Photography Commons^™

Where My Memory Settles, Rachel Kobb

Masters Theses

My memory is blurry but ever present in an atmospheric state. Through my investigations of memory and sensorial experience, this thesis is an attempt to understand how the body recalls the spaces I have spent the most time: my various homes through life.

The output of this thesis is a paper installation that layers and translates spatial qualities of my past homes. The home is not a neutral container, but instead a space that should support a sense of retreat and security. Drawing upon Gaston Bachelard’s zones of experience, I explore how a domestic space is moved through distinct zones. …

The Frame You're Holding, Andrea Mato

Masters Theses

The Frame You're Holding explores how my photographer's eye transitioned into a graphic designer's voice. The projects presented explore how to weave the textural and subjective qualities of photography into a design context. My practice explores how the frames of graphic design – the page of a book, the browser window, or the wall of an exhibition – can be expanded or reimagined. As a designer, I became the translator of content into form, seeking to author the design while collaborating with other voices. The Frame You're Holding is a snapshot of my practice as a graphic designer, encapsulating my …

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …

Temporary Constructions, Elliott Golden

Masters Theses

Temporary Constructions is a photographic series made by a process of multiple exposures, material assembly, and surface intervention on large format film. Working in a photographic lighting studio, I build provisional structures from scrap wood and metal and photograph the structures in multiple possible forms to produce images that are visually intelligible but spatially impossible. In my writing, I situate these images within a longer lineage of artists using photography to recast our relationship to surface and depth, and consider what that lineage reveals about contemporary mediation and the increasingly blurred boundary between image and object.

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

Floaters, Kyle Gyumin Dong

Masters Theses

The eye is often regarded as the primary sensory organ of the human body, and the ocular system as our most reliable means of perceiving the world.

With vision, we travel across vast distances through telescopes to expand our knowledge of the observable universe and peer into the hidden world of atoms through microscopes. At the same time, we seek divinity from apparitions in the clouds, broaden the range of colors visible under closed eyelids, and catch a brief glimpse of the future in clairvoyant dreams.

My photographic practice oscillates across this spectrum. Between reason and intuition, between the measurable …

The Body Has Its Own Time, Wen Zhang

Masters Theses

In embodied practice, the artist’s experience and body become the medium through which thought and expression take form, not as illustration, but as primary material. Performance art has long occupied an unstable position within contemporary art: celebrated in retrospect, underfunded in practice, and selectively institutionalized. Its marginality has never been evenly distributed. Certain bodies, female, racialized, aging, non-normative, have remained further outside the archive than others, their work harder to collect, harder to value, and easier to forget. To work in performance, particularly as a woman, is to work within that contradiction.

For me, performance is less a form than …

American Paradise, Virginia Hanusik

Masters Theses

The following is a collection of stories and ideas about the making of our physical and emotional worlds, along with their fracturing, deconstruction, and degradation within the American industrial landscape.  It suggests the value of the unknown and the grace of mistakes, emotional and material friction, and the hiccups that come with learning.

For American Paradise, I’m bringing my interest in landscape extraction, and the people and families within them, to my own autobiography. In this work I turn to where I grew up, the people that brought me there, my connection to manual labor, and the use of specific …

Photovoice As A Resilience Tool For Helping Professionals In Complex Trauma Work, Pamela Lie

Expressive Therapies Dissertations

Helping professionals (HPs) working with complex trauma operate in emotionally demanding environments that place them at increased risk of burnout, secondary traumatic stress, and compassion fatigue. Resilience has therefore been identified as an important resource for sustaining well-being and effective practice. While photovoice has shown potential as a participatory approach for fostering resilience across diverse populations, its application among HPs engaged in complex trauma work, particularly within Asian contexts, remains limited. This study examined how seven HPs engaged in complex trauma work from a single organization in Singapore experienced and perceived photovoice as a resilience-building tool. The study employed a …

War Photography & The Limits Of Empathy, Andrea Shi

Student Theses and Dissertations

The proliferation of photography, particularly war and poverty photography, has had massive implications for the level of vividness with which Americans are able to picture suffering beyond their doors. The mass atrocities that have occurred since the advent of photography – that is to say, the last 200 years – are so relentlessly circulated that they feel, sometimes, as an inevitable byproduct of human nature. It’s not surprising, then, that a lot of media theory and analysis reduce the dilemma of atrocity photographs to a psychological level. Do they numb us, or do they incite empathy? Are they a call …

I Taught Myself To Feel Nothing, Jeaneliz Marie Martinez Maldonado

Student Projects

Jeaneliz Martinez is an artist who decided to challenge herself to confront personal insecurities by placing her own body in front of her camera. What initially stemmed from an inability of looking at herself without the feeling of disgust became a central point of exploration within the work.

This series is exploring Jeaneliz’s ongoing struggles with mental health. Using self-portraiture, she captures moments of vulnerability, tension, and introspection, while also addressing the complexities of healing. Each image functions as a visual fragment of her journey, reflecting both the weight of past experiences and the effort required to move towards self-acceptance. …

Lost, Not Found, Lily K. Ostrovsky

Student Projects

Found, Not Lost is a documentation of a fictional cult in DeKalb that worships an unseen entity believed to live within the surrounding corn fields. It grew out of the isolation I felt when I first transferred to NIU, when making friends and interacting with people felt difficult, and it seemed like everyone around me already belonged to something I couldn’t access. That experience began to feel like being surrounded by an impenetrable cult.

Pests that plague corn crops, handmade corn husk dolls, teeth, and nails are present throughout this series. These elements, in conjunction with low-contrast light, are meant …

Forgotten In The Smokies, Diego G. Torres

Student Projects

The Great Smoky Mountains are riddled with old and forgotten places. The tree canopies shield abandoned buildings, structures can be found with their fireplaces and flooring still in place, just overgrown and cracking, cemeteries of people long since dead, still with flowers at their bases. At night, the woods hold you in place, too dark to venture out and many streets missing a streetlight. It's an old place full of rich and abundant history, it will however keep you in if you let it.

Diego Torres is a Chicago based photographer who leans towards horror-esqe photos inspired by artists like …

Heirlooms Of Virtu, Santos Nunez

Electronic Theses, Projects, and Dissertations

Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.

As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …

Taking A Deeper Look: Attributing Tonal Values Of Photolumens To Their Emulsions Using Scanning Electron Microscopy, Anna M. Moore

All Theses

This thesis examines whether tonal variation in photolumens made with historic silver gelatin photographic papers can be linked to differences in elemental composition. Photolumens are cameraless photographic images created by placing objects directly on light-sensitive paper and exposing them to ultraviolet light. Because expired and historic darkroom papers often produce unpredictable colors and tones, this study asks whether visually defined tonal groups also show measurable chemical differences.

Twenty historic paper samples were exposed, documented, and sorted into five tonal groups based on visible image characteristics. Each sample was then analyzed using scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDS) …

The Rem Series, James W. Conkis

Student Projects

James Conkis is a film photographer who blends traditional photography with modern

digital methods. James’ work is a way to consolidate memories from past experiences from

growing up in the Midwest. He strives to take timeless images that make people question when

they are taken. James takes photos with medium format 120 film, and 35mm film cameras. He

develops his own film, makes his own darkroom prints, and edits scans in Photoshop. James

Conkis is currently attending Northern Illinois University to receive a BFA in Photography. His

current series of dreams, The REM Series, is a continuation of night film …

Seek, And Ye Shall Find, Alex Relaz

Student Projects

Alex Relaz’s work primarily focuses on nature and his relationship to it. Changes are constantly exhibited in nature, and the same can be said for people, no matter who they are. As Alex grew up, he soon found that he was different from his peers. He was teased by his classmates, and after formally coming out as transgender, he was ostracized by the authoritative figures from his former life. Some years later, he turned to photography as a way to capture his love for the natural world. After enrolling at Northern Illinois University and studying the art form more closely, …

Beyond The Mic: A Documentary Of Kaor’S Voices & History, Sydney M. Kolln

Honors Thesis

The University of South Dakota’s Media & Journalism Department celebrated the 40th anniversary of KAOR, the university’s student-run radio station, on Oct. 2, 2025. The celebration recognized generations of students whose creativity, leadership, and dedication contributed to the station’s growth and continued legacy on campus. This thesis explores the history and growth of KAOR through research, historical documents, and personal accounts from former and current KAOR students. By examining the station across multiple decades, the project highlights how student radio has adapted to changing technology and campus culture. This written thesis accompanies a 30-minute documentary focused on key eras in …

The Living Archive: Photography, Social Media, And The New Frontier Of Activism, Lundyn C. Herring

LSU Master's Theses

This thesis seeks to analyze the discursive field and technology of photography and its multi-faceted role in the oppression of colonized people under Western imperialism. Among the main collection highlights of many established state-run archival institutions are photographic records consisting of surveillance images, mugshots, and other visual media as representations of the political hegemony that is exerted over governed peoples. From the mid-19th century to 2026, much has shifted in the realm of photography with the introduction of smartphones, accessible technology, and social media platforms during the beginning of the twenty-first century. As states and powerholders apply the technology of …

Typeface: Machine-Viewing Gentrification On Storefront Imagery In Bedford-Stuyvesant, Brooklyn, Alexander Mcquilkin

Dissertations, Theses, and Capstone Projects

Gentrification—broadly, the replacement of a less powerful group by a more powerful one in an urban context—is oft-discussed in the popular press, but its definition is much-debated in the urban planning literature. Furthermore, academic treatments of displacement understandably focus on measurable yet fairly abstract indicators like changes in rent or income, whereas neighborhood change is often registered by residents on the ground using visual, but difficult-to-quantify markers like retail turnover. This project uses image recognition technology on a set of storefront photos to index the visual streetscape of a neighborhood, as well as to track changes to that portrait over …

The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen

Theses and Dissertations

The Double Gaze examines Maruch Sántiz Gómez’s series Creencias (1994-2000) at the intersection of sociopolitical changes in southeastern Mexico and the 1995 Johannesburg Biennial. Drawing on Rita Segato’s “capillary disobedience” and the Mayan philosophy of kab’awil, the research considers Creencias as a theoretical proposal for reading Indigenous art practices.

"Catching Up": Christian Walker's Critical Lens, Noam Parness

Theses and Dissertations

“Catching Up” examines three bodies of photographic work that artist, critic, and curator Christian Walker (1953-2003) generated between 1984-1991. By reading each series against a corresponding text, “Catching Up” furthers an understanding of how Walker’s works reconstruct experiences and histories of race and sexuality in the United States.

The Lost Art Of Club Photography: Capturing Nyc’S Nightlife And Cultural Legacy From The 1980s To The 1990s, Madeleine M. Canfield

MA Theses

This thesis examines how club photography in New York City’s nightlife of the 1980s and 1990s both shaped and reflected cultural identity, and investigates why this visual practice has largely disappeared in the age of social media. By focusing on photographer Steve Eichner and his documentation of iconic moments from one of Peter Gatien’s four mega-clubs, this thesis analyzes published photographs and articles to examine how visual representation shaped the culture it portrayed. The research demonstrates that club photography was instrumental in shaping public perception of nightlife, capturing the spontaneity, creativity, and energy of the era. It also highlights how …

Film For Jeanette, Brice Goldberg

Theses and Dissertations

Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …

In-Between Echoes, Jiayi Liang

Theses and Dissertations

In this dissertation, I explore memory, diaspora, labor, and intergenerational trauma through constructed photography and experimental film. Informed by Homi K. Bhabha’s concept of the Third Space, I examine how identity is shaped through displacement, cultural negotiation, and inherited memory. Drawing from my relationship with my grandmother and my experience as a Chinese woman living in diaspora, I consider labor as both survival and care, tracing how domestic gestures and emotional structures continue across generations. Through collage, reconstruction, and animation, I rework fragments of family archives, colonial landscape imagery, and personal photographs to address grief, racialized perception, belonging, and the …

“What Is In Vogue?” A Critical Study Of Photography, Psychology, And Power In Vogue Magazine, Hannah Eve Osinoff

MA Theses

Capitalizing on our obsession with beauty and power, this thesis examines, through psychological and art-historical lenses, how Vogue’s use of photography increased the public’s fascination with elitist culture. Using archives and secondary sources, this thesis aims to prove that photography was so powerful that it compelled readers to covet what they did not have. Accordingly, Vogue serves as a key example of how photography informed cultural perceptions of beauty and class. Ultimately, photography has and continues to impact fashion and media, as exemplified by Vogue’s early dominance of this medium and the resulting change in culture.

A Matter Of Lighting: An Exploration Of Erotic, Fashion & Glamour Photography In The Auction Market Through Icons Of Glamour And Style: The Constantiner Collection, Basha Yonit Shapiro

MA in Art Business Dissertations

This dissertation explores the evolving position of fashion, glamour and erotic-fashion photography within the contemporary auction market. This aim is met through a case study of the landmark Icons of Glamour and Style: The Constantiner Collection sales, which took place at Christie's New York and Christie's Paris in 2008, 2009 and 2019. Photography entered the auction market as a dedicated genre in the early 1970s, by the early 2000s prints of editorial photography from the pages of Vogue, Vanity Fair and Harper’s Bazaar began to circulate regularly on the market. In 2008, at the precipice of the financial crisis and …

Enduring The American Dream, Edward Grattan

Capstones

Martha and Rene - both Colombian nationals – have made the difficult decision to self-deport from the United States in the midst of the Trump Administration’s unprecedented immigration crackdown and deportation campaign. After working as day laborers in The Hamptons, New York for nearly eight years, the couple shares their experience of leaving their current life behind as anti-immigrant rhetoric and policy escalates across the country.

The Trump administration has transformed the landscape for immigrants living in the United States, regardless of documentation status, by eliminating paths for legal residency, charging The U.S. Immigration and Customs Enforcement (ICE) agency with …

The Automation Of Aesthetics: Artificial Intelligence And Commercial Artists In North Brooklyn, Devin Sudweeks

Theses and Dissertations

Corporate elites expect generative AI to replace commercial artists but overlook their social and aesthetic expertise. This ethnographic study explores how Brooklyn-based commercial artists narrate their value amid automation, emphasizing embodied presence in cultural scenes, visual language, style, and authenticity, skills not easily mechanized but vital to aesthetic economies.

,, Yujia Gong

Masters Theses

I am still learning how to understand the world.

As I moved through different countries, cultures, and communities, I often found myself unlearning and rebuilding what I thought I knew. At times I felt unanchored, floating without a sense of safety or belonging. So I began to walk.

Walking became my way of reconnecting. With each step, I used my senses to notice the details around me: shadows cast by sunlight; life growing from soil; the presence of buildings and objects as quiet evidence of human existence. These elements — scent, light, sound, size, temperature — shape our perception of …