Contemporary Art Commons^™

From Otherness To Agency: Reframing Eurocentric And Orientalist Representations In Contemporary Middle Eastern Art, Violette Wolter

MA in Contemporary Art Dissertations

This essay examines how contemporary artists from the Middle East challenge Eurocentric frameworks of representation embedded in Orientalism by proposing alternative narratives of identity, history, and resistance. This study, which draws on postcolonial theory, particularly Edward Said's Orientalism (1978), Dipesh Chakrabarty's Provincialising Europe (2000), and Hamid Dabashi's Post-Orientalism (2009), explores how artistic practices dismantle the inherited hierarchies of Orientalist knowledge and visual power. Orientalism, which generated a discourse that constructs the Orient as Europe's ‘Other,’ still fuels neo-Orientalist narratives that portray the Middle East as irrational, violent, or static. Through a close analysis of the artistic practices of artists Shirin …

Making The Invisible Visible: How Contemporary Artists Depict The Climate Crisis Through Visual And Conceptual Strategies, Isabella Ray

MA in Contemporary Art Dissertations

This dissertation examines how contemporary artists depict the environmental consequences of climate change through visual and conceptual strategies. Through the examination of different artworks: Olafur Eliasson’s Ice Watch (2014-2018) and Your Waste of Time (2006), John Gerrard’s Western Flag (Spindletop, Texas) (2017), and Mary Mattingly’s Waterpod (2009) and Swale (2016-2020), this research analyzes how site, material choice, and civic participation create ecological awareness and model possible futures. Eliasson’s installations prompt phenomenological engagement with melting glacial ice and temporalities beyond human perception; Gerrard’s real-time simulations critique humanity’s dependence on fossil fuels through the digital presentation of a perpetual burning flag; Mattingly’s …

Unmaking The Anthropocene: Colonial Violence, Racial Visuality, And Extractive Capitalism, Jiwon Ko

MA in Contemporary Art Dissertations

This dissertation examines how the works of Sammy Baloji, Otobong Nkanga, and Anna Boghiguian—specifically …and to those North Sea waves whispering sunken stories (II) (2021), Solid Maneuvers (2015), and The Salt Traders (2015)— offer critical reconfigurations of the Anthropocene. Bringing together the frameworks of Black Anthropocenes and the visuality of the Anthropocene, the study argues that the environmental crisis cannot be understood as a universal human condition but must be read through the racialised geologies, extractive histories, and visual regimes inherited from colonial modernity. Through strategies of installation, performance, and speculative narration, these artists reveal the uneven material and perceptual …

Playing In The Field: Carrie Mae Weems Exploration Of Black Mobility, Through Diasporic, Temporal, And Visual Movement, Tobi Alexandra Falade

MA in Contemporary Art Dissertations

This dissertation investigates the notion of diaspora, as a framework to explore the use of movement within the lens-based work of Carrie Mae Weems. This study is largely carried out through Leave! Leave Now! 2022, a twenty-five-minute video installation sectioned into five parts and staged within a traditional movie theatre. The artwork explores the journey, real-life disappearance and reappearance of sharecropper Frank Weems—the artists grandfather—through a diasporic tale interwoven with critical questions about migration and its historical and future consequences. The first chapter “Diasporic Journeys”, explores enforced journeys and the diasporic experiences at large. The second chapter, “Temporal Movement”, explores …

On Liminality: Rachel Whiteread & Archiving The In-Between, Natalie Emmerman

MA in Contemporary Art Dissertations

This dissertation examines the sculptural practice of Rachel Whiteread (b. 1963) through the lens of liminality, the uncanny, and the archive. By casting the negative spaces of everyday objects, domestic interiors, and monumental architecture, Whiteread materializes absence and transforms overlooked objects and spaces into solid, lasting forms. Her work destabilizes binary categories such as presence and absence, private and public, representation and abstraction, and permanence and ephemerality, exposing memory as fragile, discontinuous and often ghostly. Drawing on theoretical frameworks rooted in psychoanalysis, photography, time and space, this study explores Whiteread’s practice as a form of sculptural archivization.

Analysis is structured …

Earth As Medium: Land Art And The Human Experience Of Connection To Nature, Charlotte Johnson-Watts

MA in Contemporary Art Dissertations

This dissertation examines how the Land Art of the 1960s and 1970s engaged the earth as both medium and site, foregrounding the ways in which artists constructed experiences of connection to the natural world. It focuses specifically on the practices of Michael Heizer, Robert Smithson and Richard Long, who each emerged as central figures during this period, turning to the earth itself as their primary material and rejecting traditional, commodifiable forms of art. For these artists, earthworks functioned not only as a critique of the social and political conditions of the time but also as an innovative way of re-engaging …

Urban Fieldnotes: Rematerialization, Ecological Handicraft, And Participatory Sustainability In Contemporary Art, Qihan Fu

MA in Contemporary Art Dissertations

This dissertation explores how the intertwined practices of rematerialisation and ecological handicraft can reorient contemporary art toward social, ecological, and ethical renewal. It argues that in the aftermath of Conceptual Art’s legacy of dematerialisation, where ideas eclipsed material engagement, art must rediscover its tactile, communal, and ecological intelligence to respond meaningfully to the crises of the Anthropocene. Drawing upon theorists including Lucy Lippard, Jane Bennett, Tim Ingold, and Glenn Adamson, this research proposes a triadic framework of rematerialization, ecological handcraft, and participatory sustainability that restores continuity between making, environment, and community.

The accompanying practice project, Urban Fieldnotes, situated in …