Musicology Commons^™

Observant Dominican Nuns’ Processionals In Fifteenth-Century Germany: Evidence From Manuscripts Of The Beinecke Library, Eleanor J. Giraud

Yale Journal of Music & Religion

This article examines three Dominican processionals held in the Beinecke Library: Ms. 205, Music Deposit 60 and Music Deposit 61, all of which can be linked to the Observant Dominican convent of St Catherine in Nuremberg. Ms. 205 was undoubtedly used in Nuremberg, while Music Deposit 60 and 61 were likely copied from a Nuremberg Processional but made for use elsewhere, probably Regensburg. This small collection presents the opportunity to consider the Observant experience of procession, the dissemination of Observant liturgical books, and the relationship between the practices of Dominican nuns and friars. To a vast extent, these manuscripts reveal …

Tracking The Harmonium From Christian Missionary Hymns To Sikh Kirtan, Gurminder Kaur Bhogal

Yale Journal of Music & Religion

The harmonium is prominent in Sikh practices of devotional music known as kirtan and yet its significance has barely been addressed in Euro-American scholarship. Following on the heels of a recent ban against using the instrument at the holiest temple of the Sikhs, Harmandir Sahib (popularly known as the Golden Temple), this article explores how the ban seeks to discard this colonial instrument and return to playing traditional string instruments (tanti saz) associated with the courts (darbar) of the Sikh Gurus. This study is the first to examine primary missionary sources from the nineteenth and early …

Florence Price: Forgotten No More, Kathryn E. Amdahl

2023 Symposium

Florence Price was a composer and musician who lived from 1887 to 1953. She composed music in every genre except for opera. The music of Florence Price traveled practically everywhere; from the radio to the concert halls to the church. Throughout her life, she became well-known as the first African American female composer who was featured by a major symphony. Florence Price was tenacious, brave, and courageous during her era which contributed to the level of acceptance that society now holds for African American composers. Despite the challenges she faced during her lifetime, she never gave up or collapsed due …

Suite En Re Menor, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

Suite en Re Menor

para clavicordio

Autor Anónimo

Archivos Musicales de Chiquitos, 2013

Preludio, Allemanda, Pitipié, Quitasol, y Corrente

This music was collected at the Archivos Musicales de Chiquitos in November of 2012.

Photocopies of the original manuscripts were photografed using a tripod set on a working table. These manuscripts are in the keyboard music section of the catalogue in the archives under the title "Música para teclado." Five dances were collected, Preludio, Allemanda, Pitipié, Quitasol (Sarabanda,)and Corrente, all in D minor (re menor.)

In addition to copying the music and completing the few missing bars, some corrections to the …

Play Makes Perfect: An Exploration Of Game And Play Elements In Composition And Performance, Gabrielle Chou

Dissertations, Theses, and Capstone Projects

This dissertation aims to explore the intersection of play and games in Western classical music and define a new category of pieces, “ludic pieces,” which contain play structures and game mechanics within their composition. Starting with surveying perspectives in ludology and ludomusicology, including those by Roger Caillois, Johan Huizinga, Jesper Juul, Katie Salen, and Eric Zimmerman, I will examine various definitions of a “game” and what its qualifying aspects are. I will then turn to music and consider pieces that interact with play and games without containing game structures, including examples of musical humor and pieces which evoke the imagery …

Pange Lingua, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …

Texas Exceptionalism And Texas Style Fiddling: Fiddle Contests, Patriarchs, And Musical Markers, Emilie Catlett

Music Theses and Dissertations

The phrase “Texas Fiddle Player” indicates a unique musical identity within the Greater North American Fiddling community. Beyond fiddle tunes, fiddling culture involves technical diversity, interpersonal relationships, various performance contexts, teaching and learning, and the stories making up a community’s collective memory. The Texas Fiddle Player identity is the result of a process of connecting these aspects of fiddling culture to symbols and narratives that evoke a specific kind of “Texan-ness.” This process is a form of musical Texas Exceptionalism, in that it asserts a belief that Texas Fiddle Players are somehow different from their American fiddling peers. This manifests …

Elsewhere: In Defense Of Daydreaming, Alex Braden

MFA in Visual Art

Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.

Jorge Peixinho ‒ In Memoriam For Solo Guitar: A Compositional And Interpretative Tribute, Pedro Baptista, Pedro Rodrigues, Evgueni Zoudilkine

The 21st Century Guitar

This paper focuses on a compositional and interpretative tribute, consisting of a work for solo guitar composed by Pedro Baptista in 2021 and titled Jorge Peixinho ‒ In Memoriam. The piece is intended to crystallize, focus and amplify recurrent and characteristic elements of Jorge Peixinhoʼs (1940-1995) guitar writing, During the second half of the 20th century, shaping the avant-garde musical movement in Portugal, this composer developed and used a range of techniques, effects, gestures and structures, which Baptista now explores in a systematic way. These elements were identified through analysis and hands-on exploration with the guitar of Peixinhoʼs manuscripts, as …

William Walton: The Evolution Of The Five Bagatelles, Kenneth Kam

The 21st Century Guitar

The distinguished British composer, William Walton wrote his first work involving the guitar in 1960. This is the song cycle Anon. in Love, composed for tenor Peter Pears and guitarist Julian. He wrote his only solo guitar work in 1971, Five Bagatelles, which he dedicated to the composer Malcolm Arnold, and was premiered by Bream in the same year. Walton admitted that he had never thought of writing for the guitar but was encouraged to do so by Julian Bream. This work was written hand-in-hand between Bream and Walton in Ischia, Italy, in which Bream even provided a chart which …

Making Malice Musical: Verdi’S Compositional Journey Through The Eyes Of Six Villains, Michael Chadwick

Electronic Theses and Dissertations

Giuseppe Verdi is a pillar of the operatic world and had a profound impact on the evolution of the art form. From a rudimentary beginning, he developed over time from a popular creator of operas in the solita forma style of 19^th century Italy into a master craftsman of combining music, text, and theatrical drama. Verdi utilized the popular compositional formal convention of solita forma to begin his career. Over time he evolved beyond its boundaries and shifted his focus to the holistic theatrical presentation of the drama. Much has been written about this evolution through analysis of Verdi’s …

Three Settings Of "Cruda Amarilli:" Examining Melismatic Cadences And Word Repetitions That Convey Meaning, Peter Richardson

Theses and Dissertations

The objective of this thesis was to do a comparative analysis between three settings of “Cruda Amarilli:” one by Monteverdi in 1605, and two by D’India in 1606 and 1609, and to interpret my findings. I focused on each composers use of melismatic cadences and word repetitions in each setting.

Fatale, Fragile, And Furiosa: Redefining Female Tropes For A New Generation Of Feminism In Jeanne Shaffer's Three Faces Of Woman For Clarinet And Piano, Olivia Harrison

Music Undergraduate Honors Theses

Among the discipline of music, the representation of women in music professions and the artform itself reveals great disparities between gender identities. In spite of this, musician and composer Jeanne Shaffer approaches the ongoing fight for women’s representation and equity in music. Shaffer’s piece “Three Faces of Woman” for clarinet and piano (1995) depicts three delineations of femininity that women are reduced to. Influenced by cultural minimalization of women, Shaffer’s piece uses different compositional genres as vehicles to illustrate these ever-present stereotypes and the unyielding need to combat them. The first movement presents the trope of the Femme Fatale; the …

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

The Reconciliation Of Theology And Mythology In Philosophical Defenses Of Music In Early Modern London, Leanna York

Graduate Thesis Collection

Since Antiquity, elements of Greek mythology and Hebraic history have intersected in many forms of literary and visual art. Renaissance philosophers, moved by skepticism, struggled to reconcile the historical and theological contradictions of these ancient sources, and scholars of European history Arthur Ferguson and Jean Seznec recognize resulting trends of mythological interpretation among authors of diverse disciplines. My research investigates ways in which London university professors John Taverner, John Case and an anonymous Oxford author utilized these interpretive methods in their music treatises of the early modern period and discusses the intersection of Protestant theology and Greek mythology in these …

Chopin’S Piano Sonata No. 3 In B Minor Op. 58: A Structural Analysis, Maverick Harrold

Theses/Capstones/Creative Projects

Chopin’s Piano Sonata No. 3 in b minor Op. 58 is an incredibly important composition to the world of music. This work will uncover many of the unique facets and features of this piece as well as discover the beautiful intricacies of each of the four movements. By learning about this sonata, the reader will gain an understanding of the importance of musical structure and musical form and will gain insight into the ways of Chopin’s compositional style and of romantic piano music as a whole.

A Masterpiece Amid Musical Suppression: An Analysis Of Dmitri Shostakovich’S Symphony No. 5, Matthew Dulas

Honors Capstone Projects

Dmitri Dmitriyevich Shostakovich was a 20th century Soviet-era composer. He is considered to be amongst the greatest classical composers of his time. Some of his most famous works include his string quartets, symphonies, and piano works. Despite his success and popularity, Shostakovich did not have an easy livelihood. His tensions with the Soviet government, particularly under Joseph Stalin, plagued him for most of his life. He fought a constant battle of creating music that was true to himself and that which would satisfy the Soviet officials. Shostakovich often had to adjust his composing style in order to maintain good standing. …

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

Early Instruments In 21st Century Composition And An Original Composition For Saxophones And Viols, Jacob Bitinas

Electronic Theses and Dissertations

Composers continually seek new timbres and sonorities to bend to their will. The early music revival of the twentieth century has resurrected dozens of instruments that have gone unutilized in contemporary composition for centuries. The historically-informed-performance movement has now evolved to a point where early instruments and period performance techniques can add extraordinary new characters to twenty-first century compositions. This thesis explores how composers effectively utilize early instruments like the viola da gamba, harpsichord, lute, and recorder in their compositions.

The document also contains interview transcripts from eight composers and performers, including Nico Muhly, Liam Byrne, Martha Bishop, David Loeb, …

Heavy And Hateful: Growth Of White Supremacy And Neo-Nazism In Skinhead Punk And Black Metal, Kevin Grether

Capstone Projects and Master's Theses

This paper explores the presence of White Supremacists, racists and neo-Nazis within the genres and associated subcultures of skinhead punk and black metal. It discusses the history of both genres and how specific events and subcultural aspects contributed to the growth in both number and influence of racist actors in each scene. It also discusses the ways in which that racism manifests within the music itself as a means of fascist recruitment and propaganda, using examples taken from specific popular racist artists.

Music & Synesthesia: An Exploration Of Synesthesia And Its Relation To Musical Perception, Raquel S. Johnson

Pacific Undergraduate Research and Creativity Conference (PURCC)

This research investigates synesthesia and its impact on musical perception. Synesthesia is the multimodal sensory phenomenon in which the stimulation of one sensory modality generates the experience of a second, otherwise unrelated sense. Discussed topics include: a description of synesthesia and its neurophysiological and perceptual characteristics, the historical conceptualization and documentation of synesthesia beginning with the ancient Greeks, and present-day scientific inquiry. This research explores three varying types of auditory synesthesia - chromesthesia (sound-to-color synesthesia), auditory-tactile synesthesia, and sound-gustatory/sound-olfactory synesthesia - and their multimodal sensory characteristics in relation to music. Prominent neurophysiological hypotheses regarding the existence of synesthesia are examined, …

The Color Of Sound: An Insight On Chromesthesia, Lupe Rodriguez

Honors Capstones

Many people can see with their eyes, but there are some people who can see through sound. Chromesthesia is when sound involuntarily evokes an experience of color through shapes and movement. The goal of this project is to show what this experience is like and give people an opportunity to experience it in a way themselves.

The Color of Sound Website Prototype

A Look Into Spiritual Sketches: A Performance To Damien Sneed’S Arrangements Of Selected Spirituals, Katrina Cox

Doctoral Projects

The African American Spiritual is a long-standing genre of music in the classical arena that drew influence from slave songs or enslaved Africans in America. The Spiritual has always required specific knowledge and understanding of the Black culture and struggle since its conception. As an art form, its genesis came around the end of the 18th century with the abolishment of slavery. The Spiritual (folk melodies) became a popular addition to the concert hall repertoire and were first brought to the forefront by the famed Fisk Jubilee Singers between 1853 and 1943. The Concert Spiritual became more popular in the …

Organs In Colonial New England Puritan Churches, Jacob Skaggs

ATU Scholars Symposium

Puritans, often referred to as the founders of America, held strict religious doctrines that alienated themselves from other Christians. One such doctrine is the outlawing of instruments in public worship. However, it took only about 150 years for such anti-instrument sentiments to shift towards acceptance. The reinstatement of organs in Puritan Churches seems to follow trends of increased religious tolerance caused by both theological and social developments. This paper relates organs to tolerance through examination of theological and musical documents from 17th and 18th century Puritans. This research provides a lens for examining today's church worship doctrines through the context …

Five Thousand Years Of Egyptian Double-Pipes And Musical Cultural Influences, Samuel T. Holtkamp

ATU Scholars Symposium

Ancient Egypt was one of the earliest of human societies to pursue the development of music, and many of the musical concepts they pioneered over five-thousand years ago are still in use. Along with the preservation of musical ideas, certain ancient Egyptian instruments have also stood the test of time, through both preservation and evolution. However, the development of these instruments from their ancient to modern forms is sparsely discussed. Along with this, virtually no research explores the evolution of these instrument forms from a chronological context. This paper seeks to investigate and chronologize forms of the ancient Egyptian double-pipe, …

From Story To Song: Exploring The Storytelling Potential Of Instrumental Music, Celine Darr

Honors Projects

For this project, I have composed a piece of program music with the aim of capturing scenes from Hans Christian Andersen's "The Little Mermaid" through music. The project seeks to answer questions regarding the elements that make instrumental music "programmatic", or able to portray a story.

Chinese Folk Song Meets Western Compositional Technique—A Case Study Of Zhou Long’S The Partita For The Violin And The Piano, Bo Wu

LSU Doctoral Dissertations

In the field of contemporary Chinese music, a large number of outstanding composers and works have emerged in China. As one of the most prominent Chinese American composers, Zhou Long has created many excellent pieces that combine Chinese national elements with world-class composition techniques. These contributions have helped promote Chinese music on the global stage. Zhou Long possesses profound creative skills, with a deep understanding of both Chinese national modes and Western composition techniques. By applying these skills and techniques to his works, he has developed a unique style that integrates Chinese national features with modern music concepts and techniques, …

A Comparative Investigation Of Tonal Memory Improvements With Electronic And Vocal Pitch Stimulus Training, Grayson M. Fletcher

Senior Theses

The study described herein compares improvements in tonal memory for young adults (age 19- 22), specifically retention of pitches, between two groups (n1=8, n2=8) with nearly identical training programs. One group was provided electronic pitch stimuli for the training program, while the other group was given human vocal stimuli. Self-paced computerized training sessions were conducted in a soundproofed testing room and interposed between pre-test and post-test measurements. A pre-test—post-test randomized experimental design allowed for assessment of whether the training was effective for each group in addition to comparing effectiveness of training between groups. Analyses with demographic factors, particularly previous musical …

Humor In Western European Instrumental Music: How Humor Works, Its Usage Over Time, And Accessible Teaching Strategies, Hunter K. Thompson

Senior Theses

This research’s purpose was to examine the perception of humor, both generally and musically, and to provide an overview of how humor has been incorporated into Western European instrumental music from the Medieval Age to the 20th century. In order to evaluate this, the researcher conducted a listening survey to gauge how well college music majors perceive humor in instrumental music. The survey consisted of eleven total listening excerpts approved by the Music History faculty at the University of South Carolina School of Music. Nine excerpts were coded humorous, and two excerpts were coded non-humorous for control. There was a …

Soundboard Scholar No. 8: Cover

Soundboard Scholar

Cover image: Ex Libris bookplate for Jane Patterson by Robert Anning Bell. Line illustration from 1893 that appeared in The Studio: An Illustrated Magazine of Fine and Applied Art. Private Collection.