Musicology Commons^™

Spiral Historiography. A Balanced Alternative To Teaching Jazz History, Josiah Boornazian

The IASJ Journal of Applied Jazz Research

Jazz history is often presented in collegiate textbooks and classrooms as a linear, teleological, and chronological progression from one style to another. Some scholars have recently reacted against this pattern and have instead focused heavily on viewing jazz history through the lens of one or a few narrow perspectives such as race, economics, politics, gender, or similar topics. This paper argues that both of these approaches, taken separately, are flawed, and that therefore a more effective methodology might be to integrate the two by utilizing the abstract concept of a spiral. A spiral is a shape that, in three spatial …

Playing Proverbs With Madame De Genlis, Rebecca Cypess

ABO: Interactive Journal for Women in the Arts, 1640–1830

The theatrical genre known as the proverbe dramatique, which flourished as a pastime of French high society during the late eighteenth century, has often been understood through the written exemplars left by the author and artist Louis Carrogis, known as Carmontelle. Yet Carmontelle’s literary contributions to the genre have obscured the vast range of activities known as jouer des proverbes (playing proverbs)—activities associated especially with women—which included conversational games, pantomime, poetry, dance, and music making. Attending to the many descriptions of jouer des proverbes left by Stéphanie Félicité Ducrest de Saint-Aubin, the Com­tesse de Genlis, reveals that the literary …

Enfilade And Variations: Interpreting Salon Music Through Residential Architecture In Eighteenth-Century Paris, Nicole Vilkner

ABO: Interactive Journal for Women in the Arts, 1640–1830

In eighteenth-century Parisian salons, theme and variations on popular melodies proliferated. Elaine Sisman’s seminal study of variation form provides a foundational approach for understanding variations as rhetorical exercises that persuade through differences in syntax and expression. In this vein, scholars have comprehensively affirmed the ways that salon music reflects the dialogic and sociable practices of Enlightenment receptions (Hanning, Sutcliffe, and Zohn). I suggest that theme and variation form is not only connected to the rhetoric of the salon, but that the concept of sequential elaboration is a principle that was also prized in residential architecture.

Drawing from theoretical writings of …

Who Is Allowed To Compose Catholic Church Music? Ferdinand Hiller's Insightful Report On The Sacred-Music Competition In Louvain (1866), Jürgen Thym, Ralph P. Locke

Yale Journal of Music & Religion

In 1866, a competition was held in Louvain (Belgium) for a new setting of the Latin Mass text; the aim was that the winning piece be accessible in style and require only choir and organ. The jury included, among others, the composers Berlioz, Saint-Saëns, and Ferdinand Hiller; the lexicographer Fétis; and Joseph d’Ortigue, music critic for the Journal des débats, editor of Le Ménestrel, and a prominent advocate for the regeneration of Catholic church music.

In 1880, Hiller—longtime director of the Cologne Conservatory—published an essay describing the competition in detail. His essay, never before translated or discussed, forms …

Secular Formations Of Sacred Music: Schleiermacher, Romanticism, And Devotional Media In Germany, Desmond Sheehan

Yale Journal of Music & Religion

Theologians and musicologists alike have often disregarded the material and technical facets of devotional scenes such as the one meticulously described in Schleiermacher’s Christmas Eve Celebration: A Dialogue (1806). More recent musicologists have highlighted more concealed technologies that helped to facilitate Romantic aesthetic experiences – a form of methodological unmasking that at once denies and reclaims a Schillerian notion of disenchantment. This essay argues that both types of studies perpetuate secularization narratives that displace a Christian religiosity into public artforms and social practices in Romanticism, and secular modernity by extension. As a proposed alternative, a media history of sacred music …

The Vagina Dentata: A Case For Unlocking Mouths, Loosing Hips, And Spreading The Gospel Of Healing Women's Sexual Performance Anxiety, Alisha Lola Jones

Yale Journal of Music & Religion

This article explores how vagina dentata folklore—stories and imagery about a mythical "toothed vagina"—connects to the ways Black religious communities often cultivate silence around women’s sexual lives, particularly within the “Worth the Wait” and Word of Faith movements. Ignited by womanist religious ethnographer Monique Moultrie’s scholarship on sexual silence in these movement, I take seriously the musicological chasm by exploring how these ministries influence Black women’s sexual agency and moral decision-making through inequitable theological procedures and discourses. The vagina dentata metaphor emerges as a symbol of constrained appetites—respiratory (larynx), digestive (intestine, anus), and reproductive (uterus, vagina)—reflecting broader sociocultural and religious …

Dedicated: “Me. I Am Lambily… And The Elusive Chanteuse” (Podcast; Episode 1), Vincent A. Barbato

Capstones

In this podcast, “DEDICATED,” music writer Vincent Anthony speaks with the most devoted fans of the most divine divas. This inaugural episode, “Me. I Am Lambily… and the Elusive Chanteuse,” is about Mariah Carey, her Lambs, and how they react to a flop album.

Carey's album “Me. I Am Mariah … The Elusive Chanteuse,” turned in May 2024. A decade later, the Lambs, like "Why Mariah Carey Matters" author Andrew Chan, still listen to it. So, what do fans appreciate about these lesser-known albums that the masses couldn’t connect with?

Chan and three other Lambs, whom Vincent met at a …

Yes, It Was My Song: The Cultural And Personal Significance Of Frank Sinatra’S “My Way”, Maren Dattomo '28

Best First-Year Seminar Writing

Regarded as one of the greatest singers of his lifetime, Frank Sinatra embodies the voice of America and of our hearts. Among his many highly recognizable songs, from “Strangers in the Night” to “You Make Me Feel So Young”, none are as popular and as embedded in the minds of those around the world as “My Way” is. This timeless song, released in 1969, tells of a man’s pride in his life as he looks back on it retrospectively. What makes the song so special to so many people is its relatable lyrics, mighty crescendo of orchestral sounds, and Sinatra's …

Introduction By Kurt Ellenberger And Wouter Turkenburg, Kurt Ellenberger, Wouter Turkenburg

The IASJ Journal of Applied Jazz Research

Introduction Volume 2 of the IASJ Journal of Applied Jazz Research with an overview of the articles.

Resurrecting The Muse: Kithara And Lyric Poetry Performance Practice In Greco-Roman Antiquity, Abigail Petersen

Honors Projects

Both students and pedagogues of classical studies are familiar with the inherent musicality of Greek and Latin poetry, and they also widely accept the idea that poets sang their works to accompaniment on a kithara, or large lyre. However, little work has been done to perform works of poetry according to this tradition, and thus many modern attempts at oral recitation feature a forced and pedantic rhythm that bores the listener and fails to do justice to the revered art of Greco-Roman poetry. Through a review of primary and secondary sources, I examine the construction of the kithara, the context …

How Is Music History Important And How Can Music History Be Included Into Our Regular Music Curriculum?, Abby Michalak

Honors Projects

From a music education major's perspective, music history is rarely taught in high school and middle schools today. Music history can teach so much to students, including context, style, and even why pieces were written. Through this paper, we explore why music history is an important topic to be taught in schools and how music programs across the country can include it into their curriculums through smaller sized lesson plans. This paper includes a sample curriculum that goes through the different period of music and a unit for "spotlights" for countries that are rarely represented in high school and middle …

The Grateful Dead: An Imperfect Symbol Of The Hippie Movement, Vanessa Sharfe

Masters Theses & Specialist Projects

The emergence of the band, the Grateful Dead, took San Francisco by storm in the 1960s as the hippie counterculture movement increased in popularity in the United States. The Grateful Dead’s career spanned thirty years from 1965 to the passing of their lead singer, Jerry Garcia in 1995. My work will focus on the political and social context of the 1960s and 1970s because the time period was shaped by major political issues and events that influenced the ideologies of the various protest movements such the Free Speech Movement, the Civil Rights Movement, and controversial topics such as the Hell’s …

The Songs Of Jean Sibelius: Poetry, Music, Performance, By Gustav Djupsjöbacka, Lina Sheahan

Library Faculty Scholarship

No abstract provided.

Old Becoming New Again: A Form-Function And Narrative Analysis Of Ralph Vaughan Williams’ 'Fantasia On A Theme Of Thomas Tallis', Aileen E. Sager

Electronic Theses and Dissertations

Ralph Vaughan Williams, a leading figure in the early twentieth-century movement to preserve traditional English music, composed Fantasia on a Theme of Thomas Tallis as a tribute to his love of Tudor music and English folksong. The piece is based on a psalm setting by Thomas Tallis, known as the Third Mode Melody, which features the Phrygian mode. Vaughan Williams discovered this theme while researching for the new English Hymnal. A brief history of the Tallis theme, along with an exploration of Vaughan Williams' education and early endeavors as a composer, are critical to understanding the Fantasia's historical …

Predictors Of Mystical Experiences In The Electronic Dance Music Scene, Cody Edward Lesniak

All-Inclusive List of Electronic Theses and Dissertations

The present study examined the nature and frequency of reported mystical experiences within the Electronic Dance Music (EDM) scene and the roles psychedelic and psychedelic-like substances, set, and setting play in facilitating these experiences. Participants were recruited using posts on a variety of EDM-related Facebook groups (EDM, EDM Universal, EDM Festivals and Raves, etc.) and Reddit threads (bonaroo, electricdaisycarnival, RavesAndRavers, etc.). Participants completed a self-report survey consisting of questions pertaining to their involvement in the EDM scene, motives for attendance at EDM events, motives for drug use, importance of the values of peace, love, unity, and respect (PLUR), the proportion …

Inattentional Deafness And Musical Training: Effects Of Perceptual Load On Tonal And Verbal Auditory Suppression, Annelise Coffey

All-Inclusive List of Electronic Theses and Dissertations

Inattentional deafness (ID) is a cognitive phenomenon of which we have relatively little understanding. The current study attempted to address this by considering current cognitive theories of thought and examined how musical training affects incidence rates of inattentional deafness. This study utilized a cognitive task and auditory stimuli previously designed to elicit inattentional deafness and measured musical training by administering the Goldsmith’s Musical Sophistication Index. Participants were instructed to engage in a high-load cognitive task, providing a condition in which inattentional deafness is likely to occur. During the task, a brief pure tone was presented simultaneously with the visual task …

Beyond Surrealism: The Developing Keyboard Style Of André Souris, Melanie T. Mallard

LSU Doctoral Dissertations

André Souris (1899-1970) is perhaps best known as a musical contributor to the Belgian surrealist group founded by Paul Nougé, but he assumed many roles throughout his life, including composer, writer, director, and promoter of modern music. His various interests influenced the style of his compositions, which remain largely unpublished and have received little scholarly attention beyond researchers of surrealism. Through this survey of many of Souris’ works for keyboard, I attempt to lay the groundwork for further discussion about Souris’ musical contributions not only through the lens of surrealism but also throughout his compositional career. This descriptive analysis of …

How Schubert’S 9th Symphony (“The Great”) Serves As A Turning Point For The Orchestral Trombone, Tim Mccord

Bakerman Student Research Awards

No abstract provided.

Review Of The Tragic Odes Of Jerry Garcia And The Grateful Dead: Mystery Dances In The Magic Theater, By Brent Wood, Routledge, 2020, Christopher K. Coffman

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Review of The Tragic Odes of Jerry Garcia and the Grateful Dead: Mystery Dances in the Magic Theater, by Brent Wood, Routledge, 2020.

Musicology Colloquium: Ay, Ay, Ay, Ay Canta Y No Compones: Mariachi Performance And Composition, Latin American And Iberian Institute, Dr. Russell C. Rodríguez

LAII Events

Wednesday, November 06, 2024 | 02:00 pm

Latin American and Iberian Institute (801 Yale Blvd NE)

801 Yale Blvd NE (campus building #165)

About:

Focusing on the impact of technology on mariachi music, this presentation examines the transition of the ensemble and its repertoire at the beginning of the 20th century. Rodríguez ultimately argues that the global reach of the mariachi, facilitated by the modern capitalist marketplace, garnered musical developments from cosmopolites contributing to the form’s vibrancy.

Russell C. Rodríguez is an Assistant Professor in the Department of Music at the University of California, Santa Cruz (UCSC). He received his …

Looping: The Music Of Steve Reich, Ty D. Ellender

LSU Doctoral Dissertations

Steve Reich, a New York-based composer and percussionist, was best known for his innovative compositional techniques during the minimalist era. Early in his career, Reich began manipulating recorded tape by splicing it into small repetitive loops and playing the tapes simultaneously. Through this process, Reich discovered a musical phenomenon known as phasing, ultimately creating pieces such as It’s Gonna Rain (1965) and Come Out (1966). Phasing is a process in which two identical melodic and/or rhythmic patterns gradually change their relationship to one another throughout the course of a work. As the piece progresses, new melodic, rhythmic, and harmonic …

Mater Dolorum Settings By Georg Reutter The Younger And Gregor Werner, As Reflected In Music By Joseph Haydn, Janet K. Page

HAYDN: Online Journal of the Haydn Society of North America

Mater dolorum, a text by Heinrich Rademin (1674–1731), is a German-language oratorio intended for performance before a model of the Holy Sepulcher on Good Friday. Such works, amalgamating court sepolcro and popular traditions, were performed in churches throughout Central Europe during Holy Week. Mater dolorum, one of the most popular texts, was set by three of Haydn’s older contemporaries: Georg Reutter Jr. (1726), Gregor Werner (ca. 1733), and Georg Christoph Wagenseil (ca. 1739). In this essay, I consider how these settings, and the attitudes displayed in them, intersected with Haydn’s world and could have influenced him, especially in his …

The Context And Early Reception Of Haydn’S Stabat Mater, Dexter Edge

HAYDN: Online Journal of the Haydn Society of North America

Haydn spent his formative musical years in Vienna, a city with a strong Marian cult that was expressed musically through such works in German as Heinrich Rademin’s Mater dolorum (set by Werner, Reutter the Younger, and Wagenseil), and by innumerable settings of the Latin sequence Stabat mater. In Vienna, musical settings of the Stabat mater were traditionally performed not only on the feast of Septem Dolorum B. V. M., but also on Saturdays in Lent and during Holy Week. In fact, we now know that Haydn sang a cappella settings of the Stabat mater by Palestrina and Reutter …

A “Rosary” Symphony? The Impact Of Haydn’S Religious Faith On His Symphonies, Henry Stratmann

HAYDN: Online Journal of the Haydn Society of North America

Despite expressing a strong religious faith throughout his life, Haydn’s secular music far outnumbers his sacred works. Certain symphonies, however, include either allusions to religious themes or project what can be interpreted as a devotional mood. Specifically, some unusually long symphonic slow movements during Haydn’s “Sturm und Drang” period may be orchestral depictions of a meditative, contemplative, prayerful state of mind. They likely reflect the particular practices of Roman Catholic belief and worship that were a pervasive part of the culture in which Haydn lived his entire life and also part of his personal belief system. The Adagio assai of …

Reassessing Haydn’S Sacred Music: Abstracts Of Published Conference Papers, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai

Soundboard Scholar

This paper proposes an underpinning terminology for scholarly discussions of contemporary arrangement practices in the field of classical guitar performance. The introduction provides some historical foundations for the topic, aiming to present the roots of different approaches and methods in the work of important guitar arrangers. The paper continues by contextualizing arrangement processes within linguistics and language philosophy, discussing the topic of translation, and giving an overview of relevant terminologies. The centre of the paper is the theoretical investigation of arrangement and the identification of translating acts related to musical space, instrumental choreography, texture, timbre, or a combination of those, …

Benefit Concerts: Truly For The Benefit Of The Cause?, Emma C. Gardner

Mako: NSU Undergraduate Student Journal

Benefit concerts have been used as a fundraising method for urgent issues for centuries, beginning in 1749 with concerts put on by George Handel. The first modern benefit concert was the Concert for Bangladesh in 1971, which proved that these concerts could raise large amounts of money for their cause. Live Aid was put on by Bob Geldof in 1985 Live Aid in response to the famine in Ethiopia. The Freddie Mercury Tribute Concert for AIDS Awareness in 1992 was staged following Freddie Mercury’s death and worked to raise money for awareness and a cure for HIV/AIDS. The Concert for …

Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the six parts of Kate Soper’s Ipsa Dixit (2010–2016). While individual parts have received some music theoretical attention, this is the first analysis of the entire Pulitzer Prize-nominated work. Ambiguity and contingency are major themes of Ipsa Dixit, and by treating each part independently and in combination, I hope to honor Ipsa’s contingent status as a unified work comprised of six complete works. Soper’s libretto unifies an assemblage of texts with adaptations of Aristotle to investigate the intersections of language and music with authority, veracity, and (un)intelligibility.

I theorize that Soper’s “philosophy-opera” dramatizes the formation of …

Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

Timbres Oubliés: The Forgotten Sounds Of Loeffler's Octet, Graeme Steele Johnson

Dissertations, Theses, and Capstone Projects

Modern musicians play a lot of old music and a lot of new music, but not so much “new old music.” This study—with its accompanying critical edition score, world-premiere recording and first present-day performances—represents, at long last, the deliverance of one such work from the ashes of history to the ears of the present: Charles Martin Loeffler’s forgotten Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass, a piece that was left unpublished, unrecorded and unheard since 1897.

This paper documents my efforts to finally reintroduce the Octet to the repertoire. By cross-referencing the autograph manuscript score …