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Full-Text Articles in Contemporary Art

Growing Up In Civil Rights Richmond: A Community Remembers, N. Elizabeth Schlatter, Ashley Kistler, Laura Browder, Richard Waller, Myra Goodman Smith, Elvatrice Belsches, Michael Paul Williams Jan 2019

Growing Up In Civil Rights Richmond: A Community Remembers, N. Elizabeth Schlatter, Ashley Kistler, Laura Browder, Richard Waller, Myra Goodman Smith, Elvatrice Belsches, Michael Paul Williams

Exhibition Catalogs

Published on the occasion of the exhibition Growing Up in Civil Rights Richmond: A Community Remembers, Joel and Lila Harnett Museum of Art, University of Richmond Museums, January 17 to May 10, 2019.

Organized by the University of Richmond Museums, the exhibition was developed by Ashley Kistler, independent curator, and Laura Browder, Tyler and Alice Haynes Professor of American Studies, University of Richmond. The exhibition, related programs, and publication are made possible in part with funds from the Louis S. Booth Arts Fund and with support from the University’s Cultural Affairs Committee. The printed exhibition catalogue was made possible in …


Crooked Data: (Mis)Information In Contemporary Art, N. Elizabeth Schlatter Jan 2017

Crooked Data: (Mis)Information In Contemporary Art, N. Elizabeth Schlatter

Exhibition Catalogs

The University of Richmond Museums exhibited Crooked Data: (Mis)Information in Contemporary Art on February 9 through May 5, 2017, in the Joel and Lila Harnett Museum of Art. The exhibition features art by twenty-one contemporary artists and studios who work with data in nontraditional ways. Some artists incorporate data from known sources, using it as an aesthetic device divorced from its originally intended interpretive function. Others gather and manifest data that might normally be considered not worthy of collecting. And some of the works explore alternatives to standard data visualization forms and practices.

Some of the works featured in Crooked …


Anti-Grand: Contemporary Perspectives On Landscape, N. Elizabeth Schlatter, Kenta Murakami Jan 2015

Anti-Grand: Contemporary Perspectives On Landscape, N. Elizabeth Schlatter, Kenta Murakami

Exhibition Catalogs

Anti-Grand: Contemporary Perspectives on Landscape

Joel and Lila Harnett Museum of Art University of Richmond Museums, VA
January 15 to March 6, 2015

Anti-Grand: Contemporary Perspectives on Landscape features 24 contemporary, international artists, artists’ collectives and game developers who examine, challenge, and re-define the concept of landscape while simultaneously drawing attention to humanity’s hubristic attempts to relate to, preserve, and manage the natural environment. Anti-Grand includes 33 works of art, with video, installation, video games, and traditional two- and three-dimensional work.

All of the works in the exhibition were created since 2000 to focus on art made well after the …


Flow, Just Flow: Variations On A Theme, N. Elizabeth Schlatter, Richard Waller, Sarah Matheson Jan 2013

Flow, Just Flow: Variations On A Theme, N. Elizabeth Schlatter, Richard Waller, Sarah Matheson

Exhibition Catalogs

Flow, Just Flow: Variations on a Theme
Joel and Lila Harnett Museum of Art
University of Richmond Museums, VA January 29 to June 28, 2013

Psychologist Mihaly Csikszentmihalyi first used the term “flow” in 1975 to describe “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz.” Accordingly, this experience of single-minded immersion in an activity that is continuously challenging and rewarding is the secret to a vigorous and satisfying life.

Also referred to as “being in the zone,” this …


Art=Text=Art: Works By Contemporary Artists, N. Elizabeth Schlatter Jan 2011

Art=Text=Art: Works By Contemporary Artists, N. Elizabeth Schlatter

Exhibition Catalogs

Art=Text=Art: Works by Contemporary Artists

Wednesday, August 17 to Sunday, October 16, 2011
Joel and Lila Harnett Museum of Art

On view in the Harnett Museum of Art, University of Richmond Museums, from August 17 to October 16, 2011, Art=Text=Art: Works by Contemporary Artists features 72 works created between 1960 and 2011, that include text or reference textual elements. Many of the works reflect developments in modern and contemporary art and critical theory, and relate to concurrent politics, history, and philosophy. Among the more than 40 artists included in the exhibition are Alice Aycock, Trisha Brown, Dan Flavin, Jane Hammond, …


The True Water Of The Universe: Orlove Linnik, Joseph C. Troncale Jan 2007

The True Water Of The Universe: Orlove Linnik, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

No abstract provided.


The Space Of Freedom: Apartment Exhibitions In Leningrad, 1964-1986, Joseph C. Troncale, Evgeny Orlov, Sergei Kovalsky Jan 2006

The Space Of Freedom: Apartment Exhibitions In Leningrad, 1964-1986, Joseph C. Troncale, Evgeny Orlov, Sergei Kovalsky

Exhibition Catalogs

The Space of Freedom: Apartment Exhibitions in Leningrad, 1964-1986

Joel and Lila Harnetl Museum of Art, University of Richmond Museums, VA

September 16 to December 3, 2006

We are very pleased to present this traveling exhibition of artwork from the collection of the Museum of Nonconformist Art, Pushkinskaya 10 Art Centre, St. Petersburg, Russia, presented within the context of a re-created "apartment" exhibition from Leningrad. [...]

To our knowledge, [...] The Space of Freedom is the first exhibition organized in the United States to focus on both the artwork shown in communal apartments and on the exhibition space of the …


French Aesthetics: Contemporary Painting Theory, Gary Shapiro Jan 1998

French Aesthetics: Contemporary Painting Theory, Gary Shapiro

Philosophy Faculty Publications

One peculiar feature of the Anglo-American reception of French thought since about 1970 is the view that the variety of thinkers and tendencies involved reduces everything to language. One crucial place to test such a reading is with regard to a set of texts devoted to painting and the visual arts, for the latter would seem to be situated at or beyond the boundaries of language, a place that Julia Kristeva calls the semiotic. The alleged reductionism of the French is usually construed as the claim that language is a seamless whole in which all meanings are defined in terms …


Gadamer, Habermas And The Death Of Art, Gary Shapiro Jan 1986

Gadamer, Habermas And The Death Of Art, Gary Shapiro

Philosophy Faculty Publications

Since the appearance of Jurgen Habermas's critical review of Hans-Georg Gadamer's Truth and Method [Wahrheit und Methode], there has been talk of the ‘Gadamer-Habermas debate' among those who are interested in the nature of historical understanding and social rationality. More recently a number of philosophers have come to see that the issues involved are of wider scope, and that the opposition of the two can be seen as emblematic of two very general styles or approaches to philosophy, which are at the centre of contemporary discussion. As one might expect, differences at fundamental levels concerning truth and understanding …