Contemporary Art Commons^™

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez

Theses and Dissertations

The collaborative works by Brazilian artist Hélio Oiticica and filmmaker Neville D’Almeida responded to Brazil’s dictatorship and their self-imposed exile in New York between 1969-1974. Oiticica’s concept of crelazer and the artists elective “marginal” position converge to create a new cinematic language; challenging gender norms, and proposing new systems for living.

Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales

Theses and Dissertations

Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.

Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano

Theses and Dissertations

This thesis examines Art Across the Park (1980 and 1982), a program of sculpture and performance conceived of by artist David Hammons sited throughout overlooked regions of New York City’s public parks. Amidst debates about the proper use of public space and the role of public art in the early 1980s, Art Across the Park asserted a more culturally expansive model of being in social space, one rooted in strategies of performance as an antidote to lasting effects of social control.

Reflections: Indigenous Artists On Socio-Ecological Issues, Yanela Cortes-Orozco

Art 525/Art History 5290 Papers

No abstract provided.

Disgust Of The Body: Feminist Theories Through Indigenous Examples, Meyli Barrera

Art 525/Art History 5290 Papers

No abstract provided.

Where Do Women In Art Stand Now?, Cari Bruno

Art 525/Art History 5290 Papers

No abstract provided.

The Women Of Edo, Andrea Rojas

Art 525/Art History 5290 Papers

No abstract provided.

Contemporary Video Games: A Bad Precedent For Female Beauty?, Jamie Eloise Rodrigo

Art 525/Art History 5290 Papers

No abstract provided.

Cave Paintings And Psychedelics, Daisy Alarcon

Art 525/Art History 5290 Papers

No abstract provided.

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin

LSU New Orleans Theses and Dissertations

In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.

I began graduate school at the beginning of the COVID-19 …

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

How To Burn The American Flag: Subversions Of The Flag Code Amid The Black Arts Movement, Abigail (Claire) Porfilio '23

Honor Scholar Theses

No abstract provided.

But What Is Troy: Art In Queer Mourning, Ian Lamasney

Symposium of Student Scholars

Death is something that everyone, regardless of any arbitrary divisions, will inevitably have to experience. For a variety of reasons, queer mourning is not practiced the same way that straight society does - it manifests as raw anger at the society around them. Deconstruction and queer theory perspectives reveals political, social, and artistic strategies that inform recent visual art practice. Examinations of the work of Felix Gonzalez-Torres and John Boskovich, informed by queer theory perspectives, highlight similarities in the process of queer mourning in the late 20th century. In addition, discussion of the tale of Achilles and Patroclus recorded in …

Coded Ceramics: Computational Design Of Persian Ceramics, Nasrin Iravani

LSU Doctoral Dissertations

This research explores the use of computer-aided technology and robotics in the creation of digital art and crafts, while also considering the cultural history of digital design. It begins with an examination of the most recognizable styles of Persian ewers made between the years 1,000 and 1,400 AD in the Islamic era. After analyzing a hundred ewers from this period, I classified them based on distinctive features such as openings, necks, bodies, spouts, handles, and bases. Then I designed a series of 3D printed ceramic vessels – titled Coded Ceramics – that were inspired by elements of the historic ewers. …

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Remembering The Future: Wild Time And The Cosmic Imagination, Arabella Thaïs

Journal of Conscious Evolution

Entropy – the Second Law of Thermodynamics – is generally held to prove “time’s arrow”: that time is linear and unidirectional, and that the universe is following this trajectory. This paper presents a preliminary exposition into a new, integral ontology of time in which time is hyper-dimensional, non-linear and flows in both directions. This is supported through trans-disciplinary praxis at the intersection of aesthetics, cosmology, quantum mechanics, and chaos theory. The metaphysical implications of reverse causality are investigated, and confer a teleological universe that is coherent with the paradigm of an intelligent, self-realising cosmos in which beauty is a fundamental …

Contemporary Environmental Art: The Multidimensional Relationship Between Black Communities And The American Landscape, Sophia Perkins

Honors Capstones

Contemporary environmental art can be inspired by personal experience and reflections between the artist and their surroundings. Black women have a unique interaction with and relation to their environment. I would like to unpack the relationships between Black women and the environment by exploring a few different artists’ work, and by dissecting the effects race and gender have on one’s view of the natural world. I have studied the work of four artists: Torkwase Dyson, Allison Jane Hamilton, LaToya Ruby Frazier, and Calida Garcia Rawles. Environmentally, I have a specific interest in bodies of water / Black waterways because of …

Lou Rizzolo: Art Installations Of East Hall And The Sky, University Libraries

East Campus Oral Histories

WMU Professor Emeritus of Art Lou Rizzolo speaks with Cassie Kotrch via FaceTime about his time at WMU first as a student and then as a professor and artist. Lou discusses two writings he prepared. The first details his first day on East Campus and a seemingly impossible mission. The second details some of the major works of his time as a professor, especially one series of works around the study of the brain that was in the East Hall gym.

Sitting Here With You In The Future: Reimagining The Human Through Digital Art, Jared Z. Sloan

Crossings: Swarthmore Undergraduate Feminist Research Journal

This paper presents a novel construction of the Human that arises from digital art. Taking an interdisciplinary approach incorporating perspectives from queer theory, afropessimism, science and technology studies, and more, I analyze the works of three digital artists: Lucas LaRochelle, Arafa Hamadi, and Natalie Paneng. I chart the ways in which these artists negotiate borders between the physical and digital, human and non-human, and real and fantastical to challenge hegemonic Western ideas about humanity and the individual. I claim that by restricting the information available to the user in various ways, the picture of the Human that emerges from each …

Paper, Clay, And Thread: Tools Of Decolonization In The Work Of Guadalupe Maravilla, Juan Javier Salazar, And Julieth Morales, Alexandra J. Goldman

Theses and Dissertations

This thesis contains case studies on artwork by Guadalupe Maravilla, Juan Javier Salazar, and Julieth Morales. Each chapter focuses on one important medium in ancient American indigenous art - cartography, ceramics, and textiles – as explored in-depth by a contemporary artist from a region in which the medium has significant roots.

New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack

Theses and Dissertations

Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.

Rodcon, Program, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--- Welcome
--- Locations
--- Schedule
--- What's That?: Event Descriptions
--- Artist Alley
--- Food Map
--- Sponsors

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

[Archive] Belmont University Research Symposium (BURS)

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

Rodcon, Flier, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 1, 2023
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Lost & Found, Minji Choi, Myeongkyo Kim

MA Projects

Lost and Found focuses on olfactory art and stimulates the sense of smell through
various means and materials. In this exhibition, diverse associations of the sense of smell are evoked through visual art. Through these fragrant works of art, personal, psychological, social, and cultural dimensions are conveyed and explored. The exhibition's title, Lost & Found, refers to the restoration of the sense of smell, which many people have temporarily lost due to the physiological and social effects of COVID-19.

Artificial Minds, Lara Bayer

MA Projects

This paper explores the artistic possibilities of artificial intelligence, as well as its ability to act as a creative being through its learned knowledge from the collective consciousness of human beings, whether this learned knowledge can be used by the AI to represent reality, and whether this can be problematic regarding learned biases from the preexisting ones of our own. Looking at the history of how far artificial intelligence has come within the creative artistic realm, examining the technical aspects of how exactly an AI is able to generate original art, and examining four artists that all collaborate with artificially …

Monumentality Of The Artist Chapel: Dissecting Light, Color, Spirituality, And Permanence, Katherine Isler

MA Theses

The concept and creation of the artist chapel is an opportunity presented to only a select few artists. Artist chapels are monumental, permanent works of art that expose a sweeping summary of the artists oeuvre and act as a window into the mind of the artist. The chapels of Ellsworth Kelly, Dan Flavin, and Mark Rothko present a variety of similarities through the mediums of light and color. These characteristics take the artist chapel from a piece of art, to a transcendent
/="/">environment that cocoons the viewer in a space of both the seen and unseen. Each of these …