Contemporary Art Commons^™

Point Of Intersection: Arts Participation, Art Appreciation, And Community Cultural Development, Della Marie Cheek

Graduate Theses

This thesis is culled from my engaged perspective as writer, recipient, and coordinator of South Carolina Arts Commission's (SCAC) Statewide Arts Participation Initiative (SAPI) grant, which was funded through the Wallace Foundation, and from my simultaneous engaged perspective of developing and teaching Clinton Junior College's (CJC) first offering of academic course ART101: Art Appreciation.

Animals As Metaphor: Feminist Art And Animal Rights In The 1970s And Beyond, Ashley Watson

Kaleidoscope

No abstract provided.

The Significance Of Seeking Truth In Art, Veronica Cook

All Student Theses and Dissertations

One of my main objectives in creating art is to emphasize the importance of inner human development and expression of higher being as opposed to reactionary processes that culminate into an art form.

My art, my research and my life have blended into a unified assemblage of experiential expression. What is human consciousness and how do we express feelings, thoughts and concepts? What does it mean to love or hate and how do these feelings affect our environment?

This text is an attempt to make sense of the feelings of oneness with all forms of life that become the underlying …

Bleach, Kim E. Alexander Jr.

CGU MFA Theses

The work in this exhibition investigates the unique potential for drawing to articulate the ideas and attitudes of architecture and objects. Accepting drawing as operating in conceptual space, I explore experimental loops within the visual logic of that territory. The work asserts the material fact of drawing and its connection to forms of fabrication in other materials like wood, paint, metal, and plastic. Like painting and sculpting, the drawings occupy an intangible state between objects and ideas. I embrace this irresolution. Please see Download button in top right corner for the full statement.

Mythic Narratives: The Chronicling Of Conceptual Art, Ana A. Iwataki

Pitzer Senior Theses

An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world.  These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for future generations.

Measured Chance, Brian R. Kluge

School of Art, Art History, and Design: Theses and Student Creative Work

In my practice I use clay to make enigmatic, non-representational sculptures that employ reductive geometry and archetypal forms. By pressing clay into a variety of molds, it is my intention to contrast a primal crudeness with a skilled precision in my handling of the material. I fabricate objects that range in scale from handheld to human- size. In this work, I combine references to the forms of manmade things with surfaces that allude to age and wear resulting from natural patinas that occur on stone, wood, or metal. This body of work shares qualities with the Minimalist and Earth Art …

Criton Tomazos And Underground Art In The 1960s, Stephen Carruthers

Articles

This article situates the artistic development of the Greek-Cypriot artist Criton Tomazos (b.1940) as a part of a circle of artists in the 1960s loosely associated around a number of informal groupings, including Arts Together, Writers Forum, Sigma, Group H and Environmental Forum.It examines the context for a number of his key works including The Cage on the basis of a literature review and interviews conducted with Criton Tomazos. The article concludes that Criton Tomazos made a significant contribution to the Undergound art movement in London in the 1960s.

Krause & Spellmann: Scenes From Lost America, Jo Neace Krause, Charles Spellman, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artists Jo Neace Krause and Charles Spellman.

Robert Morgan: The Age Of Discovery, Robert Morgan, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artist Robert Morgan.

Art=Text=Art: Works By Contemporary Artists, N. Elizabeth Schlatter

Exhibition Catalogs

Art=Text=Art: Works by Contemporary Artists

Wednesday, August 17 to Sunday, October 16, 2011
Joel and Lila Harnett Museum of Art

On view in the Harnett Museum of Art, University of Richmond Museums, from August 17 to October 16, 2011, Art=Text=Art: Works by Contemporary Artists features 72 works created between 1960 and 2011, that include text or reference textual elements. Many of the works reflect developments in modern and contemporary art and critical theory, and relate to concurrent politics, history, and philosophy. Among the more than 40 artists included in the exhibition are Alice Aycock, Trisha Brown, Dan Flavin, Jane Hammond, …

Karen Azoulay: Carnation Thunder, Liz Linden

Faculty Publications

No abstract provided.