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Articles 1 - 30 of 206
Full-Text Articles in Photography
Butterfly On The Way To Emmaus, Myrissa Donaldson
Stairs Into The Past, Doug Herbek
A Bar To Entry, Doug Herbek
Secret Spot, Myrissa Donaldson
Footbridge, Chapel Walk, Barbara Marincel
Footbridge, Chapel Walk, Barbara Marincel
Obsculta
Photograph taken in October on a walk out to the Stella Maris Chapel at Saint John's University
Fair, Myrissa Donaldson
Floating In The Daze, Garrett S. "Faustino" Miller Oblsb
Floating In The Daze, Garrett S. "Faustino" Miller Oblsb
Obsculta
No abstract provided.
Touching What Separates Us, Doug Herbek
The Great Hall Under The Shadow Of The Abbey Church, Doug Herbek
The Great Hall Under The Shadow Of The Abbey Church, Doug Herbek
Obsculta
Great Hall in background, Abbey Church in foreground
A Shaded View Of Worship, Doug Herbek
The Boardwalk, Myrissa Donaldson
Row Your Boat, Erin Werneke
St. John's Leaves In The Fall, Myrissa Donaldson
Lights Of The Lake, Garrett S. "Faustino" Miller Oblsb
All Guests Are To Be Welcomed As Christ, Doug Herbek
All Guests Are To Be Welcomed As Christ, Doug Herbek
Obsculta
In Saint John's Abbey Guesthouse
Chapel Walk, Stepping Logs, Barbara Marincel
Chapel Walk, Stepping Logs, Barbara Marincel
Obsculta
Photograph taken in October on a walk out to the Stella Maris Chapel at Saint John's University
Tree That Bites, Garrett S. "Faustino" Miller Oblsb
Emmaus Sundown, Garrett S. "Faustino" Miller Oblsb
Viewed Sexton Uncommons, Garrett S. "Faustino" Miller Oblsb
Viewed Sexton Uncommons, Garrett S. "Faustino" Miller Oblsb
Obsculta
No abstract provided.
Pathway, Myrissa Donaldson
Chaotic Mooers: Rural Immersion 2025, Garrett S. "Faustino" Miller Oblsb
Chaotic Mooers: Rural Immersion 2025, Garrett S. "Faustino" Miller Oblsb
Obsculta
No abstract provided.
Frog Friends, Myrissa Donaldson
Presentation Of Frank House Snow, Garrett S. "Faustino" Miller Oblsb
Presentation Of Frank House Snow, Garrett S. "Faustino" Miller Oblsb
Obsculta
No abstract provided.
Chapel Walk, Lake Sagatagan, Barbara Marincel
Chapel Walk, Lake Sagatagan, Barbara Marincel
Obsculta
Photograph taken in October on a walk out to the Stella Maris Chapel at Saint John's University
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Artizein: Arts and Teaching Journal
This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.
Showing It! Art Matters. But Why? How?, Holly Edwards
Showing It! Art Matters. But Why? How?, Holly Edwards
Artizein: Arts and Teaching Journal
This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”. That show appeared in the local public library, resonating strongly with notions of “heartwork”. My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.
Text/Ures, Kathy Mantas
Text/Ures, Kathy Mantas
Artizein: Arts and Teaching Journal
By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Artizein: Arts and Teaching Journal
A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Artizein: Arts and Teaching Journal
This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Artizein: Arts and Teaching Journal
This visual essay unfolds through acts of careful noticing. Drawing from materials encountered through repeated walks across forested landscapes on Vancouver Island, it translates moss, soil, plant matter, and animal traces into immersive digital environments. Working through atmosphere, texture, and shifting forms rather than fixed representation, the project explores how perception is shaped by time spent with what is often overlooked. Digital processes are used not to stabilize or explain, but to hold uncertainty, fragility, and partial presence. The work invites readers to slow their looking and consider how learning, relation, and meaning can emerge through sustained attention.