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Articles 781 - 810 of 2661
Full-Text Articles in Musicology
Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation, Jason Noble, Steve Cowan
Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation, Jason Noble, Steve Cowan
Soundboard Scholar
Composing for the guitar can be intimidating for non-guitarists, but their fresh perspectives can uncover new ways of thinking about music for the instrument. This paper discusses timbre-based composition, an approach to writing for guitar that may be more intuitive for non-guitarist composers than traditional polyphonic composition. The rich palette of timbres available on the guitar, including pitched and nonpitched sounds, is conceived as primary compositional material. Issues of notation and mapping are addressed, focusing on three categories of mappings: (i) physical mapping from notational symbols onto physical objects, such as parts of the guitar; (ii) analogical mapping from …
“So That The Soul Would Dance In You,” By Jukka Savijoki, Kenneth Sparr
“So That The Soul Would Dance In You,” By Jukka Savijoki, Kenneth Sparr
Soundboard Scholar
No abstract provided.
Leo Brouwer: Guitar Sonatas, Ricardo Gallén, Nathan Cornelius
Leo Brouwer: Guitar Sonatas, Ricardo Gallén, Nathan Cornelius
Soundboard Scholar
No abstract provided.
Soundboard Scholar No. 6 (Complete)
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt
2020 Festschrift: Georg Frideric Handel's "Messiah"
The primary focus in this research paper is borrowing; this means borrowing from other composers, and self-borrowing from a previous composition. It is widely accepted in scholarship that Georg Frideric Handel participated in the action of borrowing. However, there is significantly more contention among scholars surrounding both the extent of Handel’s borrowing, as well as what the appropriate modern perspective is for these actions. In this research paper our primary focus will be on Handel’s borrowings, the benefits he received from these actions, and the historical lens of borrowing in the seventeenth and eighteenth centuries.
The Eternity Of Lazgi, Botir Rakhimov
The Eternity Of Lazgi, Botir Rakhimov
Eurasian music science journal
“Lazgi” is of special importance among the wide range of Uzbek dance art that has come down to us in the way of master-student relations. The theoretical and historical issues of "Lazgi" are almost not studied in the field of musicology.
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Religion
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In …
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
Yale Journal of Music & Religion
Translation of sacred texts is always a dangerous act. In the sixteenth century, translators of the Bible into vernacular languages faced persecution and even execution for their perceived heresy. Nevertheless, when Archbishop of Canterbury Matthew Parker (1504-1575) published his poetic paraphrases of the biblical psalms, for which Thomas Tallis wrote the corresponding psalm tunes, Parker joined a growing number of scholars and clerics risking the translation of scripture under the aegis of the Protestant Reformation. In his paraphrases Parker carefully negotiated between strict translation and poetic interpretation of the text, particularly in regards to musical themes. I argue that in …
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Yale Journal of Music & Religion
While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Composition/Recording Projects
Exploring the Gospel Fusion Arrangements of The Recording Collective
Beyond Classical: A Comparison Of Alternative Programming In American Orchestras: Annotated Bibliography, University Of Denver
Beyond Classical: A Comparison Of Alternative Programming In American Orchestras: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Comparing Memorization Strategies: How Do We Approach Teaching To Perform From Memory, University Of Denver
Comparing Memorization Strategies: How Do We Approach Teaching To Perform From Memory, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“Radical Protestors”: How Korean Popular Music Created Online Affinity Spaces Of Left-Wing Political Activists: Annotated Bibliography, Anna Mach
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Essay Topic: Tempo Rubato In Chopin's Ballade No.4, Op.52: A Study In Performance Practice, University Of Denver
Essay Topic: Tempo Rubato In Chopin's Ballade No.4, Op.52: A Study In Performance Practice, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
What Is The Relationship Between Representation And The Safety Of Women In Contemporary Scottish Traditional Music Performance In The Uk? - Annotated Bibliography, Sophie Ailsa Lewis
What Is The Relationship Between Representation And The Safety Of Women In Contemporary Scottish Traditional Music Performance In The Uk? - Annotated Bibliography, Sophie Ailsa Lewis
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Matisse's Jazz Is Really Talking About Jazz Music Or Not: Focusing On The Hidden Meaning Of The Images In Matisse's Jazz Art Book And The Relationship Between Jazz Music And Abstract Art: An Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Jazz Publishing In The 21st Century: Applications For A Centralized Marketplace: An Annotated Bibliography, Justin Rogers
Jazz Publishing In The 21st Century: Applications For A Centralized Marketplace: An Annotated Bibliography, Justin Rogers
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography, Lillian Ridout
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography, Lillian Ridout
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Declining Opera Audiences: Annotated Bibliography, University Of Denver
Declining Opera Audiences: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography, Nicholas Pierce
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography, Nicholas Pierce
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
East Of Ethics: Insight Into The Imperative Nature Of Inclusive Ethnography – An Annotated Bibliography, Malia Odekirk
East Of Ethics: Insight Into The Imperative Nature Of Inclusive Ethnography – An Annotated Bibliography, Malia Odekirk
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Bad Boys: A Study Of Conservative Censorship And American Subcultures, Ally Dellgren
Bad Boys: A Study Of Conservative Censorship And American Subcultures, Ally Dellgren
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
I Got Rhythm: How Rhythm Changes Became Among The Most Used Progressions In Jazz, And Opens The Door For Limitless Creativity: Annotated Bibliography, Jacob Brooks
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Influence Of Hip-Hop Music On The Social Justice Movement From 1990-2020: An Annotated Bibliography, Deborah J. Anderson
The Influence Of Hip-Hop Music On The Social Justice Movement From 1990-2020: An Annotated Bibliography, Deborah J. Anderson
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Assignment #4 Annotated Bibliography: Canonization Of Jazz: A Look At Its Purpose, Intent, And The People That Shape It, Sebastian Alvarez
Assignment #4 Annotated Bibliography: Canonization Of Jazz: A Look At Its Purpose, Intent, And The People That Shape It, Sebastian Alvarez
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Myers-Briggs Of Quoting: A Typology Of Musical Borrowing In Jazz Improvisation, University Of Denver
The Myers-Briggs Of Quoting: A Typology Of Musical Borrowing In Jazz Improvisation, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Uncommon Influence: Exploring Xenakis’ Use Of Math And Architecture As Compositional Tools Bibliography, Paul Finckel
Uncommon Influence: Exploring Xenakis’ Use Of Math And Architecture As Compositional Tools Bibliography, Paul Finckel
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Evolution Of Clarinet Music Through Johannes Brahms: A Study Of His Trio, Quintet, And Sonatas, Pearse Enright Lee
The Evolution Of Clarinet Music Through Johannes Brahms: A Study Of His Trio, Quintet, And Sonatas, Pearse Enright Lee
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner
The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Prevalence Of Auto-Tune In Popular Music And Its Affect On Pitch Perception In Young Musicians, University Of Denver
The Prevalence Of Auto-Tune In Popular Music And Its Affect On Pitch Perception In Young Musicians, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.