conference the exploration of the idea of cognitive innovation concerns an understanding of creativity that is not exclusively concerned with conscious human thought and action but also as intrinsic to our cognitive development. As a consequence, we see the possibility for cognitive innovation to provide a theoretical and practical platform from which …

Westview: Vol. 32, Iss. 1 (Winter 2016)

Westview

No abstract provided.

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques., Fedora Parkmann

Artl@s Bulletin

The members of the Czech avant-garde group Devětsil accorded great importance to photographic illustrations in the magazines they published throughout the 1920’s. Securing photographs from foreign contributors played a key role in the group’s strategy to develop and maintain an international network. This paper examines these photographic reproductions as traces of a transfer of formal and iconographic innovations in photography from abroad to Czechoslovakia.

4 Walls And A Dying Flame, Ilja Scholten

Manuscripts

No abstract provided.

Selfie, Phil Scorza

Northwestern Review

This body of work is comprised of a series of portraits that the artist photographed during the summer of 2014.

For the project, he questioned each participant before shooting their portrait, asking them what their relationship is to the church and then asking them to describe their relationship with God.

Scorza’s interpretation of their answers to these questions and the conversations that followed informed how he needed to shoot their portrait. The resulting imagery, or portraits, is a visual representation of the inward self-reflection these individuals shared – a selfie.