Photography Commons^™

The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen

Theses and Dissertations

The Double Gaze examines Maruch Sántiz Gómez’s series Creencias (1994-2000) at the intersection of sociopolitical changes in southeastern Mexico and the 1995 Johannesburg Biennial. Drawing on Rita Segato’s “capillary disobedience” and the Mayan philosophy of kab’awil, the research considers Creencias as a theoretical proposal for reading Indigenous art practices.

"Catching Up": Christian Walker's Critical Lens, Noam Parness

Theses and Dissertations

“Catching Up” examines three bodies of photographic work that artist, critic, and curator Christian Walker (1953-2003) generated between 1984-1991. By reading each series against a corresponding text, “Catching Up” furthers an understanding of how Walker’s works reconstruct experiences and histories of race and sexuality in the United States.

Film For Jeanette, Brice Goldberg

Theses and Dissertations

Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …

In-Between Echoes, Jiayi Liang

Theses and Dissertations

In this dissertation, I explore memory, diaspora, labor, and intergenerational trauma through constructed photography and experimental film. Informed by Homi K. Bhabha’s concept of the Third Space, I examine how identity is shaped through displacement, cultural negotiation, and inherited memory. Drawing from my relationship with my grandmother and my experience as a Chinese woman living in diaspora, I consider labor as both survival and care, tracing how domestic gestures and emotional structures continue across generations. Through collage, reconstruction, and animation, I rework fragments of family archives, colonial landscape imagery, and personal photographs to address grief, racialized perception, belonging, and the …

The Automation Of Aesthetics: Artificial Intelligence And Commercial Artists In North Brooklyn, Devin Sudweeks

Theses and Dissertations

Corporate elites expect generative AI to replace commercial artists but overlook their social and aesthetic expertise. This ethnographic study explores how Brooklyn-based commercial artists narrate their value amid automation, emphasizing embodied presence in cultural scenes, visual language, style, and authenticity, skills not easily mechanized but vital to aesthetic economies.

The Past In The Present: Photography, Vietnam War, And Memory, Yuya Kawata

Theses and Dissertations

This thesis focuses on three contemporary artists—An-My Lê, Dinh Q. Lê, and Harrell Fletcher—who use photography to explore the contentious memory of the war in Vietnam. Addressing different contexts in which the war is remembered, their works invite careful reflection on how to approach the elusive past.

You Are Not A Good Photographer, Byungsuk Yoon

Theses and Dissertations

This paper examines the medium of photography as a dynamic space for exploring the interplay between reality, memory, and imagination. It positions photography as an imperfect medium that operates on the boundary between predictability and uncertainty, embracing its inherent limitations as a source of creative potential. By addressing the tension between subjective experience and objective reality, this study redefines photography as a tool for continuous questioning and reinterpretation, highlighting its role in navigating the gaps between what is seen and what is imagined.

Victim/Perpetrator, David D. Moy

Theses and Dissertations

Throughout this text, David Moy will discuss the inner working of his investigation on image overload and materialization. Through tactics of blurring, erasure, and layering he achieves obfuscation in his printed media. In doing so, he questions the compounding nature of image/text that negate themselves in the larger context of time in the digital age.

Structures Of Feeling: Zoe Leonard And The Photographic Archive, Anika Zempleni

Theses and Dissertations

This thesis examines Zoe Leonard’s work with photographic archives. Focusing on three of Leonard’s archive-based projects—The Fae Richards Photo Archive (1993-96), You see I am here after all (2008), and In the Wake (2015-16)—this thesis argues that these works are connected through frameworks of feeling and subjectivity.

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Wiring Attachment, Alexander K. Bacon

Theses and Dissertations

This thesis began with a question: can diagrams create understanding, or only reflect it? Through paintings that layer automotive wiring schematics with family photographs, I explore how the human attachment system resists easy mapping. Using digital tools like Photoshop and scanning, alongside analog methods such as papier-collé and photo transfer, I examine how systems built for clarity—like wiring diagrams—contrast with the layered, often messy realities of human relationships. Drawing from attachment theory’s empirical foundation, rather than the metaphorical leanings of psychoanalysis, my work investigates how emotional bonds form, falter, and repair over time. Material loss and layering are not flaws, …

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Exposing The Camera: The Pedagogical Possibilities Of Critical Camera-Based Arts Curriculum, Oscar Keyes

Theses and Dissertations

Cameras are a ubiquitous part of our everyday lives, especially in schools, found in students’ smartphones and state-of-the-art surveillance systems. This research project emerged from an iterative redesign process of a Photography for Art Education course, structured around the camera’s dual nature as a tool for creative expression and social control. While cameras have long been used to address social issues through documentary techniques; this critical eye can be turned onto the apparatus itself. This study drew heavily upon the historical work of Allan Sekula (1986), who observed how easier access to cameras resulted in both democratization (for the People) …

Call For Me When You Get There: I'Ll Be Among The Crows, Jessica O. Tifase

Theses and Dissertations

I've always been intrigued by the ways in which the notion of flight has been used to describe the movement of Black people, both literally and figuratively. In many instances, flight performs as a double entendre, embodying multiple meanings: to escape or to transcend. The fluidity of its definition prompts a reflection I’ve been wrestling with as I move through the world: Are Black people in a perpetual state of flight?

In my thesis exhibition, Call for Me When You Get There, I use the precarious state of flight as a means to explore the complicated choreography necessary for navigating …

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

A Theory Of General Relativity, Madeleine Mae Morris

Theses and Dissertations

"A Theory of General Relativity" is a quiet exploration into the poetic and scientific ways we inhabit space and time. This work is a manifestation of the time I spent being my grandmother's caretaker and exists now in the form of an artist book, an exhibition of framed photographs with glass objects, and this written thesis. Throughout those five years, I became consumed by the relationships between Mothers and Daughters, which brought into excruciatingly sharp focus seemingly simple questions like: who are we, what have we done to each other, what do we owe to each other, do I reap …

Nuff Love: From Me To You, Katherine S. Thompson

Theses and Dissertations

The thesis exhibition, Nuff Love: From Me to You, explores the profound impact of diasporic memory on identity within the family structure, particularly for those who were born after immigration. This unpacking of memories is achieved through photographs, collages, and installations that reveal the distant and absent attributes that reside within the home. As a second-generation American of Afro-Jamaican descent, this thesis navigates how the dual identity becomes too complex and is never allowed to exist in a binary state. The constant state of in-betweenness between both cultures led to further questioning of selfhood beyond the Caribbean identity maintained by …

Driven By Personality: Exploring The Relationship Between Custom Cars And Self-Expression, Tharwa Dalansi

Theses and Dissertations

Custom Car Culture (CCC) is a form of creativity that emerges from personal identities and passions. It involves the restoration, modification and personal adornment of commercially manufactured cars. This process creates a journey, where the enthusiast goes through multiple phases of self-reflection. But due to a lack of local resources, Qatar-based CCC enthusiasts often have to send their cars abroad to Dubai or Japan in order to customize them, relinquishing creative control in the process.

In response to these challenges, based on observations and interviews conducted among actual CCC enthusiasts, I develop a platform for engagement between these enthusiasts and …

Rooted In Between, Manavi Singh

Theses and Dissertations

Rooted in Between is a personal project that explores the complexities of belonging and the emotions that come with navigating between spaces that we call home. This written thesis is in support of the carefully curated video based and photographic work presented at an exhibition of the same title. The project's primary objective is to delve into the physical and emotional baggage that we carry with us as we move from one place to another. The project highlights the coping mechanisms adopted by the different generations in my family while struggling to find a place where we truly belong.

Anamnesis: A Film About Forgetting, Neville Pullar Elder

Theses and Dissertations

In the film Anamnesis I bear witness to the injury and death of my childhood best friend Dominic, when I was 11. The film is a quest: A search for a visual memory that I have forgotten or perhaps, deliberately hidden from myself. Can remembering the events in their entirety and chronological order help me heal? Is searching for the lost memories nothing more than a smokescreen to avoid the steps I must take to deal/heal the trauma?

I communicate the relationship between the interplay of memory-making and sense-making and the reconstruction process that enables our past and present to …

In The Face Of Death The Photographic Reevaluation Of The Death Mask During The Weimar Republic, Maresa Carney

Theses and Dissertations

During the Weimar Republic three books that shared the morbid subject of death masks, were published in short intervals and immediately enjoyed enormous popularity. The three publications Das Ewige Antlitz , Totenmasken, and Das Letzte Gesicht serve as an underpinning of the cultural and philosophical investigation of death mask photography

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Wet, Flowering, Dry, Caroline A. Minchew

Theses and Dissertations

Wet, flowering, dry is a series of photographic works that explore how vernal pools are a macrocosm for holding memory and a site of omnipresent solitude and decay. This installation distills an embodied and ephemeral experience of how we are grounded in a network of invisible connections with our surroundings. This network becomes evident through biological, historical, and field research conducted at the vernal pools for over a year. Through slow observation and consideration of how multiple stories of place can weave together into a larger parable, Wet, flowering, dry reveals how the life cycle of a vernal pool is …

History Is The Devil's Doing, Christopher W. Berntsen

Theses and Dissertations

My work engages with the idea of queer time and place. The waterfront, especially that in New York City is a space where these ideas have felt most potent. I utilize photography, particularly various methods of collage that combine images made from a sixty year range engaging with the queer waterfront. This work visualizes the waterfront as a space in which time exists beyond a static linear understanding of it. I look back in order to look forward, forward in order to look back. Or am I looking both ways at once?

Searching For Sapphistries: An Archive Of Felt Photographs, Lauren Fisher

Theses and Dissertations

Using the holdings of the Peter J. Cohen Collection in New York City as a platform from which to engage the queer impulse of feeling backward, this thesis posits that vernacular photographs can be included in sapphistry through the creation of a counterarchive of “felt photographs,” where a reading of photographs is animated by a queer positionality and knowing.

Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar

Theses and Dissertations

The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.

The Gridded Time Of Waiting; Or Is Not Aristotle’S Metaphysics; Or A Kind Of Idealist Trap; Or In My Secret Life, Olivia Divecchia

Theses and Dissertations

Theoretical musings, descriptions, articulations of process, quotations and anecdotes form a constellation of thoughts about the trappings of the grid, ontology, the subject, the window, translation and other things.