Contemporary Art Commons^™

Framing Colonialism: An Analysis Of Kent Monkman’S Mistikôsiwak (Wooden Boat People), Jasen D. Evoy

The Confluence

The 2019 diptych mistikôsiwak (Wooden Boat People) by Kent Monkman is one of a series of recent commissions by the Metropolitan Museum in New York granted to diverse artists, shifting the Museum’s focus to a broader, inclusive, and global scope. Monkman’s large scale paintings are site specific, exploring interactions between the work and the permanent collection of the Metropolitan Museum. The work uses visual quotation to connect to historical works within the collection of the Met, thereby commenting on the legacy of colonialism and subsequent impacts on Native peoples and cultures. The analysis of the work focuses on visual and …

The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake

Theses and Dissertations

This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.

The Construction And Defense Of Artistic Authorship In Contemporary Copyright Disputes, Sophie Bell

Theses and Dissertations

Through the lens of three contemporary copyright infringement cases, this thesis examines topics in the field of art law, each grounded in the recent history of art and its controversies, in order to illuminate the unique set of legal conditions shaping contemporary artmaking, sale, and exhibition in the United States.

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.

The Sole Result Is The Game, Julia Taszycka

Theses and Dissertations

I address the idea of the game understood both from the perspective of the art world and the socio-economic system. My recent projects have been based almost entirely on found objects, bearing strong traces of damage, deterioration, and destruction.

Politics And War In The Cannes International Film Festival: An Analysis Of The Festival’S Unifying Agenda, Julia Grace Wood

Honors Theses

Since its inception, the Cannes International Film Festival was envisioned as a means of using film as a method of diplomacy. In fact, the first two decades of the two-week long festival on the banks of the French Riviera sought to unify politically divided nations in the years following World War II and into the Cold War. My research seeks to identify the political agenda of the festival in the early years and how the Cannes International Film Festival promoted transnationalism and unity between divided nations. I argue that the festival was able to accomplish its unifying agenda through the …

Sondra Perry: On The Limits And Possibilities Of Access, Visibility, And Freedom, Sigourney Schultz

Theses and Dissertations

Sondra Perry: On the Limits and Possibilities of Access, Visibility, and Freedom connects the intellectual history of cyberfeminism and Afrofuturism with the future of post-Black studies by exploring themes such as the abstraction of blackness and the materiality of new media.

Partisan Dilemmas Between Activism And Socially Engaged Art: Situations In Loisaida At The End Of The Seventies, Olga FernáNdez López

Artl@s Bulletin

The end of 1970s is an interesting moment to understand the epistemic shift that involves the passage from partisan artistic activism to contemporary socially engaged art. Then, a significant convergence took place in the neighborhood of Loisaida (NYC), where artists and local residents coincided in their modes of action. However, its subsequent cultural interpretations have overlooked each other. Art history cosmopolitan approaches clashed with migration identities, traversed by victimhood, but also by transnational heritages. This article examines and reunites both traditions looking for a reparative art history.

Sandstorm Spring 2022, Leslie Malland

Sandstorm: A Journal of Arts and Letters

Full Manuscript

The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski

Senior Honors Projects

No abstract provided.

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Springdale, Arkansas Public Art And Its Impact On Diverse Community Members, Cara Elvira Salvatore

Graduate Theses and Dissertations

Where we live and how we feel about this environment shape our quality of life. Our geographical location can contribute to our self-perceptions and bond-forming. These are each prioritized by the National Association of Social Workers’ (2021) ethics as essentials for overall health. The areas we live in steward different resources to meet local needs and priorities, ultimately achieving varying impact. Minimal, if any, research exists on topics such as Springdale, Arkansas’ public art, the impactful qualities of public art as defined by members of the public, and how the public art may change individuals’ navigation of and interactions within …

Rodcon, Flier, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Rodcon
Saturday April 9, 2022
10 a.m.-4 p.m.
Free and open to the public

Flier used in promotion of the event.

The Currency (Volume 1, Issue 1), Elsa Akesson, Claudio Castillo, Sophie Delaplaine, Jade Wu, Maria Paula Suarez

The Currency--SIA Student Magazine

Table of Contents

Page 2: Elsa Akesson, "Kids of Morondava," 2020, oil & acrylic on linen, 130 x 97 cm.

Page 4: An Interview with Generative Artist Claudio Castillo by Sophie Delaplaine, SIA-London '22

Page 9: Jade Wu, "Grain Rain," 2020, oil on canvas, 24 x 36"

Page 11: Navigating the Artworld: My Personal Journey as an Emerging Artist through the Pandemic by Maria Paula Suarez, SIA-NY '23

Políticas Visuales Y Acción Colectiva: Un Investigación Sobre Las Articulaciones Estético-Políticas En Manifestaciones De Arte Público En Ushuaia Y El Bolsón / Visual Politics And Collective Action: An Investigation Of Aesthetic-Political Articulations In Manifestations Of Public Art In Ushuaia And El Bolsón, Laura Woodhouse

Independent Study Project (ISP) Collection

Art in the public sphere is an integral tool of communication that transcends the vertical hierarchies of social organization by infiltrating the popular consciousness with disruptive mediums and reclamations of visual space. Because of the specific accessibility of a variety of forms of public art, for both creators and observers, manifestations of public art have become a popular method through which counter-hegemonic social narratives can be constructed and mediated; in Argentina, a profound history of disruptive art has has been intricately intertwined with an equally rich history of popular activism. With a focus in El Bolsón and Ushuaia, two localities …

The Woman Behind The Whitney, Breanna Epp

Honors Program: Senior Projects (Public)

Gertrude Vanderbilt Whitney was the founder of the Whitney Museum of American Art, as well as a prominent sculptor and patron to artists in the early 1900s. Her art collection was the largest of American art at the time, and she led the nation into an appreciation of its own native art. Native in this context specifically means any art that was made in America, not strictly art made by the indigenous people of the Americas. Tackling her entire life, from growing up in the Vanderbilt family to her death, I provide an overview of her interactions with the art …

Visual Diaries: Towards Art History As Storytelling, Alpesh Kantilal Patel

Art History Pedagogy & Practice

This essay examines variants of what I refer to as “visual diaries” – or thinking through images and written or oral language – as important “worldmaking” exercises, essential for students of color, women, sexual minorities, or other marginalized subjects. I provide my reflections on assigning this dynamic and student-centered, practice-based assignment in my contemporary art courses at a Hispanic-serving institution (HSI) of higher education and a summer art residency program unaffiliated with a university. Besides my reflections on my pedagogy, I also share student feedback from unsolicited testimonials and answers to questionnaires. I argue that visual diaries transform students into …

Craftivism Between Nationalism And Activism In Ukraine And Belarus, Alla Myzelev

Art History

This article outlines the history and significance of Craftivism in Eastern Europe. Using two case studies of artists it investigates the use of the craft language in Eastern Europe and its usability for activism. Do-It-Yourself culture, of which Craftivism is part, rejects the commercialism, gender norms and the conventional lifestyle in the Global North. Use of crafts as a language of political and social struggle allows to convey the message in a less confrontational but nevertheless very pertinent way. The craftivism is a successful language for the feminist political struggle in the Eastern Europe.

Contextualizing Britain’S Holocaust Memorial And Museums: Form, Content, And Politics, Rebecca D. Pollack

Dissertations, Theses, and Capstone Projects

The quantity of Holocaust memorials in Britain and their prominence in public debates beseeches the question: Why does a country with a modest Jewish population, that was neither occupied by the Nazis nor lost its citizens in the horrors of the Holocaust, devote large quantities of resources and time to memorializing the events of the Holocaust? While there are private and synagogue-based Holocaust memorials in Britain, this dissertation centers on Britain’s statefunded Holocaust memorials and museums, a substantial network of memorials that is often left out of the abundant literature on Holocaust memory. Each memorial project is examined through the …

Tom Clancy: Creating A Sense Of Place A New York Sculptor’S Approach To Site 1960–87, Marina Gluckman

Theses and Dissertations

This thesis contextualizes the sculptural work made by American artist Tom Clancy (b. 1933) in New York between the 1960s and 1980s. Discussing Clancy’s approach to indoor and outdoor sites, it emphasizes the reasons the artist’s work should be considered within the history of the downtown New York art scene.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Afropolitan Manifestations In Contemporary African Art: Mobilizing Achille Mbembe, Petra Frank-Witt

Theses and Dissertations

This thesis explores Afropolitanism's conceptual-philosophical grounds and how its principles are mirrored in the arts. Achille Mbembe’s conceptualization is presented as a form of cultural cosmopolitanism, as shared by the artists presented, further distilled as a dynamic, forward-looking, emancipatory ideology that favors Africanness as open-ended signifier rather than overdetermined sign.

Rodcon, Program, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--Welcome to RodCon
--Location
--Schedule
--What's That?
--Artists
--Food
--Sponsors
--Autographs

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Reclamation, Laura Day Webb

MA Projects

This exhibition will take the form of a group show of African artists who weave
/="/">cultural heritage with the contemporary, to challenge Western perceptions of African art and culture. Artists Wole Langunju (Nigeria), Prudence Chimutuwah (Zimbabwe), Lincoln Mwangi (Kenya), Moira Bushkimani (Kenya), and Angèle Etoundi Essamba (Cameroon) are confirmed to participate. In addition to the contemporary works by these artists on display, two Nigerian Gèlèdé masks have been generously loaned from the private collection of Olusanya Ojikutu, one from the early 20th century and, the other, whose dating is undetermined. In showcasing these works in tandem, the exhibition creates …

Fpi Art Initiative: A Romanian Perspective, Through The Looking Glass, Francesca Popescu

MA Projects

The FPI (Francesca Popescu Ife) Art Initiative is a curatorial business that focuses on creating pop-up exhibitions featuring emerging and mid-career artists from countries that are not as widely represented in New York or other major art markets. The foundation of this company is to form partnerships with real estate, hospitality, and public venues to host curated pop-up exhibitions throughout New York City and the Hamptons with future goals to expand nationally. The objective is to showcase artwork within a home environment where individuals and collectors interested in art and design can view and discover new artists exhibited within a …

The Printmaking Boom And Its Effect On The Future For The Market For Prints And Multiples, Helen H. Condo

MA Theses

The purpose of this study is to examine the history of the market for prints and multiples beginning with the print renaissance of the 1960s to discover the underlying drivers of a successful editions market and make predictions for the future. Before the print boom of the 1960s, driven by the departure of printmakers from Europe during World War II, who reinvigorated a passion for the artistic process, printmaking was considered that of a craft. Once it was elevated from its secondary status, due to excitement from Contemporary artists and institutional accreditation, a market structure was solidified. By examining the …

The Private Art Collector’S Foundation In France: Issues And Implications For The Cultural Landscape, Milena Berman

MA Theses

The last two decades have witnessed an explosion in the number of private art spaces worldwide. From Bentonville, Arkansas, to Naoshima, Japan, hundreds of impressive structures built by star architects have been funded by private individuals and corporations to house collections of modern and contemporary art, often in unlikely places. The famously-termed “Bilbao effect” in which a grand museum structure is set up outside of the established art capitals of the world, thus putting the city “on the map” of cultural tourism, has become a widespread trend. The examples vary greatly and range from small private “home museums”
/="/">made …

How Nfts Are Driving The Latest Evolution Of Art From Physical To Digital In A Pandemic Age., Isabel Dominguez De Haro

MA Theses

Prior to 2014, the art industry did not know a lot about NFTs and the benefits of
blockchain technology. That is because when the technology was created in 2008,
it had nothing to do with art. In fact, it was primarily developed as a way to
decentralize a broken financial system.1 And, even when the art industry began
successfully using the technology in 2017, it was the digital art world and not
traditional artists, galleries, auction houses, or dealers who first recognized the
benefit of using digital tokens to represent ownership of a unique asset. So why
now are NFTs …

Selling Transcendence: The Rise Of Experience And The Big Business Of Immersive Art, Emeline Callaway

MA Theses

There has been an explosion of immersive art experiences over the past few years. Even as the pandemic has taken a toll on tourism, immersive art ventures and experimental museums have expanded around the world, drawing significant crowds and offering investors an inside into a new, emerging industry. This thesis ties these new experiential businesses to the history of art through an analysis of immersive artistic exploration over time and connects the current forms of investment to the history of immersive art patronage. Exploring the relationship between major economic shifts and the development of the art market, this thesis explains …