Musicology Commons^™

Music History 10100: A Thousand Years Of Listening, Sophia Stoyanovich

Open Educational Resources

A Thousand Years of Listening is an undergraduate music history course elective at Hunter College that introduces students to the history of Western art music from the medieval era to the present through focused listening and musical analysis. Designed for students with no prior musical training, the course develops critical listening skills while exploring major composers, genres, styles, and historical contexts. Through listening, discussion, writing, and a live concert experience, students learn to engage with music as informed and thoughtful listeners.

Pro Rege Chr. Brass Band: A Century Of Sound, Jonathan T.J. Henneveld

Dissertations

The Christian Brass Band Pro Rege of Heerenveen, The Netherlands, celebrated its one hundredth birthday in 2024. As one of the most prominent community-based brass bands in the region, Pro Rege is part of a Dutch wind ensemble tradition that goes largely undocumented. While they and other bands like them function as cultural and educational institutions, academic literature remains limited, almost ignoring them completely. This dissertation wishes to address this oversight by providing an historical study of the brass band from its establishment in 1924 to the present day.

Starting out in the Dutch ensemble tradition of the Fanfare band, …

Compositional Techniques For Horror Film Soundtracks, Malia L. Hernandez

Capstone Projects and Master's Theses

With this paper, I aim to explore the history of horror film soundtracks and discover the various compositional techniques that are used to trigger physical responses from a viewer. I also intend to describe how horror scores have adapted and changed over time as our social and political climate continues to evolve by examining several different kinds of sources including academic studies, articles, and film reviews. While every viewer is different, a film scorer can properly build suspense by using specific compositional methodologies to briefly alter responses of the human mind and body.  This type of research would provide useful …

Poets, Pioneers, And In-Betweeners: Musicians Of The South Asian Diaspora, Kancana Preetika Kathiravan

Music Undergraduate Honors Theses

Sid Sriram, Arooj Aftab, and Ganavya Doraiswamy are three Asian American musicians who have experienced a meteoric rise over the past five years. These artists are signed to major labels, receive mainstream media exposure, have multiple Grammy nominations, and tour internationally. Through different avenues, they have built up diverse audiences that include members of the South Asian diaspora who see their own stories and music represented. Rather than being a single part of a cross-cultural collaboration, these musicians belong to both worlds. With backgrounds both in South Asian and American musical styles and grammars, these musicians are like their work: …

The Shape(S) Of Jazz To Come. Jazz Studies, Interpretation, Theory And Education Research Project, Ricardo Pinheiro

The IASJ Journal of Applied Jazz Research

Jazz Studies: interpretation, theory and education is a research project developed at Escola Superior de Música de Lisboa, Polytechnic University of Lisbon, that involved the collaboration between the Jazz and Composition Departments. The focus of the project coordinated by Ricardo Pinheiro (with the collaboration of Carlos Caires and Carlos Marecos) was to rethink artistic research outputs in the field of jazz studies, questioning the hegemony of the current musicological paradigm (Cook, 2014; Pinheiro and Caires 2019; Pinheiro, Caires and Neto 2024), and to explore the broad academic, scientific and artistic scope that this field can provide.

El Nacimiento Del Rock En Español: ¿Cómo Fue Que Este Género De Música Latina Tuvo Éxito?, Alejandro V. Martinez

World Languages and Cultures

This paper titled El nacimiento del rock en español: ¿Cómo fue que este género de música latina tuvo éxito? will cover information regarding the Spanish rock movement. This essay compares what is written in this paper to that of prior scholars to show that although they do bring valid points, there is a lot more than many of us realize. There are various articles and reports written about the movement, but many do not explain the creation of the movement, let alone its survival in the music industry as a new genre that some had never heard of or had …

The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone

Dissertations, 2020-current

Clarinet is a versatile and expressive instrument that can be used in a variety of musical genres. This document is intended to investigate its versatility, how to develop it, and whether there are benefits from the adoption of an old approach, which today is generally considered obsolete.

Chapter 1 explores major issues involved in clarinet playing and tone production. I will discuss the physics of clarinet tone, as well as secondary approaches to tone production, such as double-lip embouchure. I will also devote a section of this chapter to clarinet equipment, especially the mouthpiece and the reed, and their mutual …

Thirty Years On: Reflections On Haydn’S “Farewell” Symphony By James Webster, L. Poundie Burstein, Elaine Sisman, W. Dean Sutcliffe, James Webster

HAYDN: Online Journal of the Haydn Society of North America

It has been just over thirty years since James Webster published his influential monograph Haydn’s “Farewell” Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in His Instrumental Music (Cambridge University Press, 1991). To honor the anniversary of Webster’s groundbreaking book, the Encounters with Eighteenth-Century Music: A Virtual Forum steering committee asked L. Poundie Burstein, Elaine Sisman, and W. Dean Sutcliffe to offer perspectives on the book, and James Webster to respond to their perspectives. The interesting online session occurred on Tuesday, October 18, 2022, and included a lively open discussion following the presentations and Webster’s response. The …

How Notation Dictates Our Musical Understanding: Annotated Bibliography, Simon Webber

Musicology and Ethnomusicology: Student Scholarship

Musical notation has a long and diverse history. The traditions of ancient Greece differ substantially from that of India or China in both content and technique, and even the Greek church has distinct notation from the Latin church. In our modern world there is an accepted notational style utilized for Western classical music, but the disparate regional and cultural styles that we may observe in history yields a deeper understanding of those cultures: what musical elements were prioritized over others, what performers were expected to interpret instead of purely reading, how their tonal structure is imparted. Contemporary musical notation has …

Making Russian Music: Uncovering Pyotr Tchaikovsky’S Musical Ideas Through His Letters, Sydney Morrison

Departmental Honors & Graduate Capstone Projects

Pyotr Ilyich Tchaikovsky is arguably Russia's most famous composer. Although his music is widespread, his immediate impact on Russian music in the 19th century is often overlooked or unknown by audiences. This paper examines what compositional and musical ideas Tchaikovsky used in his pieces and how he expressed them through his letters. Because of the relationships he had with his correspondents, Tchaikovsky had the means to develop and learn his unique compositional style. The most significant correspondents were his patroness Nadezhda von Meck, his brother Modest, and fellow composer Mily Balakirev. They enabled him to express and develop his musical …

"A New World For Instrumental Art": An Exploration Of The Nineteenth-Century Saxophone Quartet And Its Repertoire, Laney Sheehan

Honors Projects

This Honors Project examines the major characteristics of the nineteenth-century saxophone quartet and its repertoire through the lens of four musical works: Hector Berlioz’s Hymne (for six wind instruments of Adolphe Sax), Jean-Baptiste Singelée’s Premier Quatuor, Jérôme Savari’s Quatuor pour Saxophones, and Caryl Florio’s Quartette (Allegro de Concert).

Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon

Capstone Projects and Master's Theses

Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror …

A Mad Magical Poet: Essays On The Life And Art Of Warren Zevon, Zachary E. Tenney

Honors Projects

"A Mad Magical Poet: Essays on the Life and Art of Warren Zevon" is a series of three essays on the titular subject. Warren Zevon was an American songwriter whose career spanned from the late 1960s to the early 2000s. Though known for his hit single "Werewolves of London," Zevon is a far more interesting figure than the "one hit wonder" label can possibly capture. Here, I explore his appeal as a literary and philosophical figure, examine his prophetic song of environmental crisis, "Run Straight Down," and consider the theme of violence as it appears throughout his music. The text …

The Gonzagas: Artistic Patronage In The Mantua Region During The Italian Renaissance, Ariane Omerza, Curtis Marek, Zachary Myatt

2019 Festscrift: Claudio Monteverdi's Orfeo

The Mantua region of Italy is one that was controlled by the Gonzaga family for centuries. They dominated political and cultural aspects of life. This paper displays evidence that illustrates the power and structure behind Italian patronage during the Renaissance era. It showcases the Gonzaga family’s power in the Mantua region as well as their reaching influences on the greater Italian society. Specific examples of the family patronage are explored in depth, along with the ways that their patronage affected others. Overall, this paper serves as an array of information that ties in with the overarching themes of patronage both …

Musicians Necrology, 1991-2018, Nathan Eakin, Paul Hahn, University Libraries, Washington University In St. Louis

WashU Libraries Publications

Nathan Eakin (1932-2000) first began the Gaylord Music Library Necrology file as a card file in the mid-1980s. In 1991, the project moved to a word processing file and in 1995, became available as a web page. The column formerly published in the Music Library Association’s journal, Notes, called the Necrology Index, was extracted from this Necrology file. Library Assistant Paul Hahn continued to update the necrology on the Gaylord Music Library’s website through 2018.

Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher

Dissertations, Master's Theses and Master's Reports

Archaeological and historical literature neglects music and sound. The quantity and distribution of musical remains found during archaeological excavations at Coalwood, a Cleveland-Cliffs Iron Company (CCI) logging camp active from 1901-1912 in the Upper Peninsula of Michigan, addresses the importance of music to the people that lived there. Musical reed plates from harmonicas, concertinas, and accordions were recovered and examined. These musical remains have traditionally been ignored as a diagnostic artifact, but here, I use them as primary evidence to access the daily lives of people in the northern woods. To do this, I will present how CCI developed Coalwood …

From A Chat In The Parlor To Viral Music Videos: An Analysis Of Music As A Social Occasion, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Imagine an intimate room filled with people playing cards and casually chatting, while one of Chopin’s piano sonatas plays elegantly in the background. This scenario is characteristic of the atmosphere surrounding Classical and Romantic European salons. Salons served as havens of musical discourse from the Baroque era to the early twentieth century. However, with the advancement of technology from the mid-twentieth century to the present, there has been a decline, or, arguably, even a cessation of salon life.

The aim of this project was to recreate the salon environment through the generation of the online discussion forum, "Music Soirée." To …

The History Of The Guitar, Júlio Ribeiro Alves

Music Faculty Research

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.

Honors Recital Presentation, David Rutter

Honors Projects

The purpose of this project was rooted in the belief that the reception of a piece of music can be altered or enhanced when the audience is given a compelling historical or cultural background of each composition. With sometimes hundreds of years between the audience members and the composers, to deliver an emotionally stirring and relevant performance to a modern audience is an incredible feat. In the spirit of making my senior violin recital more accessible and entertaining to my own audience, I devoted my Honors project to gathering information on the philosophies, personalities, successes and tragedies of each of …

Engaging With Research And Resources In Music History Courses, Jennifer Oates

Publications and Research

With the ever-expanding sea of resources available to students today, it is now more important than ever to teach students how to navigate, assess, and interpret resources. Given the ease of access to information, students tend to seek out the path of least resistance, most often a Google search and/or Wikipedia. Their unfamiliarity with print resources, such as thematic catalogues, means they are missing out on significant music scholarship that is not available online or through Google. Today’s students have grown up searching the internet. The single-search approach of a web search leaves many students confused by terms like …

Remembering As A Source Of Creation In The Poetry Of Ezra Pound And H.D. And The Musical Representations Of The Holocaust By Arnold Schoenberg And Steve Reich, Ruth J. Jacobs

Lawrence University Honors Projects

This project explores the complex relationship between language and violence. Many theorists, such as Elaine Scarry, argue that language is silenced by violence and that extreme trauma inherently defies representation. Despite the impossibility of representing trauma, its preservation is a cultural and historical necessity. I am going to examine the different ways extreme violence is depicted in both poetry and music and the complex moral issues that are raised by these representations. Ezra Pound wrote The Pisan Cantos while imprisoned in a cage at the DTC in Pisa. I plan on exploring the role of personal and cultural memory in …

The Historical Development Of The Modern Worship Song, Travis Doucette

Senior Honors Theses

For centuries, followers of Christ have used music as a channel of communicating their love and adoration towards their Creator and Savior, Jesus Christ. In fact, the use of music with God’s people is encouraged throughout the pages of Scripture. In the Old Testament, the psalmist writes, “Sing to him a new song; play skillfully and shout for joy.” In the New Testament, the Apostle Paul writes to the Ephesians, “Speak to one another with psalms, hymns and spiritual songs.” Throughout Christian history, wherever there has been renewal, revival and restoration, fresh songs of praise and worship have followed and …

The History Of The Marimba, Daniel Rager

Music Faculty Publications

The author presents an international and historical history of one of the earliest melodic percussion instruments made by man. His research suggests the instrument was widespread throughout Asia and Africa, although many other regions claim it to have originated in their country.

Known by many names and created from an endless array of materials, this paper reflects the marimbas evolution from the fourteenth century to present day. The writer’s research encompasses the marimbas social roles, musical functions, timbres and styles across many countries as well as its evolution into the twenty-first century.

Use Of The Simultaneous Cross-Relation By Sixteenth Century English And Continental Composers, Tim Montgomery

Honors Theses

The principle of the simultaneous cross-relation in vocal music has generally and commonly been associated with the English composers of the sixteenth century. This assumption has been more specifically connected with secular music, namely the English madrigal. To find the validity of this assumption in relation to both secular and sacred music I have compared the available vocal music of three English composers, two major and one minor: Thomas Tallis (1505-1585), William Byrd (1543-1623), and Thomas Whythorne (1528-1596). In deciding whether the simultaneous cross-relation was an aspect of English music exclusively, I examined vocal music of three composers of the …