Musicology Commons^™

“She Wears The Pants: Gender, Misogyny And Feminism In The Opera World”, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

God Is Gone, He Left For The Alpines: A Thesis On The Relationship Between The Works Of Richard Strauss And Friedrich Nietzsche: An Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

How To Prevent Performance-Related Injuries In Musicians: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Bassoon Reed Making And Its Influence On Timbre: An Annotated Bibliography, Chen Zhang

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Musical-Political Values In Nazi Germany And The Soviet Union, Winnie Yang

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Censorship In Popular Music Today And Its Influence And Effects On Adolescent Norms And Values, Sarah Wagner

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Bias In The Canon: An Exploration Into Whitewashing In America’S Classical Music And Its Forgotten African-American Past, Jennifer Rose Thompson

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Cognitively Generated Emotion Through Alexandrian Inhibition: Annotated Bibliography, Kaira Rouer

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Alleviating Performance Anxiety Naturally In String Players, Drew Ritchie

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Barber Of Seville: Production, Staging, And Costuming Reception Through The Years, Julianne M. Perkins

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Space Music: Annotated Bibliography, Juan Panneflek

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

The Harp Renaissance: An Annotated Bibliography, Tashianna Merryman

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

The Role Of Patronage In American Popular Music And The Reemergence Of Payola In Streaming Services, Philip Lotterhos

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

How “Frei” Was Richard Strauss’S Also Sprach Zarathustra: Tondichtung (Frei Nach Friedr. Nietzsche)?, Xiaopei Jennie Liu

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

A Mindful Approach To Training And Healing The Male-To-Female Transitioning Voice, Kimberly N. Gnagey

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

‘Accessibility’ Is A Four-Letter Word: Developing Western Music Resources For The Visually-Impaired, Christina Ebersohl

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

An Analysis Of The Problem Of Relaxation When Singing, Jiawei Deng

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Political Influence In The Chamber Music Of Dmitri Shostakovich: An Annotated Bibliography, Evan De Long

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Using The Myers-Briggs Type Indicator To Analyze Characters In Mozart’S Die Zauberflöte, Lilli Bailey-Duran

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Michael Haydn's Early Masses And Their Viennese Context, Bruce C. Macintyre

HAYDN: Online Journal of the Haydn Society of North America

Although Joseph Haydn felt that his brother Michael (1737-1806) held “first place” in the field of church music, scholarship on the brother surprisingly still has many lacunae; e.g., in the study of Michael’s early works composed before he went to Salzburg. Nearly half of this brother’s 28 settings of the Mass Ordinary for voices with orchestral accompaniment were composed in his early years, i.e. after his early studies in Vienna ca. 1745 and during his work for the bishop in Grosswardein (Oradea, Romania) and prior to his arrival in Salzburg in August 1763. This paper attempts to shed more light …

An Integration Of East And West: History, Analysis And Reception Of The Yellow River Piano Concerto, Lin Tao

LSU Doctoral Dissertations

The Yellow River Piano Concerto remains as one of a few representative and major instrumental compositions within the Chinese repertoire since it was composed in 1969. Thanks to the devoted work of Chinese pianists, the Yellow River Piano Concerto has disseminated around the world and has become a musical symbol of Chinese culture in recent years. This piano concerto serves as a tool for the cultural communication between China and the world. The Yellow River Piano Concerto has a unique ability to depict Chinese culture and history through the language of music. Its exotic pentatonic melodies and eastern orchestrations make …

Jesus, Popular Culture, And The Politics Of The Margins: A Theomusicological Analysis Of The Drive-By Truckers, Vinson Lee Edwards

Student Theses and Dissertations

With the September 2016 release of the American Band album, the Drive-By Truckers, a band formed in 1996, inserted themselves into discussions on politics like never before. In response to the media’s frequent question of, “What made you decide to get so political now?” the band—chiefly Patterson Hood and Mike Cooley—replied, “We have always been a political band.” This study aims to pinpoint what the band means by such a statement, first by analyzing the band’s previous albums; then by considering the band’s Southern, Bible-Belt background; and finally, by examining additional aspects of the band such as sonic qualities, genre, …

Motown Unreleased: 1969 [Various Artists], Andrew Flory

Motown Annotated Track Lists

Liner notes to support the digital release of the 2019 various artists collection Motown Unreleased: 1969

A Tribute To The Great Nat King Cole [Expanded Edition], Andrew Flory

Marvin Gaye Annotated Track Lists

Liner notes to support the digital release of the 1965 Marvin Gaye LP A Tribute to the Great Nat King Cole [Expanded Edition]

Imagining Africa: An Analysis Of Tropes And Motifs In Turn Of The Century Black Music, Shane Ortale

Dissertations, Theses, and Capstone Projects

References to Africa exist in different forms in diasporic music from every country in the New World. In the case of the United States, an abundance of song lyrics of black writers and musicians from the turn of the twentieth century contain imaginings of the African continent. This thesis analyzes the many ways that these depictions were produced within the minstrel and vaudeville genres. While these artists faced many obstacles that limited the scope of their lyrical content, they used diverse strategies to undermine the racist world in which they lived. By juxtaposing and conflating tropes about black folks in …

Reimagining The Flute Masterclass: Case Studies Exploring Artistry, Authority, And Embodiment, Sarah Carrier

Dissertations, Theses, and Capstone Projects

This work explores the flute masterclass as an aesthetic, ritualized, and historically reimagined cultural practice. Based on fieldwork that took place between 2017 and 2019 in the United States, in Italy, and on the social media platforms Instagram, Facebook, and YouTube, I argue that the masterclass—an extension of the master/apprentice system that dominates learning in the classical music tradition—is characterized by embodied qualities of artistry and authority. These qualities are not inherent, but are perceived through subjective, social, familied, and affective bodies.

Chapter One outlines the main themes and the research design. Chapter Two is a case study that analyzes …

Performing Rhythmic Dissonance In Ligeti’S Études, Book 1: A Perception-Driven Approach And Re-Notation, Imri Talgam

Dissertations, Theses, and Capstone Projects

Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which creates several layers of difficulty in the presentation of complex rhythms. In order to resolve some of these difficulties, this dissertation includes a complete re-notation of four Etudes, using a methodology based on research in cognition and perception of rhythm.

Based on this new score, the notion of rhythmic dissonance is developed as an analytical tool to investigate in-time perception of rhythmic complexity, drawing on existing work on metric entrainment and metric dissonance. Different compositional strategies for the production of rhythmic dissonance are shown to have …

Cyber-Narrative In Opera: Three Case Studies, Naomi Barrettara

Dissertations, Theses, and Capstone Projects

This dissertation looks at three newly composed operas that feature what I call cyber-narratives: a work in which the story itself is inextricably linked with digital technologies, such that the characters utilize, interact with, or are affected by digital technologies to such a pervasive extent that the impact of said technologies is thematized within the work. Through an analysis of chat rooms and real-time text communication in Nico Muhly’s Two Boys (2011), artificial intelligence in Søren Nils Eichberg’s Glare (2014), and mind uploading and digital immortality in Tod Machover’s Death and the Powers (2010), a nexus of ideologies surrounding voice, …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

The Incorporated Hornist: Instruments, Embodiment, And The Performance Of Music, M. Elizabeth Fleming

Dissertations, Theses, and Capstone Projects

Roland Barthes famously described the “grain” as “the body in the voice as it sings, the hand as it writes, the limb as it performs.” Stated simply, this project asks What is the body in the horn as it sounds? Instrumentality is typically understood as extension and expression beyond the boundaries of the body; brass instrument musicking, however, begins not where the sound emerges from the bell, but at the very least at the meeting point of the player’s breath, the surfaces of the body, and the tube of the instrument. This project of instrumental incorporation understands music as a …