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Articles 1 - 16 of 16

Full-Text Articles in Contemporary Art

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden Jul 2016

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …


Reframing Pictures: Reading The Art Of Appropriation, Liz Linden Jan 2016

Reframing Pictures: Reading The Art Of Appropriation, Liz Linden

Faculty Publications

No abstract provided.


Josep Pujiula Receives Two Awards., Jo Farb Hernandez Jan 2014

Josep Pujiula Receives Two Awards., Jo Farb Hernandez

Faculty Publications

No abstract provided.


Fluxus, Dore Bowen Jan 2014

Fluxus, Dore Bowen

Faculty Publications

No abstract provided.


No Limitations : Tania Mouraud, Tania Mouraud Nov 2013

No Limitations : Tania Mouraud, Tania Mouraud

SWITCH

This article explores Tania Mouraud’s decades-long career in art, describing the different media she has used and how the evolution of technology has informed her work.


Singular Spaces: Spanish Art Environments., Jo Farb Hernandez Jan 2013

Singular Spaces: Spanish Art Environments., Jo Farb Hernandez

Faculty Publications

No abstract provided.


Karen Azoulay: Carnation Thunder, Liz Linden Jan 2011

Karen Azoulay: Carnation Thunder, Liz Linden

Faculty Publications

No abstract provided.


L'Autre Guide: For Early Man On A Modern Road, Musée De Préhistoire Des Gorges Du Verdon, Dore Bowen Jan 2010

L'Autre Guide: For Early Man On A Modern Road, Musée De Préhistoire Des Gorges Du Verdon, Dore Bowen

Faculty Publications

Au cours de leur résidence au musée, l’artiste Isabelle Massu et l’historienne d’art américaine Dore Bowen ont entrepris une recherche dont elles présentent les résultats au Musée de Préhistoire, du 16 mai au 15 décembre 2009, avec la collaboration de la scénographe Isabelle Gressier.


This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen May 2008

This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen

Faculty Publications

This essay examines the benefits and disadvantages of using imagination as a method of historical research in the archive. Employing Jean-Paul Sartre's notion of “image-consciousness” in The Psychology of Imagination, imagination is defined and explored as a form of perception based upon temporal absence or suspension. This method is then discussed in relation to the exhibition “Not Given: Talking of and Around Photographs of Arab Women” (2006), curated by the author with artist Isabelle Massu. The installation was assembled with the cooperation of the Arab Image Foundation in Beirut and traveled from Marseille (2005-06) to San Francisco (2007). The author …


The Function Of Dysfunction, Dore Bowen Jan 2007

The Function Of Dysfunction, Dore Bowen

Faculty Publications

No abstract provided.


This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen Jan 2007

This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen

Faculty Publications

No abstract provided.


San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen Jan 2005

San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen

Faculty Publications

No abstract provided.


Photography In The Mix: Flora-Fauna-Photo, Dore Bowen Jan 2003

Photography In The Mix: Flora-Fauna-Photo, Dore Bowen

Faculty Publications

The article examines the SF Camerawork exhibition Agitate: Negotiating the Photographic Process, which was co-curated by the author.


Into The Looking Glass, Dore Bowen Jan 2002

Into The Looking Glass, Dore Bowen

Faculty Publications

The article reviews the exhibition Yes Yoko Ono at the San Francisco Museum of Modern Art.


Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen Jan 1998

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Faculty Publications

No abstract provided.


Conjuring Post-Worthlessness: Contemporary Web Art And The Postmodern Context: Part 2, Brett Stalbaum Jan 1997

Conjuring Post-Worthlessness: Contemporary Web Art And The Postmodern Context: Part 2, Brett Stalbaum

SWITCH

In this short essay, the author compares postmodern philosophical concepts from Michel Foucault and Jean Baudrillard to theories of Web-based Art. The author discusses modern strategies for design and new aesthetics that re-emerged on the web. The author acknowledges that Baudrillard and Foucault overemphasize art's value as measured by the interplay of technologies of the self and production systems. He also points out that it would be as flawed a strategy to dismiss the postmodern critiques of art, as doing so runs the risk of complete cynicism and dismissal of art’s value. The relationships between what the author describes as …