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Articles 1 - 13 of 13
Full-Text Articles in Contemporary Art
No Limitations : Tania Mouraud, Tania Mouraud
No Limitations : Tania Mouraud, Tania Mouraud
SWITCH
This article explores Tania Mouraud’s decades-long career in art, describing the different media she has used and how the evolution of technology has informed her work.
Science Fictional Transcendentalism In The Work Of Robert Smithson, Eric Saxon
Science Fictional Transcendentalism In The Work Of Robert Smithson, Eric Saxon
School of Art, Art History, and Design: Theses and Student Creative Work
In studies of American artist Robert Smithson (1938-1973), scholars often set the artist’s early abstract expressionist and Christian iconographical paintings apart from the rest of his body of work, characterizing this early phase as a youthful encounter with the enduring legacy of abstract expressionism in the late 1950s to early 1960s as well as a temporary preoccupation with ritualized Catholic imagery. This thesis argues for the inclusion of this early phase into Smithson’s career as a foundational period in which he established the set of problems that artistically engaged him throughout his life: issues of temporality, materiality, and universal entropy. …
Ritual Process, Kevin A. Baer
Ritual Process, Kevin A. Baer
LSU New Orleans Theses and Dissertations
My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …
Hamza Salim Interview, Julian Coleman
Hamza Salim Interview, Julian Coleman
Asian American Art Oral History Project
Bio: Hamza J. Salim is a Palestinian artist, architect, and community based activist from Chicago, Illinois. He earned his masters in Architecture from the University of Illinois at Chicago and his work has been exhibited nationally and internationally in New York, Chicago, Los Angels, London and Dubai. He is currently serving as the Project Director of the 12th Chicago Palestine Film Festival and is the Immigrant Community Coordinator at a non-for-profit social service agency, Arab American Family Services.
Bio from facebook.com/HamzaJSalimStudio/info
See also: http://www.hamzajsalim.com/
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
School of Art, Art History, and Design: Theses and Student Creative Work
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20th and 21st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.
This thesis comprises two sections. In the first section, the analysis is focused on the historical …
Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman
Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman
Creative Activity and Research Day - CARD
Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.
David Lucas, David Lucas, Kentucky Folk Art Center
David Lucas, David Lucas, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.
Singular Spaces: Spanish Art Environments., Jo Farb Hernandez
Singular Spaces: Spanish Art Environments., Jo Farb Hernandez
Faculty Publications
No abstract provided.
Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott
Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott
Conference Papers
This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”
In more detail, …
Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott
Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott
Conference papers
This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”
In more detail, …
Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono
Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono
Art Faculty Articles and Research
A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.
Flow, Just Flow: Variations On A Theme, N. Elizabeth Schlatter, Richard Waller, Sarah Matheson
Flow, Just Flow: Variations On A Theme, N. Elizabeth Schlatter, Richard Waller, Sarah Matheson
Exhibition Catalogs
Flow, Just Flow: Variations on a Theme
Joel and Lila Harnett Museum of Art
University of Richmond Museums, VA January 29 to June 28, 2013
Psychologist Mihaly Csikszentmihalyi first used the term “flow” in 1975 to describe “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz.” Accordingly, this experience of single-minded immersion in an activity that is continuously challenging and rewarding is the secret to a vigorous and satisfying life.
Also referred to as “being in the zone,” this …
The Building Blocks Of Museum Education: Examining Early Childhood Education Programs In Art Museums, Meghan Ann Lally
The Building Blocks Of Museum Education: Examining Early Childhood Education Programs In Art Museums, Meghan Ann Lally
Dissertations and Theses
No abstract provided.