Contemporary Art Commons^™

M+, Beyond A Museum?: The Making Of A New Cultural Paradigm In Hong Kong, Grace Law

MA Theses

This thesis, titled M+, Beyond a Museum? The Making of a New Cultural Paradigm in Hong Kong, is a critical inquiry into whether M+ is a traditional museum or an institution that redefines Hong Kong’s cultural landscape. The study examines the operational and financial challenges encountered by the Museum in the backdrop of its distinguished architecture, meticulous programming, and advanced digital technology. By tracing the Museum’s development through its core exhibitions and international collaborations, this thesis demonstrates how M+ has evolved into a key art institution within the West Kowloon Cultural District (WKCD), and elevated its positioning in the cultural …

Painted By Hand, Written In The Sky: Martin Wong’S Fingerspelling As Invented Visual Language, 1982-1985, Bella Clemente

Dissertations and Theses

This thesis examines Martin Wong's (1946-1999) hand-painted fingerspelling as an invented personal visual language and vehicle of self-portraiture, analyzing three paintings created during his time in New York between 1982 and 1985: Attorney Street: Handball Court with Autobiographical Poem by Piñero (1982-1984), Compulsion (1984-1985), and Stanton Near Forsyth Street (1983). Through iconographic analysis of lingual elements in each work, including fingerspelling, graffiti, calligraphy, and poetry, this thesis argues that Wong's stylized adaptation of the American Sign Language manual alphabet reflects an evolving sense of self-identity, drawing on influences from Chinese artistic traditions, calligraphy, Kufic script, and the Nuyorican poetry and …

From Otherness To Agency: Reframing Eurocentric And Orientalist Representations In Contemporary Middle Eastern Art, Violette Wolter

MA in Contemporary Art Dissertations

This essay examines how contemporary artists from the Middle East challenge Eurocentric frameworks of representation embedded in Orientalism by proposing alternative narratives of identity, history, and resistance. This study, which draws on postcolonial theory, particularly Edward Said's Orientalism (1978), Dipesh Chakrabarty's Provincialising Europe (2000), and Hamid Dabashi's Post-Orientalism (2009), explores how artistic practices dismantle the inherited hierarchies of Orientalist knowledge and visual power. Orientalism, which generated a discourse that constructs the Orient as Europe's ‘Other,’ still fuels neo-Orientalist narratives that portray the Middle East as irrational, violent, or static. Through a close analysis of the artistic practices of artists Shirin …

Making The Invisible Visible: How Contemporary Artists Depict The Climate Crisis Through Visual And Conceptual Strategies, Isabella Ray

MA in Contemporary Art Dissertations

This dissertation examines how contemporary artists depict the environmental consequences of climate change through visual and conceptual strategies. Through the examination of different artworks: Olafur Eliasson’s Ice Watch (2014-2018) and Your Waste of Time (2006), John Gerrard’s Western Flag (Spindletop, Texas) (2017), and Mary Mattingly’s Waterpod (2009) and Swale (2016-2020), this research analyzes how site, material choice, and civic participation create ecological awareness and model possible futures. Eliasson’s installations prompt phenomenological engagement with melting glacial ice and temporalities beyond human perception; Gerrard’s real-time simulations critique humanity’s dependence on fossil fuels through the digital presentation of a perpetual burning flag; Mattingly’s …

Unmaking The Anthropocene: Colonial Violence, Racial Visuality, And Extractive Capitalism, Jiwon Ko

MA in Contemporary Art Dissertations

This dissertation examines how the works of Sammy Baloji, Otobong Nkanga, and Anna Boghiguian—specifically …and to those North Sea waves whispering sunken stories (II) (2021), Solid Maneuvers (2015), and The Salt Traders (2015)— offer critical reconfigurations of the Anthropocene. Bringing together the frameworks of Black Anthropocenes and the visuality of the Anthropocene, the study argues that the environmental crisis cannot be understood as a universal human condition but must be read through the racialised geologies, extractive histories, and visual regimes inherited from colonial modernity. Through strategies of installation, performance, and speculative narration, these artists reveal the uneven material and perceptual …

Playing In The Field: Carrie Mae Weems Exploration Of Black Mobility, Through Diasporic, Temporal, And Visual Movement, Tobi Alexandra Falade

MA in Contemporary Art Dissertations

This dissertation investigates the notion of diaspora, as a framework to explore the use of movement within the lens-based work of Carrie Mae Weems. This study is largely carried out through Leave! Leave Now! 2022, a twenty-five-minute video installation sectioned into five parts and staged within a traditional movie theatre. The artwork explores the journey, real-life disappearance and reappearance of sharecropper Frank Weems—the artists grandfather—through a diasporic tale interwoven with critical questions about migration and its historical and future consequences. The first chapter “Diasporic Journeys”, explores enforced journeys and the diasporic experiences at large. The second chapter, “Temporal Movement”, explores …

On Liminality: Rachel Whiteread & Archiving The In-Between, Natalie Emmerman

MA in Contemporary Art Dissertations

This dissertation examines the sculptural practice of Rachel Whiteread (b. 1963) through the lens of liminality, the uncanny, and the archive. By casting the negative spaces of everyday objects, domestic interiors, and monumental architecture, Whiteread materializes absence and transforms overlooked objects and spaces into solid, lasting forms. Her work destabilizes binary categories such as presence and absence, private and public, representation and abstraction, and permanence and ephemerality, exposing memory as fragile, discontinuous and often ghostly. Drawing on theoretical frameworks rooted in psychoanalysis, photography, time and space, this study explores Whiteread’s practice as a form of sculptural archivization.

Analysis is structured …

Art & Luxury: Perceiving Value: How Generation Z Interprets Cultural And Social Meaning In Luxury And Art Collaborations, Michele Saad

MA in Luxury Business Dissertations

Luxury and art collaborations have evolved from rare creative experiments into a familiar part of brand storytelling, yet most research still focuses on what brands want to communicate rather than how audiences perceive these projects. This study explores how Generation Z (GZ) interprets the cultural and social value of such collaborations.

A qualitative approach was adopted, using semi-structured interviews supported by visual prompts with 16 participants aged 19 to 29. The analysis is structured around six recurring themes: artistic expression and aesthetics, social engagement and philanthropy, sustainability and environmental awareness, experiential and immersive encounters, commercial and hype-driven partnerships, and architectural …

Earth As Medium: Land Art And The Human Experience Of Connection To Nature, Charlotte Johnson-Watts

MA in Contemporary Art Dissertations

This dissertation examines how the Land Art of the 1960s and 1970s engaged the earth as both medium and site, foregrounding the ways in which artists constructed experiences of connection to the natural world. It focuses specifically on the practices of Michael Heizer, Robert Smithson and Richard Long, who each emerged as central figures during this period, turning to the earth itself as their primary material and rejecting traditional, commodifiable forms of art. For these artists, earthworks functioned not only as a critique of the social and political conditions of the time but also as an innovative way of re-engaging …

Urban Fieldnotes: Rematerialization, Ecological Handicraft, And Participatory Sustainability In Contemporary Art, Qihan Fu

MA in Contemporary Art Dissertations

This dissertation explores how the intertwined practices of rematerialisation and ecological handicraft can reorient contemporary art toward social, ecological, and ethical renewal. It argues that in the aftermath of Conceptual Art’s legacy of dematerialisation, where ideas eclipsed material engagement, art must rediscover its tactile, communal, and ecological intelligence to respond meaningfully to the crises of the Anthropocene. Drawing upon theorists including Lucy Lippard, Jane Bennett, Tim Ingold, and Glenn Adamson, this research proposes a triadic framework of rematerialization, ecological handcraft, and participatory sustainability that restores continuity between making, environment, and community.

The accompanying practice project, Urban Fieldnotes, situated in …

Below The Rows, Beyond The Roots: An Art Exhibition Depicting Agriculture Across The Globe, Maggie Enoch

Honors Theses and Capstones

In Below the Rows, Beyond the Roots, artist Maggie Enoch creates multimedia works inspired by her exposure to diverse agricultural systems and perspectives while studying geography and sustainable agriculture/food systems around the world. By integrating complex histories with the contemporary realities of farming, Maggie paints vivid pictures of the power of food in this five-piece exhibition.

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Bridging Culture And Capital: The Financialisation Of Middle-Tier Contemporary Art In Emerging Markets, Ned Carter

MA in Art Business Dissertations

This dissertation examines the rising trend of the financialisation of middle-tier art markets in emerging economies, with a focus on corporate and institutional case studies from the continents of Africa and Asia. The research is driven by a central question: What are the key mechanisms turning middle-tier contemporary art into a financial asset class in these emerging markets? To answer this, the study analyses how financial tools, market intermediaries, and new wealth drivers are transforming art collecting practices in non-Western contexts. A qualitative case-study methodology is employed, comparing multiple institutions, mainly banks, investment funds and insurance firms, that actively engage …

Gender, Feminism, And Market Dynamics: Examining Gender And Feminism In The Art Market Through Two Female Chinese Artists, Hung Liu (劉虹) And Yu Hong (喻红), Amelia Campbell-Breeden

MA in Art Business Dissertations

This dissertation examines the articulation of feminist expression in contemporary Chinese women’s oil painting and its positioning and valuation within the art market. A focus is placed on Yu Hong and Hung Liu, analysing the interaction of gender, race, and censorship within both domestic and global frameworks. The study employs Grounded Theory to integrate qualitative and quantitative evidence from literature, exhibitions, market reports, rankings, and auction data, aiming to develop a theory from under-explored material instead of applying Western feminist beliefs.

Research suggests that recent advancements in female visibility are often driven by positive discrimination and curatorial “translation”, which uses …

Existential Reckonings: Covid-19’S Impact On Women Artists In New York And The Art Market During A Time Of Crisis, Elizabeth Glynn

MA in Art Business Dissertations

This dissertation investigates the impact of COVID-19 on women artists in New York City, emphasizing the existential challenges they faced and their responses within the art market. Through qualitative interviews, this research reveals how the pandemic catalyzed critical introspection, prompting artists to reevaluate their identities and creative practices. Despite systemic barriers to visibility and recognition, women artists exhibited resilience and adaptability, leveraging digital platforms to foster community engagement and expand their reach. This study dives deeper into the representation and support of women in the art sector, highlighting the interconnectedness of existentialism, creativity, and the evolving art market.

Preservation Of Architectural-Religious Heritage In Modern Ukraine, Olga Gold, Maksym Vasalatiy, Olga Dobrodum

Occasional Papers on Religion in Eastern Europe

This article examines answers to a number of pressing questions regarding the preservation of architectural heritage in the modern world: what philosophical views underlie the preservation of world heritage; and what is unique about the protection of religious architectural heritage. The architectural philosophy of religious buildings represents a complex of original concepts, both material and spiritual. The hypothesis consists of constructing an algorithm and mechanism for protecting cultural heritage from the perspective of the philosophy of architecture in post-war Ukraine. The preservation of historical and cultural heritage sites is one of the most complex areas of activity in the fields …

Art Heals Chicago: Murals On The South Side Of Xicágo, Brenda Rodriguez

Pomona Senior Theses

Mural making as a collective art form is a tool for healing, resistance, and cultural pride in Black and Brown communities. With my focus being on Mexican American communities on the South Side of Chicago, specifically Pilsen. I make ties to indigenous motifs and the history of Mexican Muralism to show how it has evolved and how murals in the 1960s and 70s were used for healing from violence and the revolution. Murals that include images that reference the Mesoamerican past and preconquest life are a powerful way of reclaiming one’s identity and asserting one's indigeneity in the present and …

Negotiating Independence And Representation: The Role Of Galleries In Shaping Emerging Artists’ Careers In London, Filippo Fazzini Matteucci

MA in Art Business Dissertations

This dissertation analyses the impact of gallery representation on the career progression of emerging artists in the London art ecosystem. The research draws on qualitative data, gathered through the completion of four semi-structured interviews. Participants were selected between two London galleries - Almine Rech and Gallery Rosenfeld - and included two artists and two managers. The study examines four interrelated themes: the negotiation between representation and independence; the role of trust and informality in shaping artist–gallery relationships; the influence of visibility through social media platforms; and the participants’ definitions of success. The research reveals that representation and independence are not …

Entrepreneuring Otherwise: Reimagining Value In Art Business At Ɛdan, The Ano Institute Of Arts And Knowledge, And Nubuke Wa, Chantel Thompson

MA in Art Business Dissertations

This dissertation examines how three Ghanaian women-led art institutions practise what this study terms “entrepreneuring otherwise”: a feminist and decolonial mode of enterprise grounded in care, community, and epistemic sovereignty. Focussing on Ɛdan, ANO Institute of Arts and Knowledge, and Nubuke Wa, the research investigates how they navigate their environments, illustrating the strategies used to respond to both the rich cultural histories of Ghana and the systemic conditions shaped by limited state support, fragmented cultural policy, and predominantly informal economies, which ultimately create fertile ground for reimagining and innovation.

Situated within feminist epistemologies and decolonial thought, the study applies the …

How Do Female Artists In The Middle East Navigate Art Market Legitimacy, And How Do Experiences Differ Between The Levant And Gulf Regions?, Noura Alzaim

MA in Art Business Dissertations

This dissertation examines the journeys and challenges faced by female artists in the Middle East as they strive for recognition and legitimacy within the region’s evolving art markets. By comparing the lived experiences of artists from the Levant, where creativity often flourishes in grassroots and diaspora circles, to those cultivating their careers amid the state-driven, rapidly expanding cultural landscape of the Gulf, the research brings distinct artistic perspectives into conversation. Combining interviews, theoretical inquiry, and analysis of press releases, essays, and market data, the study highlights how history, political context, and institutional structures shape opportunities and obstacles. Central chapters show …

So There I Was, Jesse Marie Baggett

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis provides a description and analysis of my thesis exhibition, So There I Was, which presents a body of ceramic sculptures and paintings that explore themes of adventure, travel, and shared experiences. The work reimagines personal experiences through a cast of animal characters, with a rabbit acting as a stand-in for myself. These narratives are inspired by events from my own life and are transformed into imaginative scenes that emphasize playfulness, wonder, and storytelling.

The sculptures combine toy-like animal figures, pull carts, and miniature architectural structures to create playful environments that resemble playsets or staged scenes where …

Size Matters: How Physical Scale Is (Or Is Not) Rewarded In A Global, Ultra-Contemporary, Online Art Market, Odd Halvdan Sakse Orstavik

MA in Art Business Dissertations

This dissertation examines how the relationship between the size and price of paintings has evolved throughout the 21st century by analysing an up-to-date dataset of 18,821 works by 103 artists offered at auction between 2000-2025 within 3 distinct segments of the market (Blue-Chip, Contemporary and Ultra-Contemporary). The main finding is that the size elasticity differs in each of these segments. It is highest for the Blue-Chip segment (0.71), lower for the Contemporary segment (0.59) and lowest for the Ultra-Contemporary segment (0.55). Contrary to many previous results, it finds no optimal size within the range of works offered at auction. As …

Changing Art Market Trends And Collector Preferences In India’S Metropolitan Hubs Amid Economic Growth, Gauri Minocha

MA in Art Business Dissertations

The dissertation aims to explore how India’s post-liberalisation economic rise has shaped the structure, buying trends, and consumer behaviour within the urban art market, with the focus being on the country’s two main hubs- Delhi and Mumbai. It investigates the role of economic liberalisation, demographic shifts, globalisation, digitisation, and regulatory frameworks in reshaping the market. A mixed-method approach, combined with site visits, studying existing research, and conducting semi-structured interviews with key market players- gallerists, collectors, advisors, and fair directors, was employed. The findings reveal that the Indian market followed a ‘boom-bust-boom’ cycle post liberalisation, with the pandemic serving as a …

Contemporary Art And Cultural Identity In Post-Soviet Kazakhstan, Dinara Saduakassova

MA in Art Business Dissertations

This dissertation explores the development of contemporary Kazakhstani art after 1991, arguing that the independent nation’s international cultural visibility is defined by artists rather than institutions. Operating without state infrastructure, Said Atabekov, the Kyzyl Tractor collective, Almagul Menlibayeva, Saule Suleimenova, and Yerbossyn Meldibekov gained international recognition via biennales, exhibitions, and transnational networks. Their practices challenge state narratives of heroic nationalism and Western expectations. Case studies, interviews, and analysis of Rukhani Zhangyru and new institutions like Tselinny, enable this dissertation to argue that Kazakhstan’s position in global art history is artist driven.

Censorship In The Indian Art Market: Legal, Institutional, And Commercial Implications, Kritika Salhotra

MA in Art Business Dissertations

This dissertation examines censorship of art in an Indian context, focusing on artistic production, exhibition practices, and the commercial viability of dissenting art. Drawing on case studies from institutional controversies, legal judgments, and interviews with practitioners, the study analyses how censorship operates not only through law but also through institutional gatekeeping and market mechanisms. The research finds that while Indian courts, particularly at the higher levels, have shown slow progress towards becoming liberal, the persistence of vague obscenity provisions and inconsistent jurisprudence sustains a climate of legal ambiguity. Extralegal pressures often shape curatorial decisions, leading art organisations to retreat or …

From Visibility To Value: How Can Digital Art Achieve Long-Term Legitimacy In The Contemporary Artworld?, Ziyuan Wang

MA in Art Business Dissertations

This dissertation explores the evolving legitimacy of digital art within the contemporary artworld, addressing the central question: How can digital art achieve long-term legitimacy in a cultural landscape increasingly shaped by decentralised networks and technological innovation? Through a qualitative methodology involving interviews with digital artist, curator, collectors, and platform leader, this study aims to discover how value, legitimacy, and aesthetic quality are constructed in digital art markets.

Within the art ecosystem, digital art often emerges from community based, peer-to-peer validation, which generates visibility and drives market activity such as high-profile sales. Yet, participants continue to place value on institutional endorsement …

Milan As A Future Art Capital: Opportunities And Limitations Within The European Art Landscape, Camilla Zoe Nicelli

MA in Art Business Dissertations

Italy is renowned world-wide for its cultural heritage but contemporarily being resistant to innovation, however Milan can be viewed as an exception. it’s a city which combines art, fashion, finance and design, and it has been recognised as a future art capital. Nevertheless, there is a significant absence of scholarly research analysing the Milanese art market in a systematic manner. The aim of this dissertation is to answer the following research question: “What factors will allow Milan to establish itself within the European art landscape, and what are the challenges that might limit its rise as an art capital?”. This …

Representation And Cross-Cultural Mediation Of Contemporary Ink Art In New York’S Primary Art Market: A Case Study Of Fqm Gallery, Mengtian Melody Yang

MA Theses

This study investigates the representation and cross-cultural mediation of contemporary Chinese ink art within New York’s primary art market. Using Fu Qiumeng Fine Art (FQM) as a core case study, the research adopts a qualitative methodological framework that integrates document analysis, visual analysis, and semi-structured field interviews to examine how the gallery operates as a cultural intermediary. It explores how FQM defines and frames “Contemporary Ink Art,” selects and presents artists, and translates the aesthetic and philosophical foundations of this tradition for Western audiences. The findings show that FQM positions ink art not merely as a medium-based practice but as …

The Cultural Adaptation Of Abstract Expressionism In The Middle East, Solmaz Shoukohi

MA Theses

Abstract Expressionism emerged in post-WWII New York as both an artistic revolution and a tool of cultural diplomacy. This thesis examines how that ostensibly “American” art movement was adapted and transformed in the Middle East from the 1950s through the  1980s. Chapter 1 outlines the rise of Abstract Expressionism amid Cold War politics, highlighting how the style was promoted globally as a symbol of freedom. It discusses the role of U.S. institutions in exporting avant-garde art – famously described by Eva Cockcroft as a “weapon of the Cold War” – through touring exhibitions and covert sponsorship. Chapter 2 then traces …